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what's lit

Louisa May Alcott’s Orchard House Transports You Back to the Time of ‘Little Women’

A restored home in Concord, Massachusetts, serves as the former residence of renowned author Louisa May Alcott and her family and revives the spirit of what made Little Women a phenomenon spanning over 150 years.

The Orchard House is where Louisa took a page from her family life to write the 1868 classic about the four March sisters coming of age in New England. The home serves as a museum featuring the “shelf desk” where Louisa wrote Little Women to artwork created by her youngest sister who inspired the character of Amy March.

Nov. 29 marks Louisa’s 189th birthday. Born in 1832 in the Germantown section of Philadelphia, she was the second daughter of Transcendentalist philosopher and educator Amos Bronson Alcott. The family moved to Concord, known as the home of post-Revolutionary War American literary and philosophical greats including Louisa and her father, Nathaniel Hawthorne, Ralph Waldo Emerson, Henry David Thoreau, and Henry Wadsworth Longfellow.

Feminism and financial freedom

The Orchard House welcome sign

The house features the desk Louisa wrote Little Women. The desk, according to the curators, was built by her father at a time when desks were not considered appropriate for women to use. Louisa sat at the desk, day in and day out, to write her children’s classic while her mother, Abba May Alcott, brought tea to her bedroom occasionally, the curators said. She trained herself to be ambidextrous, using both hands to write her book.

I will do something by and by.  Don’t care what, teach, sew, act, write, anything to help the family; and I’ll be rich and famous and happy before I die, see if I won’t!

Louisa May Alcott

Already the writer of several short stories and novels mainly for adults, Little Women was a book that Louisa’s publisher wanted to satisfy the young adult audience, especially the girls. She was told a story about four girls would rake in money. An introvert with a mood pillow still intact in the family room of the Orchard House, Louisa couldn’t draw inspiration from any friends, so she looked at her sisters to mold the characters and storylines that continued in subsequent books such as Little Men and Jo’s Boys.

Once Little Women was published, it became a windfall for the financially struggling family. Though Bronson was a well-known educator and philosopher and Abba a social worker, the Alcotts seemed to still be considered impoverished. A Civil War nurse who battled illnesses on the battlefield, Louisa’s experiences as a seamstress, teacher, and governess are reflected in her novel, Work: A Story of Experience, one of the rare works available through the Orchard House gift shop.

The pullquote from the house’s website shows how Louisa promised herself to support her family and that also meant she wouldn’t marry in order to support their makeshift home that was originally built almost 200 years before the Alcotts bought it in 1857. Named for the over 40 apple trees that were on the property at the time of its sale, the Orchard House was a fixer-and-upper that experienced additions in later years to accommodate the growing family needs.

Artistry and abolitionism

The last flowers in bloom in the Little Women Garden at the Orchard House

With the Little Women profits, Louisa sent her youngest sister, Abigail May Alcott Nieriker, to Europe to study art because it was impossible for May to receive training in the U.S. as a woman. May would draw on the walls; her work revived by artists and historians in the Orchard House through tracing over a plastic sheet to reveal her original traces that had been damaged by age. Upon her European art tour, May wrote the book, Studying Art Abroad: And How to Do It Cheaply. Her real-life love for art is reproduced via Amy March, as the bulk of May’s artwork is featured in the house.

May’s most famous work, “La Negresse,” was viewed as her ticket to stardom if she hadn’t died at the age of 39 following childbirth. The portrait features an enslaved Black female, which was considered a complex work of art conveying the gloom of being a slave with a so-called good master.

The inspiration may have stemmed from the Alcotts’ strong belief in abolitionism. In the winter between 1846 and 1847, the Alcotts hosted a runaway slave traveling through the Underground Railroad to Canada. The area near the Orchard House is recognized as a part of the Underground Railroad network.

Heart and home

The Orchard House

The house is located near Concord’s historic downtown that includes the Nathaniel Hawthorne estate. Because 80% of the artifacts in the Orchard House were owned by the Alcotts, photography of any kind inside is prohibited. Yet the items displayed creates the timeline of the family’s historical footprint.

