Tag: fantasy novels

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book reviews

Book Review: ‘Nic Blake and the Remarkables’ by Angie Thomas

*Given an advanced reading copy from the publisher in exchange for an honest review*

Nic Blake and the Remarkables: The Manifestor Prophecy by Angie Thomas is an imaginative, well-developed middle-grade novel from the famous young adult author who gave us The Hate U Give.

Nichole Blake, who goes by Nic, is turning 12 years old, and for her birthday, she is looking forward to being trained by her dad on how to use the Gift as a real Manifestor. The Gift is a supernatural ability, which Nic’s dad has and therefore Nic has inherited. They are known as Remarkables. The human beings without the Gift are called Unremarkables. Though Nic wants a dragon badly, her dad gives her the safer option of a hellhound for her birthday. The hellhound, who is named Cocoa, has horns and is the size of a tiger. When Nic’s best friend JP comes over, he only sees a regular dog as an Unremarkable. Well, Nic has a feeling that JP may have seen more of Cocoa as a hellhound, but she lets that feeling go.

Since Nic and her dad have moved around the U.S. a lot, Nic feels settled in Jackson, Mississippi. It’s a city built on an inactive volcano, but they made a home with finding Remarkable friends at Ms. Lena’s juke joint where Rougarous, Vampires, Giants, and Fairies frequent. Bags with mojos, which control the elements with good intentions, and jujus, which control the elements with bad intentions, are sold and bought there. The juke joint is a safe haven for their community. Her dad works as a handyman, who collects haints, demons, ghouls, and other Remarkable creatures that are destroying Unremarkables’ homes without their knowledge. He sells these creatures to Ms. Lena to find a place for the evil spirits.

In Jackson, homeschooled Nic also has JP, the only other Black kid on the block, as they obsess over middle-grade author TJ Retro’s fantasy series. It reminds Nic of Remarkables, except the characters in the series use Magic, which is considered a corrupt form of the Gift. When they go to a book signing to meet TJ Retro, they learn that he is an old friend of Nic’s dad. Since her dad refuses to teach her how to fully use her Gift, Nic receives a piece of Giftech, or Gift-infused technology, from her favorite author that ignites an unintentional adventure between the Unremarkable world and the Remarkable world. On this adventure, she pulls in JP and Cocoa to help her discover the truth about her family and find the Msaidizi, one of the most powerful tools in the universe, in order to save her dad who is accused of stealing it and kidnapping her.

Black folklore is interwoven into the storyline to heighten the differences between Remarkables and Unremarkables and give the tale a touch of familiarity. In the story, John Henry is the half-Giant who won a rock-drilling contest while building a railroad with a sledgehammer, which was the Msaidizi. High John the Conqueror, the shapeshifter who fell in love with the Devil’s daughter in one story, used the Msaidizi through a plow and an ax to plant and reap acres of corn, one of the impossible tasks given to him by the Devil. Annie Christmas is the half-Giant who used the Msaidizi as a pole for her keelboat to save hundreds of people. All figures are considered to be fictional but believed to be based on real people who overworked themselves to death by proving their superior strength. But in this novel, they all were Remarkables who knew how to use the Msaidizi.

Along with folklore, racial elements are also connected to the Gift. The Blakes’ Gift is believed to have originated in Africa and passed down by their ancestors. Through the pain and trauma amid the trans-Atlantic slave trade, it is believed many people who had the Gift forgot their power and were unable to pass it down. During their adventure, Nic and her friends are kidnapped by a wizard who brings them to the Grand Wizard, as in the KKK, though the terrorist organization is not mentioned. Wizards are considered dangerous because they know about the Gift and use a wand to conjure up what they think is close to the Gift. The wizards claim to not be associated with the KKK, but they still want to capture Nic and her friends for their Manifestor connections.

Overall, the book is fast-paced with fantasy that seems more authentic to the Southern landscape with the mentions of haints and folkloric legends. A key to the author’s success in previous novels is getting into a young character’s mind and speaking in their voice, and this novel gives us another relatable character finding her true identity amid tough circumstances. This book review is a dose of the unputdownable story to avoid spoilers, but, of course, the ending opens to the potential second book in the series.

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deep lit

‘Wildblood’ Writer Lauren Blackwood Brings Magic to the Jamaican Jungle in Historical Fantasy Novel

⚠️ Trigger warning! The story and the post below mention sexual assault.

