Categories
experiences

Book Festivals Highlight Diverse Works Amid Banned Books Movement

Two book festivals in Maryland have kick-started the summer off in a year when literary diversity is under attack in the form of book bans.

Books in Bloom and Gaithersburg Book Festival held family-friendly community events that featured a number of authors who either identify on the diversity spectrum or are passionate about freedom of speech in literature. Over the last year, more parents nationwide are asking school libraries to take books off shelves they deem inappropriate for their children to read while some libraries are reactively subtracting books to avoid controversy.

This movement of banning books is sparking opposition as authors and readers alike are going out of their way to support not only freedom of speech but support the variety of books meant to be read by children. The political divide was felt at these book festivals and may become a theme for other similar events in the U.S. throughout the year.

Banned books gain spotlight

Books in Bloom calls itself a progressive book festival in the master-planned city of Columbia, Maryland. To show support for banned books, the festival dedicated one of its soundstages to authors who discussed freedom of speech.

A vibrant setting in Merriweather District’s Color Burst Park, the book festival had a giant book-shaped display describing some of the top banned books in history from Toni Morrison‘s Beloved and Song of Solomon to Alice Walker‘s The Color Purple. With Busboys and Poets as the independent bookstore for the event and a location in the park, most books for sale were books by authors who are Black and/or LGBTQIA+.

Queer memoirs All Boys Aren’t Blue by George M. Johnson and Gender Queer by Maia Kobabe had notable stacks on the tables with other titles that have become the face of many bans though they were created for the middle grade and young adult audiences. The bans are usually due to racial and cultural content, sexually explicit content, and offensive language.

Headliners included a panel with PEN America, the nonprofit organization advocating in the intersection of literature and human rights to protect free expression, and Democratic U.S. Rep. Jamie Raskin of Maryland’s 8th congressional district and author of Unthinkable: Trauma, Truth, and the Trials of American Democracy. Raskin also attended Gaithersburg Book Festival to sell and sign his latest book.

The book festival’s keynote speaker was Carl Bernstein, the well-known The Washington Post reporter who co-headed the news coverage on the Watergate scandal in 1972. On the festival’s main stage, he marveled at his time growing up around Columbia and how he first became a cub reporter as a high school dropout in his new memoir, Chasing History: A Kid In The Newsroom.

The last Books in Bloom was held less than a year ago in-person in October with The New York Times reporter and The 1619 Project creator Nikole Hannah-Jones serving as the keynote speaker.

Diverse works lead way

Reminiscent of a large outdoor book festival such as Los Angeles Times Festival of Books, Gaithersburg Book Festival in Gaithersburg, Maryland marked its 12th year as an event supporting the greater community with inviting traditionally published authors and offering seminars on book publishing and creative writing for children and adults.

Authors such Dhonielle Clayton, who has a new middle grade release with The Marvellers, and Kimberly Jones, who is promoting her social justice young adult novel Why We Fly with co-author Gilly Segal, discussed their works at the annual event. Dhonielle, a Gaithersburg native, and Kimberly are some of the top YA Black authors who have been outspoken about diversity in literature and social justice matters.

Asked about some of her summer read recommendations, Dhonielle mentioned Valentina Salazar Is Not a Monster Hunter by Zoraida Córdova; the Track series by Jason Reynolds; and The Devouring Wolf by Natalie C. Parker, in which Dhonielle says there’s a wolf character named after her.

Another author at the event was Jeanine Cummins, who gained notoriety with her immigration novel American Dirt, interviewing Reyna Grande about her book A Ballad of Love and Glory. American Dirt follows a Mexican woman trying to escape to the U.S. with her young son after her family is murdered.

Some high-profile Hispanic and Latine authors spoke out about the White Latina author’s seven-figure advance because they said the publishing industry would never offer them such a sum for centering stories on Hispanic and Latine characters. They also claimed the book had inaccuracies in the culture and language that wasn’t native to the author. On the other hand, there were Hispanic and Latine authors and celebrities who supported the Oprah’s Book Club selection.

Since American Dirt came out in 2020, Jeanine, like many authors who had released their works at the beginning of the COVID-19 pandemic, now have the chance to work the promotion circuit in-person.

