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Book Review: ‘Boom Town’ by Nic Stone

Summary: Boom Town by Nic Stone centers on a strip club employee who searches for her former work bestie after the replacement hiree also goes missing. Now that two women have disappeared without a trace, she finds all trails lead to one mysterious man. 

Synopsis: Micah, who goes by Lyriq, works at Boom Town, an established strip club in Atlanta. She gained notoriety performing with Felice, known as Lucky. Lyriq distances herself after a devastating breast cancer diagnosis. She has undergone surgeries to remove her breasts and is deciding on reconstruction surgery. The burden is too heavy to share with Lucky. 

But Lucky takes the distance as abandonment. She finds solace with a customer named Thomas McIntyre. Thomas is not the average patron; he is a White man and a secretive music executive. He tells Lucky he wants a baby while his wife does not. Lucky gravitates toward Thomas’ promise of helping her find meaningful work outside Boom Town. 

Lyriq is usually resting whenever she gets a chance at the club. She can no longer dance, but she helps keep the club running smoothly. One night, she finds Lucky after an assault. She knows Lucky needs her, but when she tries to understand the turn of events, Lucky is gone. 

When Lucky stops showing up to work, Lyriq assigns Lucky’s locker to Damaris, who becomes Charm. She vouches for Charm as a favor, but the teen is having trouble applying her dance skills to Boom Town’s expectations. Then, Charm disappears. But so do thousands of dollars from the club. Lyriq is now forced to find Charm (and the money) and start the search for Lucky. 

Theme: Power, privilege, and control

Like in most (if not all) stories surrounding a strip club, the power dynamics are clear-cut. The dancers are at the bottom of the hierarchy. The clients who are enjoying their bodies hold the power. In this story, the women are navigating their lives around the obstacles to hold onto their power.

Lucky and Charm don’t matter to Bones, the club’s manager. He is furious about Charm stealing money from the club. But he sees their disappearances as annoyances; he has to hire more dancers. And on top of that, he is losing money over Lucky and Lyriq’s act coming to an abrupt halt. It is due to Lyriq’s health condition, which triggers a domino effect as Lucky becomes dangerously close to Thomas and subsequently disappears. 

The club holds some power over them. Lyriq stays at the job to pay for her health care. Lucky has a master’s degree in education, yet makes more money as a dancer than on a teacher’s salary. Then, she gets trapped in Thomas’s web of deceit to the point Lyriq belatedly questions the bond. 

The surroundings these women had lived in before the strip club felt overpowering as well. Before she became Lucky, Felice separated herself from her family. Before she became Charm, Damaris was involved with a youth pastor at her church. She was underage while believing she was in a mature relationship. To find their power, they found themselves at Boom Town, where their power was under threat again. Micah, Felice, and Damaris are fighting to gain control over their situations. 

Theme: Missing Black women and chosen family

A body is found in the first chapter of the novel. Lady Josephine, an unhoused woman, discovers the body in the woods, where she has created a home. She represents a segment of the population of missing Black women. 

The main theme of the novel is the plight of missing Black women and how they can quietly disappear from a community. Boom Town is a place of business, but when two employees stop coming to work without an explanation, nothing happens. Nobody reports them missing. People who are looking for them feel like they could get more done than the police. And some people do not connect their absence to a disappearance. 

It’s a strip club, while most corporate workplaces will at least contact authorities if an employee fails to show up. Boom Town is a place where many workers have severed ties with friends and families outside of it. This is why Lyriq knows she must look for Lucky and Charm. 

As for Charm, she has Dejuan, a friend she was living with, who comes to the club looking for her and raises the alarm on her disappearance. This heightens Lyriq’s concern and forces her to activate the hunt for Lucky, too. 

Theme: Motherhood

Being a mother takes on many definitions in this story. Lyriq serves as a motherly figure to Lucky and Charm. She knows she is the one looking out for these girls in a dangerous environment, inside and outside Boom Town. 

