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Book Review: ‘The Woman in Me’ by Britney Spears

The Woman in Me by Britney Spears pulls the curtain back on the making of one of the biggest pop stars the world has ever seen and reveals how her superstardom eclipsed her familial trauma.

Taking the title from the lyrics of the 2001 hit “I’m Not a Girl, Not Yet a Woman” from the Britney album and Crossroads soundtrack, the long-awaited memoir made headlines with the sordid details of Britney’s relationship with fellow pop star and Mouseketeer Justin Timberlake during the turn of the century where tabloid articles and paparazzi photos overtook the media landscape. But there’s more to Britney’s life story starting in Kentwood, Louisiana. Born 25 miles away in McComb, Mississippi (also R&B pop star Brandy’s birthplace), Britney is a little girl who loves singing and dancing.

The woman in me was pushed down for a long time. They wanted me to be wild onstage, the way they told me to be, and to be a robot the rest of the time. I felt like I was being deprived of those good secrets of life—those fundamental supposed sins of indulgence and adventure that make us human. They wanted to take away that specialness and keep everything as rote as possible. It was death to my creativity as an artist.

Her father, Jamie, transitions through jobs as a welder to a construction worker to a gym owner, while her mother, Lynne, runs a daycare center raising Britney and her brother, Bryan. Britney scores opportunities to audition for The All New Mickey Mouse Club and perform on Star Search. Like many future stars at the time, once these opportunities end, she is back home. Her family eventually welcomes her younger sister, Jamie Lynn. The family dynamic is volatile. Her father is an alcoholic. Her mother smokes and yells constantly. She feels the most in power when she is performing. 

“Tragedy runs in my family,” Britney writes when telling the story of her paternal grandmother, known as Jean, who was committed to an asylum by Britney’s grandfather after losing a baby. Her grandmother was 31 years old when she shot herself with a shotgun over her infant son’s grave. New York Magazine covered this story in November 2022 in a longform piece that explores Britney’s ancestral tree on the Spears side to set the background for the conservatorship that ended in November 2021. Like her grandmother, Britney suffers from mental health issues after having her two sons a year apart. She says she had been forced to take Prozac for years. She had been hospitalized, where she says she was given lithium instead. Lithium was the drug her grandmother had taken as well. And like her grandmother, the reason why her mental health had destabilized is misunderstood. 

I was a little girl with big dreams. I wanted to be a star like Madonna, Dolly Parton, or Whitney Houston. I had simpler dreams, too, dreams that seemed even harder to achieve and that felt too ambitious to say out loud: I want my dad to stop drinking. I want my mom to stop yelling. I want everyone to be okay.

One aspect that seems to have been dominated by the Justin Timberlake headlines is the mistreatment Britney endured being married to backup dancer and wannabe rapper Kevin Federline. The father of her two children, Kevin disappears into recording studios and industry parties while Britney is breastfeeding one son and is pregnant with another one. As her marriage is falling apart and her custody arrangement goes against her, paparazzi stalk her more than ever to capture photos of her in disarray. Then in 2007,  she shaves her head at a barbershop with camera lens catching the moment outside. A few weeks later, she strikes a paparazzo’s car with an umbrella. The media salivates over these incidents and brands them as erratic, but Britney blames the stress on her postpartum depression, her divorce, the death of her aunt, and her family’s failure to help her properly through the grief. Throughout the book, she clarifies her emotions during events that dominated tabloids because her voice was misconstrued or silenced when it came to defending herself. 

The memoir serves as further defense for her sanity, post-conservatorship. Now, Britney makes headlines strictly with her Instagram usage. She often tapes herself dancing and modeling clothes with smoky eyes. In the book, she explains she finally has the right to express herself through photography. She owns the images and reels she shares on social media and poses for the camera of her volition. 

I am willing to admit that in the throes of severe postpartum depression, abandonment by my husband, the torture of being separated from my two babies, the death of my adored aunt Sandra, and the constant drumbeat of pressure from paparazzi, I’d begun to think in some ways like a child.

As for her infamous relationships, she was 24 and 25 years old when she had her sons. She married Kevin at 22 years old in 2004. That was only 2½ years after her unexpected breakup with Justin. When a girl falls in love with a boy at eleven years old and reconnects with him in a relationship plastered on every tabloid page, it’s natural for judgment to lead to soul mate talk. The raw emotion on the pages of Britney’s memoir just shows how she had to grow and move on from a relationship that seemed like it could last forever. Showbusiness had gotten in the way of both her major romances, which both ended disastrously with her receiving the weight of the judgment as the woman. 

Though she discusses her most memorable tours and appearances, Britney uses the memoir to give us a picture of the life she tried to make private until it was forced into privacy with her 13-year conservatorship. She describes the loneliness of performing while under a conservatorship like serving as a reality show judge and headlining a Las Vegas residency. A conservatorship is defined in legal terms as the designation of a conservator by a court to manage the financial and personal affairs of an incapacitated or incompetent individual, minor, or older adult with limited capacity. Britney was under a conservatorship when she shouldn’t have been classified as incapacitated or incompetent since she worked under extreme pressure. When the legal battle to gain back her independence started in 2020, many fans didn’t realize what a conservatorship entailed. Now, that her father is no longer her conservator, she is free, but she lost many years of her adulthood not having the freedom to control her wealth, decide on what to put in her body, or even drive her car. 

Looking back, I think that both Justin and Kevin were very clever. They knew what they were doing, and I played right into it. That’s the thing about this industry. I never knew how to play the game. I didn’t know how to play the game.

Overall, the memoir gives Britney a chance to explain her side of the story, which was largely ignored or misconstrued by the media machine. The book is written in her voice (think her lengthy Instagram captions), where you can tell she is sorting out her feelings and emotions during difficult times of her life. She chose Oscar-nominated actress Michelle Williams to record the audiobook on her behalf, which is unusual, especially for a celebrity who uses her voice to opt out of recording her own story. How you use your speaking voice can vary greatly compared to how you use your singing voice. The way the entertainment industry took a young Southern girl who loved to perform and transformed her into a robot to sell millions of albums and concert tickets took an insurmountable toll on the pop star. Now, that her story is out in the open, it seems like she is setting the parameters for her life.

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what's lit

What We Learn About Brittney Griner in Her First Memoir

Basketball star Brittney Griner will be releasing a new memoir next year about her 10-month detention in a Russian prison. The release of this book will coincide with the 10th anniversary of her first memoir In My Skin: My Life On and Off the Basketball Court. As the first memoir highlights the moments leading up to her newfound stardom, the second memoir will focus on the transition of becoming an unexpected political prisoner and activist.

“Readers will hear my story and understand why I’m so thankful for the outpouring of support from people across the world,” Brittney said in a press release about the memoir. “By writing this book, I also hope to raise awareness surrounding other Americans wrongfully detained abroad such as Paul Whelan, Evan Gershkovich, Emad Shargi, Airan Berry, Shahab Dalili, Luke Denman, Eyvin Hernandez, Majd Kamalmaz, Jerrel Kenemore, Kai Li, Siamak Namazi, Austin Tice, Mark Swidan and Morad Tahbaz.”

Alfred A. Knopf, a Penguin Random House imprint, is the publisher behind the untitled memoir. The news was announced amid the WNBA draft where University of South Carolina’s Aliyah Boston was the No. 1 pick and more than a week after Brittney’s former Baylor University coach Kim Mulkey won her first championship with the Louisiana State University women’s basketball team.

While Brittney spends 2023 revving up on the court, her memoir will sure make a splash when it comes out in spring 2024 as we get rare insight into her experience as a Black gay female athlete navigating various politics in order to win back her freedom.

Pay inequity, cannabis overregulation lead to arrest

Brittney, the No. 1 WNBA draft pick in 2013, was arrested in Russia in February 2022 over charges of carrying cannabis cartridges in her luggage as she tried to fly back to the U.S. after finishing a season playing with the Russian team UMMC Ekaterinburg. She played overseas, like a lot of her WNBA colleagues from Candace Parker to Maya Moore, because players’ salaries average $117,500 to $215,000, according to Spotrac.

On the list, Brittney’s WNBA base salary ranks at $165,100 this year as the No. 35 top paid player, a drop in standing due to her imprisonment. The No. 35 NBA player is Deandre Ayton of the Phoenix Suns, the same city as Brittney, and ESPN reports he is earning almost $31 million this season. Though WNBA salaries increased after fans voiced concern over the reason why Brittney was playing overseas, WNBA salaries are still nowhere near NBA salaries.

Her arrest also became controversial in the court of public opinion as she brought an illegal drug into Russia, where cannabis possession translated into a nine-year prison sentence. Though she helped the country elevate its basketball game, none of that mattered amid President Vladimir Putin’s administration waging a war with neighboring Ukraine.

Russia launched its first attack against the former Soviet Union republic of Ukraine on Feb. 24, 2022. Brittney was arrested the week before on Feb. 17.

She became a political prisoner as the Biden administration went back and forth on negotiations to bring Brittney, known as BG by her friends and fans, back to the U.S. safe and sound. She came home last December after the U.S. traded her with Russia for an infamous arms dealer.

What she entails in her post-imprisonment memoir will become media fodder with Oprah Winfrey-level interviews and a constant replay of excerpts. Brittney co-wrote her memoir in 2014 with Sue Hovey, a former vice president and executive editor at ESPN, a year after joining the WNBA.

The first memoir, published by HarperCollins, detailed her upbringing in Texas, particularly around growing into her sexuality. She was raised by a father, who worked in law enforcement and lived by the law at home. Her mother seemed supportive but couldn’t protect Brittney from her father’s ignorance about how she was developing.

Living under her father’s strict roof made playing basketball at Baylor, a private Baptist university, just as difficult after she left home. She writes about her experiences of dealing with her father and college coach in the book:

“I was finally coming into my own as an adult, but before I could step forward and be exactly the person I wanted to be in public, before I could say and do the things I wanted to do, on my own terms, I had to go through some serious growing pains with the two main authority figures in my life: my dad, Raymond Griner, and my coach, Kim Mulkey.

“I love and respect them both, more than they probably know. But if I had to pick just one word to describe my relationship with each of them? Complicated. All caps COMPLICATED.”

Tension with father, coach over sexuality

Kim was the Baylor coach for 21 years. In her book, Brittney writes about how their relationship deteriorated because she felt her coach showed two faces — one for the public, one for private.

“She would call me into her office to tell me I had done something wrong — like when someone saw me kissing my girlfriend at the movies — but then she would shift the burden away from herself, trying to imply she was just the messenger and this wasn’t how she personally felt. Those conversations caused me a lot of confusion, a lot of pain.”

Amid this year’s March Madness, the championship-winning coach told ESPN she had not talked to her former player since Brittney returned from Russia. To be fair, Kim was busy coaching her team to its first national title while Brittney had just re-signed with the Phoenix Mercury.

Brittney says she had “a lot of mixed emotions” about her time at Baylor, which is located in Waco, Texas. Though she was close to home and her talent was supported on campus, the university had a policy against same-sex romantic relationships, an issue she nor her family were aware of before her enrollment.