Social justice and historical nonfiction were the focus of many authors’ works at the book festival. Gayle Jessup White talked about her lineage connected to former slave-holding president Thomas Jefferson in her book Reclamation: Sally Hemings, Thomas Jefferson, and a Descendant’s Search for Her Lasting Legacy. Kristin Henning shared her experience representing Black youth in the D.C. court system and how she conceived the idea for her book The Rage of Innocence: How America Criminalizes Black Youth.

Along with Raskin, Democratic U.S. Rep. Adam Schiff for California’s 28th congressional district visited the event to chat about his book Midnight in Washington: How We Almost Lost Our Democracy and Still Could.

D.C. area indie bookstore chain Politics and Prose served as the event bookseller.

The pre-summer book festivals helped usher in the first literary events for authors and readers to enjoy as society emerges out of the pandemic and the world of book publishing remains volatile in the wake of book bans.

Categories
book reviews

Book Review: ‘Well-Read Black Girl’ by Glory Edim

Well-Read Black Girl: Finding Our Stories, Discovering Ourselves by Glory Edim

My rating: 3 of 5 stars


Well-Read Black Girl is an anthology by Black female writers who discuss how they became writers, but while some stories strike a chord, others lack depth.

Between the stories, the anthology has lists of written works by Black women to check out. It’s a valuable resource for a to-be-read list. The writers themselves usually mention a work that changed their life and directed them to writing. Jesmyn Ward discusses the unexpected Black girl magic within Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth by E.L. Konigsburg. Dhonielle Clayton credits Coffee Will Make You Black by April Sinclair with making her realize her sexuality. Zinzi Clemmons discovers how close she grew up next to the Brooklyn brownstones highlighted in Paule Marshall’s Brown Girl, Brownstones. Mahogany L. Browne compares the girls in Toni Morrison’s The Bluest Eye to the ones she grew up with in Northern California and how they all felt invisible as Black girls.

While some essays mostly focus on one experience and one book, others broaden their journey. Rebecca Walker talks about being Alice Walker’s daughter and how hanging out with Black female writing dynamos informed her future career. Gabourey Sidibe writes about her mother’s disappointment in having a daughter and how that motivated her to live her best life. Renee Watson tells the story of how she became a Rose Festival Princess in Portland despite being a big Black girl expected to lose and how Lucille Clifton’s poetry later moved her to accept her body.

The anthology gives insight to what inspires some of the top Black female writers, but it comes off as a collection meant for a younger audience. The theme of how you became a writer or what it means to be a Black writer also simplifies the essays with several mentioning well-known books as inspiration with similar reasoning. Marita Golden writes about Zora Neale Hurston’s impact on her career, particularly with Their Eyes Were Watching God. Zora is an expected source of inspiration due to her popularity, and the essays that highlight other lesser-known Black writers resonate better and make you feel as the reader you’re learning about or being reminded of a writer’s legacy.

Overall, the anthology is entertaining, but some stories are better than others and what inspires authors can sometimes be interesting and sometimes not, depending on how they write their inspiration story.




View all my reviews

Categories
what's lit

How Moments of Racial Tension Are Shaping YA Literature

Six well-known Black female authors with best-selling credentials came together to announce their joint project of a young adult novel surrounding the 2003 New York City blackout. Though the collaboration is a publisher dream, it also shows how moments of racial tension particularly in recent U.S. history are the moneymaking moves for authors of color to get their literary voices out into the world.

Angie Thomas of The Hate U Give, Tiffany D. Jackson of Grown, Nic Stone of Dear Martin, Nicola Yoon of Everything, Everything; Dhonielle Clayton of The Belles, and Ashley Woodfolk of The Beauty That Remains are teaming up for Blackout. The collection of six interconnected stories that will “bring the glowing warmth and electricity of Black teen love to this interlinked novel of charming, hilarious, and heartwarming stories that shine a bright light through the dark,” according to publisher HarperCollins Publishers and its imprint Quill Tree Books. The book’s release date is June 22, 2021.

Mistaken for terrorism almost two years after the Sept. 11, 2001 attacks, the Northeast blackout of 2003 was a massive power outage that crippled the East Coast, most notably New York City. This sent hundreds of thousands of people to the streets after many had been evacuated off the largest public transportation system or had left their vehicles since traffic lights weren’t working. With the dark atmosphere on a ninety-degree day in August, unease took over some areas as ambulances raced to destinations and people stole merchandise. Race and youth naturally became a concern.

