Categories
deep lit

Why ‘Beloved’ Stole the Spotlight in Politically Charged Books Debate

The Virginia gubernatorial election placed the Toni Morrison classic Beloved in the crosshairs of the conversation on race entering American classrooms. As the concept of parental choice becomes a voting concern, the banned books movement will continue to grow, resulting in the elimination of authors telling diverse stories from classrooms and libraries around the country.

As for Virginia, the banned books movement has the potential to cement itself in a bill that successfully passes and becomes law based on the incoming governor’s stance.

Beloved enters political conversation

In the last Virginia gubernatorial debate on Sept. 28, former Virginia Gov. Terry McAuliffe and Republican challenger Glenn Youngkin touched on the topic of two bills McAuliffe had vetoed twice during his time as governor. The bills would have allowed parents to receive notification of any literature assigned to students that contained sexually explicit content.

McAuliffe had been asked by a reporter about his most recent take on transgender bathroom policy for schools in the education budget portion of the debate, where he said he now preferred local school districts making the decision.

In his rebuttal, Youngkin brought up McAuliffe’s veto of the “Beloved” bill twice in 2016 and 2017.

“In fact in Fairfax County this past week, we watched parents so upset because there was such sexually explicit material in the library they had never seen—it was shocking,” Youngkin said. “In fact, you vetoed the bill that would have informed parents that they were there. You believe school systems should tell children what to do, but I believe parents should be in charge of their kids’ education.”

After calling Youngkin “clueless” about the legislation, McAuliffe said the bill would have given parents the right to take books off school library shelves. 

“I’m not going to let parents come into schools and actually take books out and make their own decision,” McAuliffe said. “I stopped the bill… I don’t think parents should be telling schools what they should teach.” 

Youngkin, who ran his campaign on parental choice especially focused on the law school-level critical race theory curriculum that is not taught in Virginia schools, won the election on Nov. 2.

Bills target books with ‘sexually explicit content’

The original bill, HB 516, was introduced in the Virginia Legislature in 2016. The proposed bill’s text only makes up a fourth of a page, but its goal was to have local school boards notify parents of any instructional material that contains “sexually explicit content.” It was proposed by Republican delegate R. Steven Landes. 

A 2013 Washington Post article features Northern Virginia mother Laura Murphy, who approached state lawmakers about Beloved and its contents. Media outlets reported that she and her husband are Republican activists and their son, who was assigned Beloved in his high school English class, eventually worked a short stint in the Trump administration. 

“When my son showed me his reading assignment, my heart sunk. It was some of the most explicit material you can imagine,” Murphy said in the Youngkin campaign ad that was released after the debate. “I met with lawmakers; they couldn’t believe what I was showing them. Their faces turned bright red with embarrassment.” The bill was bipartisan, she added. 

The bill passed the House and Senate awaiting approval by McAuliffe, the governor at the time. He vetoed the bill. 

“Open communication between parents and teachers is important, and school systems have an obligation to provide age-appropriate material for students,” he wrote in his veto message. “However, this legislation lacks flexibility and would require the label of ‘sexually explicit’ to apply to an artistic work based on a single scene, without further context.” 

House members voted to override the veto, but the 66 yes and 34 no vote failed because 67 yes votes were required. So the bill died by one vote.

The next session the bill’s purpose is reintroduced by Landes in HB 2191 that adds local school boards should develop policies and procedures to address sexual abuse complaints from students by teachers and other school staff. This version fills up one page.

Again, the bill’s reincarnation passes the Legislature and arrives on the governor’s desk. And again, McAuliffe successfully vetoes it, with the House two votes short of overriding the veto. 

A detail news outlets picked from the WaPo article mention how Murphy said her son suffered from night terrors when reading Beloved as a high school senior.

Banning a book in essence can be a nightmare, Toni Morrison wrote in the introduction in 2012’s Burn This Book: Notes on Literature and Engagement published by HarperCollins Publishers, in which she served as the anthology’s editor.