Following the success of Within These Wicked Walls, Lauren Blackwood returns with another vibrant story, this time set in a magical Jamaican jungle.

Wildblood, which is out now from Macmillan’s Wednesday Books, takes us to the late 19th century and builds a unique story that serves as an extraordinary sophomore novel after weaving the thread of the Charlotte Brontë classic Jane Eyre into an Ethiopian retelling with her debut novel. Within These Wicked Walls earned the recognition of being a Reese’s Book Club Fall 2021 YA Pick.

The new young adult book centers on Victoria, an 18-year-old woman who was kidnapped at a young age and forced to serve as a guide within a tourist company that specializes in venturing into the jungle. Except the jungle has creatures that could be dangerous to mortals such as spirits that can snatch souls without remorse. Victoria is a Wildblood, meaning she has the magic to communicate with the creatures and, in her professional standing, can ensure the safety of tourists.

When a well-known Black gold miner named Laertes Thorn becomes a client with his rather large party, Victoria is tasked with her fellow Wildbloods to bring these foreigners to a mountain allegedly full of gold. The gold is a legend since survivors have never exited the jungle to tell the story of reaching the treasures.

On the trip like back at home, Victoria tries to remain a motherly figure to Bunny, a young Wildblood who cannot control his magic, and a girlfriend to Samson, a Wildblood who was kidnapped by the company after her. But new emotions arise as she finds herself falling for Thorn and battling her former love Dean, the main Wildblood in charge who seems like he’ll do anything to keep their abusive boss happy like saying yes to such a dangerous trip.

The fight for survival underlies the story that places Victoria in a spot where she’s trying to understand love from different angles and trust in her inherent magic.

Author Lauren Blackwood talks to she lit about how she came up with the story and the art of making sure the characters, the plot, and the tension remain engaging until the very end. Check out the conversation below:

she lit: The story’s main character, Victoria, is a Wildblood who possesses the magic to communicate with the precarious jungle. Her touring company kidnapped her at a young age to take advantage of her magic. How did you come up with this story and figure out how to convey the difficult subject of abuse?

Lauren Blackwood: I wanted to write a book about a girl finding her strength. Anytime I portray an issue or trauma I want it to be done sensitively and respectfully, but also honestly. I don’t think showing SA* on page is ever necessary—there are ways to get the message across without that type of triggering imagery. So with that in mind, I then let Victoria guide her own journey on the path that felt right for her. 

she lit: While on the dangerous tour, Victoria finds herself tangled in a love cube with her partner Samson, her ex Dean, and her new client Thorn. Can you describe your writing experience with creating the tension between these characters?

Lauren Blackwood: You’re the first one to ever describe their situation as a love cube, haha! Writing relationships is my favorite thing, and I purposely wanted to use this book to explore different kinds of love. But I think the issue is that all three boys have different intentions for Victoria, which puts them in conflict with each other and with Victoria herself, who’s really just learning to live her life on her own terms.

Photo Credit: Terri LaShae

she lit: Victoria takes it upon herself to be a mother figure to Bunny, a younger Wildblood who rages with his magic. How would you describe this source of love for Victoria as a counterbalance to the love she’s getting from Samson and Thorn?

Lauren Blackwood: Victoria’s relationship with Bunny is more of that of a mother and child—she’s extremely protective of him, which is a love he doesn’t necessarily appreciate. It’s the opposite of her relationship with Samson, who in his own loving way tries to look out for her but ends up being a bit overbearing. So you have those two opposites of the spectrum, and then you have Thorn, who sits right in the middle. They have mutual respect and love for each other, and they don’t doubt each others’ abilities but look out for each other equally.

she lit: Greed is an overwhelming theme with Thorn and his team endangering their lives to mine gold in the Gilded Orchard that has never been mined by survivors. Can you explain the historical significance of making the team members Black and their desire to gain riches before the turn of the 20th century?

Lauren Blackwood: If you’ve read my debut Within These Wicked Walls, you’ll know I love writing about wealthy Black guys who have the freedom to do as they please. I suppose the historical significance is that when Black people owned business, all the staff would be Black because they weren’t welcome in white spaces—whatever business ventures white people were up to, Black people were usually doing it too and just not getting any credit for it. But honestly, I just wanted to write about Black people, regardless of history.

she lit: The book’s cover is vibrant, featuring Victoria in the jungle. Victoria looks a lot like you. How much input did you have in the cover design and the way the character is portrayed on the cover?

