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Black Women Are Transforming the Literary Scene in Los Angeles

For a 2021 literary lookback, we noticed Los Angeles is evolving into a haven for Black female-run literary ventures amid the ongoing Covid-19 pandemic. But the evolution started years ago for many of the women taking up space physically and consciously in the LA literary scene.

California’s most populous city only had one renowned Black-owned bookstore with Eso Won Books founded by James Fugate and Tom Hamilton in 1990. The bookstore, located in the Leimert Park Village, recently had a cameo along with The Vanishing Half author Brit Bennett in HBO’s Insecure since star Issa Rae is a producer of the upcoming book-to-TV series for the network.

Years of Black women building safe, conscious spaces for readers of color and allies came into fruition in 2021 through indie bookstores, libraries, and book club festivals.

Issa Rae and Amber Dancy, holding The Vanishing Half by Brit Bennett, outside Eso Won Books in “Growth, Okay?!” episode.

The new Black woman-run bookstore in the greater LA area is The Salt Eaters Bookshop that had a soft opening earlier this month. Named after Toni Cade Bambara’s 1980 novel, the bookstore was funded through GoFundMe after the George Floyd protests erupted nationwide. One of the main conversations that came out of the 2020 protests were the lack of Black-owned bookstores to supply anti-racist and diverse reading material to local communities and beyond.

Asha Grant, director of The Free Black Women’s Library LA chapter, started the fund online in July 2020 and has since raised $84,500 out of her $65,000 goal to renovate a brick-and-mortar and maintain it for a year. The bookstore is located in downtown Inglewood on Queen Street.

“We did it, ya’ll,” reads the bookstore’s Instagram post after the Dec. 18 and Dec. 19 opening. “There aren’t enough words to describe how blissful this opening weekend was with you all. It was so incredible meeting SO many of you who donated to help make the dream a reality and have been following us and rooting us on from jump. We thank you for your support, all the shared stories, laughs, tears, and sweet messages.”

Already serving the LA area, Reparations Club doubles as a cultural space and a bookstore. Jazzi McGilbert opened the space in 2019 near the Crenshaw area. This year, the bookstore debuted on its new block in the same neighborhood. Reparations Club even hosted socially distanced, in-person Noname Book Club meetings in the last year.

Reparations Club

Indie rapper and literary activist Noname aka Fatimah Warner unveiled the Radical Hood Library in October under her namesake book club. The mission of the library is to make rare works by authors of color available to interested readers. It correlates with the mission of the book club to bring works by underrepresented authors to readers via social media and to incarcerated readers advocating for books. 

Two of the largest Black female book clubs center around LA with growing virtually beyond the city during the pandemic. Well-Read Black Girl, known for its New York roots, has more of a bicoastal presence with founder Glory Edim spending time in LA. Based in Inglewood and founded by Alysia Allen, Mocha Girls Read boasts over 9,000 members via Meetup.com across 14 chapters nationwide.  

WRBG hosted its fifth annual book festival virtually in late October exploring the theme of Black girlhood to complement Glory’s new anthology On Girlhood. The festival featured a message from former First Lady Michelle Obama and a keynote conversation with Gabrielle Union who recently released her second collection of autobiographical essays in You Got Anything Stronger?: Stories.

Glory will headline a podcast with producer Pushkin Industries debuting in February 2022.

Marking a decade of existence in 2021, the original LA book club for Black women celebrated its milestone with a conference also held on the last weekend of October. Mocha Girls Read co-hosted its first Black Readers Conference with Black Men Read that featured authors Kalynn Bayron, Christina Hammonds Reed, and Kimberly Latrice Jones.

The book club is looking for book reviewers in the new year.

With so many developments happening in the last year, LA will be a place to watch for the bookish community in 2022.

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Well-Read Black Girl Festival Recognizes Works Centering on Black Girlhood

Well-Read Black Girl marked five years with its annual book festival on Saturday centering on the theme of Black girlhood.

On Girlhood is the name of founder Glory Edim‘s second anthology released this week from the W. W. Norton & Company imprint Liveright featuring works from the literary organization’s library by Toni Morrison, Alice Walker, and Rita Dove.

The daylong event started with a prerecorded surprise message from former First Lady Michelle Obama, who opened up about the support she received from the Black female audience for her record-shattering memoir Becoming.

Keynote speaker Gabrielle Union discussed in-depth the themes underlying her latest autobiographical story collection You Got Anything Stronger?: Stories with Glory in a prerecorded conversation.

