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Book Review: ‘Boom Town’ by Nic Stone

Summary: Boom Town by Nic Stone centers on a strip club employee who searches for her former work bestie after the replacement hiree also goes missing. Now that two women have disappeared without a trace, she finds all trails lead to one mysterious man. 

Synopsis: Micah, who goes by Lyriq, works at Boom Town, an established strip club in Atlanta. She gained notoriety performing with Felice, known as Lucky. Lyriq distances herself after a devastating breast cancer diagnosis. She has undergone surgeries to remove her breasts and is deciding on reconstruction surgery. The burden is too heavy to share with Lucky. 

But Lucky takes the distance as abandonment. She finds solace with a customer named Thomas McIntyre. Thomas is not the average patron; he is a White man and a secretive music executive. He tells Lucky he wants a baby while his wife does not. Lucky gravitates toward Thomas’ promise of helping her find meaningful work outside Boom Town. 

Lyriq is usually resting whenever she gets a chance at the club. She can no longer dance, but she helps keep the club running smoothly. One night, she finds Lucky after an assault. She knows Lucky needs her, but when she tries to understand the turn of events, Lucky is gone. 

When Lucky stops showing up to work, Lyriq assigns Lucky’s locker to Damaris, who becomes Charm. She vouches for Charm as a favor, but the teen is having trouble applying her dance skills to Boom Town’s expectations. Then, Charm disappears. But so do thousands of dollars from the club. Lyriq is now forced to find Charm (and the money) and start the search for Lucky. 

Theme: Power, privilege, and control

Like in most (if not all) stories surrounding a strip club, the power dynamics are clear-cut. The dancers are at the bottom of the hierarchy. The clients who are enjoying their bodies hold the power. In this story, the women are navigating their lives around the obstacles to hold onto their power.

Lucky and Charm don’t matter to Bones, the club’s manager. He is furious about Charm stealing money from the club. But he sees their disappearances as annoyances; he has to hire more dancers. And on top of that, he is losing money over Lucky and Lyriq’s act coming to an abrupt halt. It is due to Lyriq’s health condition, which triggers a domino effect as Lucky becomes dangerously close to Thomas and subsequently disappears. 

The club holds some power over them. Lyriq stays at the job to pay for her health care. Lucky has a master’s degree in education, yet makes more money as a dancer than on a teacher’s salary. Then, she gets trapped in Thomas’s web of deceit to the point Lyriq belatedly questions the bond. 

The surroundings these women had lived in before the strip club felt overpowering as well. Before she became Lucky, Felice separated herself from her family. Before she became Charm, Damaris was involved with a youth pastor at her church. She was underage while believing she was in a mature relationship. To find their power, they found themselves at Boom Town, where their power was under threat again. Micah, Felice, and Damaris are fighting to gain control over their situations. 

Theme: Missing Black women and chosen family

A body is found in the first chapter of the novel. Lady Josephine, an unhoused woman, discovers the body in the woods, where she has created a home. She represents a segment of the population of missing Black women. 

The main theme of the novel is the plight of missing Black women and how they can quietly disappear from a community. Boom Town is a place of business, but when two employees stop coming to work without an explanation, nothing happens. Nobody reports them missing. People who are looking for them feel like they could get more done than the police. And some people do not connect their absence to a disappearance. 

It’s a strip club, while most corporate workplaces will at least contact authorities if an employee fails to show up. Boom Town is a place where many workers have severed ties with friends and families outside of it. This is why Lyriq knows she must look for Lucky and Charm. 

As for Charm, she has Dejuan, a friend she was living with, who comes to the club looking for her and raises the alarm on her disappearance. This heightens Lyriq’s concern and forces her to activate the hunt for Lucky, too. 

Theme: Motherhood

Being a mother takes on many definitions in this story. Lyriq serves as a motherly figure to Lucky and Charm. She knows she is the one looking out for these girls in a dangerous environment, inside and outside Boom Town. 

According to Thomas, his wife, LaBrettney aka Brett, does not want a baby. He is obsessed with having a child. Lucky finds herself becoming empathetic. But her empathy leads to danger. More threads tied to motherhood and reproductive choices affect Felice, Damaris, and Brett.  

Conclusion: The author’s adult debut novel has heart and grit, but it is a rocky read with multiple first-person points of view shifting back and forth from the present and the past. The writing is stream-of-consciousness, so the characters’ voices lift off the page. For some readers, this may distract them from engaging with the story. There is a lot of exposition, where the author explains backstory upon backstory and bookends chapters with the present. The story is unique and thrilling for a commercial fiction novel, but the changes in voice and writing style weigh it down, potentially heightening or diminishing engagement. 

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Book Review: ‘One of Our Kind’ by Nicola Yoon

*Given a copy from the publisher in exchange for an honest review*

One of Our Kind by Nicola Yoon is a slow-burn psychological thriller set in a Black utopia where race is no longer a barrier, but when some characters seek to improve race relations outside the utopia, they notice their neighbors eerily avoid the topic of race. 

Jasmyn is a Black woman carrying the world’s weight on her shoulders. Besides being a wife to King, a former teacher, and a mother to six-year-old Kamau, she is a civil rights attorney worrying about her cases and the ones that make the news. Those cases, like the one involving a young Black girl named Mercy Simpson being shot by police, have her wanting to stay rooted in her Los Angeles community. But King wants to move to Liberty, California. 

Over the last few years, King has transitioned his career from public education to finance. This has elevated the family to a new income bracket. Now, they can move to Liberty, which is 100% Black and high-income. Located on the outskirts of Los Angeles, Liberty is the brainchild of Carlton Way, a financial entrepreneur who happens to also be King’s mentor. Jasmyn is unsure about the mansion life, but King convinces her that it is the next step for their expanding family. Since she is pregnant with their second child, Jasmyn finally approves the move. She can’t wait to be around her own people and not worry about the weight of the world at home as a Black woman.

Right away, Jasmyn notices a coldness among her new Liberty neighbors. She brings up the developments in the Mercy Simpson case, and her neighbors don’t seem concerned. They may be too relaxed with their wealth and addiction to the wellness center atop the hill. She notices them meditating up there in their robes, and it doesn’t sit right with her. 

The only neighbor who shares Jasmyn’s concern is Keisha, who’s also Kamau’s teacher at the local elementary school. Keisha also detects the coldness and prefers to stay away from the wellness center, though her wife frequents the center. Together, they decide to start a Black Lives Matter chapter to raise awareness about the Mercy Simpson case and other future cases. They meet another neighbor, Charles, who wants to start the chapter based on his same interpretations of Liberty. He, too, doesn’t trust the wellness center that his wife loves. 

Then, suddenly, Charles changes his mind about starting a BLM chapter. He even cuts off his dreadlocks and sells his Afrocentric art collection. These moves bewilder Jasmyn and Keisha. They move forward with their plans. Then, Keisha changes her mind as well, now that she straightens her natural hair and wears neutral-toned business suits — a far cry from her Afro, colorful clothing, and large gold hoop earrings. 

Jasmyn is now the only one left standing. King won’t completely commit to opening the chapter with her or volunteering with Black youth like he used to when they lived in the city limits. Everyone seems to be addicted to the wellness center. Jasmyn has stayed away because she’s pregnant and doesn’t want any treatment to harm the baby. But King loves going to the wellness center. Things are not adding up. Using her court connections, Jasmyn hires a private investigator to see what happened to the last family who lived in her mansion. The family had only stayed for a year. Why buy a house for only a year? The more she finds out, the more she feels she’s in danger. 

The idea of a utopia was coined by Thomas More in his 1516 classic Utopia. He created the word “utopia” from ancient Greek, which translates to “not a place.” So, if a housing development or closed-off community boasts that it is a utopia, then there is already a reason to run in horror. The book garnered some online criticism for creating a story around a Black utopia that ends in giving in to the racism of the outside world. Without giving too many spoilers, the ending becomes a Get Out-esque situation. The utopia is flawed from the roots because it targets certain people and convinces them to be in a social experiment when reality seems too overwhelming. 

With the utopia, the novel taps into the monolithic definition of Blackness. One of the main examples is showing Jasmyn’s desperation to unite her neighbors to start a BLM chapter. The real-life controversial organization works to protect Black lives across the diaspora, but not every Black person supports the mission and its activities. Jasmyn assumes every Black person is in agreement with feeling upset over a police brutality case, and that’s not the case in Liberty. But that’s what makes the hairs on her arms stand up? In this politically charged society, it may feel safer for many Americans to live in communities that share their values, and Jasmyn is realizing she did not move into a like-minded community. Other examples emphasize the monolithic falsehoods within the African American community, such as Keisha wearing her Afro and hoop earrings, which means she’s down for the cause. And when her style changes, that is the telltale that she is not down anymore. While other characters seem cold for ignoring the Mercy Simpson case and straightening their African curls, it feeds into the stereotype that all Black Americans feel the same way about certain issues by their vocal expression and outward appearance. How the characters are constructed with simplicity may distract some readers expecting a complex racial thriller. 

Overall, the simplicity also speaks to the author’s transition from the young adult genre to the adult genre. In YA, character and story development must be easier for a young reader to follow. We see the same pattern in this adult book, though the tension between the characters and unfolding events still make it a page-turner. 

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Book Review: ‘Thicker than Water’ by Kerry Washington

Thicker than Water by Kerry Washington reflects on the award-winning actress’ life from her humble beginnings in the Bronx to her stardom in Hollywood as she begins to seek the truth in a long-held family secret.

Even as a young child, I felt that I was never who my dad needed me to be. I knew he really wanted a son and that they weren’t having any more children. I wondered if I could soften the blow somehow by being a daughter who was prettier, or smarter, or braver, or more successful, but even that didn’t work.

Kerry Marisa Washington was born in New York City, and her story focuses on the meaning of her middle name. Marisa translates to “girl of the sea” in Latin. She embodies her mermaid nature by swimming as a child with her cousins and neighbors at a government-subsidized cooperative housing building for middle-income families. When she swims, that is the time she feels the most free. She tries to hold onto that childhood freedom when she overhears her parents fighting at night. The tension between her parents over legal turmoil circulating her father’s real estate dealings makes her anxious. As she evolves from child to teenager, she absorbs her family’s troubles as the only child. The child her parents desired for so long after years of infertility. The child who lives in the shadow of a stillborn sibling who came years before her when her mother was married to another man. The child who is slowly growing older and finding her purpose. 

What soothes the blossoming anxiety is acting. Kerry becomes a standout in middle and high school performances. Her mother worries about the lack of stability in a potential acting career. The only famous person they know is Jennifer Lopez, who taught Kerry dance at their local Boys & Girls Club, but according to Kerry, everyone noticed J.Lo’s charisma. To Kerry, she may not be cut from the same cloth. As a teen accumulating roles in school performances, she joins Mount Sinai Hospital’s Adolescent Health Center’s S.T.A.R. program, which educates and entertains children about the dangers of risky sexual behavior. She gets recognition when she plays the role of a girl who discovered she had been diagnosed with HIV/AIDS during a televised ABC town hall. She also nabs her Screen Actors Guild membership off a speaking role in an ABC after-school special. These could be viewed as moments of unintentional manifestation when she later becomes the first Black actress to lead a primetime TV drama in nearly 40 years on the same network in her role as Olivia Pope on Scandal.

Her love for acting is noticed by a mentor, who refers her to an agent for an audition for Interview with the Vampire. She loses the role to Thandiwe Newton. As a Black teen girl in high school, Kerry isn’t winning roles, but when Thandiwe Newton also nabs the role of Sally Hemings in another audition, Kerry heads to George Washington University in D.C. The university is not too far away from New York City, but Kerry’s growing anxiety evolves into an eating disorder. 

She struggles with her binge eating for years, but upon graduation, she heads back home in hopes of nabbing roles with her college training. She gets her first big role in an independent film called Our Song about three Black young women in a marching band. She soon gets the pivotal role as Chenille, a teen mother balancing school in inner-city Chicago, in Save the Last Dance

My biology had been their enemy. Consequently, I had learned to survive without a true relationship to it. I didn’t know my body; I couldn’t read its signs. I didn’t rest when I was tired, didn’t register when I was hungry, couldn’t decipher when I was full. Over time, my body became my enemy, and I couldn’t bear the discomfort of being fully present in my skin. I sensed that my embodiment scared my mother and threatened my dad. Presence itself—being fully alive and aware—became something to avoid. The fuel that had powered our family was pretending.

Over the last several years solidifying her TV and film success, the private star marries her husband Nnamdi Asomugha and raises two children while being a bonus mother to a stepdaughter. Scandal is coming to an end, and Kerry is exploring options with her production company, Simpson Street. Upon meeting Dr. Henry Louis Gates Jr. at an event, the renowned historian invites Kerry to be featured on his show, Finding Your Roots on PBS. But then her parents give her devastating news about her lineage, which forces her to question her identity and her past. 

On the heels of Americans seeking discoveries within their DNA, the actress learns that her willingness to please her parents and feeling down when she thought she wasn’t the perfect child fueled so much of her anxiety. While handling these emotional fluctuations, she also chose a career filled with rejections that kept watering the seed in her mind that she wasn’t good enough. In her role as Olivia Pope, we see Kerry Washington portray this complicated woman with such poise that we may not realize how much energy goes into showing that poise to an audience. By telling her story, she seems more down-to-earth, despite her opportunities of acting arising so early in her life. 

The memoir follows Kerry as she goes through the ups and downs of acting, a career she felt connected to as a preteen. Witnessing her work ethic while witnessing the countless rejections can be seen as inspirational for readers who are also in ambitious careers. Her first film did turn out to be an indie film darling and opened the door to her role in Save the Last Dance, but she had already been acting for more than a decade. 

