When Natasha Díaz discovered her debut novel was excluded from a Black Jewish book list, she went to Twitter to air her frustrations that led to a conversation on multiracial Jewish literature.

In June, Natasha tweeted she had submitted the book that was first published in 2019 to the Association of Jewish Libraries for inclusion in its list of Black Jewish literature in light of the George Floyd protests. She said the association refused to add her book to the list.
By mid-June, Natasha started a campaign asking for followers to amplify Black Jewish writers whether they were published or unpublished. Within two months, she penned the article “What It’s Like to Be a Black Jewish Writer” in Alma, a digital media outlet focused on pop culture content about Jewish women.
I never read a character who was grappling with where to fit, how to own her whole self, and also how to take accountability for white presenting privilege, in a book. Yes, it’s a lot, but it’s my life, and while I was so incredibly proud to learn my book was “a first,” I couldn’t help but also feel infinitely sad that my Black Jewish experience, which is so impacted by my proximity to whiteness, is the only one to travel through the traditional publishing channels and represent young Black Jews in children’s literature.
In the article, she has a roundtable discussion that includes Marra Gad, the author of the award-winning memoir The Color of Love: A Story of a Mixed-Race Jewish Girl from Agate Publishing, and Rachel Harrison-Gordon, the filmmaker behind Broken Bird about a Black Jewish girl preparing for her bat mitzvah. Also in August, Natasha was interviewed by the Jewish Book Council and discussed her book’s impact.
Meanwhile, Natasha continues to discover and elevate multiracial and Black Jewish writers on social media who still battle deep-rooted hatred from within the White Jewish community and antisemitism outside the community.