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Renowned Black women’s book club Well-Read Black Girl is coming to Los Angeles, with the New York-based founder welcoming the local affiliate last Sunday at the Reparations Club in the Mid-City neighborhood.
Book Soup, the West Hollywood indie bookstore, will house the LA book club as a part of the organization’s program with the American Booksellers Association to create local affiliates to support Black women readers and writers. The first book is fantasy young adult novel Children of Blood and Bone by Tomi Adeyemi for July and the second book will be The Travelers by Regina Porter for August.
Glory Edim, the founder of Well-Read Black Girl, joined Tameka Blackshir of Book Soup and Jazzi McGilbert of the new Black artisan boutique Reparations Club to discuss the book club’s partnership with indie booksellers across the country and how it was important for the group to maintain its safe space status for Black women.
“I felt really particular about going to LA and not knowing the community. Since I don’t live there, does that mean it’s going to be less real, less authentic?” Glory said, adding she needed the local affiliates to be run by local supporters. “Does it mean I’m not investing in the way that I need to? … It just means we need conversations, and it needs to be done where it’s authentic and real and not me just popping in like, ‘Hey, guys! I’m here!’ So when the opportunity going about partnering with independent bookstores [came up], it was ‘OK, boom! You know your bookstore, you know what’s important.'”
With the base in Brooklyn, Glory said she started the book club with promoting a free space where all women from mothers to college students can afford and enjoy the book club. She also said she wants the organization’s annual festival in Brooklyn—which has featured award-winning authors Jacqueline Woodson and Tayari Jones in the past—to be a “family reunion,” uniting Black women from other cities in one place. Besides LA, these cities so far include Washington, D.C.; Portland, Oregon; and Seattle.
“We’re not excluding people, but this is a space for Black women. That question has been coming up a lot, especially in small cities that are not as diverse,” Glory said about expanding the group. “Another thing I’ve been working through is the idea of how we cultivate joy in these spaces.”
She said cultivating joy is a priority though most of the books selected for the meetings contain traumatic themes.
“When I was curating the anthology [Well-Read Black Girl: Finding Our Stories, Discovering Ourselves], I was very clear about I want to hear both sides of the story. I want to know the things that are troubling and have shaped an identity but also how you were able to overcome that because when you go through something that’s not the only thing that defines you,” she said. “It helps to uplift you out of that. It’s that experience and the challenge that pulls you into another space that allows you to be brighter and bolder for sharing your story without reservation.”
The first book club meeting in LA will be at Book Soup on Sunday, July 28 at 4 p.m.
Children of Blood and Bone by Tomi Adeyemi
My rating: 3 of 5 stars
“Children of Blood and Bone” is an overhyped young adult fantasy that follows a stereotypical storyline with substandard writing and dialogue but shows the struggles of an oppressed people trying to fight the oppressor.
Zelie is a teenager who is conveniently training for battle in the beginning of the novel when she gets whisked in the ultimate battle for regaining magic for her people. Zelie comes from a line of maji, a group of people who had extraordinary powers that had been suppressed by the kingdom. Her mother and many other maji had been killed in the Raid years earlier. But when Amari, the crowned princess witnesses the death of her maji servant, she flees the castle with the one thing that could bring it back: a scroll. In her pursuit, she runs into Zelie, who has the maji marking of long white hair, to help her bring back magic for peace. They embark on a long journey with Zelie’s brother, Tzain, while Amari’s brother, Inan, follows their moves with his army to make sure magic never comes back.
First of all, the story doesn’t come off as unique and one of the reasons why is the turning point of the masked princess escaping her castle walls — which she never had done before — to save magic. That’s been in too many stories and films. The characters are undeveloped with Amari, for example, avenging her servant Binta’s death as her only reason to go on the journey. The death is the only memory that comes up, along with Zelie’s memory of her mother’s death. The repetitiveness of these same memories impeded character complexity since it seemed like they didn’t really have any others. Zelie, Amari, and Inan get chapters while Tzain never does because he’s reduced to the supportive brother though he’s on the same journey.
The most interesting character is Inan because he’s conflicted with pleasing his father, the king who lost his previous family to a war with maji, and his realization that he himself is evolving into a maji. He goes back and forth while Zelie and Amari remain boring, especially Zelie who relatively stays the same throughout the story with finding confidence that she’ll save her people then losing that confidence and going back and forth with this. On the other hand, Amari starts weak then becomes stronger, but at the end her strength progress comes too quickly that it doesn’t seem authentic.
With the hype around this book, I wanted to love it. But honestly it was the first book in a long time where I kept falling asleep from boredom at all the battles that just become a blur. The writing is offensively simple with more focus on the story that’s too fast-paced with the characters and settings never really receiving the proper attention they should. The dialogue is atrocious, especially with the cursing. All the characters just keep cursing like they barely have any other words in their vocabulary. It’s pretty bad how many times the reader will come across “skies,” “gods,” and “dammit,” the last one seeming out of place with the setting. Though I’m not a big reader of fantasy YA, I do know when I read a great novel in the genre, and this is not it.
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