Making race and youth the main elements in a young adult novel seems to be more common now, especially with the contributions of the aforementioned authors. Angie Thomas rose to literary fame when The Hate U Give explored the theme of unarmed Black boys being shot by police or racists as did Nic Stone’s Dear Martin. Another recent example includes Christina Hammonds Reed’s debut novel The Black Kids, which revolves around the 1992 Los Angeles uprising and includes a mention of the 1921 Black Wall Street massacre. The Fresh Prince of Bel-Air star Karyn Parsons recently spoke about her middle grade novel How High the Moon, which revolves around the 1944 George Stinney Jr. execution.

These historical events impacting Black communities were rarely taught in school but are seeing a resurgence in mentions amid the anti-racism movement. As students are learning from their homes, some YA authors of color like Dhonielle Clayton and Kelly Yang are speaking to classrooms via Zoom though they said they dealt with racial discrimination.

YA literature, particularly for children of color, is evolving to be a supplemental lesson on race and youth that will take moments from the not-so-distant past and use character voices to convey those missing perspectives.

Categories
what's lit

Teen Magazine Posts Tweet Tagging Wrong Black YA Author

A magazine for teen girls mistakenly confused two Black young adult authors in a tweet that took six hours to come down.

Middle grade author Karen Strong chronicled the Twitter debacle on Sunday after noticing Girls’ Life Magazine had tweeted about a giveaway of the YA best-seller A Song Below Water by Bethany C. Morrow. Except the social media team behind the magazine’s account tagged the author as Dhonielle Clayton, also a well-known YA author.

Dhonielle tweeted that she didn’t write the fantasy YA novel. Bethany quote-tweeted the tweet.

The magazine deleted the original tweet and soon put out a statement on the mishap.

Soon after the apology, the magazine posted a tweet similar to the original one with correcting the author’s name.

The mistake still resonated on book Twitter, especially among Black women writers, who said it’s another example of legitimate media outlets not tagging the correct Black person, in this case the author as Bethany C. Morrow whose name is on the cover.

Categories
what's lit

After Creating #PublishingPaidMe, LL McKinney Hosts Juneteenth Book Fest

L.L. McKinney, the author behind A Blade So Black, A Dream So Dark, and the upcoming third novel in the series A Crown So Cursed, has organized the Juneteenth Book Fest for today starting at 10 a.m. EST.

The videos will be recorded and uploaded to YouTube. Fresh off creating the #PublishingPaidMe hashtag earlier this month asking for White authors to reveal the amount of their advances on Twitter to show discrepancies between advances of Black authors, L.L. is leading the way on promoting and supporting Black authors during the age of #BlackStoriesMatter.

Juneteenth, the June 19 holiday celebrating the end of slavery, has reached a popularity peak as several name-brand companies this year committed to giving their employees the day off to reflect on racial injustice. The holiday, which is recognized in 46 states and the District of Columbia, has mostly been celebrated in the African American community since 1865. With the latest civil unrest sparking the conversation on racism in general and in the book industry, a Juneteenth book event helps push awareness about the significance of the holiday and Black authors’ works in today’s environment.

The featured bookpeople and panels are:

We Need a Hero: Black Superheroes in Comics

Panelists: L.L. McKinney and Mikki Kendall

Moderator: Karama Horne, The Blerd Gurl

Queer and Black On and Off the Page

Panelists: Julian Winters, Claire Kann, Roya Marsh, Candice Iloh, and Ashley Woodfolk