Overall, the memoirist does a wonderful job of connecting the trials and tribulations to finding solace in memories tied to buoyancy and freedom, especially with being one with the water. The liquid made up of hydrogen and oxygen makes one feel weightless, so when situations weighed on her, she thought about the feeling in the water. The thought of water didn’t fix everything, but realizing she had felt the feeling of freedom at one point helped her navigate the hardships. This book works well for readers and Scandal fans who are interested in inner child and teen healing, body positivity, career exploration, and genealogical discovery. 

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Book Review: ‘A Love Song for Ricki Wilde’ by Tia Williams

A Love Song for Ricki Wilde by Tia Williams takes a supernatural direction when a florist falls for a man who is cursed to live forever. 

Ricki Wilde is the youngest daughter in a wealthy Atlanta family that takes their funeral business seriously. Except she loves floral design and uses that passion for the funerals and social media clout. Her sisters and her mother think it’s a crying shame that Ricki wants to play with flowers all day instead of taking leadership roles in the undertaking empire. She prepares a business plan for a flower shop, but it’s rejected. She wonders about her next move. One day, she comforts an elegantly dressed widow named Ms. Della. Upon hearing Ricki’s story, Ms. Della offers her the first story of her brownstone in Harlem. Since Ms. Della just lost her husband, she didn’t want to be entirely alone. The first story had been vacant for years, but it’s the perfect place for a flower shop.

In Harlem, Ricki opens her shop. She finds out that the brownstone was the site of a famous Harlem Renaissance nightclub. As she searches around the property, she sees a man her age who disappears mysteriously. She even notices the scent of night-blooming jasmine in February, which is unusual because it’s not the flower’s season. That’s also mysterious. While trying to unravel the mystery of the location, she needs to keep her business afloat. Via Instagram, she highlights different flowers at different locations throughout the neighborhood to boost business. Her heightened visibility leads her to find the mysterious man. 

Ezra Walker has been looking for Ricki forever. And Ricki feels a supernatural pull to Ezra. She has tea parties with Ms. Della upstairs and confides in her celebrity friend, Tuesday Rowe, about her newfound love interest. Ricki learns more about Ezra as she falls deeper in love with him. But he has a secret. He’s a perennial. Not the plant that returns every year, but a person who has been cursed with immortal life. Once upon a time, Ezra was an up-and-coming pianist during the Harlem Renaissance who escaped the segregated South after his family was killed by Jim Crow terrorism. He was cursed by a dancer at the nightclub that used to be housed in Ricki’s brownstone. The only woman who could break his curse is Ricki. Ezra had been writing a song for nearly a century that he could only play for Ricki. If they are still together by Leap Day, then Ricki will be cursed with immortal life as well.

The author loves to weave pop culture references into her stories, and this story doesn’t disappoint. It also seemed like she had been pressured by an industry that loves romantasy to inject that magic into a modern-day love story, and it works seamlessly. The fantasy sprinkled into the romance doesn’t overtake the story despite the plot leaning more toward fantasy. The groundedness in reality is still strong. The term “perennial” for an immortal person also seems to be up for debate as a flowerlike word choice by the author, instead of an official dictionary definition. 

Another aspect of the romantasy is the historical element of the Harlem Renaissance and its documented and undocumented culture. Stories still emerge about the 1920s era, where African American society flourished in New York City. The story is set in a brownstone that was a nightclub where sultry sin and artistic influence occurred inside and outside its walls. The setting remains a century-old dream for many people like Ricki and Ms. Della, who develop an intergenerational friendship that supports each other in their transitions, as Ricki finds love after leaving home and starting a business, and Ms. Della finds love after the death of her husband. Harlem feels like a magical place all on its own. 

Overall, the love story stretches over pages with positive energy, though the ending is likely predictable for readers who know to expect the happily ever after by dissecting every character’s relationship with each other. 

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Book Review: ‘Black Cake’ by Charmaine Wilkerson

Black Cake by Charmaine Wilkerson revolves around two adult siblings trying to decipher their mother’s deathbed confessions as they imagine her living different lives and identities. 

Eleanor Bennett is dead. But before she died from cancer, she had recorded her deep-rooted secrets with the help of her lawyer-boyfriend, Charles Mitch. Charles brings the recordings to Eleanor’s two children, son Byron and daughter Benedetta, or Benny for short. Byron and Benny haven’t spoken to each other in years. An oceanographer on the rise, Byron doesn’t understand his younger sister’s decisions to not stay on the straight and narrow path their Caribbean immigrant parents set them on. Benny, a college dropout, is still trying to establish roots in her career and love life after some heartbreaking moments that she tried to share with her family but felt she was rejected. As the two siblings feel awkward around each other back home in California, they have to sit with Mr. Mitch and listen to the hours of recordings their mother left behind.

Eleanor Bennett was born Coventina “Covey” Lyncook. In the 1950s and 1960s on a Caribbean island similar to Jamaica, Covey loves competitive swimming with her best friend, Bunny. Covey’s father, Johnny “Lin” Lyncook, a Chinese immigrant on the island, owns a general store. He’s also a gambler, so Covey tries to focus on her schoolwork. Her mother is gone and has failed to reach back out to the family. To ease the missingness of Covey’s mother, Pearl, a family friend and the housekeeper, takes it upon herself to watch over Covey. Pearl helps the family while maintaining a successful baking business. Her most requested dessert is the wedding treat of black cake, which Covey learns to make.

Covey’s life is turned upside down when her father promises her hand in marriage to a known moneylender and murderer named Little Man Henry to settle a gambling debt. At 17 years old, Covey knows she doesn’t want to marry this 38-year-old criminal but rather spend her life with Gilbert “Gibbs” Grant, her boyfriend who wants to study abroad in the U.K. for a more promising future. When Little Man Henry falls dead at the wedding with the black cake with lilac icing barely touched, Covey makes a run for it to the waves. The storm brewing above should make the swim precarious, so when Lin finds Covey’s weighty wedding dress on the beach, he believes his daughter is dead. 

With assistance, Covey gets to the U.K. to work as a nanny. She must keep a low profile, so she changes her last name since she is a suspect in the murder of Little Man Henry. But she wants more of a career. She enrolls in a nursing program with other Caribbean women. There, she meets a woman her age named Eleanor Bennett. A tragic turn of events forces Covey to become Eleanor to seek the career she wants. Feeling like she dodged another bullet, Eleanor arrives in a workplace where a violent incident and the aftermath change the trajectory of her life again bringing her to the U.S. with a husband and eventually a family. 

Black cake is popular in English-speaking Caribbean countries where it’s considered a twist on Christmas plum pudding. It’s usually served on special occasions such as weddings and holidays. In the book, Pearl makes a living with and later without Covey’s mother providing black cakes as Covey becomes an apprentice. With being forced to change her life three times, Covey as Eleanor brings the recipe to her new homeland and teaches the recipe to her daughter. Benny carries an old plastic measuring cup in light of her mother’s death because it gives her comfort. Byron finds a bowl of fruits marinating for the black cake while searching through the kitchen. Their mother would marinate dates and maraschino cherries in rum and port every five years to bake a layer of black cake for her and Bert to enjoy a slice on every wedding anniversary. The dessert becomes a symbol for Eleanor’s children as they bridge her past as a young woman to the mother they always knew. When they learn about another family member, the siblings are determined to bake the black cake to enjoy the dessert their mother always held close to her heart. 

Another theme in the book is the ocean. Though Covey leaves home to escape punishment for a crime, her best friend, Bunny, still defends her. Bunny eventually grows up to be Etta Pringle, a global swimming champion. Etta never forgot how Covey inspired her to take those long-distance swims on their island. When Covey as Eleanor becomes a mother, she instills her love of swimming into her children. While Benny loves to bake mainly because of the black cake tradition, Byron loves the ocean as he would surf with his mother. In the U.S., African Americans still deal with the stereotype of not being able to swim, mainly because of the country’s past of discriminating against them and other people of color by cutting off access to pools and waterways. But in countries where the population is predominantly of people of African descent, the waterways represent freedom and the residents are usually strong swimmers. This perspective of people of African descent who love swimming, and not only love the sport but also love the ocean, is refreshing to see as a part of Caribbean culture. 

Overall, the book builds up tension well as Covey aka Eleanor tells her autobiography through audio speakers and the events swirl into more events as her children examine her every word and imagine her every situation. More stories have used the theme of the deathbed confession, but some of the characters are considered famous, so their autobiography is worthy of listeners. But this story stands out by featuring a young Caribbean woman, who lacks wholeness without her mother and is forced into an arranged marriage, and how she overcame sexism and racism to get what she wanted in the end though it looked different than what she would have expected. The story has been adapted into a TV series on Hulu. The book would entertain readers who are interested in family secrets and dynamics, oceanic power, and Caribbean history and culture.

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what's lit

‘Black Cake’ Brilliantly Illustrates the Main Character’s Journey of Deceit

⚠️ Spoilers ahead! Watch the TV series on Hulu.

⚠️ Trigger warning! The story and the post below have graphic references to topics such as sexual assault.

Black Cake on Hulu brings Charmaine Wilkerson’s debut novel to life through a cinematographic lens, showing the main character’s inner conflicts of hiding her identity multiple times to escape an arranged marriage that ends in murder. 

The TV series opens with Covey escaping the murder scene in her wedding dress toward the ocean in 1960s Jamaica then shows 70-something Eleanor walking into the ocean with her surfboard, determined to get lost in the water. The girl and the woman are the same person. How Coventina “Covey” Lyncook, played magnificently by Mia Isaac in her youthful years, becomes Eleanor Bennett, played by Chipo Chung in her older years, makes the story within Black Cake full-bodied like the rich dessert that serves as its title.

For the quick synopsis (the book review can be found here), Covey is growing up in Jamaica as a competitive swimmer and the only daughter of Johnny “Lin” Lyncook, one of the only Chinese immigrants in the Black community. Her mother, Mathilda, left years earlier, so her mother’s friend and housekeeper, Pearl, helps raise her while earning money baking black cakes for weddings. When Lin runs into gambling issues that threaten his general store, he arranges for Covey to marry Little Man, a career criminal. Seventeen years old, Covey wants to keep swimming with her best friend, Bunny. She is also in love with Gilbert “Gibbs” Grant, a fellow competitive swimmer. When Little Man falls to his death during the reception right when Pearl’s black cake is being served, Covey makes a run toward the ocean. She is now a suspect in her husband’s murder. In the water, she is rebaptized as Coventina Brown on her way to England then Eleanor Douglas in Scotland then Eleanor Bennett in the U.S. Her two children, Byron and Benedetta “Benny,” spend the length of the story deciphering their mother’s deathbed confessions through audio files before discovering they have another sibling. 

The overwhelming theme of the loneliness around hiding your true identity to escape a life choice someone made for you bleeds into most of the scenes involving the character of Covey. Her gambling father forces her into an arranged marriage with an older man known for his criminal activity, and now the girl who had dreams of taking over the world of competitive swimming is running for her survival. The criminal arrangement still leads her to a life of criminality that forces her to change and steal her identity to escape trouble. 

In the second episode “Coventina,” Covey labors over a pot of Chinese fish soup at her clients’ family home. She is ordered to make fish and chips for the two children she cares for as a nanny, but the homesickness is too overpowering in London. While she has access to the kitchen, she makes the soup. The maid, who is also Chinese, smells the soup and tastes it. She recognizes the dish and questions Covey about how she learned to make the soup. Covey answers that her grandmother taught her without revealing she too is Chinese. The maid leaves with suspicions. Covey can’t afford to bond with the maid over their shared ethnic identity because she is hiding her entire identity. What if the maid is a Chinese woman from Jamaica? When Covey serves the children the soup, they are disgusted and upset that fish and chips are not being served as expected. Though she is homesick, Covey is embarrassed that she tried to bring a sense of home into someone else’s home, especially serving children without developed and diverse palates. The moment is smaller than the many pivotal moments, but it stands out in demonstrating Covey’s loneliness and homesickness in such a simple light. The dinner forces her to reexamine her fear of living within the Caribbean and Chinese communities in London and wonder if the next batch of immigrants who arrive on the next ship will recognize her and turn her in to the authorities in Jamaica. 

The third episode “Eleanor” shows us how Covey becomes Eleanor after assuming the identity of her upbeat roommate Eleanor, played by Karise Yansen, who is killed in a train accident as they are traveling to live a new life in Edinburgh, Scotland. In the show, she has a hard time finding a job as a Caribbean immigrant while recovering from her leg laceration from the accident. She feels she has to hide even more. It mentally takes her back to the island where she is courting Gibbs, played by Ahmed Elhaj. Since she has a boyfriend, she wants Bunny to find one, too. But Bunny, played by Lashay Anderson, doesn’t seem interested in the local boys. She confesses that she likes Covey the way she’s supposed to like boys. Covey reprimands her friend to never repeat those words and advises Bunny to pretend to like a boy out of protection. Back alone in Edinburgh, Covey as Eleanor realizes the advice she had given her friend is the advice she needs for herself to survive. 

In the same episode, Covey finds a secretarial job. Out of excitement in finding employment, she wears a light pink crocheted dress with pink heels topped with white flowers on her first day. Right away, her Scottish female colleagues seem to be annoyed by her presence and make comments about the brightness of her outfit. Covey is again reminded to hide. So, the next day, she arrives in an outfit with a drabber color. When she spots accounting errors, she tries to bring the problem to Beatrice, played by Anna Mawn, the ringleader of the women in the office. She gets angry at Covey for insinuating she has made a mistake.

But Covey doesn’t feel right about the mistakes in the account. She goes to her male boss, who seems understanding of the situation. He admonishes Beatrice for ignoring the mistakes and invites Covey to dinner with his wife. The trust between Covey and her boss makes her feel seen in a positive light. Then her boss reveals that he knows Covey is lying about her identity. He points out the lack of nursing education, a lie Covey used on her résumé as part of her new identity as Eleanor. With Covey afraid to confess, her boss sexually assaults her. Beatrice notices Covey in shock returning to their room in the office. She follows Covey into the restroom, where she explains the boss had assaulted her and the other women in the office, but they all needed the job. She tells Covey to clean herself up and return to her desk. Covey is visibly upset over the ordeal and how she let her walls down to the first person who showed her attention when she was supposed to be invisible. 