Attending a religious school against her sexual identity ties into her time in high school, where she realized she liked girls. At home, she says her father had his own similar policy.

“There was a bit of a cold war going on between us, but I knew our relationship would become red hot if he discovered the truth about my sexuality,” she writes. “I knew if he found out, the walls would come crashing down around me. My dad has always had a very narrow view of the world, perceiving anything ‘different’ as a threat.”

Though she had a simple coming-out discussion with her mother, Brittney says she was warned to not tell her father. She says her father would say passive-aggressive statements like wondering how Kim and Baylor would react to her “being so friendly with gays.”

The relationship Brittney had with these two authoritative figures really impacted how she wanted to live in the world as a gay woman. Her intersectionality also came up with her arrest. Russia is considered to have harsh laws against same-sex relationships. We should see correlations between how she was treated in the U.S. for her identity and how she was treated in Russia as an athlete-turned-prisoner.

It begs the question how her relationship with her father has changed with her high-profile arrest since part of her identity is growing up as a daughter of a police officer. She even once had the same career ambitions to follow in law enforcement.

Also, being Black (and tattooed) as a prisoner in a country that is less than 1% Black added fuel to the fire. When Brittney returned home, she was sporting a short cropped hairdo because she had to sever her trademark locs due to the freezing temperatures in Russia. Her upcoming memoir may go in depth on her feelings about her identity being affected by the erasure of her African hairstyle.

Fame & basketball

Since she was 23 at the time of the first memoir’s release, Brittney was still young enough to dedicate the majority of the book on her coming of age in Houston.

Like many teenagers, Brittney suffered from depression, not quite understanding the toll. She writes about how she was bullied for being tall and wanting to dress in clothes considered appropriate for boys.

“They were constantly making fun of how I looked and dressed, how I walked and talked,” she writes. “I’m not sure I can express exactly how I felt in those moments, because I usually went numb. When you’re on the receiving end of insults every day, they chip away at your self-esteem.”

With her 6’8 height, Brittney started playing basketball in high school, which is almost considered a late bloomer for anyone serious about pursuing the sport seriously in college and beyond.

“The growing confidence I felt off the court carried over to basketball. And the more I improved as a player, the better I felt about the person I was becoming,” she writes. “It all just fed on itself. After fighting and struggling my way through middle school, I now had a new sense of purpose.”

As she became a basketball megastar at Baylor, her sexuality and gender were questioned with higher intensity at the university.

“We could acknowledge, in a general way, that people were questioning my gender, calling me a freak, a man, a female impostor. And yet I couldn’t talk about being gay,” she writes. “Most of the time, I was on autopilot with the media, because I couldn’t really show who I was of the often portrayed—just a big, fun-loving, goofy kid—felt like a two-dimensional version of the real me.”

In the book, Brittney writes about her time playing on the Zhejiang Chouzhou Golden Bulls in China while on break from playing on the Phoenix Mercury, the team she signed with in 2013. She describes how normal it is for WNBA players to play overseas to earn close to equivalent salaries of NBA players. Though she is a two-time Olympic gold medalist for Team USA, she still had to play in Russia, which ultimately led to her arrest.

Regardless of the controversy around her arrest and release, readers may be interested in her captivity in a strict foreign prison as a gay Black female celebrity and how that experience led to the evolution of her speaking up for Americans also imprisoned under trumped-up charges abroad.

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what's lit

‘From Scratch’ TV Review: Aftertastes

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

A wife must come to terms with losing her husband and uniting her family abroad as they grieve in the Netflix series From Scratch. Based on the best-selling memoir by actress Tembi Locke, the series’ last episode summarizes the grief that is expressed throughout the book.

In the last episode, Amy, played by Zoë Saldaña, brought her husband Lino, played by Eugenio Mastrandrea, home to palliative care as his rare soft-tissue cancer worsened with no cure in sight. After a few days of bittersweet heartache, Lino dies. When Amy meets with palliative care counselor in “Between the Fire and the Pan” episode, she’s told to bring her daughter, Idalia, played by Isla Colbert, to Lino after he passes. She does that in the beginning of this episode to let her daughter grieve her father.

The grieving process is palpable. Amy later collapses as her mother Lynn, played by Kellita Smith, and her sister Zora, played by Danielle Deadwyler, bathe her in the bathtub as she uncontrollably cries. We don’t hear the grief as instrumental music drowns them out. Amy then stays in bed while her family takes over her house. Zora tells Amy that she’s afraid of her slipping away. Amy breaks down that she can’t fly to Sicily to bring Lino’s ashes home. She doesn’t have the energy; she already gave her all.

FINDING HOME IN SICILY

Amy finds herself driving on the rollercoaster roads of Sicily with Idalia in the backseat, along with Lino’s ashes. They follow the directions to Lino’s family’s home, where they are greeted by the entire town led by Lino’s mother Filomena, played by Lucia Sardo. Amy rises out of the car and presents Lino’s ashes to his mother. Filomena gets teary as she carries the urn high in a solemn parade through the narrow alleys to her house.

The priest comes to the house for the blessing while Filomena breaks down. Idalia gets agitated about the overwhelming emotion in the room. Amy carries her to their guest room where she explains they are leaving Lino in Sicily. Idalia thought her father would come back with them to Los Angeles. After the blessing, Filomena tells Idalia she can see her father anytime in her imagination. All in black, the family later goes on another trek to bury Lino as the townspeople bow in respect.

The next day, Filomena makes Amy breakfast, consoling her about the everlasting heartbreak of losing a husband. Filomena’s husband and Lino’s father Giacomo, played by Paride Benassai, dies in the episode “Heirlooms,” a year after visiting the family in LA in the “Bread and Brine” episode. Neither of Lino’s parents attend the wedding for Amy and Lino that takes place in Italy, a sore spot in the “A Villa. A Broom. A Cake.” episode that continues to emerge throughout the series. This is not the first time they have spoken, but it’s the first time Amy has been in the family household and is being treated with care by her semi-estranged mother-in-law.

Amy goes to a wine bar for a moment of peace away from her family. She’s the only woman there. The older Sicilian men watch her in suspicion. Not only is she American, but she is Black, and they have probably never seen someone who looks like her up close. The town’s mayor shares his condolences with Amy. She walks out of the bar and notices the women hanging outside on their patios watch her walk back to Filomena’s house. In Italian, they comment on her darker complexion. Amy thinks it’s comical that they don’t realize she understands Italian as she heads home. For another break, she runs up the hills around the town and sneaks a peek of the Mediterranean Sea as the backdrop to rolling green hills. That’s her moment of peace.

TOWN GOSSIP

“Grief in Sicily is not an individual experience but a communal one where people are called upon to witness and support one another,” Tembi writes in the book where she recounts her life with her late husband Saro, who died from cancer. “The way certain African cultures use drumming as an active means of dealing with their grief—the rhythm is played continuously for days, day and night, over and over, as a constant reminder to the community of its loss—in Sicily the story of the deceased is told over and over.”

In the show, the mourning tour continues as Filomena brings Amy and Idalia to other townspeople’s homes to sit and relive memories of Lino. At one home, Idalia gets sick eating too much candy. The nosy women notice Idalia gripping her tummy once they’re outside and convince Filomena to take this opportunity to see the doctor’s house. Nobody has really seen the so-called palace-like interior. The women want to know what’s inside the massive house. Amy can’t believe she’s being wrapped up in town gossip.

Filomena takes Idalia’s hand as they head to the doctor’s mysterious home. He invites them inside to sit with them in the their mourning. They notice a photo of the doctor with Lino framed on a side table. The two are standing outside the restaurant in Florence where Amy and Lino fell in love in the debut episode “First Tastes.” The doctor explains he had visited Florence and met with Lino years ago. He now prays often for Lino. The unexpected visit becomes the most impactful. Once they leave, the women swarm around the family to hear what they saw. Idalia tells them that she saw several chandeliers inside. This satisfies the town gossipers.

That night, Amy dreams of Lino. She finds him in the kitchen in Sicily cooking her a meal. They embrace. Then she wakes up. She can see him whenever she wants. In the morning, she learns Filomena wants her to meet with the family lawyer. Filomena doesn’t give Amy details until Amy finds herself beside her sister-in-law being asked by the lawyer to sign papers. It’s a deed to the land. Now that Lino as the oldest son is gone, Amy inherits the farmland. She refuses to sign the paperwork.

While resting back at the house, Amy is summoned. A dispute over a car accident with the town’s mayor has broken out with a driver who speaks English. The driver tells Amy that the mayor hit his car. Amy explains to the driver that the man in the car is the mayor, and with the townspeople crowding the area, the mayor will win the argument. The driver takes the loss and speeds away. The townspeople cheer for Amy. She’s one of their own.

SANT’ANNA

Amy goes to church with Filomena while it’s empty. Filomena is praying to Saint Anne or Sant’Anna, the mother of the Virgin Mary, the grandmother of Jesus Christ. She says she prayed to this saint when Amy and Lino married, when Lino died. She wants Amy to make Sicily her home. That’s why she sent her to the lawyer’s office to inherit the land. Later, Amy brings Idalia to the spot she had found while running where the hills and the sea create a picturesque vision of peace. Amy tells Idalia that this is where Lino still feels alive because it’s their home.

Sant’Anna’s Day falls on Amy’s birthday. Sant’Anna is the patron saint of travelers and widows. It’s the opportune time to celebrate Lino.

“These women pray to her in times of difficulty and times of celebration,” Tembi writes in the book. “I had also learned that she was the patron saint of widows and travelers. I was born on her day, July 26. I was married on her day. For the people of Aliminusa, that meant she was my personal saint. ‘You drew a good card,’ Nonna told me.” Her family comes to Sicily to join in the Sant’Anna Day procession that starts with a prayer then ends with the band playing in celebration. She describes the moment as the “magic hour,” a phrase in cinematography describing “the moment when the diffused rays of the sun make everything more beautiful.”

Magic hour happens onscreen for Amy’s family, who flies from LA and Texas, to join Amy, Idalia, and Lino’s family as they celebrate life. The joyous and heart-wrenching event ends the series.

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‘From Scratch’ TV Review: Between the Fire and the Pan

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

Netflix’s limited series From Scratch follows a couple affected by cancer, but after years of remission, they’re seeing cancer rear its ugly head again right when they feel like they’re back on track.

Amy, played by Zoë Saldaña, and Lino, played by Eugenio Mastrandrea, have just found out that Lino’s rare soft-tissue cancer has made a return after seven years in remission. Seven years ago, they weren’t parents to their adopted daughter, Idalia, played by Isla Colbert. They try to strategize how to talk to their young daughter about Lino’s cancer spreading to this lungs.

The family has a picnic at the park, where Idalia wants to share her ice cream cone with Lino. But Amy has to tell her that her father can’t have ice cream because he’s sick. Immediately, Idalia puts her ice cream cone down, as if she knows the history of the cancer and the possibility of its return.

Later, Amy cuts Lino’s hair in their home’s garden. It has become a sanctuary for them to grow the seeds of foods from Sicily that are necessary for Lino’s authentic Sicilian cooking. When Lino was first diagnosed with cancer in the “Bitter Almonds” episode, he cut his hair alone in the bathroom amid his chemotherapy treatments. But now Amy makes sure she’s present for Lino as he sacrifices a part of himself for his illness.