The thought that leads me to contemplate with dread the erasure of other voices, of unwritten novels, poems whispered or swallowed for fear of being overheard by the wrong people, outlawed languages flourishing underground, essayists’ questions challenging authority never being posed, unstaged plays, cancelled films—that thought is a nightmare.

Toni Morrison, Burn This Book

Learning the traumas of slavery via literature

Beloved centers around Sethe, a former slave woman living in Ohio, who had killed her baby daughter after being discovered as an escapee. Years later, the dead daughter returns as Beloved, a visible young woman obsessed with getting Sethe’s attention. The paranormal activity that grips Sethe and her family eventually stretches beyond their control and outside their haunted home. 

In the first chapter alone, there are references to the infanticide and subsequent haunting, rape, lynchings, and stolen breast milk in relation to Sethe’s traumatic journey of living as a slave. Because of themes interlaced in slavery and violence, the book has been banned or challenged in school districts since the 1990s, according to the American Library Association’s Office for Intellectual Freedom that tracks the removal attempts of books from libraries, schools, and universities.

Beloved, Toni Morrison’s fifth novel, won the Pulitzer Prize in Literature in 1988, along with other notable awards such as the Robert F. Kennedy Book Award and the Melcher Book Award. Five years later, Toni Morrison won the Nobel Prize in Literature as an author “who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality,” the foundation’s website notes.  

What has been missing from the latest news coverage is how the award-winning novel is based on a true story. 

“The Modern Medea” by Thomas Satterwhite Noble 1867 based on the story of Margaret Garner. Library of Congress.

Sethe is inspired by the real-life Margaret Garner, a slave from Kentucky who escaped to Ohio with her husband and four children. Then one night in 1856, slave catchers and U.S. marshals acting on the Fugitive Slave Act surrounded her free cousin’s home and demanded she turn herself and her family in. Instead, she slit the throat of her two-year-old daughter before she was subdued. She had plans to kill her other children then herself rather than return to the abuse of her owner. 

Scholars have studied infanticide as a form of resistance to slavery; one less person to be considered property to the slave owner and the mother believing she saved her child from the horrors of the institution. This type of violent reality is usually left out of the average K-12 curricula, where a book like Beloved fills that gap in knowledge.

Margaret Garner’s case may have attracted more attention because historians believe she was a mulatto and so were two of her children suspected to have been the children of her owner produced by rape. She stood trial for her baby’s killing, where she was indicted on charges of damage to property. Her family was returned to their owner who sold them to his brother. She died of typhoid fever in 1858 at around 25 years old.

Toni Morrison would later write the 2005 opera, Margaret Garner, based on the woman’s life that inspired Beloved.

Amid the election popularizing Beloved again, Toni Morrison’s debut novel The Bluest Eye was recently removed in Virginia Beach City Public Schools’ libraries, according to the National Coalition Against Censorship.

Categories
book reviews

Book Review: ‘Well-Read Black Girl’ by Glory Edim

Well-Read Black Girl: Finding Our Stories, Discovering Ourselves by Glory Edim

My rating: 3 of 5 stars


Well-Read Black Girl is an anthology by Black female writers who discuss how they became writers, but while some stories strike a chord, others lack depth.

Between the stories, the anthology has lists of written works by Black women to check out. It’s a valuable resource for a to-be-read list. The writers themselves usually mention a work that changed their life and directed them to writing. Jesmyn Ward discusses the unexpected Black girl magic within Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth by E.L. Konigsburg. Dhonielle Clayton credits Coffee Will Make You Black by April Sinclair with making her realize her sexuality. Zinzi Clemmons discovers how close she grew up next to the Brooklyn brownstones highlighted in Paule Marshall’s Brown Girl, Brownstones. Mahogany L. Browne compares the girls in Toni Morrison’s The Bluest Eye to the ones she grew up with in Northern California and how they all felt invisible as Black girls.