Covey returns to London after having her daughter, Mathilda, as a result of the assault. As the seventh episode “Birth Mother” shows a pregnant Covey trying to stay under the radar at a church, she fights to be noticed to keep her daughter. But she fails when a couple swoops baby Mathilda in a quickie adoption arranged by the nuns. Covey is running after the car carrying her baby away, but she cannot keep up. 

Since Edinburgh turned out to be a disaster starting with the tragic death of her roommate, Covey puts on her cloak of invisibility in the fourth episode “Mrs. Bennett” while walking the streets of London. She notices a protest across the street, and in a perfect moment of fate, she lays her eyes on her beloved Gibbs. He is yelling into a megaphone alongside protestors, but he stops when he lays his eyes on Covey. They immediately reunite and spend time together. But one day, a Caribbean girl notices Covey. She calls out to Covey, but Covey answers to Eleanor now. The girl asks about Eleanor’s whereabouts since it was reported that Covey had died in the train accident. Covey hides behind Gibbs and explains the stress and the loneliness of hiding in plain sight. Gilbert Bennett Grant becomes Bert Bennett while Covey becomes Eleanor Bennett. 

The series shows a healthy portion of the recently past present and current present with Byron, played by Ashley Thomas, and Benny, played by Adrienne Warren, who are making sense of their mother’s story and realizing why both their parents had to change their names once they started their new lives in the U.S. But the dramatic sequence of events featuring Mia Isaac as young Covey tugs on the heartstrings more since the strong emotions of disappointment, loneliness, and despair lay within Covey’s past. Throughout the series, there are flashbacks to the relatively peaceful existence Covey lived in Jamaica, even after her mother, Mathilda, left the family in hopes of finding the promise of a better life in the West. The turquoise ocean, the lanky palm trees, and the golden sunlight of the island warm the screen every time, even at times when the story shows a rough scene. The cover for the series shows a young Covey running away toward the ocean at sunset from her deadly reception. How young Covey navigates a path she stumbled onto for the sake of living her life is the root of the storyline.

The eighth episode ends with adult Bunny, a world-famous competitive swimmer played by CCH Pounder, admitting to killing Little Man with a poison Pearl was preparing for the wedding to give Covey a chance at the life she wanted. Pearl decides it is too risky to use the poison, but Bunny sneaks it into Little Man’s drink. Covey’s three grownup children — Byron, Benny, and Mabel Mathilda, played by Sonita Henry — have joined Bunny, now known as Etta, to discover this revelation. But the TV storyline omits some of the book’s ending and opens to new possibilities of a second season.

Toward the end of the book, Etta leads Byron, Benny, and Mabel Mathilda to visit Pearl, played by Faith Alabi, in Florida. She would visit Pearl when she competitively swam in the state. Pearl is in shock that not only Covey was alive this entire time, but she raised a family with Gibbs. All the children remind her of Lin when they laugh. And Mabel looks the most like Covey, though she is considered White. Still in Florida, Etta also guides Covey’s children to their biological grandfather, who they learned with the revelations is Chinese and still alive in his 90s. After a tumultuous gambling past in Jamaica, his luck had turned in the U.S. through investments. He had a private investigator find Covey, who at the time was living as Eleanor Bennett in California, but he felt his daughter should’ve reached out to him. Though he left the island, most of the island at the time ended up in Florida instead of the U.K. in the late 1960s, so he believes Covey would’ve found him if she wanted to. These crucial reunions and meetings, for example, aren’t covered in the series, but they could add another element in a new season.

Another part of the book that failed to make it to the screen is Covey as Eleanor before her death going to see her old friend, renowned swimmer Etta Pringle, speak at a conference. Eleanor sits in the crowd, and Etta notices the face of her old friend who she believed died in a train accident in Scotland decades earlier. Eleanor gives Etta a note with a phone number. They discuss awkwardly a date to meet, but by that time, Eleanor is dead. 

In the TV series’ fifth episode “Mother,” Byron gets arrested for beating Benny’s abusive ex-boyfriend on the street after Benny calls to be rescued. In the book, Byron’s girlfriend Lynette, played by Rebecca Naomi Jones in the show, calls Byron to notify him that she couldn’t make it to his mother’s funeral because her nephew had been involved in a police incident. Also in the book, Lynette gives birth to their son. But in the show, Byron finds out at the end that he will be a father when Lynette shows up to the funeral, so his parenthood can be explored in another season. 

The series emphasizes a few events in the book. One example is Mabel Mathilda, who is a cultural food anthropologist who gets canceled for whitesplaining indigenous foods during a panel discussion. She is the daughter who reluctantly is given up for adoption. She was raised in a White family and not told about her adoption until Eleanor Bennett’s lawyer Charles Mitch, played by Glynn Turman, reaches out to her. Mabel is raising her son, Gio, alone, but she sends him to boarding school while she lives between London and Italy. This is shown on screen, but in the book, we see Mabel yearn for Gio to return home after noticing her neighbors’ son, who is the same age as Gio. Mabel’s husband died before Gio was born, but the series can dive deeper into Mabel’s life. The scene in the TV series where young Covey is running after the car belonging to Mabel’s adoptive parents is excruciating to the point that Mabel will have to deal with that image and bring it up with her family. She still also has to tell Gio that she is adopted, has met her biological siblings, and went to her biological mother’s funeral while lying about being on her book tour in the U.S. The show spotlights the personal lives of Byron and Benny since we meet them at the beginning of the series, while Mabel is introduced in “Mother,” therefore we have the abridged version of her reality.

Reminiscent of the visual reimagining of Natalie Baszile’s Queen Sugar by Ava DuVernay and Oprah Winfrey, Black Cake keeps its story mainly intact and gives moments more space to breathe and expand. Along with author Charmaine Wilkerson, Oprah is also an executive producer for Black Cake. Thanks to showrunner Marissa Jo Cerar’s book-to-TV credits, the series tells the story with dramatic cinematographic shots. The series is so exquisitely done, but it’s due to the novel being entertaining and heart-wrenching simultaneously with the tension pulsating on every page the way it’s pulsating in every scene.

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film reviews

‘The Color Purple’ Illuminates the Power of Daydreaming Amid Trauma

⚠️ Spoilers ahead! Watch the film.

⚠️ Trigger warning! The story and the post below have graphic references to topics such as sexual assault, molestation, and violence.

The musical film version of The Color Purple opened on Christmas Day 2023, earning $18 million during its record-breaking holiday debut and updating the 1985 film with the elevation of expressing the message of love, faith, and empowerment through vivid daydreams.

“I think it pisses God off when you walk by the color purple in a field and don’t notice it” is one of the film’s most memorable lines revealing the title. It is said by homegrown blues singer Shug Avery, played originally by Margaret Avery and recently by Taraji P. Henson. Purple is the color of royalty, nobility, luxury, power, and ambition. Color psychology tells us the combination of rage red and tranquil blue opens up purple to the interpretation of various emotions. The color purple alone has literary interpretations, especially with purple prose, the literary phrase defined as long-winded, flowery language. Purple prose could be seen as literary fiction, the genre The Color Purple fits into. The novel by Alice Walker earned the renowned author the title of being the first Black woman to win a Pulitzer Prize in fiction. 

A story full of trauma and triumph, the daydreams in the second film adaptation focus on the power of imagination to lift the main character toward the love she felt was missing throughout her life. 

The song-and-dance routines add the element of hope in early 20th-century Georgia telling the story of Celie, a Black woman whose Pa handed her off to be the wife to a cruel man known as Mister. She is still recovering from the deliberate abduction of her two babies by Pa, who had raped her. And she will miss her sister, Nettie, who’s her confidante and the one who is told she can make a way for herself in the world through her education. Celie is forced to raise Mister’s three children, cook, and clean all day. She goes through this pattern for years until she meets the famous Shug Avery, who forces her to live her life despite her past and present abuses.

The first daydream sequence from Celie’s imagination occurs after a baby girl drops her pacifier on the floor in the family general store. This is before she is sent off to be married to Mister. In the film, this is young Celie, played by newcomer Phylicia Pearl Mpasi. As Celie sweeps the floor, she picks up the pacifier in awe of the baby girl. She believes it is Olivia, the daughter Pa fathered and abducted. Since Pa tells Celie that he gave the babies to God, Celie fears her babies could be dead. Olivia is riding in the stroller handled by a woman Celie doesn’t know. To keep the moment to herself, Celie runs outside the store with the broom and imagines herself in a dark dream sequence. She is singing “She Be Mine” with the ensemble of men singing and dancing beside her in prisoners’ jumpsuits in a field, where they have rakes, similar to her broom. The setting is charcoal gray; no celebration for color. Then, the dance routine morphs into washerwomen under a waterfall as Celie raises her arms skyward. Her dream sequence is interrupted by Pa, played by Deon Cole, with the threat of punishment. Before she hurries back into the store, we see Celie hold the delicate pacifier close to her chest. 

The next daydream sequence is with Celie and her sister, Nettie, played by Halle Bailey, who also starred in the book-to-film blockbuster The Little Mermaid earlier in 2023. Celie has already been married off to Mister. Nettie asks to stay with Celie in Mister’s house to escape Pa’s sexual violence. While looking for wood, the two sisters are walking under the trees on a dusty road, but the sunlight shines on Nettie as she begins to belt out “Keep It Movin’.” Nettie has the opportunity to be optimistic since she’s the sister who can earn an education and understands her future is brighter with her education. She mentions Africa as the birthplace of their ancestors and wants to journey there someday. In fear of Mister’s wrath, Celie becomes anxious, wanting to hurry to get the wood before the sun sets. Celie doesn’t understand that her world could open so wide since she doesn’t attend school and has already birthed two children who had been taken away. The joyful day disappears when Nettie has to escape Mister’s sexual violence and is thrown out of the home in the middle of the night. When Mister brings out his shotgun, Nettie flees into the darkness. Celie is alone again. 

Years later as an adult, Celie is played by American Idol winner Fantasia Barrino. She is in a constant rotation of cooking and cleaning Mister’s home without much attention from him. If he gives her attention, it is usually a violent interaction. So, Celie seems to have a short-circuited imagination. The photo of Shug Avery comes alive for Celie as she notices this glamorous woman. We’re taken back for a few seconds to the moment of Shug’s photo shoot. Shug Avery is also the love of Mister’s life. Celie could only wonder what the woman is like, but her imagining how the photo is produced is a daydream sequence that fails to feature Celie herself. 

When Shug finally comes to visit Mister, Celie has the chance to experience the glamour up close. Shug takes a relaxing bath with her record playing in the background. Shug needs somebody to flip the record, so Celie enters the bathroom quietly and flips the record since it’s her job to do everything around the house. But she’s in awe of how Shug can lay out her naked body covered in soapy bubbles and enjoy her leisure time. Shug asks Celie to scrub her back. While scrubbing Shug’s back, Celie is transported into another world, but this time it is still charcoal gray to match the gigantic gramophone playing Shug’s record. Celie is singing “Dear God – Shug” about the wondrous feeling she is experiencing in the presence of the great Shug Avery. Then she slides off the bathtub, surprising Shug. The moment is awkwardly over. But her imagination is revving up again. 

During the visit, Celie becomes Shug’s companion as Mister, played by Colman Domingo, continues to tend to the farm and go out drinking. Shug notices Celie never smiles. Celie admits she doesn’t have much to smile about. While applying her iconic red lipstick, Shug tries to guide Celie to joy by having her wear lipstick. Celie’s face brightens up. Feeling pretty boosts her confidence. She tells Shug that Mister has beaten her less during the visit. Shug tells Celie to fight back. Shug even reveals that Celie’s husband’s name is Albert. Mister is a title; Celie didn’t know her husband’s name. 

The newfound hope for a new life forces Celie to daydream more in the beaded dresses and headpieces that Shug wears. Shug performs at Mister’s son Harpo’s converted speakeasy. She arrives on a boat to the speakeasy in her red dress and feathers. The diva’s entrance and performance force Celie to enjoy herself; it has to be the first time she has ever enjoyed a night out. Shug and Celie leave together and later watch a movie at the cinema. They sit high in the auditorium, most likely in the colored section. It looks like nobody else is in the theater. They share a passionate kiss. The passion grows into a daydream sequence of Shug in her gown stepping down on one side of the stage to Celie in her gown sashaying on the other side singing “What About Love?” with a pianist and band playing on stage. They unite in the center. 

As Shug and Celie grow closer and away from an inebriated Albert, Celie believes she’s going with Shug to Memphis. At first, Celie is left behind to combat Albert. Her life of wonder is shut down, and she’s trying to fight back against Albert’s cruelty, thanks to Shug’s advice. But the magic of Shug is gone, and that made the whole world of difference coexisting with Albert in the same house. Shug eventually returns with a new suave husband. A raucous Thanksgiving dinner ensues with Celie cursing out Albert, visibly upset with Shug arriving in town with a husband and saying she will take Celie to Memphis with her this time. Celie jumps up and places a knife under Mister’s chin. Everyone stops Celie from cutting Albert. Harpo’s estranged wife Sofia, played by Danielle Brooks who also starred in the book-to-TV Netflix series Orange Is the New Black, comes alive again with her fighting spirit after spending six years in jail for defending herself against a White mob. Shug and her husband jump in the car to take Celie and Harpo’s girlfriend Mary Agnes “Squeak,” played by H.E.R., to Memphis, but not before Celie points her two fingers like thunderbolts at Mister and says the famous curse: “Until you do right by me, everything you think about is going to crumble.”