Moderator: Leah Johnson

Light It Up!: FIYAH Magazine and Black Short Stories

Panelists: The FIYAH Magazine team

It’s a Different World: Black Secondary Worlds in Fantasy

Panelists: Dhonielle Clayton and Kwame Mbalia

Moderator: L.L McKinney

Black Love: Writing Black Romance

Panelists: Farrah Rochon, Beverly Jenkins, and Rebekah Weatherspoon

Moderator: Alyssa Cole

Our Truth: Being Black in Publishing

Panelists: Zakiya Jamal, Ashley Woodfolk, and Nivia Evans

Moderator: Saraciea J. Fennell, event co-organizer

All of Me: Black Memoirs

Panelists: Mikki Kendall, Keah Brown, and Nichole Perkins

Moderator: L.L. McKinney

Black Stories Are Not Niche

Panelists: Lamar Giles, Leah Johnson, Justin A. Reynolds, and Kim Johnson

Moderator: Tiffany D. Jackson

My Mythology: Reclaiming Stories of Old

Panelists: Tracy Deonn, L.L McKinney, Bethany C. Morrow, and Kalynn Bayron

Moderator: Patrice Caldwell

Capturing the Moments: What It Means to Write Black Stories Right Now

Panelists: Tiffany D. Jackson, Angie Thomas, Bethany C. Morrow, L.L. McKinney

Moderator: Julian Winters

The Kids Are Alright: Writing for Black Kids with Middle Grade

Panelists: Kwame Mbalia, Karen Strong, and Alicia D. Williams

Moderator: Nic Stone

One Cause: Many Voices – Editing and Contributing to Black Anthologies

Panelists: Bethany C. Morrow and Patrice Caldwell

Moderator: L.L. McKinney

Categories
what's lit

#PublishingPaidMe Reveals Pay Discrepancies Between Black and White Writers

Going into the third week of protests over the police killing of George Floyd, book Twitter went down another road in revealing the racial bias in publishing.

A Blade So Black and A Dream So Dark author L.L. McKinney started the #PublishingPaidMe Twitter hashtag on Saturday to invite White authors to share the advances they received on their books to give Black authors insight on what they received for theirs.

Writer’s Digest shares this definition of an advance versus a royalty:

An advance is a signing bonus that’s negotiated and paid to the author before the book is published. It’s paid against future royalty earnings, which means that for every dollar you receive in an advance, you must earn a dollar from book sales before you start receiving any additional royalty payments.

Though L.L. tweeted she made the hashtag to discover numbers from only White authors, Black authors and other authors of color decided to share their numbers.

One author is Dhonielle Clayton. Her debut fantasy young adult novel The Belles that published in 2018 is seen as inspiration in the multicultural fantasy YA genre. She shared she only received a $45,000 advance for her book though it was in one of the hottest genres at the time amid the publishing industry’s alleged push toward diversity and inclusion with adding more authors of color on their rosters and books featuring characters of color.

In a quote tweet from White YA novelist Laura Sebastian, Zoraida Córdova, who also writes fantasy YA, said she received $7,500 for Labyrinth Lost, which features Latinx characters inspired by her Ecuadorian roots. She added it’s her best-selling book yet. Laura, the author behind the Ash Princess series, tweeted she had received six-figure deals for each book in each of her three trilogies, the next two with debut novels set for 2021.

Laura later tweeted she received backlash for putting up such high numbers and was accused of distributing “sexual favors.” Battling the sexism online, she added she wanted to be an ally and share her reality.

Myriam Gurba, the queer Chicana memoirist behind Mean and the main campaigner to spread awareness on Jeanine Cummins’ White narrative version of the Mexican immigration story in the best-seller American Dirt, said she just earned $3,000 for Mean.

Nigerian-American novelist Nnedi Okorafor who specializes in literature highlighting Africanfuturism and Africanjujuism said she wouldn’t share her numbers but offered the alternative of not taking advances and just receiving royalties. From her tweet, she implies that royalties put more money in her hands in the long run, especially for her award-winning novella trilogy Binti.

The #PublishingPaidMe hashtag is an eye-opening account of how authors who are not White and cisgender may be lowballed for their work, the work readers pay for and check out from libraries, actions that produce a lot of money for publishers.

This conversation may trigger a long-term movement in the publishing industry, where publishers have the opportunity to divide budgets more equally instead of basing sale projections on the myth that diverse stories don’t sell well. Even with the success of books such as Angie Thomas’ The Hate U Give and Kiley Reid’s Such a Fun Age, that myth still lingers, especially when these Black authors and very few others made news with their advances.

Jesmyn Ward, who won the National Book Award twice, tweeted Monday that her publisher did not want to give her $100,000 for her next book after Salvage the Bones received the award.

Mary Karr, Robinne Lee, and Lilliam Rivera were a few of the authors to respond to Jesmyn’s claims. In a series of tweets, Jesmyn clarifies how her other works fared like Men We Reaped and Sing, Unburied, Sing, which was her first book to earn a $100,000 advance.