The collection is a follow-up to Gabrielle’s 2017 best-seller We’re Going to Need More Wine: Stories That Are Funny, Complicated, and True. She said she learned from the “overwhelming” response from readers that there is a “desperate need for community and to be seen and understood and to be embraced by one another.”

“I left out a lot in the first book,” she said. “And as brave as folks thought I was and as revealing as folks thought I was, I knew that there was a lot I hadn’t healed enough from to include in that first book.”

Brene Brown’s podcast and TED talks on shame and vulnerability along with therapy helped her cope with the stories she wanted to share in her new book, she said.

“It logically just clicked; it made perfect sense. Then to see a shaman who said very similar things, and he was like, ‘Yo, Gab, what if what if your vulnerability is actually your superpower?” she said, adding, “You associate vulnerability with being weak and you feel that it is counterintuitive to just expose your full self to challenges, struggles, joys, all of it, random feelings. You feel like that’s giving the opposition the ammunition to take you out but really it’s sharpening your sword to tackle the world.”

Feeling more comfortable with the situations that made her who she is, Gabrielle said she has adopted a “zero fucks given” philosophy with age when it comes to sharing her stories and battling the haters. She turned 49 on Friday.

“When the chatter gets little louder and the folks around me are like, ‘Did you hear what so-and-so said?’ No one with a hot take on my family or me has ever been anyone I’ve admired or whose life I wanted to emulate,” she said.

She discusses in length the backstories behind some of her new book’s chapters. The she lit book review can be found here.

On Girlhood

For the On Girlhood panel, WRBG scholar-in-residence Bianca Williams moderated the conversation with Glory and Farah Jasmine Griffin, author of Read Until You Understand: The Profound Wisdom of Black Life and Literature published by W. W. Norton.

“Nikki Rosa” a poem by Nikki Giovanni in the The Black Woman: An Anthology and Sula by Toni Morrison were the titles Farah said became inspiring Black girlhood works. Toni and Zora Neale Hurston defined the Black girlhood subgenre, she added.

“They both handled girlhood so well. They both gave us unforgettable Black girls,” she said. “Toni gave us Pecola and she also gives us Claudia and Frieda [The Bluest Eye] and Denver [Beloved], all of these Black girls. Janie [Their Eyes Were Watching God] is a girl, so we see ourselves as girls for the first time, fully dimensional in the work of Black women writers.”

Zeba Blay was the featured author for the On Carefree Black Girls panel. Her book Carefree Black Girls: A Celebration of Black Women in Popular Culture came out Oct. 19 from Macmillan imprint St. Martin’s Griffin. In conversation with Marjon Carlos, Zeba said she had to revisit her younger self who depended on the internet to collage images of Black women and inform her cultural understanding that led to her pop culture writing career.

“In writing this book, I was thinking a lot about my childhood, that younger Z who created the life I am living now and didn’t even know it,” she said. “I went through my old LiveJournal because that Live Journal was my life and I was astonished to see I was posting very similar mood boards in a different format.”

#BlackGirlMagic creator CaShawn Thompson discussed her children’s book Good Night Stories for Rebel Girls: 100 Real-Life Tales of Black Girl Magic edited by Lilly Workneh in partnership with edutainment publisher Rebel Girls. The book features stories for girls ages six and up on groundbreaking Black women like singer Aretha Franklin, tennis player Naomi Osaka, and presidential candidate Shirley Chisholm.

“Girlhood is a universal experience, but even in that, it happens in so many ways, so I had a real keen understanding after doing the work of putting this book together is that girlhood, much like womanhood, looks like a lot of different things, but it all leads us to who we eventually will become,” CaShawn said. “I felt like having a book that exposes the girls to the many ways that we show up would give them a wider and deeper breadth of what they can possibly become when they grow up.”

Festival sponsors include Rebel Girls, 4 Color Books, The New York Times, and HarperCollins Publishers along with partner indie bookstores Reparations Club in Los Angeles, Mahogany Books and Loyalty Bookstores in D.C., Café Con Libros in Brooklyn, and Semicolon Bookstore & Gallery in Chicago. Brooklyn-based Center for Fiction provided the space for the festival events.

WRBG announced this week it has partnered with podcast and audiobook producer Pushkin Industries for a podcast to debut in February 2022.

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2019 Literary Lookback: The Rise of Noname’s Book Club

Rapper Noname started a book club this past summer and has amassed a strong following with mostly millennial readers looking to discover a variety of books from authors of color.

With its August launch, the book club selected two books: Pedagogy of the Oppressed by Paulo Freire and We Are Never Meeting in Real Life by Samantha Irby. Two books remained a constant over the months, with the latest twin picks being The Wretched of the Earth by Frantz Fanon and Persepolis: The Story of a Childhood by Marjane Satrapi.