While some essays mostly focus on one experience and one book, others broaden their journey. Rebecca Walker talks about being Alice Walker’s daughter and how hanging out with Black female writing dynamos informed her future career. Gabourey Sidibe writes about her mother’s disappointment in having a daughter and how that motivated her to live her best life. Renee Watson tells the story of how she became a Rose Festival Princess in Portland despite being a big Black girl expected to lose and how Lucille Clifton’s poetry later moved her to accept her body.

The anthology gives insight to what inspires some of the top Black female writers, but it comes off as a collection meant for a younger audience. The theme of how you became a writer or what it means to be a Black writer also simplifies the essays with several mentioning well-known books as inspiration with similar reasoning. Marita Golden writes about Zora Neale Hurston’s impact on her career, particularly with Their Eyes Were Watching God. Zora is an expected source of inspiration due to her popularity, and the essays that highlight other lesser-known Black writers resonate better and make you feel as the reader you’re learning about or being reminded of a writer’s legacy.

Overall, the anthology is entertaining, but some stories are better than others and what inspires authors can sometimes be interesting and sometimes not, depending on how they write their inspiration story.




View all my reviews

Categories
what's lit

Well-Read Black Girl Founder Glory Edim On ‘Cultivating Joy’ In Her Growing Book Club

Renowned Black women’s book club Well-Read Black Girl is coming to Los Angeles, with the New York-based founder welcoming the local affiliate last Sunday at the Reparations Club in the Mid-City neighborhood.

Book Soup, the West Hollywood indie bookstore, will house the LA book club as a part of the organization’s program with the American Booksellers Association to create local affiliates to support Black women readers and writers. The first book is fantasy young adult novel Children of Blood and Bone by Tomi Adeyemi for July and the second book will be The Travelers by Regina Porter for August.

Glory Edim, the founder of Well-Read Black Girl, joined Tameka Blackshir of Book Soup and Jazzi McGilbert of the new Black artisan boutique Reparations Club to discuss the book club’s partnership with indie booksellers across the country and how it was important for the group to maintain its safe space status for Black women.

“I felt really particular about going to LA and not knowing the community. Since I don’t live there, does that mean it’s going to be less real, less authentic?” Glory said, adding she needed the local affiliates to be run by local supporters. “Does it mean I’m not investing in the way that I need to? … It just means we need conversations, and it needs to be done where it’s authentic and real and not me just popping in like, ‘Hey, guys! I’m here!’ So when the opportunity going about partnering with independent bookstores [came up], it was ‘OK, boom! You know your bookstore, you know what’s important.'”

With the base in Brooklyn, Glory said she started the book club with promoting a free space where all women from mothers to college students can afford and enjoy the book club. She also said she wants the organization’s annual festival in Brooklyn—which has featured award-winning authors Jacqueline Woodson and Tayari Jones in the past—to be a “family reunion,” uniting Black women from other cities in one place. Besides LA, these cities so far include Washington, D.C.; Portland, Oregon; and Seattle.

“We’re not excluding people, but this is a space for Black women. That question has been coming up a lot, especially in small cities that are not as diverse,” Glory said about expanding the group. “Another thing I’ve been working through is the idea of how we cultivate joy in these spaces.”

She said cultivating joy is a priority though most of the books selected for the meetings contain traumatic themes.

“When I was curating the anthology [Well-Read Black Girl: Finding Our Stories, Discovering Ourselves], I was very clear about I want to hear both sides of the story. I want to know the things that are troubling and have shaped an identity but also how you were able to overcome that because when you go through something that’s not the only thing that defines you,” she said. “It helps to uplift you out of that. It’s that experience and the challenge that pulls you into another space that allows you to be brighter and bolder for sharing your story without reservation.”

The first book club meeting in LA will be at Book Soup on Sunday, July 28 at 4 p.m.