Louisa’s burgundy mood pillow sits up on the sofa in the family room, a sign that she was open to socializing, the curators said. Her shelf desk is still intact, small and rounded wrapped across the wall near a floral watercolor piece by May. Dolls created by the sisters for the sons of the oldest daughter Anna Alcott Pratt when they moved back to the home after the sudden death of her husband are parked in a box in their added bedroom. A portrait of the third daughter, Elizabeth Sewell Alcott, sits on the piano, the only known image of the sister who died before the family moved into the Orchard House and inspired the character of Beth March.

For any Little Women fan, the house serves as an awe-inspiring literary adventure full of interesting facts about Louisa and her family.

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what's lit

After Creating #PublishingPaidMe, LL McKinney Hosts Juneteenth Book Fest

L.L. McKinney, the author behind A Blade So Black, A Dream So Dark, and the upcoming third novel in the series A Crown So Cursed, has organized the Juneteenth Book Fest for today starting at 10 a.m. EST.

The videos will be recorded and uploaded to YouTube. Fresh off creating the #PublishingPaidMe hashtag earlier this month asking for White authors to reveal the amount of their advances on Twitter to show discrepancies between advances of Black authors, L.L. is leading the way on promoting and supporting Black authors during the age of #BlackStoriesMatter.

Juneteenth, the June 19 holiday celebrating the end of slavery, has reached a popularity peak as several name-brand companies this year committed to giving their employees the day off to reflect on racial injustice. The holiday, which is recognized in 46 states and the District of Columbia, has mostly been celebrated in the African American community since 1865. With the latest civil unrest sparking the conversation on racism in general and in the book industry, a Juneteenth book event helps push awareness about the significance of the holiday and Black authors’ works in today’s environment.

The featured bookpeople and panels are:

We Need a Hero: Black Superheroes in Comics

Panelists: L.L. McKinney and Mikki Kendall

Moderator: Karama Horne, The Blerd Gurl

Queer and Black On and Off the Page

Panelists: Julian Winters, Claire Kann, Roya Marsh, Candice Iloh, and Ashley Woodfolk

Moderator: Leah Johnson

Light It Up!: FIYAH Magazine and Black Short Stories

Panelists: The FIYAH Magazine team

It’s a Different World: Black Secondary Worlds in Fantasy

Panelists: Dhonielle Clayton and Kwame Mbalia

Moderator: L.L McKinney

Black Love: Writing Black Romance

Panelists: Farrah Rochon, Beverly Jenkins, and Rebekah Weatherspoon

Moderator: Alyssa Cole

Our Truth: Being Black in Publishing

Panelists: Zakiya Jamal, Ashley Woodfolk, and Nivia Evans

Moderator: Saraciea J. Fennell, event co-organizer

All of Me: Black Memoirs

Panelists: Mikki Kendall, Keah Brown, and Nichole Perkins

Moderator: L.L. McKinney

Black Stories Are Not Niche

Panelists: Lamar Giles, Leah Johnson, Justin A. Reynolds, and Kim Johnson

Moderator: Tiffany D. Jackson

My Mythology: Reclaiming Stories of Old

Panelists: Tracy Deonn, L.L McKinney, Bethany C. Morrow, and Kalynn Bayron

Moderator: Patrice Caldwell

Capturing the Moments: What It Means to Write Black Stories Right Now

Panelists: Tiffany D. Jackson, Angie Thomas, Bethany C. Morrow, L.L. McKinney

Moderator: Julian Winters

The Kids Are Alright: Writing for Black Kids with Middle Grade

Panelists: Kwame Mbalia, Karen Strong, and Alicia D. Williams

Moderator: Nic Stone

One Cause: Many Voices – Editing and Contributing to Black Anthologies

Panelists: Bethany C. Morrow and Patrice Caldwell

Moderator: L.L. McKinney

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what's lit

Actress Ginnifer Goodwin to Become President of Young Literati

Ginnifer Goodwin, best known for her roles in Once Upon A Time and Mona Lisa Smile, will be the incoming president of Young Literati.

The fundraising group for the Library Foundation of Los Angeles for literary lovers in their 40s and younger, Young Literati named Ginnifer as president during its annual Summer Social event on Aug. 1 at the Tiato Kitchen + Garden Venue in Santa Monica. The organization usually names a celebrity or celebrity connection to its board. Ginnifer will take the reins from Samantha Hanks, the wife of actor Colin Hanks and daughter-in-law of actor Tom Hanks, who served in her presidency for two years.

Due to her work schedule, Ginnifer could not be present at the social, according to the organization, but she did attend its largest event, the 11th Annual Toast, in April.