Amy’s mother Lynn, played by Kellita Smith, and Amy’s sister Zora, played by Danielle Deadwyler, takes turns sitting with Lino during his chemo treatments. On Zora’s shift, Lino gets a spiked fever. He’s rushed to the hospital as Zora calls Amy. The family is back in the hospital monitoring Lino. Amy learns that Lino was taking anti-anxiety meds that may have contributed to his fever.

Lino’s condition worsens. Nurses and doctors keep ignoring Amy’s pleas to find out what’s wrong with Lino. They tell Amy that they can only talk to family. Since Amy is Black and so are the family members in LA, the racism patients and their families experience in the hospital is on full display. Amy notifies the carousel of doctors that she is Lino’s wife and deserves straight answers, but she’s not getting any straight answers.

When the rest of Amy’s family arrives from Texas, Amy receives a call from Lino’s mother Filomena, played by Lucia Sardo. Filomena tells Amy that she had a dream of the Virgin Mary. The Lord is calling Lino home. Amy absorbs the heartbreaking premonition and leans into finding out why her husband is deteriorating.

Meanwhile, Lino is so sick that he’s considered infectious, so children are not allowed in the wing of the hospital where he’s receiving care. This adds more distress to Amy because Idalia cannot see her father. The family devises a way to sneak Idalia inside to spend time with her father. Idalia sits beside Lino as they read a book together. The touching moment inspires Amy to later have dinner alone with Lino while he’s propped up in his hospital bed. Lino asks Amy to go back to her life during his recovery. But they still don’t have answers on what the recovery will entail.

Lino is not getting better. Amy calls Lino’s oncologist about the hepatologist also treating Lino. The oncologist says Lino needs a liver transplant. Amy chases the hepatologist down in the parking garage, where the doctor tries to stay mum after hours but then reveals Lino’s liver is failing. After finally receiving a confirmation, Amy yells at the hepatologist for not being straight with her. None of the many specialists treating Lino seem to be communicating as Lino undergoes countless tests. As Lino’s condition worsens even under this magnitude of surveillance, Amy notices an advertisement for palliative care.

Amy and the palliative care specialist talk about giving Lino care as his body dies. He needs comfort at this point. Continuing medical care is pointless and expensive. Amy notifies Filomena about the decision. Lino leaves the hospital via ambulance as their home is prepared for his last days.

Within days, Lino requests a party to see family and friends at their home’s garden. Amy detects his burst of energy, but their family friend Preston, played by Rodney Gardiner, gives Amy the voice of reason that sometimes a burst of energy reinvigorates someone who is dying. The loved ones surround Lino in the garden.

CARING FAMILY

The frustration of seeing a loved one suffer in their condition mirrors the book, where memoirist Tembi Locke describes her journey of falling in love with her husband to caring for him as he dies from a rare cancer. A parade of specialists go in and out of her late husband Saro’s hospital room.

“Suddenly we had descended into a medical landscape of dueling specialists, expert professionals each of whom saw one piece of the puzzle that was Saro’s body,” Tembi writes. “I was the only one looking at the whole of his life, his body, his heartfelt desires. I tried to humanize the patient behind the chart.”

The discrimination is another aspect. Tembi’s omnipresence in the hospital room is not enough for medical staff to understand she’s the main point of contact for her husband’s care.

“As the heads of hepatology, endocrinology, immunology, gastroenterology, and orthopedic surgery made their rounds, I succumbed to writing my name on the hospital room whiteboard: ‘CARING FAMILY: Tembi, wife. Black woman sitting in the corner.’ It was my response after two nurses had asked me if I was ‘the help.'”

Experiencing racism as a caretaker puts added stress on the situation. With some of the book’s elements changed for the screen, this is a situation that needed to be shown that even in a matter of illness, a person’s skin color can impact the information they receive to deal with the illness. It’s one of the several moments throughout the TV series and the book that shows an interracial couple receiving backlash for their union. Even when it’s a matter of life and death, medical care may be subpar. We see in the next episode that when the patient and their family take matters into their own hands, they can live the rest of their lives on their terms.

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what's lit

‘From Scratch’ TV Review: Bread and Brine

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

Christmas 2004 opens up the fifth episode of From Scratch when the parents of Lino, played by Eugenio Mastrandrea, arrive in Los Angeles to care for their son who’s battling a rare soft-tissue cancer.

Amy, played by Zoë Saldaña, is standing at the end of the escalator with her mother Lynn, played by Kellita Smith, as they wait for Lino’s father Giacomo, played by Paride Benassai, and Lino’s mother Filomena, played by Lucia Sardo, to come down to their level in the airport. Amy has to run up the escalator to help them since they probably never used one before. Once they all arrive at the house, Lino becomes the focus.

Filomena rushes to her bedridden son while Giacomo stops before the front door and remains in the garden. As a lifelong farmer, he sees myriad mistakes in the boxes where plants like garlic and parsley are growing. He stays outside to tend to the garden.

Inside, Filomena opens up her heavy suitcase to reveal glass jars of pastas, spices, herbs, and tomatoes. She cooks a hearty meal for Lino, but Amy has to tell her that Lino can’t eat that type of meal on his medications. Lino gets jealous others get to eat his mother’s cooking, so he stuffs his face. And, of course, he gets nauseous before his scheduled stay in the hospital.

The transportation of the food happens in the memoir by Tembi Locke as she tells the story of falling in love with her late husband Saro and moving through the stages of grief with her daughter in Saro’s homeland of Sicily.

“Bread and Brine” is the name of a chapter. With the book mostly focusing on Tembi’s time in Sicily after her husband dies, the chapter shows the relationship between Tembi and her mother-in-law Croce, who cooks as she grieves.

“She had never let me cook in her house. Never. Not even her chef son was allowed to,” Tembi writes. “No matter how many nights I slept under her roof, no matter how many times she washed my bras and ironed my underwear, I was her guest. Even if I was also family. She preferred to work alone, at her own pace; she didn’t want company while she cooked. In the past, I had just passed through, made small talk, but had never lingered from start to finish. She, like many women in town, saw their time at the stove as their domain. I was forbidden to even set the table.”

coffee break

As Lino recovers from surgery, Giacomo finally comes to greet his son in the hospital bed. They have a small heart-to-heart when Lino says he would like a cup of coffee. This gives Giacomo a spring in his step as he walks around the hospital in search of coffee without knowing English. He finds a doctor who seems to know a bit of Italian who helps him use the coffee machine. He tells a story about seeing Lino in the hospital when he was a kid who had broken a bone, but now it’s different.

When he returns to the hospital room, he sees Amy’s father Hershel, played by Keith David, bonding with Lino. Standing by the door, he notices the connection between the two, blossoming over his absence from his son’s life at a time when he expanded his family.

Lino soon comes home, where his family and friends sit down to watch football, also known as soccer, on the Italian channels. Giacomo asks one of Lino’s friends about his son. As they talk about kids, Lino becomes increasingly irritated because the chemotherapy has threatened his reproductivity. He gets up and leaves with his crutch.

IT COULD GET WORSE

For a moment of escape, Amy runs to her and Lino’s mutual friend Preston, played by Rodney Gardiner, to drink scotch and talk. He welcomes the opportunity, especially when he’s just watching the Black Christmas classic Holiday Heart starring Ving Rhames as a drag queen helping a girl and her drug-addicted mother. Amy is upbeat about Lino’s surgery to remove the cancer. But Preston has other thoughts. He offers the possibility that Lino may never quite fully recover; the cancer can return.

The doctor tells Amy and Lino that the surgery was successful, but recurrence is possible. Lino describes cancer as “like a weed” to his parents, who learn they have to tame their excitement over the surgery.

Since the surgery was technically a success, Lino now qualifies for a clinical trial. He announces the news at dinner with the entire family. Then Amy’s sister Zora, played by Danielle Deadwyler, announces her engagement to her longtime boyfriend Ken, played by Terrell Carter. The family congratulates the happy couple. Even Giacomo stands up ready to give a toast. Lino is in disbelief. His own father who didn’t go to his wedding is happy an unrelated couple is getting married. The bright mood plummets.

Going back to the book, Tembi brings Saro and his parents to her native Texas to meet her family. Saro’s parents enjoy a Houston Texans football game and struggle to figure out the art of eating Texas Barbecue. Tembi catches her mother-in-law taking in the scene, looking at her son constantly until she turns to Tembi’s sister Attica Locke, who serves as the head of the Netflix series, to tell her her surprise about Saro being welcomed in America.

“And as I sat there with everyone eating—not just consuming food but sharing our dreams, our aspirations, our histories—I could see how the stakes, the specter of illness, had changed all our lives,” Tembi writes. “What was important had changed. We were far from the wedding in Florence, reading telegrams from the half of our family who had refused to come because of race and fear. That trip to Houston was the first time we didn’t have to wonder what it would have been like to have both parts of who we were together in the same room.”

The next morning on the show, Lino and Giacomo clear the air with a hug as Lino’s parents head out for their flight to Sicily. The cancer is gone, and the family is at peace until the next monumental changes come along.

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what's lit

‘From Scratch’ TV Review: Bitter Almonds

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

Delivering a cake to a Sicilian baker’s third cousin leads to a new job opportunity for Amy, played by Zoë Saldaña, in From Scratch as Amy’s husband Lino, played by Eugenio Mastrandrea, fulfills his dream of being the head chef in his own restaurant.

The Netflix drama is based on the best-selling memoir of the same name by actress Tembi Locke about her relationship with her late husband Saro, who succumbs to cancer, and her journey through the grief in Saro’s homeland of Sicily.

In the limited series, Amy starts volunteering at the Watts Tower with teaching kids art. She feels more of a purpose as a volunteer compared to her job at an upscale art gallery. When her boss calls her to convince a client to keep their work in the gallery in the middle of a volunteer session, Amy realizes she would rather make the community gig full-time.

Meanwhile, Lino loses his job. The greasy Italian restaurant he had been working at since he moved to Los Angeles is closing over loss of business. The owner says he’ll keep the building, but operations will cease. Lino asks if he could finally cook his own authentic Sicilian cuisine in an experimental dining experience. The owner agrees, making Lino the head chef of the new iteration.

Amy wrestles with her decision for the lower-paying job, so she calls her father Hershel, played by Keith David, for advice. Hershel reminds her that she’s a married woman who needs to discuss the life-changing decision with her husband.

When Amy and Lino come together to talk through their career moves, they convince each other to follow their dreams.

ONE STEP FORWARD, TWO STEPS BACK

A banner for L’Isola, Lino’s test run of a dining experience, hangs over the old restaurant’s signage for opening night.

Amy’s sister Zora, played by Danielle Deadwyler, brings her former NFL boyfriend Ken, played by Terrell Carter, to the new restaurant. Zora is acting on Amy’s advice to introduce her boyfriend to their mother Lynn, played by Kellita Smith.

