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Book Review: ‘Why Didn’t You Tell Me?’ by Carmen Rita Wong

Why Didn’t You Tell Me? by Carmen Rita Wong follows the financial journalist’s life as she discovers family secrets that uniquely affect her. 

There was no family meeting to sit the kids down and prepare them psychologically for all these changes to come or to get them to weigh in on what they’d like to do and how they were feeling. Just as there wasn’t any discussion about the trauma of moving us away from all the family and friends we’d ever known in New York City and the people who looked like us. You go where your parents go and they’ll hear nothing of your unhappiness or fears or anxieties or, for god’s sake, your opinion.

Born in New York City, Carmen is raised as the daughter of a Dominican immigrant mother and a Chinese immigrant father. Her parents eventually divorce after a tumultuous marriage that leaves Carmen and her older brother, Alex, under the care of their mother, Lupe. After Lupe remarries quickly, the siblings are living with their White stepfather, Marty, in New Hampshire. Being a brown-skinned girl with a Chinese surname in predominantly White suburbia makes Carmen stand out. She feels uncomfortable with the microaggressions from her Catholic school teachers and classmates. As the family expands to adding four more girls, Carmen begins to see the pressure in the household with her mother spewing vitriol to her and her siblings.

As high school graduation approaches, she has to depend on her father to pay for college. Her tuition is expected to be paid by her father, who sells jewelry and other accessories to department stores in shady operations. Those operations lead to her father serving time in prison. With her father imprisoned and her stepfather unemployed, Carmen finds herself financing her college education and eventually finding her own independence. Her resourcefulness leads to an executive assistant position at Christie’s auction house back in her hometown of New York City. Her ambition eventually places her on the path to multimedia financial journalism.

After finding success in her career and heartbreak in a failed marriage, Carmen learns that her mother has been diagnosed with colon cancer. At this point, her mother and stepfather are divorced, and her stepfather has moved back to New York City. With her mother sick, her stepfather tells her that her father is not her father. She had noticed over the years that as her brother looked more Chinese like a Wong while her looks failed to head in the same direction. She brings the long-held family secret to her mother, who fights against the truth. After her mother dies, Carmen realizes there was more to the secret that defined her upbringing and forced her to question the past and present. 

My Spanish was being displaced by French, the only language offered in school. It became harder to understand my beloved abuela as both English and French squeezed space in my brain, burying my Spanish deep, one shovelful of New Hampshire at a time. My English pronunciation was East Coast newscaster, just as my mother wanted, no Dominican-NYC flavor like my extended cousins, who’d taunt me with “You talk white!” My clothes were prim, proper, pastel eighties “good girl.” I looked like a forty-year-old accountant, not cool like my cousins. Code-switching became my destiny whether I liked it or not.

Once she learns the truth about her genetic biology, Carmen finds herself questioning her racial, ethnic, and cultural identity. With the memory of being a little girl who loved dressing up to go to Chinatown, she is no longer Chinese. Her last name is no longer accurate. The alienation she felt in her New Hampshire home growing up as Dominican-Chinese, different from her younger siblings, resurfaces. Realizing that she doesn’t have the same exact DNA as her brother, who arrived with her in the new version of the family household in New Hampshire, is heartbreaking and frustrating.

Like many housewives at the time, her immigrant mother believed the American Dream could be brighter with a White husband in White suburbia. This recurring theme throughout the story shows how a person who identifies with a particular ethnicity or more ethnicities can experience a different reality from even other immediate family members. In Catholic school, for example, a nun credits Carmen’s intelligence to being half-Chinese. The nun assumes this by taking Carmen’s surname and believing the stereotype of all Asians being smart. When she gets older, other people of color confuse her for being White or being Black. Her multiracial and multiethnic identity makes her wonder how her journey would have differed knowing her true racial and ethnic identities. 

The theme of race, ethnicity, and culture resonates throughout her story with the truth about her DNA weighing heavily on every memory thread. If her mother was happy with the man believed to be her father, then would she have been removed from her diverse hometown of New York City? If her stepfather was her biological father, would she have been treated the same way as her stepsisters? How much of her life would have been different if she had known her paternity and ethnicity? 

Overall, the memoir hits on the notes of other memoirs by women of color who have had their lives stamped by their racial and ethnic identities. These memoirs examine how their intersectionality impacted their growth from childhood to adulthood. This memoir could be useful to readers interested in adapting to new environments, learning about family history and heritage, and persevering as an eldest daughter and a woman of color. 