According to IMDb, Ginnifer said she wanted a partner who was “bookish” before marrying her Once Upon A Time co-star Josh Dallas. “I will end up with someone in the arts. I am positive. I eat, breathe and sleep acting. And I’ll end up with someone who is happy staying at home and having me cook supper. But I also really need to be intellectually challenged and stimulated. I want someone bookish, and someone who is passionate.”

Ginnifer has also starred in films based on books such as Something Borrowed, He’s Just Not That Into You, and Ramona and Beezus with Mona Lisa Smile‘s success producing a companion novel. She’s currently starring in Why Women Kill, which premieres Aug. 15 on CBS All Access.

Young Literati’s honorary chairs include Busy Phillipps, who released her memoir This Will Only Hurt a Little last year, and Constance Wu, who had a star turn in book-based films Crazy Rich Asians and soon Goodbye, Vitamin. Actresses Natasha Rothwell, Lake Bell, Natalie Morales, Constance Zimmer, June Diane Raphael, Ione Skye, and Zoe Lister-Jones are also involved in the organization.

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experiences

Book Launch: ‘More Than Enough’ by Elaine Welteroth

Elaine Welteroth, who reached prominence as the first black Teen Vogue editor and now as a Project Runway judge, stopped in Los Angeles Thursday for her book tour and discussed why she wrote the women empowerment memoir to an estimated 400-member audience.

What appeared to be a well-read black girl magic rally at the California African American Museum in Exposition Park started with the cheerful announcement that Elaine’s book had notched itself to the coveted New York Times Best Sellers list. She was then introduced by her former Teen Vogue colleague and friend Lynette Nylander, who conducted the fireside chat.

Right away, Elaine began reading from Chapter 16 in More Than Enough: Claiming Space For Who You Are (No Matter What They Say), which is dubbed “Disturbing the Peace,” which starts with a quote from Audre Lorde and describes how Elaine returned to work from a Christmas vacation from Rwanda for a surprise racial interaction. Her hair was braided into Senegalese twists down her waist—the first time she came to a corporate setting in an overly ethnic hairstyle—and a white female colleague in disbelief asked how her hair had allegedly grown feet over a short amount of time.

This question is sometimes posed to black women who decide to add synthetic or real hair to their braids for a new look to celebrate their heritage, so Elaine took it in stride after an inner dialogue berating the beauty industry for neglecting what is considered beautiful to women of color with telling the woman, “Oh, you of all people must know these are extensions.”

That set the tone for the evening: Elaine describing her humble background in the San Francisco Bay Area as a first-generation college graduate to a high-ranking editor in a magazine media empire. Starting her career in the beginning of the recession, she said she felt the weight of being “black, young, and female,” the trifecta of the media industry teeming with racism, ageism, and sexism.

“We all live in a 180-character world where we are scrolling each other’s success stories every day, and we’re only getting the shiny slice, we’re only getting the prettiest picture, we’re only getting the clearest caption,” she said. “I felt like I owed this community more than I can fit into a caption on Instagram about the most universal aspects of the success story. The parts that get left out from the messy relationships that so often intercept with how we show up in our careers.”

At 32, she said she feared her audience would doubt she was ready to write a memoir, even as her own brother echoed this sentiment soon after she submitted a manuscript questioning her reason to pen an “autobiography.”

“I wanted to throw the plate in his face,” she said of the interaction over a Christmas vacation while he was washing dishes in the kitchen. “I was so emotional because that was the very question that threatened to keep me from doing this and leave it to be my family—it’s always family—that are your harshest critics. At the time, I was so emotional I can only think to say, ‘They don’t even call it autobiographies anymore, you asshole!'”

A round of laughter erupted from the audience, but she continued with the true translation of that moment.

“Then later I really sat with it. I don’t blame my brother for asking that question. That’s the patriarchy talking. We’ve all been conditioned by this mindset that tells us, ‘Your stories are not valid if you look like me.'”

The two-hour event brought up more gems from Elaine’s book like her decision to attend a state university because the boy she was dating was supposed to be there but turned out to be in jail and how on her first Ebony photo shoot she had a serendipitous moment with the hairstylist who happened to be friends with her aunt.

Eso Won Books, the main black-owned bookstore in Los Angeles, was the official bookseller at the event.