On Albert’s farm, the land has been riddled with locusts. The cursed land can’t grow anything, then it catches on fire. Albert barely has anything left, so he decides to make things right with Celie. He sells some of his land to help bring Nettie and the family of missionaries she has worked with for years home to the United States after their passports were destroyed in Africa. He learns of the opportunity to be of assistance through one of Nettie’s letters that he would hide from Celie, who has now already moved out after finding dozens of old letters unearthed by Shug. He surprises Celie at the store and purchases an iridescent pair of pants. Celie packs the pair up, questioning the choice. She feels at ease once he leaves the store. Then she sings, “I’m Here,” the pivotal song of the musical with the message of gratitude for being alive and able to move forward. 

Once in Memphis living in Shug’s mansion, Celie discovers Pa has died. The general store is now hers, though Pa’s widow has to tell Celie that Pa was her stepfather and the store never belonged to Pa, but to Celie’s biological father who had left the business in Celie’s and Nettie’s names. They never knew, but Celie is about to take her sewing to a whole new level. She reopens the general store as a fancy pants store. The daydream sequence stars Celie and her friends, including Shug, Sofia, and Mary Agnes, singing “Miss Celie’s Pants.” Celie was an abused housewife for years, but now she is an entrepreneur using her sewing skills and love of color through fabrics. She chooses pants as a piece of clothing that means empowerment since even then men almost entirely wear pants, but she and her chosen family of women are decked out in fancy pants. 

The film ends with Celie finally being reunited with grownup Nettie, played by Ciara, who had been raising Celie’s children, Olivia and Adam, with their missionary parents in Africa. Celie created her chosen family, even with Mister in his iridescent pants, when her biological family was taken away from her, but they are now all under the willow tree enjoying Easter brunch with her. They hold hands and sing “The Color Purple.”

The musical is being praised for its positivity, but it’s getting criticism for downplaying the trauma. The weight of trauma is showcased in the original film. The balance between the two films is refreshing and gives the audience another way to digest this classic tale. Finding the good in our situations is more of a theme in the present than it was in the 1980s when the book and the original film debuted. The story takes place between the 1910s and 1930s when self-care and self-love were rarely topics being discussed. The self-love message from Shug evolves into sexual love in the story that is not really shown in the 1985 drama because even then queerness was a touchy element to show on camera, especially between two Black women existing in another time in history.

The Color Purple was published in 1982, and two years later with the news of the film from Steven Spielberg, the novel began to see bans in school libraries and literary curricula. The week the new musical version of The Color Purple opened nationwide in theaters, the Orange County Public Schools in Florida banned the novel to comply with House Bill 1069. The bill was passed by the Republican-controlled state legislature and signed into law by Gov. Ron DeSantis as an expansion of the “Don’t Say Gay” law, according to Orlando Sentinel. The novel ranked #50 in the 100 most banned books between 2010 and 2019, per the American Library Association’s Office for Intellectual Freedom, which has been documenting attempts to ban books in libraries and schools since 1990. 

Ghanaian filmmaker Blitz Bazawule directed the new film. He’s also the author of the 2022 novel, The Scent of Burnt Flowers. Whoopi Goldberg, who played Celie in the 1985 film, made a cameo as the midwife who delivers Adam in the beginning of the film, while Oprah Winfrey, who played Sofia, serves as executive producer with Spielberg and Quincy Jones. Both women had earned Academy Award nominations in 1986 for their performances. “A bold new take on the beloved classic” is the slogan for the 2023 film. It was a bold move to update the film and show the banned book in a new light. Perhaps, students who had access to the book taken away from them by their school administrators may read the book on their own after watching the new screen adaptation. After all, the story’s root is about love and how you have to pave your path to feel love.

Categories
book reviews

Book Review: ‘Rhythm & Muse’ by India Hill Brown

*Given an advanced reading copy from the publisher in exchange for an honest review*

Rhythm & Muse by India Hill Brown is a predictable young adult romance novel giving us the perspective of the boy pining for the popular girl he has a crush on.

Darren likes Delia Dawson, the popular girl at his school known as Dillie who has her own podcast Dillie D in the Place to Be. He has Delia Daydreams, in which his best friend Justin always keeps shaking him out of. One day, Justin gets to spend time with his wannabe rapper cousin in a recording studio session. Darren tags along though he knows Justin’s cousin doesn’t have the rhythmic talent necessary to be a decent rapper. While in the studio, after listening to awful raps, Darren and Justin perk up to the cousin’s beats. Justin pushes Darren to sing on the beat for fun. Darren used to sing in the choir, but a mortifying experience made him drop out of choir and put his music dreams on hold. But he sings anyway – about Delia. Coincidentally, Delia’s podcast is running a competition for a new jingle. Somehow the track Darren recorded was submitted anonymously. As podcast listeners groove to Darren’s track, he can’t let anyone know he recorded it, especially Delia. He realizes they attend the same church, though he hadn’t been there in a while. He joins Delia on an all-night church sleepover where they bond over 90s R&B and their suspicions on the anonymous song that’s growing in popularity. While Darren gets closer to his dream girl, he second-guesses every move until Delia makes him more comfortable in the moment. When Delia announces the winning song of the competition, Darren knows it’s his chance to tell her the truth. But he still second-guesses telling her the truth, which endangers the relationship they are trying to build.

First, Darren’s obsession with Delia makes him a boring character. Yes, he sings, but the reason why he stopped is weak, and it is built up too much throughout the story to be that weak. The incident that has taken him away from music also has decreased his desire for college, in which he is working with a high school counselor. His second-guessing with Delia eliminates tension between the characters too quickly. He already has the girl the minute they click, which makes for a predictable ending. Other issues like his parents being married and in love and having simple dialogue adds to the boringness in the family of characters. Not saying we need a divorce, but the parents didn’t add enough tension to the situation. His love for 90s R&B could be a questionable decision since today’s teens are most likely listening to contemporary artists. Though it’s talked about how his parents taught him to love 90s R&B, it comes off as inauthentic with a music-obsessed teen not aligning himself more with music topping the charts now.

Overall, this young adult debut reads on the bland side with the unexciting characters and developments. It seems like a safe choice in YA literature as the genre continues to be battered by the banned books movement. The entire point of a romance novel is to reach the happily-ever-after, but when the main character’s personality is too tied to the person they want to be with and the tension falls apart too quickly, the story becomes less entertaining.

Categories
book reviews

Book Review: ‘Nigeria Jones’ by Ibi Zoboi

*Given an advanced reading copy from the publisher in exchange for an honest review*

Nigeria Jones by Ibi Zoboi follows the daughter of a Black revolutionary in Philadelphia trying to fulfill her mother’s wish for her to have a normal life.

Sixteen-year-old Nigeria is the daughter of Kofi Sankofa, an activist who has built his identity and his community around uplifting people in the African diaspora with his pro-African beliefs. Nigeria has always been in his shadow as his warrior princess who can practice shooting guns under the protection of the Second Amendment and organize the youth who seek guidance in their community household. She also takes care of her 1-year-old brother Freedom.

With her mother missing, Nigeria takes it upon herself to be that motherly figure to Freedom while trying to find answers of why her mother is no longer around. Her mother’s friend KD, a White woman, tells Nigeria that her mother wanted her to attend the Philadelphia Friends School, a Quaker high school. It’s the same school KD’s daughter Sage, who is biracial, attends. And Sage and Nigeria used to be close, but Kofi has driven a wedge between the families, not wanting someone White in his circle who could allegedly taint his daughter’s mind. Nigeria has been homeschooled her whole life with her education focusing on the African diaspora rather than European history taught in American schools. But if Nigeria’s mother wanted her daughter to go to school, then what is the problem?

While still upholding her responsibilities, Nigeria wanders into the high school her mother had hopes she would attend. At Philly Friends, she follows Sage and her cousin, Kamau, through hallways and in classrooms struggling to find the balance between her tailored education at home and the one presented to her at a predominantly White school. Her new environment welcomes new opportunities, like getting involved in the diversity, equity, and inclusion club and practicing for debate club with a White boy named Liam, who seems to understand Nigeria better than she thought he would. As she battles her father in attending the school, she finds herself tracing the events that led to her mother’s disappearance. Since it was her mother who registered her for the previous school year before she faded out of the picture, Nigeria feels she needs to better understand her mother’s whereabouts in order to accept the new life she envisions for herself.

The story touches on eldest daughter syndrome, a branch of the birth order theory that has taken over the internet. The eldest daughters are usually the ones with the most responsibility and the ones who receive the most blame. Nigeria is experiencing this phenomenon while also coming out of being the only child for 15 years. Though her father treats her as his version of the apple of his eye, Kofi smothers any chance for Nigeria to find her own path under his roof. She supports his teachings while not quite understanding the world outside her home. The father-daughter dynamic pushes Nigeria to seek her own world because her mother is no longer there to soften the blow of any tension between her and her father. Most teenagers are finding themselves around 16, but Nigeria’s journey feels more complicated without her mother and knowing that her mother had other plans for their lives.

Overall, the conflict between Nigeria and the Movement she grew up in makes this young adult novel more layered. The main character is a teenager who really hasn’t experienced the real world with being tied to a community house where she is homeschooled. She is striving to do something most kids her age already do: attend school, especially attend an excellent high school in order to attend an excellent university. But we see all these factors at home weighing her down to the point she doesn’t know how to escape, or she escapes with guilt. It’s a heavier read with the blend of racial and social justice elements that come up throughout the story, but it speaks to the teenage girl who feels like she is unable to think for herself because her life is being controlled at every turn.

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book reviews

Book Review: ‘Nic Blake and the Remarkables’ by Angie Thomas

*Given an advanced reading copy from the publisher in exchange for an honest review*

Nic Blake and the Remarkables: The Manifestor Prophecy by Angie Thomas is an imaginative, well-developed middle-grade novel from the famous young adult author who gave us The Hate U Give.

Nichole Blake, who goes by Nic, is turning 12 years old, and for her birthday, she is looking forward to being trained by her dad on how to use the Gift as a real Manifestor. The Gift is a supernatural ability, which Nic’s dad has and therefore Nic has inherited. They are known as Remarkables. The human beings without the Gift are called Unremarkables. Though Nic wants a dragon badly, her dad gives her the safer option of a hellhound for her birthday. The hellhound, who is named Cocoa, has horns and is the size of a tiger. When Nic’s best friend JP comes over, he only sees a regular dog as an Unremarkable. Well, Nic has a feeling that JP may have seen more of Cocoa as a hellhound, but she lets that feeling go.

Since Nic and her dad have moved around the U.S. a lot, Nic feels settled in Jackson, Mississippi. It’s a city built on an inactive volcano, but they made a home with finding Remarkable friends at Ms. Lena’s juke joint where Rougarous, Vampires, Giants, and Fairies frequent. Bags with mojos, which control the elements with good intentions, and jujus, which control the elements with bad intentions, are sold and bought there. The juke joint is a safe haven for their community. Her dad works as a handyman, who collects haints, demons, ghouls, and other Remarkable creatures that are destroying Unremarkables’ homes without their knowledge. He sells these creatures to Ms. Lena to find a place for the evil spirits.

In Jackson, homeschooled Nic also has JP, the only other Black kid on the block, as they obsess over middle-grade author TJ Retro’s fantasy series. It reminds Nic of Remarkables, except the characters in the series use Magic, which is considered a corrupt form of the Gift. When they go to a book signing to meet TJ Retro, they learn that he is an old friend of Nic’s dad. Since her dad refuses to teach her how to fully use her Gift, Nic receives a piece of Giftech, or Gift-infused technology, from her favorite author that ignites an unintentional adventure between the Unremarkable world and the Remarkable world. On this adventure, she pulls in JP and Cocoa to help her discover the truth about her family and find the Msaidizi, one of the most powerful tools in the universe, in order to save her dad who is accused of stealing it and kidnapping her.

Black folklore is interwoven into the storyline to heighten the differences between Remarkables and Unremarkables and give the tale a touch of familiarity. In the story, John Henry is the half-Giant who won a rock-drilling contest while building a railroad with a sledgehammer, which was the Msaidizi. High John the Conqueror, the shapeshifter who fell in love with the Devil’s daughter in one story, used the Msaidizi through a plow and an ax to plant and reap acres of corn, one of the impossible tasks given to him by the Devil. Annie Christmas is the half-Giant who used the Msaidizi as a pole for her keelboat to save hundreds of people. All figures are considered to be fictional but believed to be based on real people who overworked themselves to death by proving their superior strength. But in this novel, they all were Remarkables who knew how to use the Msaidizi.

Along with folklore, racial elements are also connected to the Gift. The Blakes’ Gift is believed to have originated in Africa and passed down by their ancestors. Through the pain and trauma amid the trans-Atlantic slave trade, it is believed many people who had the Gift forgot their power and were unable to pass it down. During their adventure, Nic and her friends are kidnapped by a wizard who brings them to the Grand Wizard, as in the KKK, though the terrorist organization is not mentioned. Wizards are considered dangerous because they know about the Gift and use a wand to conjure up what they think is close to the Gift. The wizards claim to not be associated with the KKK, but they still want to capture Nic and her friends for their Manifestor connections.

Overall, the book is fast-paced with fantasy that seems more authentic to the Southern landscape with the mentions of haints and folkloric legends. A key to the author’s success in previous novels is getting into a young character’s mind and speaking in their voice, and this novel gives us another relatable character finding her true identity amid tough circumstances. This book review is a dose of the unputdownable story to avoid spoilers, but, of course, the ending opens to the potential second book in the series.

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book reviews

Book Review: ‘Sweet, Soft, Plenty Rhythm’ by Laura Warrell

Sweet, Soft, Plenty Rhythm by Laura Warrell is a literary fiction novel that introduces us to a womanizing jazz musician and the females who cross his path, including his daughter. 