Lauren Blackwood: I wanted to write a character who looks like me (who’s Jamaican like me) because growing up there were never any fantasy novels about girls who shared my heritage. So, the only thing I really requested was to feature the Jamaican flag colors—black, green, and gold. The rest of the genius design was handled by my amazing cover designer Kerri Resnick and brilliant artist Colin Verdi. They interpreted Victoria perfectly, so I really didn’t have to say much.

*SA is an acronym for sexual assault.

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deep lit what's lit

‘Ashes of Gold’ Author J. Elle Shares How She Crafted ‘Wings of Ebony’ Fantasy YA Series With Black Duality in Mind

Fantasy young adult author J. Elle is marking the end of her Wings of Ebony duology about a Black teen girl from Houston who’s on a mission to understand her bloodline in the magical land of Ghizon.

Ashes of Gold, published by Denene Millner Books and Simon & Schuster Books for Young Readers, came out last month continuing the story of Rue, raised in Houston with her younger sister by their late mother, who must follow her destiny in her father’s homeland of Ghizon and save her magic-possessing people from destruction.

Photo credit: Chris Spicks Photography

But readers don’t have to wait long to read more of J. Elle’s work. Her middle grade fantasy YA duology, A Taste of Magic, will be published by Bloomsbury Children’s Books this summer.

The first book in the series will introduce us to 12-year-old Kyana, a Black girl who’s recently learned she’s a witch and becomes a student at the Park Row Magic Academy hidden behind a beauty shop. Once she realizes redistricting and gentrification will close the shop, she fights to keep it open.

J. Elle talks to she lit about anticipating the debut of her middle grade duology, owning the “inner city fantasy” subgenre in the increasingly diverse fantasy YA genre, and transitioning from a teacher whose book pitch was discovered by literary agents on Twitter to teaching books she’s written in the classroom. Check out the conversation below:

she lit: Your YA duology features Rue, a Black girl from Houston’s Third Ward, who travels to the magical land of Ghizon to fulfill her birthright. How did you come up with the subgenre of an “inner-city fantasy” and what inspired you to make this character bicultural struggling to exist between two worlds?

J. Elle: The aesthetic of the story honestly came to me as I tried to make a fantasy world I could see myself in. I wanted to craft a world that felt familiar to me and I grew up in an inner city community. I found when I left my community to attend college, the first in my family to do so, and get a job or move to other parts of the country, I felt like I was in an entirely different world sometimes. I wanted to parallel that dichotomy in this story and explore the many ways Black Americans might feel like they’re forced to live a double life when they’re in spaces that aren’t inclusive. 

she lit: You’ve said Rue’s background has elements of your own. Without giving spoilers, is there a scene in Ashes of Gold that you wrote based on a particular experience?

J. Elle: Most of Ashes of Gold takes place on the magical island of Ghizon, but there is a moment in the book where Rue returns to East Row that is reminiscent of how it felt when I’d come home from college. It was nostalgic and quite special to be able to explore the ways being able to connect with home is an affirming experience. 

she lit: How would you describe Rue’s character development in Ashes of Gold compared to Wings of Ebony?

J. Elle: Rue’s view of herself changes from the start of Ashes to the end. She has a definitive assumption about what she is capable of and the journey she goes on shows her she is capable of—and worthy of—much more than she thinks. It was a challenging book to write because book one, Wings of Ebony, leaves off with Rue seemingly unstoppable. But she had plenty of room to still grow. I just had to dig in to find it.

she lit: In both books, Rue has a longing to protect her Houston family and her fellow Ghizonis. What do young readers usually tell you about how they relate to this balance of supporting family and community?

J. Elle: I’ve had readers tell me the idea of not wanting to let family down really resonated with them. So many of us carry the pressures of supporting those who came before us. I was really glad to hear readers were able to see their lived experiences reflected here.

she lit: How would you describe the transition of being a teacher then becoming an author who is teaching through your books?

J. Elle: It was really interesting! I miss the way I could read kids’ faces as I stood in front of them teaching a concept. I loved seeing the light bulb click, hearing their opinions. When I write books, I’m sending my words out in the world for students to consume on their own. And so I miss hearing from them! Seeing their faces as they read! I try to do as many school visits as I can because I just love working with students so much.

she lit: With your passion in creating characters that kids can relate to, what are your concerns about more and more diverse YA books, many by Black authors, being banned from schools and libraries across the country?