According to Thomas, his wife, LaBrettney aka Brett, does not want a baby. He is obsessed with having a child. Lucky finds herself becoming empathetic. But her empathy leads to danger. More threads tied to motherhood and reproductive choices affect Felice, Damaris, and Brett.  

Conclusion: The author’s adult debut novel has heart and grit, but it is a rocky read with multiple first-person points of view shifting back and forth from the present and the past. The writing is stream-of-consciousness, so the characters’ voices lift off the page. For some readers, this may distract them from engaging with the story. There is a lot of exposition, where the author explains backstory upon backstory and bookends chapters with the present. The story is unique and thrilling for a commercial fiction novel, but the changes in voice and writing style weigh it down, potentially heightening or diminishing engagement. 

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Another Famous Author Complains About Diversity

SHE LIT: Another Famous Author Complains About Diversity 😒
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📚 Join the #shelitbookclub! The August book club pick will be announced in the next three days. Details can be found here.

Photo by ready made: https://www.pexels.com/photo/composed-books-on-white-marble-background-3847626/

Pity for White male authors continues as Joyce Carol Oates joins tone-deaf chorus

Famous White female author Joyce Carol Oates tweeted a weeks-old op-ed from The New York Times about the banned books movement. Like famous White male author James Patterson earlier this summer complaining about the lack of “52-year-old White male authors,” Joyce stuck her foot in her mouth by expressing the hardships young White male authors are dealing with now due to the social justice movement around banned books.

In her July 24 tweet that has an estimated 12,200 likes, Joyce says she’s been hearing from a literary agent friend that young White male authors are having a hard time getting their debut novels in front of editors. These editors, according to her tweet referring to one unnamed literary agent, are no longer interested in reading these works because of the writers’ race and gender.

It’s problematic having these very established authors express their opinions about diversity, equity, and inclusion in publishing based on what a friend, who most likely is also White, is telling them in confidence. Non-White authors have always had a more difficult time to even get to the first step of attaining a literary agent, so saying White authors are having issues getting their books published doesn’t sound believable.

For some of the most active women of color authors on Twitter, The 1619 Project creator and journalist Nikole Hannah-Jones ripped Joyce for using an anonymous source and wanting “to be oppressed so badly.” Romance novelist Courtney Milan reminded us that Joyce told fantasy YA author and publisher Dhonielle Clayton in 2017 “to start her own publishing company if she felt excluded” and added that Joyce is a “racist.”

Joyce doubled down in another tweet, saying, “This is what is most astonishing about writers like Rimbaud, Keats, Hemingway, Carson McCullers, John Cheever, John Updike–they began writing well so young, & some might argue that their strongest writing was their earliest.” So, she’s implying publishing overall is in trouble because in her opinion the industry is losing its brightest stars, which historically have been overwhelmingly White male.

All this hoopla is swirling as Netflix announced its film adaptation of Joyce’s 2000 biographical fiction book Blonde, based on the life of Marilyn Monroe. The press around the film, which is expected to be available for streaming later this year, seems to be unaffected by the #BookTwitter controversy.

Publishing her first novel in 1963, Joyce, now 84, has written 58 books with five of those, including Blonde, becoming finalists for the Pulitzer Prize. Though she’s considered an industry treasure, her off-the-cuff remarks in relation to diversity, equity, and inclusion reached a height with this recent fiasco.

Banned books across the political and racial spectrum are causing concerns. The NYT op-ed that was referenced in Joyce’s Twitter argument mentions how books featuring and written by Black and queer authors are seeing bans across the country while former Vice President Mike Pence’s book deal saw protests from Simon & Schuster employees.

Dana Canedy, who recently stepped down as S&S publisher, stood her ground to support Pence’s book though she’s Black. As a journalist, she knew that the Trump administration official’s story as well as stories by Black nonfiction authors are needed to fight censorship.

While there is data on how people of color are largely underrepresented as publishing industry employees and as authors and illustrators, the data is not showing any issues with White male authors not being given book deals. If you look at most literary agencies where the majority of agents are usually White female, almost their entire clientele is White with other dominating identities such as cisgender, heterosexual, Christian or atheist.