Frenzied by serving patrons, Amy tells Zora that she did not expect the introduction to happen on the opening night of her husband’s restaurant. But Zora explains that they would all be under the same roof, so it makes the most sense until Lynn rebuffs Ken every time he shares information about himself. The introduction is a fail, especially without Amy being able to sit down with her family to be a mediator. Zora becomes upset with Amy for the bad advice.

A DREAM DEFERRED

One day, Lino comes home after a long day at work complaining about pain in his knee. Amy checks the knee and notices it’s swollen. Noting the hardened texture, she suggests Lino should see an orthopedic doctor.

Amy reaches out to Zora for an orthopedic doctor since Ken would know one with his professional football background. Zora becomes enraged; she feels she’s being used by her needy younger sister again. She gives Amy the information but warns her about her dependence.

At the doctor’s office, the scan of Lino’s knee leads to a referral to an oncologist. Lino eventually gets diagnosed with a rare soft-tissue cancer. Right away, Lino is rushed to chemotherapy, as Amy suddenly becomes a caretaker.

Though L’Isola is getting rave reviews, the trial restaurant closes immediately without Lino being able to be on-site as the head chef. Amy must convince her former unfeeling boss at the art gallery to give her contract work in order to keep her health insurance policy. She doesn’t share Lino’s diagnosis, but her sobbing convinces the boss to help her.

Zora comes by the house to see what happened to Lino’s restaurant. As soon as she’s at the door, Lino collapses behind Amy. They rush Lino to the hospital, where he has to stay. Amy reveals to her family Lino’s cancer diagnosis and how it has already upended their lives.

THE BITTER AND THE SWEET

The name of the episode, “Bitter Almonds,” is also the name of a chapter in the memoir. But the book focuses more on life in Sicily after Tembi’s husband Saro dies from cancer. During her time of grief with Saro’s mother, Tembi receives a heavy bag of almonds from a neighbor in the town who said the almonds were from a cousin of Saro’s mother. When Tembi brings the almonds to the home, she realizes she brought another chore to the kitchen. Cracking the nuts open becomes a worthwhile experience to taste authentic Sicilian almonds.

“Bitterness, Sicilians understand, is an essential flavor both in food and in life. It has shaped the island’s culinary identity. There is no sweet without bitter. The poetry of island tells us that the same is true of the Sicilian heart.”

Saro’s cancer diagnosis is first detailed in the chapter “At the Table,” where Tembi describes the hardship of becoming a caretaker while still working as an actress. They are exhausted from the medical situation until Saro suggests Tembi should “take a lover.” They can’t enjoy their time together as he gets sicker. The swift transition came with her husband’s chemo rounds and knee surgery. The cancer is still a secret to his family.

“Many rounds of chemo, three hospital stays, and a major surgery later, Saro still had not told his parents about his diagnosis,” Tembi writes. They soon have to notify his family, who fly to LA. Like in the next episode where Amy must pick up Lino’s parents at the airport stateside and prepare mentally on how to deal with the parents who have failed to build a relationship with her.

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what's lit

Tamera Mowry-Housley Describes How Making Friends Is Like Drinking Wine

Sister, Sister star Tamera Mowry-Housley is promoting her new memoir that resonates on the vein of Gabrielle Union‘s memoirs with incorporating the significance of drinking wine and learning lessons.

In her first TV stop on the book tour, Tamera spoke to Jericka Duncan, Nate Burleson, and Tony Dokoupil on CBS Mornings Tuesday about You Should Sit Down for This: A Memoir About Life, Wine, + Cookies. She told the co-anchors she hopes readers will understand her words of wisdom, or what she calls “Tameraisms.”

“The one thing that I want people to take away is that I didn’t live this perfect life,” she said in the interview. “They usually see me, and they’re like, ‘Tamera, you’re always so happy. You always look very joyful.’ And the thing is I choose to be happy. My circumstances do not define me.”

Tamera was 15, along with her identical twin sister Tia Mowry, when they became breakout stars on the WB sitcom Sister, Sister. After that early success, Tamera and Tia starred in movies together as adults like Seventeen Again with their young brother Tahj Mowry, and Twitches, a Black Halloween Disney classic that spawned a sequel. The sisters also filmed a popular reality TV series on the now-defunct Style Network.

Over the years, the sisters have carved out their own independent paths. Tamera went on to be a co-host on The Real for six seasons and won an Emmy Award with the panel that included author and comedienne Loni Love. She has been busy working on Hallmark and Lifetime productions, including a starring role in the film Girlfriendship that debuted last Saturday on the Hallmark Channel under its Mahogany brand.

Calling herself an “old soul,” Tamera said she felt self-conscious at a young age with feeling wiser than her years. She’s now embracing her “gift.”

“I wanted my readers to know you may have a rough start, but you just have to move forward and push through, but you also—I always say—you can’t cheat at life,” she said. “It doesn’t come easy. You’re not going to grow as a person if you don’t look at your trials or ‘negative’ experiences and face them head-on. The book is about growth. The book is about my wisdom that I have learned along the way.”

Going off of the book’s subtitle, she talked about how she chooses her friends like how she chooses her wine. She co-owns a family winery in Napa with her husband, former Fox News correspondent Adam Housley.

“For me, wine is very subjective, but now owning a winery and tasting lots of wine, I don’t want to waste my experience and my taste buds on bad wine. It’s the same thing with friends,” she said. “You eventually either change your environment or your environment is going to change you, another Tameraism that’s not in the book.”

The book is out now from Legacy Lit, a Hachette Book Group imprint.

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book reviews

Book Review: ‘Acne’ by Laura Chinn

Acne by Laura Chinn tells the story of the television writer/actress’ tumultuous childhood and young adulthood and how her struggles were reflected in a severe case of acne. 

Laura Chinn created and starred in the 2019 Pop TV sitcom Florida Girls (think Broad City with Florida Woman adventures) that unfortunately received the ax during the Covid-19 pandemic. The entertainer, who has written for shows like The Mick and Children’s Hospital and acted in shows like Grey’s Anatomy and My Name Is Earl, actually was born in the Los Angeles area where she lived with her “hippie” parents and older brother Max. Though her mother is White and her father is Black, she doesn’t get a sense of her biracial identity until she’s eight-years-old. She never noticed the concept of race since everyone in her house has a different complexion. While Max has brown skin and is often confused for “Mexican or Hawaiian,” Laura has fair skin and dirty blonde curls, so she’s considered outwardly White. Growing up in La Crescenta, she is homeschooled with other kids in her neighborhood. Her childhood is disrupted when her mother announces the family is moving to Clearwater, Florida, the best place for Scientologists like themselves after Los Angeles. Laura, Max, and their mother move to Clearwater while their father stays behind to tie up loose ends. 

Laura’s father never moves to Clearwater as Laura navigates her new preteen life in a new place. She starts to notice red pimples erupt on almost every surface of her face. How can this be? She and her family eat a strict healthy diet. Her father blames his genetics for the acne since he says he had the same skin condition as a teen. Scientology tells Laura and her family that internal toxins are clogging her pores. She tries to cleanse the acne that is putting a damper on her social life as she befriends girls like Tori who also have lopsided family situations. 

At thirteen years old, Laura is going through the abandonment issues stemming from her father’s decision to not join them in Clearwater. To make matters worse, Max moves back to Los Angeles and stays with their father. There, her brother is diagnosed with a brain tumor. He has to have a surgery that he may not wake up from. Laura and her mother fly from Tampa to Los Angeles to be by Max’s side. He survives the surgery at Children’s Hospital Los Angeles, but he has a mountain of health issues that keeps Laura and her mother in a hotel as they witness her father parading his barely-adult, chicken nugget-addicted girlfriend Chardonnay around the intensive care unit. Laura returns to Clearwater alone to go back to school. She gets picked up by her mother’s alcoholic boyfriend Joe who drops her off at home with some money for food. 

In the short time of raising herself as her parents deal with Max’s cancer diagnosis, Laura is stealing and drinking alcohol with Tori and other friends who are already having sexual relations with boys at school. Laura’s acne is still on a volcanic level as she uses makeup to cake up her face and go on living her unsupervised life. Then Max’s cancer progresses in other parts of his brain, so the family who again tap into their Scientologist teachings to find alternative healing methods decide to move to Tijuana for a form of chemotherapy not approved in the U.S. Laura drops out of the ninth grade to join her family in Mexico. 

After realizing she’s better off finishing her education rather than helping Max who has their mother as a caregiver, Laura moves back to Clearwater to finish her freshman year. This time, Joe moves in, but Laura is still raising herself de facto. Due to the miracle of Accutane, teenage antics progress like her losing her virginity.  

Accutane had healed my face, neck, chest, and back; it seemed like a wonder pill until, like with all pills, the side effects kicked in. First it was dry skin, then peeling skin, then every day I would shed my entire face like a snake. My lips were painfully cracked and bloody, so for the third time in my life, I didn’t smile for months. Then my vision started to get weird. 

Her quick-fix cure makes her think she has cancer like her brother, whose diagnosis came from blurry vision, but she doesn’t. She develops suicidal thoughts while on the medication and while watching her friends find boyfriends she can’t seem to attract. She’s realizing her neighborhood is full of dysfunctional people, including the woman next door who burns her house down to cover up her husband’s murder, as her own mother and brother return to Clearwater unchanged by the failed treatment in Mexico. Laura has to put aside her acne and adolescence to help her mother care for her dying brother, but she still finds herself caring more about what her friends are doing and how her skin is doing. 

The older she gets, the more she sees being a high school dropout is not enough. Her father agrees and invites her to live with her half-sister and her niece in Woodland Hills, a section of Los Angeles. Laura finally feels like she’s being supervised but again she can’t help but think what’s going on in her Clearwater social circle. She eventually moves back to Clearwater. Then she gets her GED and tells everyone she’s going to be a famous actress in Hollywood, so back to Los Angeles she goes. But she breaks her arm, so that means back to Clearwater. Despite what’s going on with her family and friends and her face, she has a knack for acting that slips behind the pages. 

Once she permanently stays in Los Angeles, makeup artists on sets complain about her acne. Thanks to her father, she heads to the Church of Scientology Celebrity Centre to undergo a rehab experience to clear up her acne. She feels imprisoned by her acne. It’s not until she realizes all the physical and metaphorical losses she has experienced over the years had somehow manifested into an extreme case of acne.

Now I forgive with a deep intensity and a passion. I take all the money, effort, and time I was putting toward microdermabrasion, facials, and benzoyl peroxide and I put it all toward learning how to forgive. I honestly wish I could bottle forgiveness and sell it; I’d put Proactiv out of business in a week. 

If you ever watched Florida Girls, you will see the comedic messiness there in the pages of Laura’s memoir except her real-life version of events seem more depressing as she details her life as a teen practically unmonitored because of her brother’s unthinkable disease. Her friends experiment and indulge in drugs and sex at a very young age that the peer pressures stunt their growth. The conflict of being a selfish teenager while having to care for her family is deeply realized since most teen girls would be the same way with wanting to focus on boys and controlling their acne to avoid what’s going on at home. 