L.L. added in multiple tweets that there will be continuation in the discussion where Black authors will be asked to share information.

Categories
what's lit

Author Dhonielle Clayton Says Students Called Her a Racial Slur on Zoom

The Belles author and We Need Diverse Books chief operating officer Dhonielle Clayton says she was called the n-word several times during a Zoom class.

The situation sounds eerily familiar to fellow young adult author Kelly Yang who said last month that a student called her a “Chinese virus” in the floating comments on an Instagram Live lesson for students now out of the physical classroom due to the COVID-19 coronavirus quarantine. She said a few days later the student apologized.

Dhonielle tweeted on April 23 that students unmuted on blank video screens kept calling her the n-word while they also kept calling their teacher fat. She said the teacher “burst into tears” and in another tweet that she too wanted to do the same. The students were 11th graders in Los Angeles, she revealed in some tweets later when many big-time authors chimed in the comment section on Twitter to send their apologies over the situation.

https://twitter.com/brownbookworm/status/1253399974219481089

https://twitter.com/brownbookworm/status/1253402538856103939

https://twitter.com/brownbookworm/status/1253746135900004360

Dhonielle further added her concern for security during Yallwest, or YallStayHome this year, a popular book festival for YA authors that attracts many teens, so the new virtual format could unfortunately be a breeding ground for hateful comments as well.

While these authors are making time out of the kindness of their hearts to directly interact with their audience, it raises the question of security when racial slurs and other inappropriate comments can be typed in or verbalized in a virtual setting.

As most Americans were beginning to do school and work at home, the videoconferencing provider Zoom became a popular tool in late February but so did the term “Zoombombing” in which people uninvited to a meeting enter the meeting with many using racist terms against particular groups who were meeting on camera.

The Anti-Defamation League wrote about one incident on March 24 “when a white supremacist interrupted a webinar about antisemitism hosted by a Massachusetts Jewish student group by pulling his shirt collar down to reveal a swastika tattoo on his chest.” CNET reports that though this phenomenon began in March there are still privacy concerns as Zoombombing has led to meeting attendees being exposed to racial slurs and pornographic material from uninvited parties.

Zoom said in an April 1 blog that the company was making improvements to privacy and security. The company wrote that it set up a dedicated policy for education users from kindergarten to 12th grade. It also added that its videoconferencing software was designed for clients with full information technology support, meaning Zoombombing was never supposed to happen since Zoom would be used by corporate clients that had the means to avoid such occurrences. Now as the tool ballooned in the number of public users, Zoom’s founder and CEO Eric S. Yuan has started weekly webinars on Wednesdays for input from users.

Many authors are also using Instagram Live as a source to reach readers, especially kids, which is what Kelly Yang used. The social media network’s parent, Facebook Inc., hasn’t given any information on the hate speech that could be spread on the video part of the platform though users can press the restrict button on any bullies in written posts.

Dhonielle is the author of The Belles, a multicultural fantasy YA novel, and its sequel The Everlasting Rose. She’s also the co-author of Tiny Pretty Things and its sequel Shiny Broken Pieces with Sona Charaipotra, who’s her business partner at Cake Literary, a media content company focused on kidlit to women’s fiction projects. She’s an outspoken advocate for diversity in literature, especially in kidlit and YA books, and is one of the more recognizable authors in the Twitterverse with 30,000 followers.

Categories
what's lit

Women Authors Attack Sarah Dessen Critic in Social Media Uproar

This past week, young adult author Sarah Dessen tweeted a quote from a college article by a woman who campaigned against her books in a campus reading program years ago. Many authors including Roxane Gay and Siobhan Vivian came to Sarah’s defense—until fans clapped back when the woman was being called derogatory names by top women authors. The authors backpedaled with some Twitter users accusing Sarah of white female victimhood and the authors of attacking readers with opinions on their works.

As of the weekend, the discriminatory tweets have disappeared from top authors’ Twitter feeds, including Siobhan Vivian, author of YA book We Are the Wildcats, who tweeted “Fuck that fucking bitch” about the quoted woman with Sarah saying “I love you” back.

Dhonielle Clayton, author of multicultural fantasy YA novel The Belles and co-founder of We Need Diverse Books, called the quoted woman a “raggedy ass fucking bitch.” Tiffany Jackson, author of YA novels Allegedly and Monday’s Not Coming, agreed. Siobhan’s Twitter account doesn’t exist anymore and her professional website has been made private, and Dhonielle’s account, which was very active with thousands of followers and tweets, now only has tweets from Nov. 14.