Diversity, equity, and inclusion is an overarching problem; the only thing now is the underrepresented groups in publishing are louder in their fight for equality and balance thanks to social media. Bookstores may be prioritizing books by people of color and by LGBTQIA+ authors in the front of their windows now because they never had done that before. At the end of the day, it’s the publishing industry’s duty to make sure all stories, if well-balanced and fair, are published to represent all readers.

Saying you heard from your friend in the industry that an unproven trend is happening is not helpful to the discourse. At least, wait for the data to prove the trend, then we can have that conversation on censorship.

she lit editor + chief content creator

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What we’re highlighting

Hulu orders series based on publishing workplace drama novel

The Other Black Girl is one of the latest book-to-TV screen adaptation deals in Hollywood from Disney’s Onyx Collection. The best-selling 2021 novel by Zakiya Dalila Harris centers on Nella, who is exhausted being the only Black woman in her publishing house’s office until Hazel, another Black woman, arrives on the scene. Hazel becomes a rising star while Nella seems to fade more into the background. The series, which counts the author and Rashida Jones as executive producers, will stream on Hulu. The book is published by Atria Books imprint of Simon & Schuster.

Maison Valentino, 826LA reup support for writing program

The Children of Blood and Bone series fantasy young adult novelist Tomi Adeyemi, Italian fashion house Maison Valentino, and Los Angeles youth nonprofit 826LA are partnering to provide scholarships to 50 emerging authors. They had partnered in December 2020 to give 50 recipients scholarships who had applied on Instagram to attend The Writer’s Roadmap, the masterclass created by Tomi to help writers develop their skills.

“The opportunity to encourage the pursuit of culture, art and literature, supporting students from diverse backgrounds in making their voices heard, represents an important step on the brand’s path toward social sustainability,” Maison Valentino wrote in a press release.

Nic Stone reveals new YA novel focused on mental health

Best known for her 2017 social justice YA debut Dear Martin, Nic Stone announced on Instagram that her next book received a second chance. Technically her first novel, Nic says Chaos Theory, which centers on Black teens with “abnormal brain chemistry,” was the book she was trying to sell in 2015 as her debut. “It wasn’t the right time,” she wrote in the post. Nic’s newest release is slated for February 2023 and considered a triumph for other authors who had seen their earlier works receive rejections but are able to sell them later after establishing themselves in the marketplace.

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"Red Clocks" by Leni Zumas

Book Review: Red Clocks by Leni Zumas

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How Moments of Racial Tension Are Shaping YA Literature

Six well-known Black female authors with best-selling credentials came together to announce their joint project of a young adult novel surrounding the 2003 New York City blackout. Though the collaboration is a publisher dream, it also shows how moments of racial tension particularly in recent U.S. history are the moneymaking moves for authors of color to get their literary voices out into the world.

Angie Thomas of The Hate U Give, Tiffany D. Jackson of Grown, Nic Stone of Dear Martin, Nicola Yoon of Everything, Everything; Dhonielle Clayton of The Belles, and Ashley Woodfolk of The Beauty That Remains are teaming up for Blackout. The collection of six interconnected stories that will “bring the glowing warmth and electricity of Black teen love to this interlinked novel of charming, hilarious, and heartwarming stories that shine a bright light through the dark,” according to publisher HarperCollins Publishers and its imprint Quill Tree Books. The book’s release date is June 22, 2021.

Mistaken for terrorism almost two years after the Sept. 11, 2001 attacks, the Northeast blackout of 2003 was a massive power outage that crippled the East Coast, most notably New York City. This sent hundreds of thousands of people to the streets after many had been evacuated off the largest public transportation system or had left their vehicles since traffic lights weren’t working. With the dark atmosphere on a ninety-degree day in August, unease took over some areas as ambulances raced to destinations and people stole merchandise. Race and youth naturally became a concern.