We see Laura’s mother as the main caregiver for Max despite her alcoholic boyfriend turned husband in the house and her ex-husband unable to cope with his son slipping away. Laura helps as much as she can, especially when her brother’s health deteriorates to the point he is blind, deaf, and immobile. It’s heartbreaking to see the transition of her athletic, skateboard-loving brother becoming a very sick young adult who can’t take care of himself. With her life divided between two places that can be difficult to survive in, Laura sees more tragedy within her family and her friend group as she tries to establish herself in Hollywood. 

Overall, the memoir connects the dots on a common skin condition that has been relegated to teenage hormonal activity. The author spends her lifetime digging deeper for the reason why her face is covered in pimples on top of pimples, quickly recognizing that her friends who are the same age as her are not dealing with the exact issue but they do have their own issues. It takes years for her to classify acne as her visible issue as she overcomes abandonment and loneliness growing up in an interracial, Scientologist, bicoastal, divorced family. Her love for acting, even in the book, is weaved in and out because her environment is overwhelming her. It’s impressive that she, like many people who had announced they were heading to Hollywood to be a big star, actually overcame the obstacles to achieve her dream that’s still in incubation. 

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book reviews

Book Review: ‘I’m Glad My Mom Died’ by Jennette McCurdy

I’m Glad My Mom Died by Jennette McCurdy is an eye-opening memoir examining the abuse the Nickelodeon star said she endured from the mother who forced her into Hollywood. 

Jennette McCurdy starred in the Nickelodeon series iCarly (currently in reboot mode on Paramount+ without her) for five seasons from 2007-2012 as Sam Puckett, the supportive, food-loving friend of Miranda Cosgrove’s Carly whose internet show is a viral success. She even scored a spin-off with fellow Nickelodeon star Ariana Grande called Sam & Cat that only lasted a season from 2013-2014 with Ariana being on the brink of pop stardom. Despite finding herself famous at a young age, Jennette never wanted it. 

Acting in Hollywood is her mother’s dream. The McCurdys live in Garden Grove, an hour and a half away from the entertainment epicenter in nearby Orange County, but they’re living the low-income life in Jennette’s father’s family home with Jennette, her mother Debra, sometimes her father, her mother’s parents, and her three brothers. By the time Jennette is two years old, Debra is battling breast cancer. As the family copes with the grim diagnosis, they start going back to church. The Church of Jesus Christ of Latter-Day Saints becomes the sanctuary Jennette connects with. Now that they’re practicing Mormons again, the family feels blessed when Debra goes into remission. But her mother is still not happy, especially with Jennette’s father who seems unable to provide what they need. Frustrated, Debra would complain that her parents wouldn’t let her go to Hollywood, again a short distance away. Then one day six-year-old Jennette says she’ll go to Hollywood for her mother. She knows this will make her mother happy.

They go on casting calls, where Debra is already upset that the untrained Jennette isn’t getting speaking roles right away. Like most actors, Jennette is starting out in the background. She transitions to higher-level background work when she appears gloomy in a film’s photo shoot; that’s what the director wanted from another child actor who couldn’t look as gloomy as Jennette. By this time, Jennette has her gloominess down pat as she feels too old for her overbearing mother to be going to the bathroom with her to clean her up and showering with her. 

To help her stay small for child acting roles, her mother tells her about “calorie restriction” and how she can eat 1,000 calories a day or less. Together, mother and daughter are barely eating full meals. At eleven, Jennette starts losing weight at a rapid pace. A casting director warns her mother that Jennette may have an eating disorder. But her mother waves the concern off. Even Jennette’s doctor advises her mother to help Jennette with her eating issues. Again, her mother ignores the advice. 

After a series of TV and film appearances, Jennette scores her first leading role as Sam Puckett in iCarly. The pilot episode airs when she’s fifteen years old. Right away, her mother is discouraging a friendship between Jennette and Miranda, the show’s star who already made a name for herself on the Nickelodeon sitcom Drake & Josh, because she sees Miranda as troublesome, accusing her of not believing in God. Jennette feels conflicted about wanting to be friends with her co-star and being a good Mormon daughter. It’s like the two versions of her can’t coexist. She befriends Miranda anyway through secret AOL instant messages after spending days on set with her. 

As the show grows in popularity, the more famous Jennette becomes. That translates to more opportunities for the rising teen star like heading to Nashville for a country music recording contract that doesn’t last, being introduced to alcohol by iCarly’s creator Dan Schneider who is unnamed but was investigated for similar on-set abuse allegations last year, and running off with a thirty-something show producer who guilts her for him breaking up with his girlfriend of five years. Jennette’s quick introduction to adulthood forces her mother to disown her. Her mother again is battling breast cancer and looks for a way to edge Jennette out of stardom due to her bad behavior by trying to steal her mostly tween fanbase. 

The book starts with Jennette whispering to her unconscious dying mother that she finally reached their goal weight of eighty-nine pounds. By this time, the anorexia and bulimia has ravaged Jennette’s body to the point she doesn’t know how to eat and enjoy a meal. The “calorie restriction” her mother taught her to keep up with Hollywood standards still has a hold on her, so much so that boyfriends encourage her to seek therapy in order to establish healthy relationships. In therapy, she learns about how abusive her mother was by not only teaching her dangerous eating habits but controlling her every move in order for her to be a success in Hollywood. Even after Debra’s death in 2013, Jennette learns that her mother hid a secret that forces her on another journey. What may have been out of love was toxic, so toxic that Jennette realizes she never knew who she really was, just the version of her that wanted to make her mother happy. 

The comedic yet heart-wrenching title of the memoir helps normalize the mother-daughter relationship that isn’t as rosy as a lot of portrayals in the media. We see more stories where mothers dote on their daughters, and daughters call their mothers their heroines. But for many daughters, their mothers push their ideas of perfection, especially about their bodies, onto their daughters that creates self-loathing that morphs into mental illness. In the author’s case, her mother’s constant critiques on her body and her acting skills forced her into a downward spiral of eating disorders. 

The mothers with their ideas of perfection usually feel they can’t be as perfect as they want to be, so their daughters have to be that perfect. We see Jennette’s mother become disappointed about her life path, feeling she was unable to take on Hollywood herself because her mother told her not to. Jennette details the frustration of dealing with her mother’s mother after her mother dies. The drama-queen antics seem hereditary when her grandmother is upset that Jennette wants to quit acting and undo financial decisions that no longer serve her as a former actor. The generational trauma of these women not feeling able to fulfill their dreams falls onto Jennette as she realizes she never had a chance to figure out her own dreams. Her formative years are gone; they had been spent on making Debra’s dreams come true as Debra read Woman’s World magazines in on-set trailers and networked with other celebrity momagers like Barbara Cameron, the mother of Full House star Candace Cameron Bure and Growing Pains star Kirk Cameron, who becomes Jennette’s onetime agent. 

Overall, this memoir explores the complex ties between a daughter and her mother with the backdrop of Hollyweird contributing to their dysfunctional relationship. It’s also a memoir where the author has come to terms with her feelings about her mother, hence the controversial title that should be seen as honest. In abusive relationships, once the abuser is gone, then the person who was abused can heal. This book, which was born out of the author’s one-woman shows, is about the healing process of self-discovery.

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book reviews music reviews

Book Review: ‘Shine Bright’ by Danyel Smith

Shine Bright: A Very Personal History of Black Women in Pop by Danyel Smith explores how Black female music artists have impacted the world and in particular the author’s world as she navigates her unstable childhood in 1970s California. 

Were there champagne toasts with Mariah Carey on a private island off the coast of Antigua? Yes. Was I backstage with Beyoncé in Philly, in Paris, in Cleveland, in Brooklyn? All of it. Have I cruised the Upper West Side in a vintage Cadillac convertible with Queen Latifah? Yes, indeed. But, though I chalked it up to not wanting to get too close to creatives, I would have to cover as a writer or an editor—I actually did not feel worthy of such friendships.

Danyel Smith is a music entertainment journalist titan who’s most famous for her editor in chief stint at Vibe magazine at the height of hip-hop domination. With the quote above from the book, her work has sparked friendships with the Black celebrities forever shaping our culture. (Mariah Carey describes Danyel’s 2005 novel Bliss as such on the cover: “The music business can be an enchanted snake pit, but Danyel tells her heroine’s story with an insider’s knowledge, with power, and most of all, with emotion.”) 

The author’s upbringing in Oakland, the city in which she reps with her whole heart, wasn’t always shiny. Her parents split when she and her sister are in elementary school, and her mother engages in a toxic relationship with a violent lawyer named Alvin who rages against the family. Her mother stays for the questionable financial stability, but when Danyel starts fighting back, that’s when she realizes what she wants the most is threatened by Alvin.

But the radio is on in Alvin’s car, and Danyel’s mother is still playing her albums. The music speaks to Danyel, even when she’s eating her free breakfast at school where the morning care teachers double as vocal trainers showing the kids how to croon to The Stylistics’ “Betcha by Golly, Wow.” The Black artists singing through speakers in different places influence Danyel. She will take her writing talents from her personal diary dedicated to getting rid of Alvin to media platforms describing the impact the artists had on pop culture, though sometimes unappreciated, she makes it her mission to ensure they are appreciated. 

People wonder why I have been able to stand up to men in this business of music. To go to shows—glamorous and grimy—by myself. To negotiate with the worst of the promoters, the performers, publicists, security guards, police officers. To, on behalf of any given media organization, but mostly on behalf of Vibe, and on behalf of myself, not stand down. I just wasn’t that scared of men, not for a long time. “Step to me” was my front. “If you want this smoke.”

The don’t-back-down mantra happens to be how many of the artists she writes about are handling their livelihoods. One chapter is dedicated to the “Drinkard Family Dynasty.” The rich branch that produced Leontyne Price, the first Black woman to gain international fame as an opera singer. Leontyne’s cousin, Dionne Warwick, is the pop singer who reached a pinnacle of success in the 1970s and 1980s and whose impact surpasses generations with her “Twitter auntie” status regularly updating almost 600,000 followers. Dionne’s aunt, Cissy Houston, is the gospel singer who started touring with her group then with Mahalia Jackson and Elvis Presley before her solo debut. Cissy’s daughter, Whitney Houston, is arguably one of the greatest singers of our time, or as the author writes: “But—their problematic relationship notwithstanding—Cissy’s training of Whitney Houston is one of the most important accomplishments in the history of American music.” This familial connection between some of the greatest singers we ever known should be acknowledged more, and the author breaks down their roots and their personal histories to show the anguish they must have had for not always being appreciated for sharing their talents. 

The chapter dedicated to Diana Ross examines how her departure from The Supremes and solo success branded “Miss Ross” as a diva in a negative light when she used to be a little girl from Detroit who had unfathomable dreams that by chance came true. Gladys Knight also gets her own chapter starting with how she became one of the hardest-working kids in showbusiness already performing with her cousins and friends, “The Pips,” so she can help her divorced mother put food on the table. We learn LaDonna Adrian Gaines would drop out of her high school she had said were full of “pretty violent people” straddling the racial lines in Boston to eventually head to Germany where she christens herself as Donna Summer. The shock and disappointment lies on the page when Mariah Carey, the queen of the ’90s pop who also released her own memoir, doesn’t get a single Grammy Award for her 1995 Daydream album that still produces the soundtracks to people’s lives to this day. The ups and the many downs of Black women breaking barriers in music are palpable. 