J. Elle: Book banning is deeply grieving. When has the government trying to control the narrative of history taught in school ever gone well? Creating freethinkers is the purpose of education. Students who can reason and analyze and interpret with the rich perspective they bring to the table. The beauty of this country is “supposed to be” its freedom of ideas. But that grates against the actual picture of what’s happening with book banning all over the country. I am consoled, however, knowing that books in schools are only one way kids access books. I am hoping to see communities band together to exercise their constitutional right to read whatever they choose. There’s much more I could say here, but I’ll wrap up by offering this small encouragement: I believe in our kids. I believe in the relentless persistence of their curiosity, the connectedness they cling to nowadays via social media, and their spirit, their heart. Tell a kid in school something is forbidden, they’re only going to want it more. The banners will fail. Look at history.

she lit: What’s it like working with accomplished author and editor Denene Millner and having your duology under her imprint?

J. Elle: It was a true privilege to work with Denene. She brought such a needed eye to my story and helped me contextualize the themes I wanted to explore with the nuance I needed. I’ll forever be grateful for her seeing me in her inbox and saying, yes. It changed my life.

she lit: Your book series was discovered through the literary pitch competition #DVPit. What do you think was the secret sauce that made your successful tweet stand out for agents?

J. Elle: Strong comparison titles and a fresh hook help pitches stand out. My comps were The Hate U Give meets Wonder Woman, which aesthetically is incredibly fresh. There’s no guarantee with contests of course and what’s “fresh” is a bit nebulous at times to figure out. But running a pitch by a few people who don’t know what the story about can be a fun way to see if your tweet feels fresh and engaging.

she lit: You’re promoting Ashes of Gold and the end of the Wings of Ebony duology. What can you reveal about your next duology, A Taste of Magic, and how does the Park Row Magic Academy compare to Ghizon?

J. Elle: A Taste of Magic is about 12-year-old Kyana who must cook up some magic to save her magic school from the effects of gentrification. It’s a delightful middle grade story so the biggest difference is the age range and tone. Tonally it’s much more lighthearted and funny than Wings of Ebony. My YA tends to be a bit grittier and dark. A Taste of Magic is for any age, but I’ve tried to target 9-12 year olds with Kyana’s voice and sensibilities. I’m so excited for readers to meet Kyana! 

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what's lit

Joy Revolution Acquires First Fantasy YA Romance Novel

The Random House Children’s young adult imprint founded by best-selling literary supercouple Nicola Yoon and David Yoon has purchased its first fantasy duology at auction.

Joy Revolution‘s two-book deal was shared Monday on Twitter for Sinner’s Isle, a “dual-POV Latinx fantasy romance,” written by Angela Montoya, according to Publishers Marketplace Deal Report.

“I’m shook. I’m thrilled. I’m scared to death,” Angela tweeted about her debut novel. “But mostly, I’m just so damn grateful for everyone who’s ever believed in me and SINNER’S ISLE; the #Latine #yafantasy #romance of my dreams.” She is represented by literary agent Larissa Melo Pienkowski of Jill Grinberg Literary Management.

“This is our first fantasy acquisition & it was worth waiting for,” Nicola tweeted. “It’s got epic romance, powerful & dangerous magic, incredible storytelling. I can’t wait for you guys to read it!”

Dubbed Pirates of the Caribbean meets Shelby Mahurin’s Serpent & Dove series, the book features a witch held captive on an island desperate to escape before a weeklong fiesta for rich tourists ready to meet majestics like her. The desperation morphs into her blackmailing a pirate who washes ashore.

With its initial round of books scheduled to be released this year, Joy Revolution debuted in October 2020 to focus on YA love stories centered on people of color. Wendy Loggia, author and senior executive editor at Penguin Random House’s Delacorte Press, oversees the imprint while Bria Ragin serves as the imprint’s editor.

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book reviews

Book Review: ‘The Gilded Ones’ by Namina Forna

The Gilded Ones by Namina Forna

My rating: 4 of 5 stars


The Gilded Ones by Namina Forna is a heavy fantasy young adult novel that forces the main character to face her blood, sweat, and tears for a war she’s not sure she should be fighting in.