The Nov. 12 article in question came from The Aberdeen News on Northern State University’s Common Read program. Brooke Nelson, now a master’s degree student, says in the article:

“She’s fine for teen girls. But definitely not up to the level of Common Read. So I became involved simply so I could stop them from ever choosing Sarah Dessen.”

Brooke, according to the article, helped with the 2017 selection, which became Just Mercy by Bryan Stevenson, a memoir by a civil rights lawyer in pursuit of justice which will be a movie starring Michael B. Jordan and Jamie Foxx. Sarah’s 2016 novel Saint Anything was in the running, a Vulture article reported. After Sarah mentioned the criticism in the infamous now-deleted tweet, the university issued an apology on Twitter in support of Sarah and against the free speech of an alum. Even the reporter apologized for adding the quote.

https://twitter.com/kgrandstrandAAN/status/1194307799385300998?s=20

The Washington Post was one of the first news outlets to see the Twitter feud unfold. The reporter interviewed Brooke, who said the quote was taken out of context with her emphasizing she didn’t think Sarah’s book was appropriate as a top book for her college crowd, and asked for her input:

Nelson, for her part, said she hopes the controversy draws more people to read books that will encourage them to think critically about pressing social issues.

“If anything comes out of this larger conversation,” Nelson told The Post, “I hope it is that others will make it a point to read books like [‘Just Mercy’] that push them beyond their usual perspective and challenge their assumptions of society.”

https://twitter.com/sarahdessen/status/1195431073892749315

https://twitter.com/rgay/status/1195405484905250817

https://twitter.com/pronounced_ing/status/1195742500369162240

https://twitter.com/jodipicoult/status/1195744857047928840

https://twitter.com/jenniferweiner/status/1195470675034685441

https://twitter.com/nkjemisin/status/1195745641768652800

Not everybody is going to like your book. And sometimes like in Sarah’s case, your book may be heavily scrutinized in some scenarios, even in a small-town news story about a small-town university’s book program. This comes with the territory.

Also, this story shows even as outspoken writers you have to be careful about what you decide to share publicly. Social media is an important asset to connecting with fans and readers, and now some of the authors involved have chosen to start over or take a break while most just deleted the first tweet in support of Sarah and tweeted an apology instead.

Ignore the haters if you don’t have anything nice to say; if it’s threatening in any way, then report the tweet and block the user, but just breathe when you see something constructive that you don’t like. Let it go, and if someone asks about the criticism, don’t respond or say something diplomatic because at the end of the day not everyone is going to like your work and they have the right to say so.

The unfortunate Twitter saga has some followers promoting a boycott, so we’ll keep a watch on how the authors involved will be impacted. Earlier this year, Netflix announced making three of Sarah’s novels into films.

https://twitter.com/Felicity_M2/status/1195602749959933952

Categories
book reviews

Book Review: ‘The Belles’ by Dhonielle Clayton

The Belles (The Belles #1)

The Belles by Dhonielle Clayton

My rating: 3 of 5 stars


“The Belles” by Dhonielle Clayton revolves around a fantasy world built on beauty with a species of women responsible in making the entire kingdom beautiful as looks fade into greatness and they inject the color. Though a unique way to take on society’s obsession with what constitutes as beauty, this typical fantasy YA novel designed for a series has so much great descriptions that they may have slowed the story down.

Camellia is a Belle in the kingdom of Orleans, which means she has the power, her arcana, to bring color and vitality into people’s appearances since they lose both after some time. Like their hair dries out and their complexion drains out of color or even their heights can shrivel. Through beauty appointments mostly the rich can afford, Camellia works her magic to restore the look desired by the individual. For now, she and the other five Belles she calls her sisters, have this great duty as they are scattered to different posts on the main island. Camellia becomes the kingdom’s favorite where she works in the palace with Princess Sophia, the sole heir as her mother, the queen, ails and her sister is still in a yearslong coma. While Camellia hears disturbing news from previous Belles and her sisters about what’s happening in the kingdom and in the palace, she realizes the princess is evil and is trying to reproduce her own Belle power, which could destroy the kingdom.