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‘Jane the Virgin’ TV Review: Chapter Fifty-Six

The CW’s “Jane the Virgin” is one of my fave TV series about an aspiring novelist. In its third season, main character Jane Villanueva had a normal trajectory to novelhood with being a student then a teacher then a literary agent assistant while mostly being a hotel waitress. Magically, last week after finishing her romance novel based on her dead husband, she gets a book deal. Now, her career really sounds like made for TV. 

Within one episode, she turned her work into an author showcase and received a book deal totaling $50,000. What she does wrong seems like a teachable moment: Don’t quit your day job until you cash every check.

Despite her luck, Jane doesn’t seek consultation about the financial side of the deal and quits her job with the demanding literary agent she’s been working with only for a few episodes, or technically a span of three years. When the publishing house sends the contract of the breakdown of the money, she learns it’s not all in one check but in increments over time until the book is published. 

Crisis mode. She needs her job back. Cycling with her ex-boss and making the extravagant promise of luring an author back to the firm doesn’t work. In the end, she’s back to waitressing at the Marbella hotel. It’s an easy fallback choice with familial connections, but she had a desirable position for a budding novelist. She messed up. Or the effect of her error may melt away once the book is published in a year, or at the end of the season this spring in TV time. 

The telenovela-inspired show likes to factor frantic moments into Jane’s life, so this book deal may see more dings before blossoming into her dream. 

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book reviews

Book Review: ‘The Underground Railroad’ by Colson Whitehead

The Underground RailroadThe Underground Railroad by Colson Whitehead
My rating: 3 of 5 stars

When I first started the novel, I couldn’t get into it. There was too much going deep into some characters and not others, and it wasn’t clear which characters would return in the story. This disjointed storytelling continued throughout, but the story picked up once Cora and Caesar began their journey toward the Underground Railroad. Then there was action with the tension building up until another character’s background interrupted the present. This is a good literary tactic to dangle what’s happening next over the reader, but I was conflicted on my investment in the characters.

Cora was the main character but Ridgeway’s background and presence sometimes made him appear as a stronger character. Caesar faded out of the story along with so many other characters I had to read the long backgrounds of. It’s about 75% background on multiple characters—some who won’t matter later—and 25% of the present. If the background on most of the characters were limited and weaved in better with the present instead of being placed in separate chapters, the story would’ve moved along smoother.

Seeing Cora’s journey to freedom with waiting in some places too long not in safer Canada because they seemed ideal until they weren’t, and her dealing with the impact of her choices enlivened the novel. The garden plot she had at the Randall plantation is a stronger symbol than the Underground Railroad, in which the idea of it actually being a train line seems unoriginal. Remember when Porsha from Real Housewives of Atlanta thought it was an underground railroad seasons ago? A lot of people think that.

Overall, the writing is well structured, but the way the story was structured annoyed me as a reader more than pulled me in.

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book reviews

Book Review: ‘Everything, Everything’ by Nicola Yoon

Everything, Everything by Nicola Yoon
My rating: 4 of 5 stars

This young adult debut is simplistically entertaining. I’m working on a young adult novel, so I saw this one was going to become a film after being released just a year ago. It’s about a girl named Maddy who has that condition of being allergic to everything who’s kept in the house all day and starts to spy on her new cute neighbor, Olly.

They fall in love by sharing at first posters against their bedroom windows to instant messaging each other constantly. As they learn more about each other, they’re determined to actually meet in person. With Maddy like a modern-day Rapunzel stuck in her house all day, Olly tries to figure out how to be with her. Maddy’s home nurse, Carla, secretly allows them to meet in person in the house with extra disinfection without letting Maddy’s mother Pauline know. Carla can’t keep letting the secret meetings to happen because they’ll be too hard to hide from Pauline, her boss. This triggers more drastic measures for Maddy to take as she uses her credit card to purchase tickets to Hawaii for she and Olly. It shows how much Maddy is willing to sacrifice to not only have a friend but a connection to the real world she never experienced.

The storyline was simple yet I kept flipping to see what was next. It’s broken into short chapters with illustrations done by her husband David Yoon, which makes the entire book more digestible. Maddy’s curiosity and desperation to go outside is apparent on almost page as she draws figures, write book reviews, and occupy herself all day with home school and other brain-teasing activities.

The one thing that didn’t jive was the character is supposed to be half black and half Japanese since the author has an interracial family, but adding race and culture to the character fell flat. If the author wanted it to be a factor, then it really needed to be a factor, with incorporating more culture in the relationship between Maddie and her mother; or describing their physical features more; or having Maddie question Olly’s attraction to her because of her race and skin color—these are all real moments for a teenage girl that could’ve been added in lightly to the storyline. And even though Maddie hadn’t been in the real world, she was home-schooled and took history, so she knew race is an issue.

Overall, it was cute quick read, and I look forward to seeing the movie.

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