Deka lives in the village of Irfut inside a kingdom called Otera with her sickly father as she lost her mother recently to red pox. While taking care of her father and the household, she is apprehensive about the forthcoming Ritual of Purity that expels girls who bleed gold instead of red from society. At the ceremony, Deka’s worst nightmare comes true: she is impure. She is thrown into a dungeon where she is killed several times. But she doesn’t die. She falls into a gilded sleep until she awakes repaired without a scar in sight. Her immortality attracts a woman Deka dubs as White Hands, who whisks Deka away with another girl named Britta to a training ground where other young women, known as alaki, who also bled impure are trained to fight flying demons known as deathshrieks. Accepting this journey as her destiny, she trains as hard as she can to fight the deathshrieks, who are known to destroy whole villages, killing everyone in sight. The better the fighter Deka becomes, the more she questions how she became a fighter. When one of her new sisters in training dies in battle, she promises to avenge the killing. But she starts wondering if the deathshrieks are as dangerous as she has been taught to believe.

The storyline emphasizes the impurity girls can be accused of, particularly around the time they begin menstruating. The girls are declared not only discardable but also devilish, another accusation real-life girls face rooted in the story of Eve. Throughout the book, Deka still prays to her god, Oyomo, despite the cards she has been dealt. Others around her tell her she shouldn’t pray because she has been cursed, but she upholds her religious faith.

Comprehending why war is taking place is also a theme ripped from reality. Deka feels saved by White Hands to become a warrior for the king to fight deathshrieks. But Deka can communicate with the deathshrieks and wonders if they are the true enemies. She tries to piece together the origins of the war and why she and the other alaki have been chosen to be the warriors other than their immortality.

With Deka scared about the purity ceremony, she foresees the worst-case scenario is her destiny. Then arriving at the training grounds seems to be her final destiny as a warrior forever bound to killing deathshrieks, but the more she evolves, the more she is realizing her destiny goes beyond what feels like servitude to the kingdom.

As fantasy YA novels continue to overpower the entire kidlit genre, there are still tropes in this book. The girls training together must become sisters in the fight, for example, like many characters before them with finding family along the journey especially when their biological families have disappeared. A furry feline creature arrives on the scene that only knows Deka, and of course, it’s a shape-shifter. The story is so jam-packed with tension that the world-building takes a hit. It sounds like they’re in Africa, but the girls come from all over the world evidenced by their ethnic names that may sound like they’re from Europe or Asia or Africa. More description of the geography would have helped boost the imagination of their location; the map at the beginning of the book shows the kingdom, but the character names steeped in real cultures contradict the map of an imaginary region.

Overall, the book has strong feminist yet disturbing elements of showing girls being disrespected and disregarded because of who they are. There is no ceremony on testing boys’ blood, but these girls are subjected to this sexist tradition that defines their futures that are chosen by men and a patriarchal society. It reflects the minor and major events affecting girls around the world like those who cannot seek an education. Like a lot of other fantasy novels threading real-world themes in make-believe lands, this novel has a lot of scary familiarity in its storyline.




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book reviews

Book Review: ‘Cinderella Is Dead’ by Kalynn Bayron

Cinderella Is Dead by Kalynn Bayron
My rating: 4 of 5 stars

*Given an advanced reading copy from the publisher via NetGalley in exchange for an honest review*

Cinderella Is Dead by Kalynn Bayron is a fascinating take on what happened after fairy tale icon Cinderella married Prince Charming and how it’s not happily ever after.

Two hundred years after the death of Cinderella, in the kingdom of Lille girls are forced to attend a ball put on by King Manford. At the ball, a man will lay claim on the girl, and they’ll be married, even if the girl doesn’t want to. That’s the world Sophia lives in, and she hates it because she’s in love with her best friend Erin. But Sophia’s parents are putting everything they have into preparing Sophia for the ball in order for her to marry well, and Erin isn’t on board with defying the system. Sophia tries to get with the sacrifices until at the ball she realizes she can’t do that. In the process, she upsets the king and runs away into the dark forest. When she wakes up, she finds herself at Cinderella’s tomb with a redheaded girl named Constance who claims to be a descendant of one of Cinderella’s stepsisters. Constance tells Sophia the real story of Cinderella and how her life wasn’t a fairy tale, how a far more sinister event caused her death, leading to the kingdom diminishing the rights of girls and women in favor of male domination. Sophia becomes even more determined to be with Erin and works with Constance to take down the kingdom. They head to the home of the fabled godmother for assistance, and from there they learn even more history about their society and receive more fuel to save the girls and women of Lille.