It’s 2013, and Circus Palmer is a 40-year-old trumpet player who takes gigs across the country but doesn’t like to plant roots anywhere. In the first few pages, he learns that Maggie, the woman who enthralls him, is pregnant. He tries to convince her to end the pregnancy; he can’t be rooted down to anything. And she shouldn’t root herself down since she’s a drummer. A child can’t fit into their musician-touring life. Maggie says she wants the baby, and she returns to drumming while Circus heads home to Boston. We meet his 14-year-old daughter Koko, who’s trying to navigate high school and control her fluctuating hormones. With Circus back in the picture, Koko still harbors the emptiness she felt for years living without him and living with her regretful, depressed mother, Circus’ ex-wife Pia.

While Koko and Pia are constants in Circus’ life, the jazzman finds himself constantly attracted to other women. He falls for a twenty-something waitress at a bar where he plays for gigs, for a mysterious woman on the train, for a woman who will do anything for him when he visits her in nearby Providence, Rhode Island. He comes across a woman he wanted to marry years ago while he witnesses the decline of the woman he did marry by the weight of taking care of their daughter and desiring love from him. All these women still don’t make up for losing Maggie and the child she may be carrying. As he wonders about that child, he realizes the need to focus on Koko as his daughter falls for boys who remind him of himself. Though his dream of recording an album still lingers in the background, his womanizing cripples his ability to assume the fame he swears he can taste. 

Unpeeling the layers of the womanizer and the women hurt by the actions make for an absorbing story. It switches between perspectives with the trail of women Circus leaves in his wake. Even meeting the women who spend one night with him show how his carelessness can feel magnitudinous to the women he hurts. Koko detects the pain he is causing other women because her mother lives with the pain on a deeper level. So, the added thread of a teenage daughter hungry for love seeing her father also hungry for love gives the story more depth. And Circus, of course, doesn’t put two and two together about how his actions affect Koko or his career. He thinks his womanizing helps him stay away as a father in case he messes up parenthood and helps him stay creative with his music when a muse disappears. Yet, the dependence on women derails his future, as he lives in a pattern of unfulfilled opportunities.

Overall, the book introduces characters who are intriguing as they sift through their emotions after welcoming Circus or re-welcoming him into their lives. Watching the characters come into their feelings on the pages make the story memorable as if you know the characters. The smoothness of the details about their everyday lives also hops off the page.

Categories
film reviews

‘The Perfect Find’ Amplifies the Heart of Tia Williams’ Romance Novel

⚠️ Spoilers ahead! Watch the film on Netflix.

Gabrielle Union, Keith Powers, and Gina Torres add star power to the fashion-centric romantic comedy The Perfect Find based on Tia Williams’ 2016 novel. Though the film follows the storyline on pages, there are still a few touches that brought the so-called unconventional love story to life onscreen. 

Jenna Jones, played by Gabrielle, is an out-of-work fashion editor still recovering from the unraveling of a 10-year relationship with millionaire entrepreneur Brian, played by the debonair D.B. Woodside. In the beginning of the story, we see Jenna floundering at her mother’s house, avoiding New York City like a plague. Her mother, played by Janet Hubert for too short of an appearance, tells Jenna she needs to go back to her life in the city. Her romantic downfall that led to her career derailment has to be on everyone’s mind since it’s still on hers.

In less than five minutes in the film, Jenna returns to her Brooklyn apartment with a chic bob and designer attire in tow. And now that she’s back at home, she needs a night out with the girls, played by Aisha Hinds and Alani “La La” Anthony. They head to a fancy party in Harlem looking for an innocent one-night stand. When Jenna feels like she ran out of luck, she falls tipsily into the arms of a younger man. They kiss, but the kiss is too much for Jenna, who finds the man’s youthful age too ridiculous to take seriously.

Bright and early the next day, she finds herself slightly humiliated in the office of her corporate archnemesis, Darcy Hill, played by Gina. Darcy laughs at the fact that Jenna has to grovel for a job when Jenna allegedly stole her jobs in the past. The competitive world of fashion journalism was a losing game for Darcy until she built her own namesake media empire at Darzine. Jenna earns the job with the expectation to produce multimedia pieces to increase digital subscriptions. Darcy assigns her twenty-something son and photographer Eric to work with Jenna to come up with these pieces. Except Eric happens to be the much-younger man Jenna was kissing the night before. 

Jenna tells Eric that they can’t develop a relationship despite their natural magnetism. They even bond over vintage Black Hollywood films, thanks to the poster of starlet Nina Mae McKinney displayed in Jenna’s office. Eric is Jenna’s boss’ son. The relationship is not only unprofessional but could make Jenna the laughingstock of Black New York again with another misstep in love. When the girls try to hook Jenna up with a blind date, Jenna decides to throw a dinner party to ease the nervousness. She even invites Eric and tells him to bring friends. The more the merrier. At the party, nerves are high as Jenna realizes the blind date is not a match. So, Eric becomes a match with his cuteness and conversation. And a secret relationship between coworkers blossom. 

Intimacy builds between the couple until Darcy warns Jenna to stay away from Eric romantically because she has her suspicions. Jenna disobeys that order while Eric is demanding to emerge as a public boyfriend, and not a private lover. But the volcano of secret love erupts when Darcy catches Jenna consorting inappropriately with her grown son on her cerise velvet sofa. The argument leads to Jenna being fired and Eric being upset about Jenna not telling him that his mother had an instinct about the romance. 

Months pass by. It’s Christmastime. Eric is working on the documentary he always wanted to do on his murdered father Otis. Jenna reaches out to Eric. They arrange to meet at a late-night diner. What Eric believes is a simple catch-up turns out to be a surprise from Jenna with a sonogram. She’s pregnant. Eric being in his early twenties and figuring out his path in cinema make him ask for space. Darcy soon pays a visit to Jenna. Not only did Jenna date Darcy’s son, but she got pregnant by him, too? It’s a lot, but Darcy recalls when she was a first-time mother and vows to support Jenna as a grandmother. 

After accepting paternity, Eric surprises Jenna at a doctor’s appointment. He confesses he still loves Jenna and invites her to the Darzine gala. The film ends with Jenna rubbing her pregnant belly alongside Eric on the red carpet. Their relationship is public, and the family Jenna always wanted is a dream come true. 

The décor and fashion alone are two reasons to put your feet up and sink into the sofa with a bowl of popcorn and a glass of wine. Designs meant to leave you awestruck include the first time Jenna meets Darcy at the office. Jenna wears a pink cape by Nina Ricci with Stella McCartney pink silk pants, while Darcy stuns in a multicolored Manish Arora coat. Even author Tia models in the photoshoot as a glam disco geisha queen and on the red carpet in a gold sequin dress. More fashionable cameos include Remy Ma, Winnie Harlow, and Dwyane Wade, Gabrielle’s real-life husband. Jenna’s office is supposed to be a cluttered dump, but in its original iteration we see leopard and zebra print wallpaper, racks full of silky frocks, and fully dressed mannequins sitting on file cabinets. This is just motivation to create a Pinterest board for the jaw-dropping home office. 

“I really wanted to see Gabrielle in a palette that I hadn’t seen her in very much in other films, a more pastel-toned palette,” said director Numa Perrier to Netflix’s blog Tudum. “When it came to Darcy — Gina Torres being such an iconic woman — we wanted to dress her to the nines. We wanted her to just be an absolute New York fashion woman who’s bold and unapologetic and takes up all the space in the room.”

One major plot adjustment is the unplanned pregnancy. In the book, Jenna and Eric don’t see each other until four years after the firing and the breakup. They spot each other at the park as Jenna watches her son Otis play and drinks a latte with Billie, the main character of Tia’s 2004 debut novel The Accidental Diva. Jenna reveals that Otis is Eric’s son and explains she kept her pregnancy a secret because she didn’t want to interfere with Eric’s budding film career. The screenplay written by Spelman College alumna Leigh Davenport, also the creator of Run the World on Starz, features the pregnancy as another plot twist at the end. With Gabrielle’s real-life fertility struggles, the moments feel more heartwarming. 

Another noticeable difference is that Brian is Black in the film while he’s described as a “Jewish Adonis” in the book. And Darzine in the film is StyleZine in the book with that only being one of Darcy’s nine online women’s magazines. The must-see film is a soothing adaptation of a book that was first indie-published by Brown Girls Books and reprinted by Grand Central Publishing after the runaway success of Tia’s third adult novel Seven Days in June

Categories
book reviews

Book Review: ‘Belonging’ by Michelle Miller

Belonging: A Daughter’s Search for Identity Through Loss and Love by Michelle Miller with Rosemarie Robotham shows the CBS Saturday Morning cohost go through childhood and adulthood wondering the whereabouts of a mother who refused to raise her. 

Born at the end of 1967, Michelle arrives back in Los Angeles on June 6, 1968. The night before, her father, Dr. Ross Miller, becomes embedded in one of U.S. history’s most tragic events: the assassination of Robert F. Kennedy. Michelle’s father was the first doctor to examine the presidential candidate’s gunshot wounds. Still a newborn, Michelle flies back to the city of her recent birth from Birmingham, Alabama, after her grandmother, Bigmama, discovers her existence. Her father sent his secret daughter to family in Alabama, but Bigmama demanded her granddaughter return to LA. It’s Bigmama’s responsibility to raise Michelle out of sight from her son’s wife and two adopted daughters. This is where the journalist’s story begins. 

Her mother, a Chicana fair enough to pass as White, worked in the same hospital as her married father, a top Black cardiopulmonary surgeon. Their affair sparks hate from her mother’s family; they only see their daughter and sister dating a Black man. Once her mother, known by the pseudonym Laura Hernandez throughout the book, gives Michelle to her father, the doctor depends on his family to raise his first biological child. As Michelle grows up around civil rights activists like her father, attends a historically Black college like her father, and embarks on a news career, she leans into her Black identity while wondering about her other ethnicity and the woman who birthed her. 

“All my life, I had encountered people who would take note of my light skin, long wavy hair, and pointed features and be curious about my ethnicity. ‘What are you exactly?’ they might ask. ‘I’m Black,’ I would tell them, cheerfully removing their confusion. Sometimes, if I was in the mood to claim my mother’s contributions to my heritage, despite her absence from my life, I might say, ‘My father is Black, and my mother is Hispanic.’” 

Growing up in 1970s South Los Angeles, Michelle attends predominantly Black schools at first then gets bussed far away to attend predominantly White schools. Bigmama, who is 73 when she starts raising her newborn granddaughter, is a retired teacher, so education is prioritized in their household. Michelle’s father lives in his own townhouse in Long Beach and visits often after his shift at the hospital. He also brings in girlfriends who become a part of Michelle’s greater village, such as civil rights legend Xernona Clayton, who Michelle lovingly calls “Big.” 

When Bigmama gets sick as Michelle becomes a teenager, a neighbor named Vondela starts to help out in the house. She becomes Michelle’s surrogate guardian and also takes care of Michelle’s adopted sister Cheryl. Bigmama’s house evolves and expands with the village once Michelle attends Howard University to continue her family’s legacy of attending the renowned HBCU in Washington, D.C. There, she develops her journalism career while making lifelong friends like her roommate, actress Wendy Raquel Robinson. After graduation, she starts hitting the pavement looking for opportunities to report on the news.

“For one thing, I had spent years obsessing over the mother who did not stay, and fixating on the maternal surrogates who had been there for me while their relationships with my father ran their course. Yet I had hardly noted that it was Vondela who had truly stepped up to care for me. She had been more of a mother to me than anyone else, save Bigmama.” 

By the time she starts her news career, her father is diagnosed with cancer. He gives Michelle her mother’s contact information. He says her mother should know who she is. Michelle doesn’t know what to do with the information, her motherlessness always lingering in the background of her ambitious life. She eventually calls her mother for the first time. As the years and decades pass, even with Michelle starting a family of her own with former New Orleans mayor and National Urban League president Marc Morial, she finds that every time she reaches out to the woman genetically linked to her as her mother that she longs for answers she may never get. 

“Suddenly, my mother’s decades-old abandonment of me felt as near and as raw as if it had happened yesterday. In becoming a mother, I had stumbled upon a vast reservoir of hurt that I hadn’t even realized I was still carrying, one that might have been forever drained of its poison with one simple act—a phone call or a card from my mother hailing the arrival of our beloved boy.” 

This memoir touches the deep vein of living without a mother who is alive and well. From child to adult, Michelle wonders about her mother’s whereabouts while people around her are wondering the same. She is able to connect with people like a young man she dates during a foreign exchange program in Kenya who didn’t know his late mother, or like her stepdaughter who is raised mostly in the Ivory Coast with her mother without spending the same adequate time with her father in the U.S.

Not having a mother distorts her life journey a bit since she’s always expecting her mother to show up magically to support her for the important events, but other women show up instead. Her motherly surrogates seem numerous as her father inadvertently creates a village for Michelle. She is raised by her grandmother, her neighbor, her father’s girlfriends, and her family friends. The African proverb of it taking a village to raise a child is in action, yet there is still the longing for Michelle to have her two biological parents raising her. 

Overall, from the storytelling perspective, the underlying motherlessness weaves into the author’s life moments smoothly. She wonders where her mother is as a child, for example, seeing other girls at her school getting picked up from school by their mothers. But that feeling remains when she becomes a mother to her own son and daughter and still wonders if her mother will show up as a doting grandmother. The racial undertones of the reason why her mother is missing is also explained well as a reminder that her White-passing Chicana mother refused to be a present mother simply because her daughter was the product of an affair with a Black man. This story shows how there are still families who have missing members due to racism and the fear of prejudice.

Categories
experiences

Nikki Giovanni Talks About Libraries Supporting Readers on Earth and Mars

Poet and activist Nikki Giovanni joined Books in Bloom in Columbia, Maryland, on May 13 to discuss the importance of libraries, including one in outer space.

The book festival’s headliner was introduced as someone who identifies as an “earthling” by Busboys and Poets founder Andy Shallat. This led to a conversation with Nikki discussing her work with libraries and her curation for a library on Mars.