The big stars get the props. Sprinklings of Phyllis Hyman, Millie Small of “My Boy Lollipop” fame, and Lisa Fischer whose performance of the 1991 hit “How Can I Ease the Pain” is pure magic, feel like they needed more recognition as they are singers who deserved the riches and stardom, but they remain “unsung” à la the popular TV One docuseries. Reading stories of Black women in pop reminds you of the many artists who changed the cultural landscape, sometimes as a one-hit wonder, but their achievements get lost in the mix. That’s where the author fills in those gaps with her Ringer podcast “Black Girl Songbook.” Episodes focus on artists like Deniece Williams, Angela Bofill, and Karyn White—all Black women who had defined music during a moment in time but now have fallen out of public discourse. 

Overall, the author brilliantly tells her story in a poetic rhythm and how music saved her. The love for music she has is on the storytelling side, so she can promote the Black women who turned their love for music into a career beyond their imaginations. Published by Jay-Z’s literary imprint Roc Lit 101 under Penguin Random House with the title deriving from Rihanna’s “Diamonds,” this book serves as a reminder that music history is heavily influenced by Black women, but they unfortunately don’t always receive flowers for their immeasurable contributions.

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book reviews

Book Review: ‘Speak’ by Tunde Oyeneyin

Speak: Find Your Voice, Trust Your Gut, and Get from Where You Are to Where You Want to Be by Tunde Oyeneyin is a memoir about discovering body positivity and navigating a purposeful journey that’s vividly told by the popular Peloton instructor.

Growing up in Katy, Texas, Tunde is the only daughter out of three children of her Nigerian parents. At a young age, she’s considered overweight, and the shady comments she would hear about her prettiness being dimmed by her size marks her upbringing. A hard worker, she takes on multiple jobs in college, including one behind a department store makeup counter. This leads her to gaining clients who take note of her makeup application skills. She eventually moves to Los Angeles for a chance to groom her budding career until tragedy strikes.

She loses her younger brother, and a few years later, her mother, then her father. The back-to-back deaths of her immediate family send her into a depression. But opportunities keep coming her away that pull her out of the abyss and bring new urgency to live her life with purpose.

As she focuses on her mental and physical health, she develops a passion for cycling after taking a class. The inspirational shouting to keep moving forward sends her on a new career path. After trying out for Peloton more than once, she finally nabs a spot and quickly rises to the top of being one of most popular cycling instructors on the fitness platform. She takes the moment to inspire others, such as the time she decided to shave her head and the time she made an impromptu speech on why Black Lives Matter amid the 2020 racial justice movement.

The book’s title comes from her acronym S.P.E.A.K., which stands for Surrender, Power, Empathy, Authenticity, and Knowledge. The subtitle is Find Your Voice, Trust Your Gut, and Get from Where You Are to Where You Want to Be. The lessons Tunde learns from her life, especially around being comfortable within her own body, weave together nicely as she narrates her story via audiobook. Her voice is melodious in expressing the emotion she felt at different moments.

There is an examination of her luck. She has been given a lot of opportunities, but some are inextricably tied to the tragedies she has endured. She wins a prize, for example, but the prize contributes to her brother’s death. The blame sits heavy on her soul, but she realizes that her only option is to live her life to the fullest.

Overall, her memoir doesn’t necessarily give action steps on how to take control of your life as the title may entail, but it’s more of how she took those action steps that undoubtedly resonates with a wide audience beyond the Peloton cycle seat.

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How Juneteenth Became A Book Festival Holiday





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June is Pride Month! Join the #shelitbookclub with reading the recently banned young adult novel Juliet Takes a Breath by Gabby Rivera 🏳️‍

Black authors still struggle to get recognized for their creative freedom

At the height of the racial justice movement in 2020 after the murder of George Floyd in Minneapolis, Black authors started tweeting about their realities in the publishing industry.

Floyd, a Black man whose life is the subject of the new book His Name Is George Floyd by The Washington Post reporters Robert Samuels and Toluse Olorunnipa, died after White police officer Derek Chauvin pinned his knee onto Floyd’s neck for nine minutes. A worldwide uprising followed people into their workplaces. Black authors like L.L. McKinney wanted to know how unfair pay can be for someone like her.

The A Blade So Black fantasy young adult author created the #PublishingPaidMe hashtag two years ago, where White authors were asked to share the amount of money they had been paid for their books. But Black authors and other authors of color began to share how they had been lowballed for their books. With more attention to the Black experience, L.L. McKinney started the Juneteenth Book Festival.

The festival, which was held in 2020 and canceled in 2021, played virtually on YouTube with authors such as Ashley Woodfolk, Mikki Kendall, and Nichole Perkins headlining panels. This year, the festival seemed to be offline; the last tweet posted in 2021 with L.L. being “on hiatus.” But in Portland, Oregon, Nanea Woods decided to have The Freadom Festival, the city’s first Black book festival this weekend.

“How we obtained our freedom has a lot to do with reading and literacy,” she told The Oregonian.

Juneteenth is the holiday many Black communities across the U.S. had been celebrating for generations to mark the official end of slavery when people who had been enslaved in Galveston, Texas, finally received the message in 1865 they were free. Over the racial uprising of 2020, the federal government moved to make Juneteenth a federal holiday in 2021 observed on June 19. For many employees, this coming Monday is the first time Juneteenth is a paid day off.

We started the week with best-selling White male author James Patterson telling the U.K.’s The Sunday Times “that it is hard for white men to get writing gigs in film, theatre, TV or publishing.” This stirred debate on social media.

Many commented that most of the authors who make the best-sellers lists are White men such as Bill O’Reilly, David Sedaris, and Dan Pfeiffer, all sharing The New York Times Best-seller list for Hardcover Nonfiction with Patterson, who has the top spot with his eponymous memoir. Famous Black actress Viola Davis is the only woman and person of color in the top five this week with her memoir, Finding Me.

It should be common knowledge that non-White authors do not dominate the charts most of the time. In fact, many authors of color never see a publishing deal. And if they do, they’re not paid adequately, evidenced by #PublishingPaidMe. L.L. McKinney vowed this week to focus on the positive when it came to Patterson’s remarks.

“I been thinking about saying something on James Patterson for the past couple of days, but instead I’ve decided to talk more about books by BIPOC that I have written or that I have read/loved,” she tweeted Wednesday, mentioning Black, Indigenous, and people of color authors.

Patterson has since apologized. In 2020, data analysis group WordsRated found a record 26% of children’s best-sellers were written by Black authors. In 2021, that percentage fell to 18%, below the numbers in 2019. This shows there is a lot more work to do in the publishing industry.

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Taking lessons on raising antiracist children this Father’s Day

Dr. Ibram X. Kendi, who’s now made a career out of teaching the masses on how to be antiracist, has a new book in time for Father’s Day this Sunday. How To Raise An Antiracist follows his runaway hits How to Be an Antiracist and Antiracist Baby and focuses on how he turned away from thinking he had to shield his child from racism and decided to be a parent who teaches how to create a just world. The book is on sale now

LA’s oldest Black-owned bookstore closing

Eso Won Books, known as the main Black-owned bookstore in the Los Angeles area, will close its brick-and-mortar by the end of the year. Co-owner James Fugate recently made the announcement on The Tavis Smiley Podcast. The bookstore located in the predominantly Black Leimert Park neighborhood has been a fixture in the community for 33 years. More Black-owned bookstores have sprouted in LA over the last few years

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Book Review: ‘Unfinished’ by Priyanka Chopra Jonas

Unfinished: A Memoir by Priyanka Chopra

My rating: 3 of 5 stars


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Unfinished by Priyanka Chopra Jonas is a memoir that delivers insight on the global star’s upbringing before and after fame in the U.S. and India.

Priyanka’s story starts in India where she is a regular seven-year-old, the daughter of military doctors. Naturally when her younger brother is born, she acts out with another sibling in the house. That leads to her being sent to boarding school, where, after the abandonment subsides, she learns how to live independently with her classmates and with decorum. The opportunity eventually leads to going to high school in the Midwest then New York with her aunt and cousins. She gets her first taste of American culture, which of course comes with bullying over her skin color and race. Americanized, she returns to India for her final year of high school, where she exchanges her midriff-baring style for tunics and pants. Now her brother doesn’t want her in the house and sends her photo to be in the Miss India competition.

She prepares for the unpreparable: representing a country that wins global beauty pageants on a regular basis. Without formal knowledge, she and her family string together whatever they can to help her learn to compete on the national level with other young, smart, beautiful women. Her dedication leads to her being crowned with the intention to represent India at the Miss Universe pageant. Though she flubs the final question, she still wins the pageant, securing India back-to-back wins. Since Bollywood film projects want a pageant queen, the woman who had aeronautical engineering goals is now blinded by the entertainment industry that eventually takes her abroad to her leading role in ABC’s Quantico.

Her family is an important part of the story. She is close to her parents who are portrayed as loving and supportive; she even acknowledges that her parents may be more unique than others. A series of botched surgeries to treat cancer takes the life of her father, and she expresses the toll of the grief of seeing her father suffer then recover then suffer again. She also describes the close relationships to her aunts, uncles, and cousins, and how it’s their culture to take care of each other, which affords her the opportunity to go to high school in the U.S. Her marriage years later to pop star Nick Jonas, ten years her junior, is told, where she explains how their courtship just happens naturally and results in a quick, extravagant wedding.

Her Western fame that includes simulating sex scenes sparks backlash in her home country. An insensitive terrorist storyline involving Pakistan on Quantico puts her in the line of the fire again. When she first entered the U.S. entertainment scene as a singer, a gig with the NFL reignites the racism she dealt with in high school. She is accused of getting a nose job when a sinus surgery goes wrong that leads to multiple surgeries fixing the bridge of her nose. The constant criticism motivates her to tackle it head-on, she says, pointing out the hurt of being in the public eye while living out her wildest dreams.

Overall, it’s a celebrity memoir that feels like it’s missing some depth, but learning about the international star and her rise on another continent is interesting as so is learning about her experiences in the U.S. as a teen from India and how that prepared her for the global pageant scene and her acting career.



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Book Review: ‘The Pursuit of Porsha’ by Porsha Williams

The Pursuit of Porsha: How I Grew Into My Power and Purpose by Porsha Williams

My rating: 4 of 5 stars


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The Pursuit of Porsha by Porsha Williams takes us on the journey of what made one of the most popular real housewives who she is.

Entrapment in abusive and toxic relationships with men seems to be the main traumatic point of The Real Housewives of Atlanta star’s story from how her father treated her before his untimely death to how her ex-husband treated her behind the cameras.

Atlanta born and raised, Porsha Williams starts her story on how she always envisioned herself in front of the camera as a way to escape her lingering depression and suicidal thoughts. Growing up, she lives with her mother Ms. Diane, a familiar face on the reality show, and her older brother Hosea. Her father also named Hosea like her grandfather, the civil rights activist who worked alongside Rev. Martin Luther King Jr., lives with his second wife and other family. Whenever Porsha and her brother visits their father, sometimes their father punishes them by forcing them into a basement or another room. Though she says the door would never be locked, Porsha feels like she can’t move. On one occasion, she tells her stepmother that her father has a girlfriend since her father would take her when he’d hang out with the girlfriend. This results in a punishment where she’s left in the car for hours. She says her father would forget he’s punishing her and her siblings, but that frozen feeling stays with her in future relationships with men.