The book club blossomed on social media—now having almost 67,000 followers on Twitter and over 38,000 followers on Instagram—and then moved to in-person meetings in Los Angeles, Chicago, New York, San Francisco, Cincinnati, Philadelphia and Washington, D.C. Photos from the meetings and from members make up most of the timelines on the two social media networks as well as vintage and stock photos of black people reading books. Letting members know they are seen and supporting their reading goals shift the book club, though helmed by a celebrity, away from the celebrity book club model that usually keeps the conversations online and seldom acknowledges members.

From cult classics to the words of emergent authors, Noname’s Book Club highlights books that speak on human conditions in critical and original ways.

That’s Noname’s Book Club’s mission statement, and it shows in the actions the group has taken to make an impact on the diverse consumers the literary industry tends to ignore.

supporting black-owned bookstores

The book club sends members to black-owned bookstores in seven cities to purchase the picks and some holding in-person meetings. One example is The Reparations Club in Los Angeles, which has quickly become home to many black creatives since opening earlier this year.

boycotting Amazon

Buying from the independent bookstores came from the book club’s stance on not buying books from Amazon. The boycott movement, popular with many indie booksellers and especially black literary groups, is to bring money back to those booksellers, especially the ones catering to consumers of color since they are usually not the top indie bookseller in their regions. Amazon has been blamed for taking necessary book sales from indie booksellers, especially with the e-retailer giant gaining a stronghold in the publishing industry creating its own books and other media based on books.

connecting with public LIBRARies

This month, the book club partnered with the Los Angeles Public Library to help members find the selected books free of charge. The book club posed the question of what should be its next partnership, and many followers chimed in, with Binghamton, New York getting a lot of votes.

In less than six months, the book club has made a major impact in magnifying the visibility of readers and authors of color, so the next year may bring more advancements in celebrating these literary stakeholders.

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Well-Read Black Girl Founder Glory Edim On ‘Cultivating Joy’ In Her Growing Book Club

Renowned Black women’s book club Well-Read Black Girl is coming to Los Angeles, with the New York-based founder welcoming the local affiliate last Sunday at the Reparations Club in the Mid-City neighborhood.

Book Soup, the West Hollywood indie bookstore, will house the LA book club as a part of the organization’s program with the American Booksellers Association to create local affiliates to support Black women readers and writers. The first book is fantasy young adult novel Children of Blood and Bone by Tomi Adeyemi for July and the second book will be The Travelers by Regina Porter for August.

Glory Edim, the founder of Well-Read Black Girl, joined Tameka Blackshir of Book Soup and Jazzi McGilbert of the new Black artisan boutique Reparations Club to discuss the book club’s partnership with indie booksellers across the country and how it was important for the group to maintain its safe space status for Black women.

“I felt really particular about going to LA and not knowing the community. Since I don’t live there, does that mean it’s going to be less real, less authentic?” Glory said, adding she needed the local affiliates to be run by local supporters. “Does it mean I’m not investing in the way that I need to? … It just means we need conversations, and it needs to be done where it’s authentic and real and not me just popping in like, ‘Hey, guys! I’m here!’ So when the opportunity going about partnering with independent bookstores [came up], it was ‘OK, boom! You know your bookstore, you know what’s important.'”

With the base in Brooklyn, Glory said she started the book club with promoting a free space where all women from mothers to college students can afford and enjoy the book club. She also said she wants the organization’s annual festival in Brooklyn—which has featured award-winning authors Jacqueline Woodson and Tayari Jones in the past—to be a “family reunion,” uniting Black women from other cities in one place. Besides LA, these cities so far include Washington, D.C.; Portland, Oregon; and Seattle.

“We’re not excluding people, but this is a space for Black women. That question has been coming up a lot, especially in small cities that are not as diverse,” Glory said about expanding the group. “Another thing I’ve been working through is the idea of how we cultivate joy in these spaces.”

She said cultivating joy is a priority though most of the books selected for the meetings contain traumatic themes.

“When I was curating the anthology [Well-Read Black Girl: Finding Our Stories, Discovering Ourselves], I was very clear about I want to hear both sides of the story. I want to know the things that are troubling and have shaped an identity but also how you were able to overcome that because when you go through something that’s not the only thing that defines you,” she said. “It helps to uplift you out of that. It’s that experience and the challenge that pulls you into another space that allows you to be brighter and bolder for sharing your story without reservation.”

The first book club meeting in LA will be at Book Soup on Sunday, July 28 at 4 p.m.