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experiences

Book Festivals Highlight Diverse Works Amid Banned Books Movement

Two book festivals in Maryland have kick-started the summer off in a year when literary diversity is under attack in the form of book bans.

Books in Bloom and Gaithersburg Book Festival held family-friendly community events that featured a number of authors who either identify on the diversity spectrum or are passionate about freedom of speech in literature. Over the last year, more parents nationwide are asking school libraries to take books off shelves they deem inappropriate for their children to read while some libraries are reactively subtracting books to avoid controversy.

This movement of banning books is sparking opposition as authors and readers alike are going out of their way to support not only freedom of speech but support the variety of books meant to be read by children. The political divide was felt at these book festivals and may become a theme for other similar events in the U.S. throughout the year.

Banned books gain spotlight

Books in Bloom calls itself a progressive book festival in the master-planned city of Columbia, Maryland. To show support for banned books, the festival dedicated one of its soundstages to authors who discussed freedom of speech.

A vibrant setting in Merriweather District’s Color Burst Park, the book festival had a giant book-shaped display describing some of the top banned books in history from Toni Morrison‘s Beloved and Song of Solomon to Alice Walker‘s The Color Purple. With Busboys and Poets as the independent bookstore for the event and a location in the park, most books for sale were books by authors who are Black and/or LGBTQIA+.

Queer memoirs All Boys Aren’t Blue by George M. Johnson and Gender Queer by Maia Kobabe had notable stacks on the tables with other titles that have become the face of many bans though they were created for the middle grade and young adult audiences. The bans are usually due to racial and cultural content, sexually explicit content, and offensive language.

Headliners included a panel with PEN America, the nonprofit organization advocating in the intersection of literature and human rights to protect free expression, and Democratic U.S. Rep. Jamie Raskin of Maryland’s 8th congressional district and author of Unthinkable: Trauma, Truth, and the Trials of American Democracy. Raskin also attended Gaithersburg Book Festival to sell and sign his latest book.

The book festival’s keynote speaker was Carl Bernstein, the well-known The Washington Post reporter who co-headed the news coverage on the Watergate scandal in 1972. On the festival’s main stage, he marveled at his time growing up around Columbia and how he first became a cub reporter as a high school dropout in his new memoir, Chasing History: A Kid In The Newsroom.

The last Books in Bloom was held less than a year ago in-person in October with The New York Times reporter and The 1619 Project creator Nikole Hannah-Jones serving as the keynote speaker.

Diverse works lead way

Reminiscent of a large outdoor book festival such as Los Angeles Times Festival of Books, Gaithersburg Book Festival in Gaithersburg, Maryland marked its 12th year as an event supporting the greater community with inviting traditionally published authors and offering seminars on book publishing and creative writing for children and adults.

Authors such Dhonielle Clayton, who has a new middle grade release with The Marvellers, and Kimberly Jones, who is promoting her social justice young adult novel Why We Fly with co-author Gilly Segal, discussed their works at the annual event. Dhonielle, a Gaithersburg native, and Kimberly are some of the top YA Black authors who have been outspoken about diversity in literature and social justice matters.

Asked about some of her summer read recommendations, Dhonielle mentioned Valentina Salazar Is Not a Monster Hunter by Zoraida Córdova; the Track series by Jason Reynolds; and The Devouring Wolf by Natalie C. Parker, in which Dhonielle says there’s a wolf character named after her.

Another author at the event was Jeanine Cummins, who gained notoriety with her immigration novel American Dirt, interviewing Reyna Grande about her book A Ballad of Love and Glory. American Dirt follows a Mexican woman trying to escape to the U.S. with her young son after her family is murdered.

Some high-profile Hispanic and Latine authors spoke out about the White Latina author’s seven-figure advance because they said the publishing industry would never offer them such a sum for centering stories on Hispanic and Latine characters. They also claimed the book had inaccuracies in the culture and language that wasn’t native to the author. On the other hand, there were Hispanic and Latine authors and celebrities who supported the Oprah’s Book Club selection.

Since American Dirt came out in 2020, Jeanine, like many authors who had released their works at the beginning of the COVID-19 pandemic, now have the chance to work the promotion circuit in-person.