A library was established in 2008 by NASA’s Phoenix Mars Lander, thanks to the funding and development from The Planetary Society, where TV scientist Bill Nye is the CEO. The space shuttle left an encoded archival silica-glass mini-DVD on Mars and called it the Visions of Mars digital time capsule.

The DVD contains a collection of literature and art about Mars from mostly male authors such as Isaac Asimov, Ray Bradbury, and Carl Sagan. California-bred science fiction author Leigh Douglass Brackett, who was dubbed the Queen of Space Opera; Canadian sci-fi author Candas Jane Dorsey, and Finnish speculative fiction author Johanna Sinisalo seem to be the only women whose texts are in the interplanetary library of over 80 literary works. The DVD was designed to last hundreds, possibly thousands, of years, according to the society.

It’s unclear if Nikki was referring to the 15-year-old library already on Mars having its collection updated. At the festival, Nikki said she was tapped to curate a library that will be on the Red Planet. Though the first collection had works in English, she said this time the library she is working on will translate works into the Navajo language as the oldest language in the U.S.

“Whatever life forms might come to Mars and say, ‘What is this?’ It’s going to be a disc. ‘Oh, that one is something called English, but let’s get this. This is our language,'” she said. “Because Navajo is probably someplace else in the universe.”

Her work coincides with the new documentary on her decades-long civil rights activism and Afro-futuristic views on outer space called Going to Mars: The Nikki Giovanni Project. It debuted at Sundance Film Festival this past January and is still on a film festival tour.

The trip to Mars can only be understood through Black Americans,” she says on the documentary’s website. She sees connecting with other life forms as a way to evolve past the division we see with race and gender in global history, she said at the festival.

“When we go into Mars or we go all the way up to Jupiter, we won’t be lost,” she said. “We will know where we’ll be going, and we’ll be meeting the people there, the other life forms there.”

Nikki was also promoting her newest book, A Library, a children’s picture book released last year and illustrated by Erin K. Robinson. From mentioning her childhood library, she shared how her grandparents lived on a street in the “colored” section of Knoxville, Tennessee, called Mulvaney Street. The library was at the top of the street. After a small Black community was established there, she said the University of Tennessee eventually used eminent domain to force the Black families to move away.

She is now working on a book about the former Mulvaney Street—later renamed Hall of Fame Drive she says in honor of basketball coach Pat Summitt—so the historically Black neighborhood would not be forgotten. Her essay, 400 Mulvaney Street, in her 1971 book, Gemini: An Extended Autobiographical Statement on My First Twenty-five Years of Being a Black Poet, also touches on her feelings about losing her grandparents’ home to an “urban renewal” project in the 1960s.

Going from Mars to Knoxville, she says our own stories should be considered vital since we would be the only ones to tell our individual stories.

“There is always a story. I think a lot of people forget there’s always a story,” she said. “A lot of people say, ‘I want to write an important book or I want to write a best-seller’… When I was teaching, the first thing I would say to my class: ‘What is the number one best-seller?’ And not one of them ever knew, not one of them knew the number one best-seller. If you don’t know what it is, then why do you want to be it?”

Categories
what's lit

What We Learn About Brittney Griner in Her First Memoir

Basketball star Brittney Griner will be releasing a new memoir next year about her 10-month detention in a Russian prison. The release of this book will coincide with the 10th anniversary of her first memoir In My Skin: My Life On and Off the Basketball Court. As the first memoir highlights the moments leading up to her newfound stardom, the second memoir will focus on the transition of becoming an unexpected political prisoner and activist.

“Readers will hear my story and understand why I’m so thankful for the outpouring of support from people across the world,” Brittney said in a press release about the memoir. “By writing this book, I also hope to raise awareness surrounding other Americans wrongfully detained abroad such as Paul Whelan, Evan Gershkovich, Emad Shargi, Airan Berry, Shahab Dalili, Luke Denman, Eyvin Hernandez, Majd Kamalmaz, Jerrel Kenemore, Kai Li, Siamak Namazi, Austin Tice, Mark Swidan and Morad Tahbaz.”

Alfred A. Knopf, a Penguin Random House imprint, is the publisher behind the untitled memoir. The news was announced amid the WNBA draft where University of South Carolina’s Aliyah Boston was the No. 1 pick and more than a week after Brittney’s former Baylor University coach Kim Mulkey won her first championship with the Louisiana State University women’s basketball team.

While Brittney spends 2023 revving up on the court, her memoir will sure make a splash when it comes out in spring 2024 as we get rare insight into her experience as a Black gay female athlete navigating various politics in order to win back her freedom.

Pay inequity, cannabis overregulation lead to arrest

Brittney, the No. 1 WNBA draft pick in 2013, was arrested in Russia in February 2022 over charges of carrying cannabis cartridges in her luggage as she tried to fly back to the U.S. after finishing a season playing with the Russian team UMMC Ekaterinburg. She played overseas, like a lot of her WNBA colleagues from Candace Parker to Maya Moore, because players’ salaries average $117,500 to $215,000, according to Spotrac.

On the list, Brittney’s WNBA base salary ranks at $165,100 this year as the No. 35 top paid player, a drop in standing due to her imprisonment. The No. 35 NBA player is Deandre Ayton of the Phoenix Suns, the same city as Brittney, and ESPN reports he is earning almost $31 million this season. Though WNBA salaries increased after fans voiced concern over the reason why Brittney was playing overseas, WNBA salaries are still nowhere near NBA salaries.

Her arrest also became controversial in the court of public opinion as she brought an illegal drug into Russia, where cannabis possession translated into a nine-year prison sentence. Though she helped the country elevate its basketball game, none of that mattered amid President Vladimir Putin’s administration waging a war with neighboring Ukraine.

Russia launched its first attack against the former Soviet Union republic of Ukraine on Feb. 24, 2022. Brittney was arrested the week before on Feb. 17.

She became a political prisoner as the Biden administration went back and forth on negotiations to bring Brittney, known as BG by her friends and fans, back to the U.S. safe and sound. She came home last December after the U.S. traded her with Russia for an infamous arms dealer.

What she entails in her post-imprisonment memoir will become media fodder with Oprah Winfrey-level interviews and a constant replay of excerpts. Brittney co-wrote her memoir in 2014 with Sue Hovey, a former vice president and executive editor at ESPN, a year after joining the WNBA.

The first memoir, published by HarperCollins, detailed her upbringing in Texas, particularly around growing into her sexuality. She was raised by a father, who worked in law enforcement and lived by the law at home. Her mother seemed supportive but couldn’t protect Brittney from her father’s ignorance about how she was developing.

Living under her father’s strict roof made playing basketball at Baylor, a private Baptist university, just as difficult after she left home. She writes about her experiences of dealing with her father and college coach in the book:

“I was finally coming into my own as an adult, but before I could step forward and be exactly the person I wanted to be in public, before I could say and do the things I wanted to do, on my own terms, I had to go through some serious growing pains with the two main authority figures in my life: my dad, Raymond Griner, and my coach, Kim Mulkey.

“I love and respect them both, more than they probably know. But if I had to pick just one word to describe my relationship with each of them? Complicated. All caps COMPLICATED.”

Tension with father, coach over sexuality

Kim was the Baylor coach for 21 years. In her book, Brittney writes about how their relationship deteriorated because she felt her coach showed two faces — one for the public, one for private.

“She would call me into her office to tell me I had done something wrong — like when someone saw me kissing my girlfriend at the movies — but then she would shift the burden away from herself, trying to imply she was just the messenger and this wasn’t how she personally felt. Those conversations caused me a lot of confusion, a lot of pain.”

Amid this year’s March Madness, the championship-winning coach told ESPN she had not talked to her former player since Brittney returned from Russia. To be fair, Kim was busy coaching her team to its first national title while Brittney had just re-signed with the Phoenix Mercury.

Brittney says she had “a lot of mixed emotions” about her time at Baylor, which is located in Waco, Texas. Though she was close to home and her talent was supported on campus, the university had a policy against same-sex romantic relationships, an issue she nor her family were aware of before her enrollment.

Attending a religious school against her sexual identity ties into her time in high school, where she realized she liked girls. At home, she says her father had his own similar policy.

“There was a bit of a cold war going on between us, but I knew our relationship would become red hot if he discovered the truth about my sexuality,” she writes. “I knew if he found out, the walls would come crashing down around me. My dad has always had a very narrow view of the world, perceiving anything ‘different’ as a threat.”

Though she had a simple coming-out discussion with her mother, Brittney says she was warned to not tell her father. She says her father would say passive-aggressive statements like wondering how Kim and Baylor would react to her “being so friendly with gays.”

The relationship Brittney had with these two authoritative figures really impacted how she wanted to live in the world as a gay woman. Her intersectionality also came up with her arrest. Russia is considered to have harsh laws against same-sex relationships. We should see correlations between how she was treated in the U.S. for her identity and how she was treated in Russia as an athlete-turned-prisoner.

It begs the question how her relationship with her father has changed with her high-profile arrest since part of her identity is growing up as a daughter of a police officer. She even once had the same career ambitions to follow in law enforcement.

Also, being Black (and tattooed) as a prisoner in a country that is less than 1% Black added fuel to the fire. When Brittney returned home, she was sporting a short cropped hairdo because she had to sever her trademark locs due to the freezing temperatures in Russia. Her upcoming memoir may go in depth on her feelings about her identity being affected by the erasure of her African hairstyle.

Fame & basketball

Since she was 23 at the time of the first memoir’s release, Brittney was still young enough to dedicate the majority of the book on her coming of age in Houston.

Like many teenagers, Brittney suffered from depression, not quite understanding the toll. She writes about how she was bullied for being tall and wanting to dress in clothes considered appropriate for boys.

“They were constantly making fun of how I looked and dressed, how I walked and talked,” she writes. “I’m not sure I can express exactly how I felt in those moments, because I usually went numb. When you’re on the receiving end of insults every day, they chip away at your self-esteem.”

With her 6’8 height, Brittney started playing basketball in high school, which is almost considered a late bloomer for anyone serious about pursuing the sport seriously in college and beyond.

“The growing confidence I felt off the court carried over to basketball. And the more I improved as a player, the better I felt about the person I was becoming,” she writes. “It all just fed on itself. After fighting and struggling my way through middle school, I now had a new sense of purpose.”

As she became a basketball megastar at Baylor, her sexuality and gender were questioned with higher intensity at the university.

“We could acknowledge, in a general way, that people were questioning my gender, calling me a freak, a man, a female impostor. And yet I couldn’t talk about being gay,” she writes. “Most of the time, I was on autopilot with the media, because I couldn’t really show who I was of the often portrayed—just a big, fun-loving, goofy kid—felt like a two-dimensional version of the real me.”

In the book, Brittney writes about her time playing on the Zhejiang Chouzhou Golden Bulls in China while on break from playing on the Phoenix Mercury, the team she signed with in 2013. She describes how normal it is for WNBA players to play overseas to earn close to equivalent salaries of NBA players. Though she is a two-time Olympic gold medalist for Team USA, she still had to play in Russia, which ultimately led to her arrest.

Regardless of the controversy around her arrest and release, readers may be interested in her captivity in a strict foreign prison as a gay Black female celebrity and how that experience led to the evolution of her speaking up for Americans also imprisoned under trumped-up charges abroad.

Categories
deep lit

‘Wildblood’ Writer Lauren Blackwood Brings Magic to the Jamaican Jungle in Historical Fantasy Novel

⚠️ Trigger warning! The story and the post below mention sexual assault.

Following the success of Within These Wicked Walls, Lauren Blackwood returns with another vibrant story, this time set in a magical Jamaican jungle.

Wildblood, which is out now from Macmillan’s Wednesday Books, takes us to the late 19th century and builds a unique story that serves as an extraordinary sophomore novel after weaving the thread of the Charlotte Brontë classic Jane Eyre into an Ethiopian retelling with her debut novel. Within These Wicked Walls earned the recognition of being a Reese’s Book Club Fall 2021 YA Pick.

The new young adult book centers on Victoria, an 18-year-old woman who was kidnapped at a young age and forced to serve as a guide within a tourist company that specializes in venturing into the jungle. Except the jungle has creatures that could be dangerous to mortals such as spirits that can snatch souls without remorse. Victoria is a Wildblood, meaning she has the magic to communicate with the creatures and, in her professional standing, can ensure the safety of tourists.

When a well-known Black gold miner named Laertes Thorn becomes a client with his rather large party, Victoria is tasked with her fellow Wildbloods to bring these foreigners to a mountain allegedly full of gold. The gold is a legend since survivors have never exited the jungle to tell the story of reaching the treasures.

On the trip like back at home, Victoria tries to remain a motherly figure to Bunny, a young Wildblood who cannot control his magic, and a girlfriend to Samson, a Wildblood who was kidnapped by the company after her. But new emotions arise as she finds herself falling for Thorn and battling her former love Dean, the main Wildblood in charge who seems like he’ll do anything to keep their abusive boss happy like saying yes to such a dangerous trip.

The fight for survival underlies the story that places Victoria in a spot where she’s trying to understand love from different angles and trust in her inherent magic.

Author Lauren Blackwood talks to she lit about how she came up with the story and the art of making sure the characters, the plot, and the tension remain engaging until the very end. Check out the conversation below:

she lit: The story’s main character, Victoria, is a Wildblood who possesses the magic to communicate with the precarious jungle. Her touring company kidnapped her at a young age to take advantage of her magic. How did you come up with this story and figure out how to convey the difficult subject of abuse?

Lauren Blackwood: I wanted to write a book about a girl finding her strength. Anytime I portray an issue or trauma I want it to be done sensitively and respectfully, but also honestly. I don’t think showing SA* on page is ever necessary—there are ways to get the message across without that type of triggering imagery. So with that in mind, I then let Victoria guide her own journey on the path that felt right for her. 

she lit: While on the dangerous tour, Victoria finds herself tangled in a love cube with her partner Samson, her ex Dean, and her new client Thorn. Can you describe your writing experience with creating the tension between these characters?