When you’re that young, watching the man you love with your entire miniature heart give his love to someone other than your mom, it changes how you think about love and what you expect from it. It changes what you think is up and what you think is down, and suddenly life seems a bit more sideways.

The entrapment follows her when she becomes involved with the recently convicted sex trafficker R. Kelly. After being recruited from a nightclub, Porsha hops on the plane to the R&B singer’s Illinois estate for what she thinks is a recording session. Like the victims’ testimonies in the docuseries Surviving R. Kelly, Porsha describes being sold the falsehood of a singing career to becoming romantically involved with the manipulative man. He, too, leaves her trapped in bedrooms, where she’s not given food or water as a result of him forgetting about her.

Besides physical entrapment, Porsha discusses the highs and mostly lows of her two-year marriage to former footballer Kordell Stewart. Their relationship is first documented on the fifth season of RHOA, Porsha’s debut season. In her memoir, Porsha admits the TV opportunity appeals to her as a way to make her husband proud. A daycare center owner at 24-years-old, Porsha is convinced to let go of her business and be a housewife. But, she says, everything she does is never enough for her husband as their marriage falls apart for millions of viewers to see.

I thought the cameras would be a good distraction from the very real problems we were facing in our marriage, but they weren’t distracting at all. If anything, they magnified the façade we had built brick by unsteady brick.

Porsha relives her first season, realizing everything she says will be scrutinized to the max. Some famous slip-of-the-tongue remarks had viewers questioning her intelligence, and Porsha says she felt ashamed by her honest mistakes, especially while representing her family with civil rights advocacy roots.

After nine years on the show, Porsha has since left the Bravo series and now wears the title of civil rights activist in her own right. She documents in the book her journey from attending protests with her grandfather at six-years-old and witnessing racism firsthand to taking charge at the George Floyd protests last year that soon involved countless other Black people who had lost their lives to racist violence. She’s been tear gassed and arrested on her new crusade, but she says the strength she musters to go out and fight comes from protecting her baby daughter Pilar.

My daughter saved my life. I’ve dealt with depression on and off my entire life. I’ve never been clinically diagnosed, but I know what depression looks like. I know what it feels like. It’s almost like a wave drifting on the shore; I can see it out near the horizon, steadily coming toward me until it overtakes me and I have no choice but to give in to it.

Mental health is a topic that hits readers in the first several pages as a young Porsha says she has unexplainable suicidal thoughts and is taken to a therapist by her mother to discuss her feelings. She recounts a suicidal attempt as a preteen due to feeling out of place at school. The childhood depression evolves with her as she struggles to find relationships she can trust. Porsha emphasizes the pursuit of herself as discovering her self-worth and taking responsibility for her actions.

The toxic relationships with men dominate the book. In the audiobook version of the memoir, Porsha’s younger half-sister Lauren, who also appears on the reality show, takes the reins for two chapters describing some of the difficult relationships. In those situations, Porsha also narrates her uneasy path to motherhood from having an abortion to experiencing infertility due to fibroids. She says the men, who seem loving to her at first, flip on her into unrecognizable monsters, a recurring theme.

Overall, the book gives us a front row seat to Porsha’s World with her longing to be a star to her actually becoming a star amid the obstacles that forced her to recognize her self-worth.

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Book Review: ‘Hooked’ by Sutton Foster

Hooked: How Crafting Saved My Life by Sutton Foster

My rating: 5 of 5 stars


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Hooked by Sutton Foster dives deep into the Broadway and TV star’s poignant moments punctuated by her love for crafting and how it helped her stay sane.

Known for her head-turning Broadway starring roles and her turn in sexy bookish TV series Younger where she plays a 40-something passing as a millennial, Sutton Foster has written a memoir about her rise in entertainment and how crocheting helped along the way. Growing up in the South then the Midwest, she moved often with her family that included her older brother Hunter, also a Broadway veteran; their agoraphobic mother, and their father who seemed to be under the thumb of his wife’s undiagnosed mental health condition. Though her mother doesn’t want to face society, Sutton and her brother are placed in youth theater to exercise their energy. They fall in love with the theater, and we go on the adventure of seeing Sutton evolve into a professional actor at seventeen. She goes on her first tour in her senior year of high school for a musical, where she grows homesick amid battling catty girls who despise her energy. After dropping out of Carnegie Mellon, she finds herself lost trying to figure out her next step, so she journals and crochets. She eventually returns to her theater work where her risk of being the understudy of the Broadway run of Thoroughly Modern Millie leads to her becoming the lead and winning her first Tony Award.

The crafting is threaded throughout her story. She describes some of her hardest moments and how crafting became therapy. A chunk of her latter story surrounds her fertility hardships. While deciding on adoption, she is honest about the anxiety of becoming her mother and not becoming a mother in case the birth mother decides to keep the baby. All those swirling emotions motivates her to sew a blanket for her potential daughter. She stops at one point when she hears a friend fails to secure the baby she intended to adopt; crocheting the blanket when her adoption is up in the air is too much to bear.

Another underlying theme of the memoir is Sutton’s relationship with her mother. She learns crafting from her mother, recalling a stitched Strawberry Shortcake bookmark she received.

That was during the peak of my obsession with the red-haired cartoon character. I had coloring books, figurines, and even a garbage pail, all store-bought. I find it so moving that my mother took the time to meticulously stitch that sweet girl in her poufy pink bonnet and white frilly apron into existence. She added my first and last name in red thread and a row of hearts in pink and green, then finished the piece with a calico border. I don’t recall my mother saying “I love you” often. But I do know that she poured her love for me into that bookmark.

The palpable pain jumps through the author’s voice and on the pages of the book of how she had a difficult relationship with her mother and how that impacted the entire family dynamic and followed her onstage. She talks about how her mother only saw her once on Broadway while her high school drama teacher flew to see her perform on several occasions. Her mother didn’t acknowledge her brother’s eventual wife or talk to her brother for years because the couple had lived together before marriage “in sin.” After her mother’s death, Sutton soon starts her own family in fear she will become the mother she had. She also witnesses her father coming out of his unintended shell and living the life he always wanted.

Overall, the crafty memoir hits the emotional nerve mostly with the author’s relationship with the stage and the family she loves. The crocheting adventures and recipes seem to be a bit detached from the story. This is really a story of following your dreams. Sutton even has a few run-ins with her idol, Broadway and TV actress Patti LuPone, and conducts an interview featured in the book. So while you may want to head to your local craft store and learn to crochet to reduce anxiety like the author, you’ll connect more with her inspirational backstory.

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Book Review: ‘Misfits’ by Michaela Coel

Misfits: A Personal Manifesto by Michaela Coel

My rating: 4 of 5 stars


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Misfits by Michaela Coel is a smart quick read where the actress, screenwriter, and producer narrates her rise in entertainment by recognizing the people she classifies as misfits while also noticing how moths always seem to make an appearance on her journey.

How many other potential artists with stories we want and need have we lost for the sake of financial profit; have we lost to thoughtless education systems, thoughtless nurturing, thoughtlessness? Why are we platforming misfits, heralding them as newly rich successes while they balance on creaking ladders with little chance of social mobility? I can’t help usher them into this house if there are doors within it they can’t open.

The hourlong book starts with Michaela ready to kill a moth interrupting an informal Stranger Things screening in her flat with her friends. Instinctively, she sprays moth killer. Once her friends gag at the odor, she realizes her sense of smell is gone. That same year in 2018, she’s invited to the MacTaggart Lecture at the Edinburgh TV Festival where she not only vocalizes her story but analyzes the elements that propelled her to unexpected stardom.

The author intersects lepidopterology throughout the key moments that contribute to her career in entertainment from dropping out of college a few times to taking a chance on a virtually White theater school, then writing her own play and performing it, and seeing that play become her first TV show, Chewing Gum.

The term “misfit” can be cross-generational and crosses concepts of gender or culture, simply by a desire for transparency, a desire to see another’s point of view. Misfits who visibly fit in will sometimes find themselves merging with the mainstream, for a feeling of safety.

Race and class define the story. The daughter of an immigrant single mother, Michaela attends a youth theater for free. She’s the only Black girl there. As an adult, the lack of diversity remains the same at her theater school. But when she writes the play that becomes the U.K. Netflix series Chewing Gum, she realizes the pattern continues on the industry level where she had to make sure the majority Black cast received the same treatment as the White actors.

During that show, she admits her business dealings weren’t clear to her. She eventually declines that newsworthy million-dollar offer from Netflix for her next show that evolves into HBO’s I May Destroy You. While working long hours on her second show, a night out for a break becomes the impetus for the future award-winning series as she is accosted by a flashback that makes her realize she had been raped. It’s then she finds herself leaning on the misfits she met inside and outside the industry to help her in the healing process and the storytelling process.

Overall, the personal manifesto highlights the author’s most meaningful memories describing where she is now and uses interesting symbolism from misfits to moths. Because of the length and substance, it’s a good choice for readers trying to stick to their annual reading goals or looking for something short and sweet.

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Can You Tell Your Story Your Way? Mariah Carey Faces Lawsuits From Siblings Over Her Memoir

Songstress Mariah Carey enjoyed debut author success when her long-awaited memoir hit bookshelves last September. But the memoir that dives deep into how she found her voice in what she calls an abusive family environment has led to lawsuits from her siblings.

While promoting The Meaning of Mariah Carey with Oprah Winfrey on an Apple TV+ special last fall, Mariah said after years of therapy she calls Alison her “ex-sister” and Morgan her “ex-brother.” Her so-called former siblings now are suing her in New York Supreme Court over allegedly false and defamatory claims.

News broke this week that Morgan Carey, Mariah’s older brother, filed a lawsuit on March 3 against Mariah, co-author Michaela Angela Davis, Andy Cohen of Bravo fame whose imprint published the book, and Macmillan Publishers that owns Andy Cohen Books. Mariah’s older sister, Alison Carey, also had filed her own lawsuit on Feb. 3 solely against Mariah.

In the memoir, the singer describes several alleged violent interactions with her siblings. From the descriptions, lawsuits were expected, but it begs the question of how a memoirist can write her own story and portray real-life characters the way she interpreted their behavior and personality.

What Are the Allegations?

First, in Alison’s two-page complaint, she is representing herself and asking the court to have her sister pay $1.25 million in damages plus money for legal costs. She has issue with the chapter in Mariah’s memoir called “Dandelion Tea,” which is dedicated to Mariah’s allegedly dangerous experiences with her sister, who she claims tossed boiling hot water on her when she was 12 years old that made her black out and develop third-degree burns.

Alison says she was a troubled preteen, but she blames their mother, Patricia Carey, for allegedly forcing her to “attend terrifying middle-of-the-night satanic worship meetings that included ritual sacrifices and sexual activity.” Alison goes on to write that she has been diagnosed with a series of mental and physical health diseases. She says Mariah “used her status to attack her penniless sister” and “callously dismisses” her as an ex-sister.