Social justice and historical nonfiction were the focus of many authors’ works at the book festival. Gayle Jessup White talked about her lineage connected to former slave-holding president Thomas Jefferson in her book Reclamation: Sally Hemings, Thomas Jefferson, and a Descendant’s Search for Her Lasting Legacy. Kristin Henning shared her experience representing Black youth in the D.C. court system and how she conceived the idea for her book The Rage of Innocence: How America Criminalizes Black Youth.

Along with Raskin, Democratic U.S. Rep. Adam Schiff for California’s 28th congressional district visited the event to chat about his book Midnight in Washington: How We Almost Lost Our Democracy and Still Could.

D.C. area indie bookstore chain Politics and Prose served as the event bookseller.

The pre-summer book festivals helped usher in the first literary events for authors and readers to enjoy as society emerges out of the pandemic and the world of book publishing remains volatile in the wake of book bans.

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what's lit

#PublishingPaidMe Reveals Pay Discrepancies Between Black and White Writers

Going into the third week of protests over the police killing of George Floyd, book Twitter went down another road in revealing the racial bias in publishing.

A Blade So Black and A Dream So Dark author L.L. McKinney started the #PublishingPaidMe Twitter hashtag on Saturday to invite White authors to share the advances they received on their books to give Black authors insight on what they received for theirs.

Writer’s Digest shares this definition of an advance versus a royalty:

An advance is a signing bonus that’s negotiated and paid to the author before the book is published. It’s paid against future royalty earnings, which means that for every dollar you receive in an advance, you must earn a dollar from book sales before you start receiving any additional royalty payments.

Though L.L. tweeted she made the hashtag to discover numbers from only White authors, Black authors and other authors of color decided to share their numbers.

One author is Dhonielle Clayton. Her debut fantasy young adult novel The Belles that published in 2018 is seen as inspiration in the multicultural fantasy YA genre. She shared she only received a $45,000 advance for her book though it was in one of the hottest genres at the time amid the publishing industry’s alleged push toward diversity and inclusion with adding more authors of color on their rosters and books featuring characters of color.

In a quote tweet from White YA novelist Laura Sebastian, Zoraida Córdova, who also writes fantasy YA, said she received $7,500 for Labyrinth Lost, which features Latinx characters inspired by her Ecuadorian roots. She added it’s her best-selling book yet. Laura, the author behind the Ash Princess series, tweeted she had received six-figure deals for each book in each of her three trilogies, the next two with debut novels set for 2021.

Laura later tweeted she received backlash for putting up such high numbers and was accused of distributing “sexual favors.” Battling the sexism online, she added she wanted to be an ally and share her reality.

Myriam Gurba, the queer Chicana memoirist behind Mean and the main campaigner to spread awareness on Jeanine Cummins’ White narrative version of the Mexican immigration story in the best-seller American Dirt, said she just earned $3,000 for Mean.

Nigerian-American novelist Nnedi Okorafor who specializes in literature highlighting Africanfuturism and Africanjujuism said she wouldn’t share her numbers but offered the alternative of not taking advances and just receiving royalties. From her tweet, she implies that royalties put more money in her hands in the long run, especially for her award-winning novella trilogy Binti.

The #PublishingPaidMe hashtag is an eye-opening account of how authors who are not White and cisgender may be lowballed for their work, the work readers pay for and check out from libraries, actions that produce a lot of money for publishers.

This conversation may trigger a long-term movement in the publishing industry, where publishers have the opportunity to divide budgets more equally instead of basing sale projections on the myth that diverse stories don’t sell well. Even with the success of books such as Angie Thomas’ The Hate U Give and Kiley Reid’s Such a Fun Age, that myth still lingers, especially when these Black authors and very few others made news with their advances.

Jesmyn Ward, who won the National Book Award twice, tweeted Monday that her publisher did not want to give her $100,000 for her next book after Salvage the Bones received the award.

Mary Karr, Robinne Lee, and Lilliam Rivera were a few of the authors to respond to Jesmyn’s claims. In a series of tweets, Jesmyn clarifies how her other works fared like Men We Reaped and Sing, Unburied, Sing, which was her first book to earn a $100,000 advance.

L.L. added in multiple tweets that there will be continuation in the discussion where Black authors will be asked to share information.