The story opens the reader’s mind about the tale of Cinderella and how it can be interpreted as a failure and not a dream come true. The interpretation of the fairy tale’s legacy of oppressing females resonates in the current environment in different ways around the world, so it’s striking to see this kingdom struggle with real-life issues based on the interpretation of a well-known story. On top of the oppression, Sophia loves a girl and is told she can’t do that; it’s punishable by law. The transformation of Sophia’s love also uplifts the story with her feelings shifting to who supports her goal to take down the kingdom.

Overall, the novel moves with a nice energy, and the story continually interprets the Cinderella story in different ways that add to the uniqueness of this new story.

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book reviews

Book Review: ‘A Song Below Water’ by Bethany C. Morrow

A Song Below WaterA Song Below Water by Bethany C. Morrow
My rating: 3 of 5 stars

*Given an advanced reading copy from the publisher in exchange for an honest review*

A Song Below Water by Bethany C. Morrow follows two teen girls who call themselves sisters as they evolve into their true selves in an environment that discriminates against who they are.

Effie is changing. Her skin is unbearably itchy as she keeps scratching her scalp around her locs. She tries to conceal this irritation by remembering she’s Euphemia the Mer, the town faire’s cosplaying mermaid, along with Elric, the cosplaying merman. As the faire is set to begin, Effie can’t concentrate as a murder case of a siren becomes news. And Effie still hasn’t gotten over her friends turning into stone years before at the park while she was spared. In this story, sirens live among humans and are exclusively black females, so they face severe discrimination since society wants white sirens.

Tavia is a siren who lost her voice. She and Effie become sisters when Effie’s grandmother sends Effie to live with Tavia’s family. For Tavia, she’s having a hard time getting over her ex-boyfriend, Priam, an eloko, the beings connected to sirens who manifest in other races, so they don’t get the same degree of discrimination like sirens.

This fantasy YA novel mixes fantasy and reality, but the story can get lost in the weeds amid the constant world-building involving multiple magical beings. The racial thread is interesting, but most of the time blackness is described through Effie scratching her scalp and watching a natural hair YouTuber who turns out to be a siren. Effie’s hair and skin become the main issue, above the murder trial she’s paying attention to or Tavia getting pulled over by the police. The setting is Portland, Oregon, a community that has become notorious for not supporting its black population. Also, a gargoyle is perched on their roof at home. Making sirens black and emphasizing how they’re expected to be white is an interesting comparison, especially with mentioning a high-profile murder of a black woman suspected to be a siren and how it’s playing out in the media. The threat of showing magic affects both Tavia, who already knows she’s a siren, and Effie, who’s not sure who she is yet though she suspects a siren.

Overall, the black girl magic theme underlies this story of two teen girls trying to find their place in high school among human beings and other beings while remaining true to their destinies.

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what's lit

Black Fantasy YA Authors Discuss How They Are Revolutionizing the Genre

Up-and-coming Black fantasy young adult authors convened on a YouTube video chat hosted by Black Girls Create to go deeper into how they gravitated to the genre and what they hope their works can achieve for readers.

Bayana Davis of Black Girls Create, a hub for Black female creators, moderated the first half of the #KuumbaKickback conversation featuring Nandi Taylor, Jordan Ifueko, Namina Forna, and Roseanne A. Brown. Porshèa Patterson-Hurst moderated the second half with authors Kalynn Bayron, Tracy Deonn, and Bethany C. Morrow.

All the authors, who also participated in a #DontRush video challenge, mentioned how they fell in love with the fantasy genre but failed to see characters that looked like them and how the lack of visibility led to their writing careers. The video of the conversations are available on the Black Girls Create’s YouTube channel now.

Nandi Taylor is the author of Given. The story is about why “island princess Yenni is searching for a way to save her father’s life, but a handsome yet infuriating shapeshifting dragon becomes an unexpected distraction,” according to publisher Wattpad. The book is out now and has reached 1.2 million reads.

Nandi opened up about how she felt when trying to insert herself into certain fantasy stories, which created a conversation among the authors about being a Black girl who loved fantasy but not seeing Black girls in the stories.

“I loved reading fantasy, but the fantasy worlds I was reading about were very Eurocentric and it felt—how do I say this?—it felt wrong to insert myself in those worlds, which is sad to say. I felt kind of guilty like I wasn’t meant to be there. So I started writing my own world, so I can do that self-insertion without feeling guilty or ashamed.”