Lauren Blackwood: You’re the first one to ever describe their situation as a love cube, haha! Writing relationships is my favorite thing, and I purposely wanted to use this book to explore different kinds of love. But I think the issue is that all three boys have different intentions for Victoria, which puts them in conflict with each other and with Victoria herself, who’s really just learning to live her life on her own terms.

Photo Credit: Terri LaShae

she lit: Victoria takes it upon herself to be a mother figure to Bunny, a younger Wildblood who rages with his magic. How would you describe this source of love for Victoria as a counterbalance to the love she’s getting from Samson and Thorn?

Lauren Blackwood: Victoria’s relationship with Bunny is more of that of a mother and child—she’s extremely protective of him, which is a love he doesn’t necessarily appreciate. It’s the opposite of her relationship with Samson, who in his own loving way tries to look out for her but ends up being a bit overbearing. So you have those two opposites of the spectrum, and then you have Thorn, who sits right in the middle. They have mutual respect and love for each other, and they don’t doubt each others’ abilities but look out for each other equally.

she lit: Greed is an overwhelming theme with Thorn and his team endangering their lives to mine gold in the Gilded Orchard that has never been mined by survivors. Can you explain the historical significance of making the team members Black and their desire to gain riches before the turn of the 20th century?

Lauren Blackwood: If you’ve read my debut Within These Wicked Walls, you’ll know I love writing about wealthy Black guys who have the freedom to do as they please. I suppose the historical significance is that when Black people owned business, all the staff would be Black because they weren’t welcome in white spaces—whatever business ventures white people were up to, Black people were usually doing it too and just not getting any credit for it. But honestly, I just wanted to write about Black people, regardless of history.

she lit: The book’s cover is vibrant, featuring Victoria in the jungle. Victoria looks a lot like you. How much input did you have in the cover design and the way the character is portrayed on the cover?

Lauren Blackwood: I wanted to write a character who looks like me (who’s Jamaican like me) because growing up there were never any fantasy novels about girls who shared my heritage. So, the only thing I really requested was to feature the Jamaican flag colors—black, green, and gold. The rest of the genius design was handled by my amazing cover designer Kerri Resnick and brilliant artist Colin Verdi. They interpreted Victoria perfectly, so I really didn’t have to say much.

*SA is an acronym for sexual assault.

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Investing in the Success of Black Authors

SHE LIT: Investing in the Success of Black Authors💰

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Searching for books by Black female authors this month? Take a look at authors we’ve featured

Black woman writing on a pad in front of a computer.

Lower financial investment remains a hurdle in publishing industry’s diversity pledges

We are in our third Black History Month since June 2020 when the Black Lives Matter movement ignited over the murder of George Floyd on the streets of Minneapolis by a police officer. The publishing industry responded, like many other industries, by examining the statistics of their employees as well as the contributors including the authors, illustrators, and translators.

Three years ago, publishers hired nearly 75% White employees and represented 75% White authors. Those numbers are still about the same because of money.

The percentage of White employees hasn’t changed much since publishers have revealed their diversity statistics, according to PEN America, the nonprofit dedicated to speech freedom. Its latest report finds Penguin Random House’s employees are 74% White, Macmillan’s 70.5% White, and Hachette’s 64.6% White. They lead the Big Five alongside Simon & Schuster and HarperCollins.

The nonprofit ultimately blames the historical practice of having an overwhelming White employment and how it correlates to an overwhelming amount of White authors being signed to publishing contracts. Though more Black authors are getting publishing contracts since 2020, the cracks in shattering this glass ceiling are not yet visible.

Shortly after the Black Lives Matter movement boomed in 2020, young adult author L.L. McKinney started the #PublishingPaidMe campaign that set Twitter on fire. She asked White authors to share the advances. Some Black authors shared their advances. The discrepancy in thousands of dollars surprised readers. The White authors made tons more money, even hundreds of thousands of dollars more, when Black authors who seemed as well-known as them barely received a fraction of their advances.

In the report that was released last fall, Black publishing employees and executives expressed their concerns of obtaining titles by Black authors and being pigeonholed into a marketing ploy to sell “Black books.” And sometimes those Black authors are expected to just produce books about race and ethnicity when they may have ideas outside of those subjects.

“Such typecasting is not only presumptuous but also creatively limiting,” the report reads. “What if, say, a Black editor wants to work on books about cats, or cars, or science, or electoral politics? Or a Hispanic publicist wants to promote a book about classical music?”

That means a Black author’s earning potential could be diminished over the expectation of what a publisher thinks they should write compared to what they want to write. After all, the publisher has the power to reject a project on any basis it chooses.

Every book needs money to make money. The marketing and publicity budgets are calculated based on the viability of a book’s shelf life upon release. The books that have more promise receive more money, and most of the time that means books by celebrities. They are considered an automatic cash cow, especially when they have thousands and millions of social media followers expected to buy the books.

Now that the celebrity has built-in power to sell a book, the publisher invests more to make sure even more money could be made. So, the average author at an imprint may not receive what they need for proper marketing and publicity when competing with celebrity authors. And if that author is Black, then they may be shortchanged the most.

Advances, which are payments to signed authors in advance of their books being published, are tied to the marketing and publicity budgets. An advance is paid against future royalties. That means for every dollar an author receives in an advance, they must earn a dollar from book sales before they receive any additional royalties. Black authors could take longer to earn out their advances. If it takes too long, then their chances of being published again could be impacted.

“A budget is a moral document… When we talk about diversity, we need to understand what that means financially and in terms of decision-making power,” says Elizabeth Méndez Berry, vice president and executive editor at One World, in the report.

In the last year, we saw a cyberattack cripple Macmillan’s ability to sell books and a still-unresolved union strike rock HarperCollins. The authors who didn’t have the best resources in place are suffering the most with these unfortunate events in publishing. HarperCollins’ union is striking over alleged failure by the publisher to pay cost-of-living salaries and focus on diversity and inclusion. They are fighting for investment in their talents as well as in the talents of authors of color and LGBTQIA+ authors.

This Black History Month we must examine and appreciate Black literature but also think about the literature we’re missing because the publishing industry is early in the process of dismantling its historical structure to mainly uplift and invest in the literary talents of White people.

shelit.com blogger Kibby Araya.
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What we’re highlighting

Penguin Random House U.S. CEO steps down

After the failed attempt to acquire competitor Simon & Schuster for $2 billion last year, Madeline McIntosh plans to leave her position as the U.S. chief executive of Penguin Random House. She served in the position at the largest U.S. publisher since 2018. A departure date was not shared.

Her former boss and global Penguin Random House CEO, Markus Dohle, left the publisher in December. Nihar Malaviya has since assumed the position of interim global CEO.

HarperCollins announces layoffs amid union strike

The largest unionized book publisher will lay off 5% of its staff in North America by June, according to HarperCollins CEO Brian Murray. Some workers were laid off this week as well as last fall. Since November, the HarperCollins Union has been on strike, taking to social media and to the streets of New York to protest mostly low wages.

The publisher started mediation with the union this week after the announcement of the rolling layoffs.

Phenomenal Media partners with Hachette to diversify books

A year after launching its book club, Phenomenal Media recently announced its partnership with Hachette Book Group to create Phenomenal Media Books. The partnership will contribute to the development and acquisition of literary works written by underrepresented authors in the nonfiction and fiction genres.

The media company that started as a political and cultural merch brand by Meena Harris, the niece of Vice President Kamala Harris, will have its book division publish works across Hachette imprints Grand Central Publishing and Little, Brown Books for Young Readers.

“We were thrilled to see the positive reaction to our launch of Phenomenal Book Club — clearly people are looking for more stories from authors who, too often, do not receive the spotlight from the publishing industry,” said Meena, Phenomenal’s founder and CEO. “Phenomenal Media Books will provide new avenues for discovering those authors and positioning their works for success.”

New York town seeks to be a literary destination spot

Hobart, New York has eight indie bookstores on its Main Street and hosts several book festivals a year, according to a story by The New York Times. One of those bookstores is unstaffed and depends on the honor system for cash from customers. With a population of 400, the town in the Catskills of upstate New York has been known as Hobart Book Village since 2005. Beside book festivals, the town also holds semiannual book sale events each year, making it a place perfect for literary tourists.

February book club selections illuminate Black stories

What we’re reviewing

Brandy and Maya Angelou in Moesha.
The Vanishing Act by Brit Bennett

What we’re watching

The 1619 Project on Hulu

The 1619 Project on Hulu

The award-winning literary journalism project brought to us by Pulitzer Prize winner Nikole Hannah-Jones and The New York Times is a must-see docuseries on Hulu. The 1619 Project has six episodes with four streaming available now. Oprah Winfrey also serves as an executive producer.

Want your book and bookish news to be featured? Write us at shewrites@shelit.com.

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When Diverse Books Don’t Cross Our Paths

SHE LIT: When Diverse Books Don’t Cross Our Paths 🧭
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#CurrentlyReading Wildblood by Lauren Blackwood 🏝️

Book covers of Audre Lorde's Sister Outsider and Octavia E. Butler's Parable of the Sower juxtaposed in a graphic.

What it feels like for a girl in this world with invisible book bans in classrooms

There has been so much fabulous TV to binge in the new year. Are we all watching the same shows? Probably not. But one of the biggest splashes on a streaming service in the past few weeks is Ginny & Georgia on Netflix. This unique series features Ginny, a biracial teenager played by Antonia Gentry who’s troubled by the actions of her beautifully dangerous White mother, Georgia, played by Brianne Howey, who tends to murder people.

The first episode of the second season, which dropped on Netflix on Jan. 5, shows bibliophile Ginny reading Octavia E. Butler’s Parable of the Sower when Georgia walks into her bedroom. (The late Black science fiction author is having a moment on TV right now with the addition of her debut novel Kindred being turned into a FX on Hulu series.) Back to Ginny. Clutching her paperback, she’s having a nightmare, yet the real nightmare has yet to come.

She’s asked by her microaggressive White male AP English teacher to pick a book by a Black author for the class to read. In failed diversity politics in the classroom, the teacher wants Ginny to educate the class about Black literature since she’s the only Black student in the class and she’s the one who wants more inclusivity in the curriculum. After mulling the decision with her Black father Zion, played by Nathan Mitchell, in his jaw-dropping loft apartment in Boston, Ginny decides she will pick a literary masterpiece by a Black author to let her class know that not all masterpieces are written by William Shakespeare, Ernest Hemingway, or Mark Twain.

Ginny selects Audre Lorde’s Sister Outsider, a collection of essays and speeches by the late Black lesbian feminist author about not being understood in a society that ties skin color and gender to humanity. Once introverted Ginny gives a presentation to the class about why she’s choosing Sister Outsider, the teacher then asks her to lead the class discussions on the book. Also known as do his damn job for him for free. He has zero interest in reading or teaching the book, letting Ginny know she’s still not supported.

This pushes Ginny to the edge, and without giving too much of a spoiler, it opens up the conversation on how teens are not getting a healthy dose of diverse literature in a country still subsisting on book bans and limited curricula in schools.

More middle and high school students are creating their own book clubs to make up for the lost intellectual value. They’re dealing with books being publicly banned from their school libraries, public libraries, and in even some cases, their local bookstores, including chains such as Barnes & Noble.

What about the books that are not actually banned but will never come up on your English syllabus? What about the issue that most people stop reading after they finish schooling because homework isn’t assigned in the real world? What about teachers and professors who are conditioned to the subtractions in their literary knowledge that they don’t evolve to diversify their reading lists?

With conversations swirling around book bans, there needs to be more attention to the invisible book bans like how a book by Audre Lorde is less likely to be read in high school. Personally, I never heard of Audre Lorde until I attended a historically Black college, and I didn’t read Sister Outsider until a few years ago. A lot of us are still making up for the years and years of almost exclusively reading books by White male authors that were assigned to us in school.

Books keep multiplying every year. Our to-be-read lists are drowning with our selections. But there are a thousand books I wish I read in high school instead of so much Shakespeare, Hemingway, and Twain. The catch-up game is real. Most kids who love reading are balancing the school-assigned books with the pleasure books that they see themselves in.

Due to the COVID-19 pandemic, most kids are struggling to recover their social skills again. So reading for fun may not be a top pastime for them. There will be people like Ginny’s teacher who refuse to value literature by authors who are not straight White men and will try to humiliate others for valuing literature from different perspectives.

shelit.com blogger Kibby Araya.
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What we’re highlighting

Meg Medina succeeds Jason Reynolds as youth ambassador

Middle grade novelist Meg Medina has been named the new National Ambassador for Young People’s Literature, a selection made by the Library of Congress. She is the eighth ambassador and the first Hispanic person to assume the position. Starting this week, she replaces acclaimed young adult and middle grade author Jason Reynolds who held the position since 2020.

“It’s an enormous honor to advocate for the reading and writing lives of our nation’s children and families,” said the author, who identifies as Cuban American, in a statement. “I realize the responsibility is critical, but with the fine examples of previous ambassadors to guide me, I am eager to get started on my vision for this important work.”

Her platform “Cuéntame!: Let’s talk books” will focus on uniting children and families in literary conversations. The name of the campaign is inspired by the phrase Spanish-speaking friends and families use to catch up with one another. Meg’s books include the middle grade novel Merci Suárez Changes Gears. She plans to serve a two-year term.

North Dakota introduces bill to ban ‘sexually explicit’ books

North Dakota is the latest state to examine a bill that promises to eliminate books with alleged “sexually explicit” content from public libraries. House Bill No. 1205 also states a person could be guilty of a class B misdemeanor if they willfully display to a minor any photograph, book, paperback book, pamphlet, or magazine” that shows “nude or partially denuded human figures posed or presented in a manner to exploit sex, lust, or perversion for commercial gain.”