Making race and youth the main elements in a young adult novel seems to be more common now, especially with the contributions of the aforementioned authors. Angie Thomas rose to literary fame when The Hate U Give explored the theme of unarmed Black boys being shot by police or racists as did Nic Stone’s Dear Martin. Another recent example includes Christina Hammonds Reed’s debut novel The Black Kids, which revolves around the 1992 Los Angeles uprising and includes a mention of the 1921 Black Wall Street massacre. The Fresh Prince of Bel-Air star Karyn Parsons recently spoke about her middle grade novel How High the Moon, which revolves around the 1944 George Stinney Jr. execution.

These historical events impacting Black communities were rarely taught in school but are seeing a resurgence in mentions amid the anti-racism movement. As students are learning from their homes, some YA authors of color like Dhonielle Clayton and Kelly Yang are speaking to classrooms via Zoom though they said they dealt with racial discrimination.

YA literature, particularly for children of color, is evolving to be a supplemental lesson on race and youth that will take moments from the not-so-distant past and use character voices to convey those missing perspectives.

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After Creating #PublishingPaidMe, LL McKinney Hosts Juneteenth Book Fest

L.L. McKinney, the author behind A Blade So Black, A Dream So Dark, and the upcoming third novel in the series A Crown So Cursed, has organized the Juneteenth Book Fest for today starting at 10 a.m. EST.

The videos will be recorded and uploaded to YouTube. Fresh off creating the #PublishingPaidMe hashtag earlier this month asking for White authors to reveal the amount of their advances on Twitter to show discrepancies between advances of Black authors, L.L. is leading the way on promoting and supporting Black authors during the age of #BlackStoriesMatter.

Juneteenth, the June 19 holiday celebrating the end of slavery, has reached a popularity peak as several name-brand companies this year committed to giving their employees the day off to reflect on racial injustice. The holiday, which is recognized in 46 states and the District of Columbia, has mostly been celebrated in the African American community since 1865. With the latest civil unrest sparking the conversation on racism in general and in the book industry, a Juneteenth book event helps push awareness about the significance of the holiday and Black authors’ works in today’s environment.

The featured bookpeople and panels are:

We Need a Hero: Black Superheroes in Comics

Panelists: L.L. McKinney and Mikki Kendall

Moderator: Karama Horne, The Blerd Gurl

Queer and Black On and Off the Page

Panelists: Julian Winters, Claire Kann, Roya Marsh, Candice Iloh, and Ashley Woodfolk

Moderator: Leah Johnson

Light It Up!: FIYAH Magazine and Black Short Stories

Panelists: The FIYAH Magazine team

It’s a Different World: Black Secondary Worlds in Fantasy

Panelists: Dhonielle Clayton and Kwame Mbalia

Moderator: L.L McKinney

Black Love: Writing Black Romance

Panelists: Farrah Rochon, Beverly Jenkins, and Rebekah Weatherspoon

Moderator: Alyssa Cole

Our Truth: Being Black in Publishing

Panelists: Zakiya Jamal, Ashley Woodfolk, and Nivia Evans

Moderator: Saraciea J. Fennell, event co-organizer

All of Me: Black Memoirs

Panelists: Mikki Kendall, Keah Brown, and Nichole Perkins

Moderator: L.L. McKinney

Black Stories Are Not Niche

Panelists: Lamar Giles, Leah Johnson, Justin A. Reynolds, and Kim Johnson

Moderator: Tiffany D. Jackson

My Mythology: Reclaiming Stories of Old

Panelists: Tracy Deonn, L.L McKinney, Bethany C. Morrow, and Kalynn Bayron

Moderator: Patrice Caldwell

Capturing the Moments: What It Means to Write Black Stories Right Now

Panelists: Tiffany D. Jackson, Angie Thomas, Bethany C. Morrow, L.L. McKinney

Moderator: Julian Winters

The Kids Are Alright: Writing for Black Kids with Middle Grade

Panelists: Kwame Mbalia, Karen Strong, and Alicia D. Williams

Moderator: Nic Stone

One Cause: Many Voices – Editing and Contributing to Black Anthologies

Panelists: Bethany C. Morrow and Patrice Caldwell

Moderator: L.L. McKinney