Jordan Ifueko is the author of Raybearer. Publisher Abrams’ imprint Amulet Books says “with extraordinary world-building and breathtaking prose, Raybearer is the story of loyalty, fate, and the lengths we’re willing to go for the ones we love.” The book is available on April 14.

Jordan spoke about how African influence in fantasy and science fiction stories was historically erased or not accurately documented amid colonialism.

“I wanted to write fantasy because I wanted a story about a magical Black girl who didn’t have to endure slavery or systematic subjugation to win something. I feel like there are so very few stories based on real life, which that happens to Black girls, not because there weren’t Black girls who were awesome and powerful but because those stories were not recorded in history. Precolonial Africa, especially West Africa, had powerful women all over the place, but we don’t hear about those women because you have to dig and dig and dig and dig to even get a reference to some of those heroines because the history was written by the colonizers and they didn’t care.”

Namina Forna is the author of The Gilded Ones. The debut novel is described as “the start of a bold and immersive West African-inspired, feminist fantasy series for fans of Children of Blood and Bone and Black Panther. In this world, girls are outcasts by blood and warriors by choice.” The book is scheduled for release in spring 2021.

Namina described her experience of immigrating to Atlanta from Sierra Leone at a young age and dealing with post-traumatic stress syndrome once she was old enough to understand the effects of the civil war in her native country.

“One of the ways I was able to cope with everything that was happening was by disappearing into fantasy. I would read, read, read, read a lot. When you read, you’re able to ignore what is happening around you and even when I came to America and really started understanding what was happening more, for me I loved disappearing into fantasy worlds. They’re my safe space. I think that is the importance of fantasy: it’s a place in which you can disappear, in which you can deal with things you might not have the wherewithal to deal with.”

Roseanne A. Brown is the author of The Song of Wraiths and Ruin. Publisher HarperCollins calls the book “the first in a gripping fantasy duology inspired by West African folklore in which a grieving crown princess and a desperate refugee find themselves on a collision course to murder each other despite their growing attraction.” The book will be out June 2.

Roseanne, who immigrated to the U.S. from Ghana at a young age, said fantasy was the genre of choice for her to weave in today’s racial issues.

“While I really respect contemporary writers in what they can do to bring things in the here and now to engage on our level, I found putting it a step away and putting it in a different world—in a world that mirrors our own, reflects our own—to really come to terms with heavier things like we see in race. We have intergenerational trauma, we have violence against girls, we have self-harming—those are all real things teens in our world are dealing with.”

Tracy Deonn is the author of Legendborn. The novel is “filled with mystery and an intriguingly rich magic system, Tracy Deonn’s YA contemporary fantasy Legendborn offers the dark allure of City of Bones with a modern-day twist on a classic legend and a lot of Southern Black Girl Magic,” publisher Simon & Schuster wrote. It’s scheduled for a Sept. 15 release. Tracy also contributed to Our Stories, Our Voices: 21 YA Authors Get Real About Injustice, Empowerment, and Growing Up Female in America.

Tracy spoke about noticing the very few Black characters in science fiction and fantasy media while she was growing up and trying to connect as a Black girl to the characters she loved.

“I remember being drawn to certain characters consistently and wanting more from them. We talked about Star Trek already. Obviously, I liked Uhura. I could’ve watched the whole show about her. I wanted to watch a whole show about her. I was drawn to any character in any fantasy TV show, cartoon, or otherwise who looked vaguely Black in any sort of way I was like that’s me.”

She mentioned her feelings when Storm Reid, who’s Black, was cast in Disney’s 2018 Ava DuVernay version A Wrinkle in Time based on Madeleine L’Engle‘s middle grade fantasy classic, which also starred bookish celebrities Oprah Winfrey, Reese Witherspoon, and Mindy Kaling. “

The little part of me inside was, ‘This is revolutionary. This idea that we can be Meg.’ That was fulfilling in a long arc in a way of reading that and wanting to be Meg and actually seeing it later as an adult.”

Bethany C. Morrow is the author A Song Below Water. It is “a captivating modern fantasy about Black mermaids, friendship, and self-discovery set against the challenges of today’s racism and sexism,” wrote publisher MacMillan. The book is expected to be out on June 2. Bethany also wrote Mem and edited and contributed to the YA anthology Take the Mic: Fictional Stories of Everyday Resistance.