A class B misdemeanor in North Dakota carries a maximum penalty of 30 days in prison and/or a fine of $1,500. That means a librarian could be charged for shelving a book that falls into this category. People who believe a public library has a book that has said nudity and/or sexual depictions can submit a request to have the book removed from the library. The library then has to remove the book within 30 days.

The bill has so far had a committee meeting. Many librarians and library board members throughout the state have already filed letters in opposition to the new bill, including the ACLU.

Netflix releases ‘Perfect Find’ film photos, expected premiere

Tia Williams’ 2016 novel The Perfect Find is being turned into a film with streaming giant Netflix that released some information this week. Though we still don’t have a set date for the premiere, Netflix announced the film is a part of its summer 2023 slate of new content in a press release (and not in its promo video). The film stars Gabrielle Union as a fashion editor in Manhattan who falls for a guy half her age who happens to be the son of her work frenemy, who will be played by Suits alum Gina Torres.

What we’re reviewing

Actress Gabrielle Union.
A girl holds a stack of books with a backdrop of library bookshelves.

What we’re watching

Zión Moreno in Gossip Girl on HBO Max.

Gossip Girl on HBO Max

The reboot series based on Cecily von Ziegesar’s best-selling novels about girls and guys navigating the elite prep school social scene in New York City has been canceled by HBO’s streamer this week. At the height of the books’ popularity in the mid-aughts, the original series that ran from 2007 to 2012 on the CW became a phenomenon, launching the careers of Blake Lively and Leighton Meester. This newer, more diverse version meant for a Gen Z audience failed to make the same impact. Both seasons are streaming on HBO Max.

Want your book and bookish news to be featured? Write us at shewrites@shelit.com.

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New Year, Old Books

SHE LIT: New Year, Old Books 🥳

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Out of the 16 books below, I’ve only read seven 📚😬

Books with red covers by female authors on the shelit.com bookshelf.

Staying relevant as a book blogger by still reading new books, rediscovering old books

Happy 2023! Champagne clinks and literary links ushered in the new year. Innovating shelit.com for another year means thinking more about the blog’s future and purpose.

Like many readers, my library has expanded beyond its limits, multiplying on several shelves and already outgrowing those spaces. I love buying books from thrift stores, used bookstores, new bookstores, book festivals, library fairs, yard sales, garage sales, estate sales. Anywhere a book can be bought, I bought it.

The urge became more important when I noticed books by Black women on sale, sometimes a rare sight, a revelation I learned from The Free Black Women’s Library Los Angeles. Books by Black women are usually not uplifted online or in the bricks-and-mortar as much as they could be. Neither are books by women of Indigenous, Latine, and Asian descent.

Young adult author Kalynn Bayron shared her disdain for walking into a bookstore that promoted books by BookTokers and noticing only one out of the 10 books was by a non-Black author of color. Diversity is still a problem in the publishing industry in many aspects, especially when it comes to fewer marketing dollars being given to non-celebrity authors of color.

While I’ve been collecting gems by female authors, I also haven’t been reading as many books as I want. As a book blogger promoting new books for search engine optimization and overall audience boost, I ignored most of my books in favor of buying new books, getting new books from publishers, and checking new books out from the library.

Books were piling up like I hadn’t learned anything from Christine Platt’s The Afrominimalist’s Guide to Living with Less where she offers the viewpoint of having too much stuff to meet a Eurocentric society’s desire for excess. Or when Nedra Glover Tawwab’s Set Boundaries, Find Peace advised on how to ask yourself what’s working and what’s not working and reflect on how to make things work for you. So, I have too many books that will take me years to read. And I need to refocus my love for books on forgotten treasures while still checking on the over-marketed new books, especially if they’re written by a woman of color. #PublishingPaidMe is still relevant today as it was in 2020.

I have read books in the last year that I want to share more with readers who may not have known about the book or maybe never had the chance to read it. One example is Gloria Naylor’s Linden Hills, which I bought from Myopic Books in Chicago. Another is bell hooks’ Bone Black. Both had been on my bookshelf for a while, so it felt gratifying to finally read these great works by great authors and discuss those stories.

More bookish outlets are also trying to elevate older works like Belletrist’s 2021 book club selection with Tananarive Due’s The Between, which was originally published in 1995. That book is also on my bookshelf. Thanks to the Ladera Heights Goodwill Store in Los Angeles for that find.

Books from previous years and even decades still need our support and attention. The marketing problem is a historic problem, where books by women, particularly women of color, got lost in the mix among Harry Potter-type fantasies, mysteries by men, and celebrity memoirs, just to name a few. I look forward to sharing my library and love for curation this year by discovering works that deserve to be rediscovered.

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What we’re highlighting

2023 forecasted to be a rough year for books

The spike in book bans spreading from school libraries to big-box retailers over the debate of what’s appropriate in children’s literature is considered to be a major factor in the book sales slump, according to end-of-year media reports. Mostly works by non-White authors and LGBTQ+ authors are at the center of these book bans.

How the publishing industry markets books was one of the insider secrets the public received during last year’s blockbuster trial between the U.S. Department of Justice and Penguin Random House over the publisher’s proposed merger with Simon & Schuster. A federal judge blocked the merger in October. PRH’s global CEO stepped down. Authors and readers alike worried about the Big Five becoming the Big Four. Most of the books we tell you about are from Penguin Random House, as you will notice linked below in other news.

Publishing industry employees going on strike echoed all last year. The only major unionized publisher, HarperCollins, went on strike in November. Workers are still on strike, according to updates to the union’s Twitter feed. They claim that “untrained temps” will be hired to replace them to edit stories, design covers, and promote books. This week, the union asked the publisher’s CEO to return to the negotiation table to end the strike. The employees are demanding mostly fair wages to live in the publishing megalopolis of New York City.

Michelle Obama’s The Light We Carry sold less than one quarter of the first week print sales of her 2018 memoir Becoming, the NPD Group found, as the Forever First Lady’s book had a massive book tour with rock concert audiences (and prices) and still became a No. 1 best-seller. The NPD Group also noted Marie Kondo’s Kurashi at Home by the global superstar organizer ranked as low as No. 4,742 on Amazon.com upon its release, as reported by The New York Times. The reason for the lower book sales: The industry is trying to rebound from the pandemic highs. And a recession is looming.

Ketanji Brown Jackson announces upcoming memoir

The first Black female Supreme Court justice will write about her journey to the highest court. Titled Lovely One for the translation of her West African name, Justice Jackson plans to discuss her upbringing in Miami and her advancement in Big Law as a mother, a wife, and a Black woman. Publisher Random House has not shared a release date.

“Mine has been an unlikely journey,” she said in a statement from Random House. “But the path was paved by courageous women and men in whose footsteps I placed my own, road warriors like my own parents, and also luminaries in the law, whose brilliance and fortitude lit my way.”

Celebrity-helmed book clubs select January picks

What we’re reviewing

What we’re watching

Kindred on FX Hulu

Octavia E. Butler’s debut novel Kindred has been adapted to the screen with an eight-episode series streaming now on Hulu via FX. The story follows a Black woman living in modern-day Los Angeles who keeps getting transported to antebellum Maryland. She ends up saving her White ancestor as a child and embarks on a journey of fighting for her freedom physically on the plantation and mentally in order to return to her present life. Our book review can be found here.

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‘From Scratch’ TV Review: Aftertastes

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

A wife must come to terms with losing her husband and uniting her family abroad as they grieve in the Netflix series From Scratch. Based on the best-selling memoir by actress Tembi Locke, the series’ last episode summarizes the grief that is expressed throughout the book.

In the last episode, Amy, played by Zoë Saldaña, brought her husband Lino, played by Eugenio Mastrandrea, home to palliative care as his rare soft-tissue cancer worsened with no cure in sight. After a few days of bittersweet heartache, Lino dies. When Amy meets with palliative care counselor in “Between the Fire and the Pan” episode, she’s told to bring her daughter, Idalia, played by Isla Colbert, to Lino after he passes. She does that in the beginning of this episode to let her daughter grieve her father.

The grieving process is palpable. Amy later collapses as her mother Lynn, played by Kellita Smith, and her sister Zora, played by Danielle Deadwyler, bathe her in the bathtub as she uncontrollably cries. We don’t hear the grief as instrumental music drowns them out. Amy then stays in bed while her family takes over her house. Zora tells Amy that she’s afraid of her slipping away. Amy breaks down that she can’t fly to Sicily to bring Lino’s ashes home. She doesn’t have the energy; she already gave her all.

FINDING HOME IN SICILY

Amy finds herself driving on the rollercoaster roads of Sicily with Idalia in the backseat, along with Lino’s ashes. They follow the directions to Lino’s family’s home, where they are greeted by the entire town led by Lino’s mother Filomena, played by Lucia Sardo. Amy rises out of the car and presents Lino’s ashes to his mother. Filomena gets teary as she carries the urn high in a solemn parade through the narrow alleys to her house.

The priest comes to the house for the blessing while Filomena breaks down. Idalia gets agitated about the overwhelming emotion in the room. Amy carries her to their guest room where she explains they are leaving Lino in Sicily. Idalia thought her father would come back with them to Los Angeles. After the blessing, Filomena tells Idalia she can see her father anytime in her imagination. All in black, the family later goes on another trek to bury Lino as the townspeople bow in respect.

The next day, Filomena makes Amy breakfast, consoling her about the everlasting heartbreak of losing a husband. Filomena’s husband and Lino’s father Giacomo, played by Paride Benassai, dies in the episode “Heirlooms,” a year after visiting the family in LA in the “Bread and Brine” episode. Neither of Lino’s parents attend the wedding for Amy and Lino that takes place in Italy, a sore spot in the “A Villa. A Broom. A Cake.” episode that continues to emerge throughout the series. This is not the first time they have spoken, but it’s the first time Amy has been in the family household and is being treated with care by her semi-estranged mother-in-law.

Amy goes to a wine bar for a moment of peace away from her family. She’s the only woman there. The older Sicilian men watch her in suspicion. Not only is she American, but she is Black, and they have probably never seen someone who looks like her up close. The town’s mayor shares his condolences with Amy. She walks out of the bar and notices the women hanging outside on their patios watch her walk back to Filomena’s house. In Italian, they comment on her darker complexion. Amy thinks it’s comical that they don’t realize she understands Italian as she heads home. For another break, she runs up the hills around the town and sneaks a peek of the Mediterranean Sea as the backdrop to rolling green hills. That’s her moment of peace.

TOWN GOSSIP

“Grief in Sicily is not an individual experience but a communal one where people are called upon to witness and support one another,” Tembi writes in the book where she recounts her life with her late husband Saro, who died from cancer. “The way certain African cultures use drumming as an active means of dealing with their grief—the rhythm is played continuously for days, day and night, over and over, as a constant reminder to the community of its loss—in Sicily the story of the deceased is told over and over.”

In the show, the mourning tour continues as Filomena brings Amy and Idalia to other townspeople’s homes to sit and relive memories of Lino. At one home, Idalia gets sick eating too much candy. The nosy women notice Idalia gripping her tummy once they’re outside and convince Filomena to take this opportunity to see the doctor’s house. Nobody has really seen the so-called palace-like interior. The women want to know what’s inside the massive house. Amy can’t believe she’s being wrapped up in town gossip.

Filomena takes Idalia’s hand as they head to the doctor’s mysterious home. He invites them inside to sit with them in the their mourning. They notice a photo of the doctor with Lino framed on a side table. The two are standing outside the restaurant in Florence where Amy and Lino fell in love in the debut episode “First Tastes.” The doctor explains he had visited Florence and met with Lino years ago. He now prays often for Lino. The unexpected visit becomes the most impactful. Once they leave, the women swarm around the family to hear what they saw. Idalia tells them that she saw several chandeliers inside. This satisfies the town gossipers.

That night, Amy dreams of Lino. She finds him in the kitchen in Sicily cooking her a meal. They embrace. Then she wakes up. She can see him whenever she wants. In the morning, she learns Filomena wants her to meet with the family lawyer. Filomena doesn’t give Amy details until Amy finds herself beside her sister-in-law being asked by the lawyer to sign papers. It’s a deed to the land. Now that Lino as the oldest son is gone, Amy inherits the farmland. She refuses to sign the paperwork.

While resting back at the house, Amy is summoned. A dispute over a car accident with the town’s mayor has broken out with a driver who speaks English. The driver tells Amy that the mayor hit his car. Amy explains to the driver that the man in the car is the mayor, and with the townspeople crowding the area, the mayor will win the argument. The driver takes the loss and speeds away. The townspeople cheer for Amy. She’s one of their own.

SANT’ANNA

Amy goes to church with Filomena while it’s empty. Filomena is praying to Saint Anne or Sant’Anna, the mother of the Virgin Mary, the grandmother of Jesus Christ. She says she prayed to this saint when Amy and Lino married, when Lino died. She wants Amy to make Sicily her home. That’s why she sent her to the lawyer’s office to inherit the land. Later, Amy brings Idalia to the spot she had found while running where the hills and the sea create a picturesque vision of peace. Amy tells Idalia that this is where Lino still feels alive because it’s their home.

Sant’Anna’s Day falls on Amy’s birthday. Sant’Anna is the patron saint of travelers and widows. It’s the opportune time to celebrate Lino.

“These women pray to her in times of difficulty and times of celebration,” Tembi writes in the book. “I had also learned that she was the patron saint of widows and travelers. I was born on her day, July 26. I was married on her day. For the people of Aliminusa, that meant she was my personal saint. ‘You drew a good card,’ Nonna told me.” Her family comes to Sicily to join in the Sant’Anna Day procession that starts with a prayer then ends with the band playing in celebration. She describes the moment as the “magic hour,” a phrase in cinematography describing “the moment when the diffused rays of the sun make everything more beautiful.”

Magic hour happens onscreen for Amy’s family, who flies from LA and Texas, to join Amy, Idalia, and Lino’s family as they celebrate life. The joyous and heart-wrenching event ends the series.