Morgan also references in his lawsuit about being called publicly by Mariah as her ex-brother. He claims Mariah falsely depicted him as a “physically violent man.” In his own words, he alleges their father, Alfred Roy Carey, was the abuser and the reason he was placed in a children’s psychiatric center, a revelation Morgan says is an invasion of privacy. He says he believes he was portrayed as a stereotypical violent Black male for Mariah to “play the victim card and curry favor with the Black Lives Matter movement.” As part of the lawsuit, he attached a page of photos from over Mariah’s career of them together appearing happy to dispute his sister’s allegations.

Memory or Mismemory?

Memoirists have to reach for memories and describe those memories and the meaning behind what happened and how it impacted their lives. But as humans our minds may misinterpret an old memory and transform it. That’s a concern that impacts any writer writing their own true story.

“This is because memory is not just about retrieving stored information,” reads a Scientific American article on the unintentional phenomenon of misremembering, or the act of remembering incorrectly. “Our minds normally construct memories using a blend of remembered experiences and knowledge about the world. Our memories can be frazzled, though, by new experiences that end up tangling the past and the present.”

Should a writer discuss what they plan to tell in their story with people who will have a major appearance? It’s a question about how much to reveal about someone and how similar are the memories you share with that someone to ensure the right description makes it into the book. But if you’re not close to that particular someone, then reaching out can get murky. Also, reaching out could mean that someone wants their name and any reference to the event they’re mentioned in to be out of the book, subtracting some of the author’s freedom to express their story.

Your Truth or Their Truth?

Both of Mariah’s siblings say they weren’t contacted by the press for their sides of the story nor were given a copy of the unpublished book to verify any information.

There are memoirs, especially celebrity ones, that share private information about others without substituting names. Actress Demi Moore in her 2019 memoir Inside Out, for example, wrote she had taken actor Jon Cryer’s virginity. This aspect, of course, exploded in the media, but Jon issued a correction on Twitter saying he lost his virginity in high school before meeting Demi.

For Demi, her mismemory was forgiven though it involved sexual information that’s usually preferred to remain private.

Mariah hints at the alleged situation with her family in “Petals” off her 1999 Rainbow album.

Who Will Win?

When the lawsuits spill in claiming false and defamatory statements after a memoir is published, it’s hard to say how the court battle will go down. Most lawsuits head toward settlement as in we may never hear the result of the settlement if Mariah and her siblings believe that’s the best route to resolution.

In 2003, Augusten Burroughs published his memoir, Running with Scissors, that mentioned his time living with a family that he gave a fictional name. In the family’s chapter, he recounts abuse, drug use, and overall dysfunction. The real family filed a defamation and invasion of privacy lawsuit against the author and his publisher St. Martin’s Press. The author argued his memories were as accurate as he remembered, therefore what he wrote was true. The $2 million lawsuit settled outside of court with the author saying in his apology that the family’s memories were “different from my own,” The New York Times reported in 2007. The memoir became a movie starring Alec Baldwin and Annette Bening.

Mariah told The Hollywood Reporter in December amid her Apple TV+ Christmas special that she’s in talks to adapt her memoir for the screen. This is before the lawsuits were filed that may or may not impact any future projects, especially around the division of profits if that becomes part of the probable settlements.

If you are working on a memoir and worried about your memories sparking lawsuits, here are some resources to check out:

A Writer’s Guide to Defamation and Invasion of Privacy, Writer’s Digest

How Not to Get Sued for Your Memoir, HuffPost

Writing Memoirs—What You Need to Know to Avoid Being Sued, Self Publishing School 

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Book Review: ‘The Meaning of Mariah Carey’ by Mariah Carey

The Meaning of Mariah CareyThe Meaning of Mariah Carey by Mariah Carey
My rating: 5 of 5 stars

*Reviewed by a dedicated member of the Lambily who has waited for this story for three decades*

The Meaning of Mariah Carey by Mariah Carey is an in-depth celebrity memoir that highlights the intersection of racial and familial trauma and how the world-famous songstress converted the pain into laser focus on talent exploration and superstardom success.

Mariah clarifies that this is her story from her perspective as she describes her family in the negative light that she viewed them. The story starts with Mariah’s childhood that hints at trauma described in many of her songs from “Outside” on the Butterfly album to “Petals” on the Rainbow album. The youngest of three children, Mariah is years apart from her teenage brother Morgan and sister Allison, who were both already showing signs of psychological damage from growing up in an interracial family in the 1960s and 1970s in New York City. Mariah also has the fairest complexion that makes her a target of sibling abuse ranging from her brother exhibiting violence to the point where cops are called to her sister pimping her out to a grown man. Race plays a huge part with her Black father and White mother and seeps into her upbringing as she lives with her mother in a White section of Long Island and visits her father in Black Harlem. The location forces Mariah to attend predominantly White schools where she’s called racial slurs on an everyday basis for being Black. Then when she hangs out with her father and her Black cousins on the weekend she feels her complexion comes up in the question of her paternity. One of the issues that bothers little Mariah the most is that her mother never could wrangle her curls. The untidiness of her appearance brings self-esteem down even more until her opera singer mother trains her to sing, and music becomes Mariah’s saving grace.

A major portion of the book covers a few chapters on her tumultuous marriage to Sony Music executive Tommy Mottola, who discovered her and became her first husband. Mariah goes into detail about how what looks like a storybook fairy tale romance is slow torture to her twentysomething self. She even calls the mansion in upstate New York she shared with Tommy “Sing Sing” like the infamous prison. Metaphorically, she describes the luxurious baths she would take as washing off the Mariah Carey persona to become an unhappy housewife. The mental abuse is more described here with what Mariah calls Tommy’s incessant anger that was shown to her all the time and visible to others in his inner circle.

There are explanations for some of her obsessions that have been magnified in the media to make her seem frivolous. For example, she connects with her idol Marilyn Monroe after seeing her in film as a young girl and learning little Norma Jeane Mortenson also had a tumultuous childhood. Mariah is “eternally twelve” because the physical and emotional abuse hit a fever pitch at that age where she wishes she could be a regular kid.

Like Mariah said on her book tour, what she says is unimportant is not in the book from the highly publicized engagement and breakup with Aussie billionaire James Packer to the highly publicized stint and battle on American Idol with rapper Nicki Minaj. She also brilliantly throws shade at other highly publicized events from her career to show the media monster she’s over it. And shade is hinted toward Jennifer Lopez, who Mariah claims she does not know, and now we know the subtle beef started way before the meme.

Overall, this is an extraordinary celebrity memoir by Mariah, along with her co-writer and Black cultural writer Michaela Angela Davis, that emphasizes her biracial identity and how that impacted her family and her drive. Because of the depth, it’s recommended to read the actual book though the audiobook is also an excellent choice due to the amount of well-known lyrics within the chapters. There is a lot of digging deep into the construct of race and how it could destroy individuals with Mariah describing her journey of working to overcome the obstacles placed in her path.

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Book Review: ‘More Myself’ by Alicia Keys

More Myself: A JourneyMore Myself: A Journey by Alicia Keys
My rating: 3 of 5 stars

More Myself by Alicia Keys is a memoir by an artist whose wins seem to dominate the losses, making the book less relatable, but she tells her story of striving to lead an inspiring life.

Alicia starts her story of being a girl in a cab with her mother and seeing a sex worker outside in the wintertime. She asks her mother about the woman standing on the corner, and the way her mother answers her question plants a seed for her to remember to work hard for her dreams to come true. She then takes us through her childhood in 1980s and 1990s Hell’s Kitchen in New York City, near Times Square and the theater district. It’s not the neighborhood it is now but one that was riddled with crime where she lived with her single mother, a former actress. She talks about her strained relationship with her father, who she sees seldomly throughout her childhood as he starts another family. As she navigates adolescence in New York City, she’s working on her music with her older music producer boyfriend Kerry “Krucial” Brothers. She lies about her age to him several times as their romantic and career-defining relationship grows. Then she’s offered a record deal simultaneously as an acceptance to Columbia University. She learns quickly she can’t juggle college and music, so she drops school and dedicates herself to become a full-fledged artist. Once her debut album Songs in A Minor drops in 2001, she solidifies her music superstardom.

Actually listening to Alicia’s voice on audiobook brought the story alive, though her hardships seem little compared to her success. For years, she tends to talk about her life in rough New York City with her single mother, but with her piano and singing skills, she’s signed to her first record deal at 15-years-old. That already puts her above the average upbringing in that same scenario. Unlike Jessica Simpson’s Open Book where that singer describes hardships before and throughout her career, Alicia’s story fails to come off as relatable to the average reader. It does leave that awe-inspiring glow of “if you stick to your dreams, then your dreams come true,” which we all know does not add up for most people. Alicia’s chapters open up with words from her husband Swizz Beatz, Jay-Z, Clive Davis, Oprah Winfrey, Michelle Obama, and America Ferrera. Also as well as her father and her ex Krucial, both relationships she has repaired to the point they’re willing to contribute vocal notes to her audiobook. Again, not the most relatable move but could be seen as inspiring. Don’t we all want to repair past relationships so when those people are mentioned in our memoirs they get a say? Maybe, maybe not.

Overall, it’s a positive, not-as-moving portrait of a famous singer who sings on the audiobook at times with her voice really illustrating her story in a more entertaining way.

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Reading a Singer’s Memoir? Choose the Audiobook

Mariah Carey is the latest singer to tell her life story in a book that will be formatted into an audiobook she narrates. With singers using their actual voices in their memoirs, the audiobook has become the best format in this booming genre.

Last week, the five-octave diva revealed the title of her memoir, The Meaning of Mariah Carey. The book will be coming out via Henry Holt & Company’s Andy Cohen Books in the U.S., Pan Macmillan in the U.K., and Audible. The release date is Sept. 29 with Michaela Angela Davis, a well-known Black culture insider, as the co-writer.

 

The next day, as fans chimed on social media about the fate of an audiobook, Mariah confirmed her memoir will be in an audio format, linking to the Audible pre-order page. On Friday, in celebration of the 30th year of her career, she released a new album featuring one of her first concerts at the Tatou Club in New York during her 1990 debut.

Between new music and the audiobook, songstress memoirs are more entertaining to read, as evidenced by Jessica Simpson and Alicia Keys, the other major female artists who also released memoirs this year.

In Harper Collins’ Open Book, Jessica’s voice not only breaks with emotion at the emotional parts, but it also includes six new songs she wrote while writing the book. Her new music is still not available on streaming services as an exclusive for audiobook readers.

More Myself from Macmillan Audio has Alicia expressly telling her story with every chapter guest-starring family and friends from her mother, husband Swizz Beatz, and even ex-boyfriend and collaborator Kerry “Krucial” Brothers Jr. with of course Oprah Winfrey, Michelle Obama and Jay-Z. She also has spurts of singing to describe how albums or singles came together.

Jessica and Alicia have been promoting their books the best way they can amid the COVID-19 pandemic, but with cases rising in many states, even Mariah may have to deal with the same fate of not meeting fans in public who want their books signed, or their audiobook covers.