Bethany promoted science fiction in the post-slavery diaspora since many recent Black fantasy stories take place in Africa, saying these stories are necessary to tell to incorporate all types of Black characters.

“Even when I do science fiction, I’m always dealing with what it means to be a Black American. I think that is extremely important. I think that Black American kids need fantasy and science fiction that is Black American science fiction, Black American fantasy that doesn’t make them feel like it’s second fiddle to something else, like it’s derivative, it’s not as important, to liken it to something to be ashamed of. Again feeling like you’re supposed to take ownership of something and divorce from what has been done to you is something I’m not OK with… I love all the West African folklore that’s coming out. Central African fantasy and that sort of thing. I’m in love with all that stuff. It’s never a neither nor situation but again as a Black American child who grew up on the West Coast, I deserve to see myself specifically too. I deserve not to be erased from the American tradition, from the American culture, from American histories and storytelling, so I’m specifically writing diaspora fantasy, diaspora science fiction.”

Kalynn Bayron is the author of Cinderella Is Dead. The story takes place “200 years since Cinderella found her prince, but the fairytale is over” according to publisher Bloomsbury, which adds it’s “an electrifying twist on the classic fairytale that will inspire girls to break out of limiting stereotypes and follow their dreams!” The book will be available on June 8.

Kalynn discussed the hardships of growing up as Black girl in Portland, Oregon, where Bethany’s A Song Below Water takes place, and how reading fantasy became a refuge.

“What happens there when you are a brown girl, growing up there as a child, it makes me emotional to think about the environment there and how it affects you and how the racism is very polite…. Writing about characters that fit into the intersection of race, gender, sexuality in the fantasy genre is really important to me. It is something I want to keep doing.”

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book reviews

Book Review: ‘Children of Blood and Bone’ by Tomi Adeyemi

Children of Blood and Bone (Legacy of Orïsha, #1)

Children of Blood and Bone by Tomi Adeyemi

My rating: 3 of 5 stars


“Children of Blood and Bone” is an overhyped young adult fantasy that follows a stereotypical storyline with substandard writing and dialogue but shows the struggles of an oppressed people trying to fight the oppressor.

Zelie is a teenager who is conveniently training for battle in the beginning of the novel when she gets whisked in the ultimate battle for regaining magic for her people. Zelie comes from a line of maji, a group of people who had extraordinary powers that had been suppressed by the kingdom. Her mother and many other maji had been killed in the Raid years earlier. But when Amari, the crowned princess witnesses the death of her maji servant, she flees the castle with the one thing that could bring it back: a scroll. In her pursuit, she runs into Zelie, who has the maji marking of long white hair, to help her bring back magic for peace. They embark on a long journey with Zelie’s brother, Tzain, while Amari’s brother, Inan, follows their moves with his army to make sure magic never comes back.

First of all, the story doesn’t come off as unique and one of the reasons why is the turning point of the masked princess escaping her castle walls — which she never had done before — to save magic. That’s been in too many stories and films. The characters are undeveloped with Amari, for example, avenging her servant Binta’s death as her only reason to go on the journey. The death is the only memory that comes up, along with Zelie’s memory of her mother’s death. The repetitiveness of these same memories impeded character complexity since it seemed like they didn’t really have any others. Zelie, Amari, and Inan get chapters while Tzain never does because he’s reduced to the supportive brother though he’s on the same journey.

The most interesting character is Inan because he’s conflicted with pleasing his father, the king who lost his previous family to a war with maji, and his realization that he himself is evolving into a maji. He goes back and forth while Zelie and Amari remain boring, especially Zelie who relatively stays the same throughout the story with finding confidence that she’ll save her people then losing that confidence and going back and forth with this. On the other hand, Amari starts weak then becomes stronger, but at the end her strength progress comes too quickly that it doesn’t seem authentic.

With the hype around this book, I wanted to love it. But honestly it was the first book in a long time where I kept falling asleep from boredom at all the battles that just become a blur. The writing is offensively simple with more focus on the story that’s too fast-paced with the characters and settings never really receiving the proper attention they should. The dialogue is atrocious, especially with the cursing. All the characters just keep cursing like they barely have any other words in their vocabulary. It’s pretty bad how many times the reader will come across “skies,” “gods,” and “dammit,” the last one seeming out of place with the setting. Though I’m not a big reader of fantasy YA, I do know when I read a great novel in the genre, and this is not it.



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