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Book Review: ‘The Lesbiana’s Guide to Catholic School’ by Sonora Reyes

The Lesbiana’s Guide to Catholic School by Sonora Reyes shows a Mexican American girl’s journey of realizing she’s queer and figuring out to hide her queerness at her new high school. 

We first meet Yamilet “Yami” Flores punching a mirror out of frustration over quitting her job at a café because her ex-best friend Bianca walked in. Bianca had told the student body at their high school that Yami is gay, without Yami’s approval. In fact, Yami is still trying to figure out her sexuality and her identity and only confided in Bianca. The embarrassment convinces Yami to start at a new high school, Slayton Catholic. Attending school with her younger brother Cesar, who skipped a grade so he’s a junior too, will be a fresh start for Yami, who still needs another job to help pay for tuition since her grades failed to garner a scholarship the way Cesar’s grades did. 

Right away, Yami is questioning her decision. The students at her old school are “mostly Black and Brown Chicanes,” while at Slayton 40 minutes away “there’s not a lot of melanin over there.” Yami jokes that she could sell sunscreen to her Slayton classmates to help pay for tuition. At least, she has Cesar by her side. They’re close since Mami works a lot and Papi was deported years ago back to Mexico after getting arrested at an anti-immigration protest though Yami keeps in touch with her father through phone calls, video calls, and text messages.

I put on my favorite gold hoops. They’re not real, but they look it and I like the way the gold frames my face. I feel like Selena Quintanilla. Cute and elegant at the same time. I put extra love into doing my makeup. The hoops and J’s and makeup show all the me the uniform hides. I’m ready. 

Once she gets to school, girls named Becky and Karen call her “ghetto” and ask why she’s trying to look like a “chola.” As the microaggressions continue in the school hallways, Yami meets Bo, a girl of Chinese descent who was adopted by White parents and seems to not let anything bother her as the only openly queer girl at Slayton. Yami wants to be unbothered like Bo. She befriends Bo and starts to develop romantic feelings. But Yami feels she has to squash them because she can’t let her queerness drive her out of another school. 

Yami throws herself into Mami’s Etsy homemade jewelry business to get her mind off her sexuality. Then she notices her brother acting strange. Once she finds out the double life Cesar is leading, Yami rushes to help him hide it from their mother and from their classmates. But the more she gets closer to Bo, the more Yami wants to tell someone she’s gay. She sends the text message professing her queerness, but there’s no response. The anxiety of hiding her identity overwhelms Yami as she starts collecting secrets to keep everyone around her satisfied with their assumptions of who they think she is. 

The novel does a great job of showing a timeline of a 16-year-old girl who is developing feelings for other girls but trying to figure out how to define those feelings and how to define herself. Although she has a supportive family, Yami knows her pious Catholic parents would never approve of her sexuality. And to make matters worse, she thought concealing herself among Catholic school kids would make those feelings go away, make the shame go away. But, of course, Slayton has amplified Yami’s thoughts on navigating queerness as she realizes there are more students like her also struggling with the unfortunate consequences of sharing how they feel with their friends and family. 

Changing schools because of bullying is a central issue. Sometimes, it feels like many parents may not know the full extent of why their child wants to switch schools. Here, we have Mami not only clueless about Yami’s sexuality, but she’s also sharing anti-gay sentiment that she has taken from her religion. Yami carries that fear, shame, and sadness of leaving her old school to start anew because of Bianca’s bullying. Bianca was her best friend, so even the issue of losing a close friend is emphasized in the story with Yami’s upset over Bianca resonating through the pages as she goes to a different school where we don’t see Bianca. Mami also doesn’t realize Yami quit her job over simply seeing Bianca in her workplace. The hasty decision-making many teens do eats away at Yami as she holds onto secrets upon secrets just trying to hide who she is. 

Overall, the coming-of-age debut novel with hints of romance from author Sonora Reyes who identifies as a “queer second-generation immigrant who attended a Catholic high school” shows how queer teens have several obstacles when it comes to revealing their true selves at school and at home, especially when both places are steeped in a religion that does not condone anything outside heterosexuality. The secrecy is overwhelming as people in their orbit may have some degree of stigmatizing thoughts toward the queer community. Once they reveal themselves, their safety becomes an issue, which is addressed with the fear of being kicked out of their homes or not feeling comfortable in their homes based on telling and not telling family members the truth. This story shows not only Yami jumping through hoops to hide her identity, but other characters are also avoiding the inevitable in their own ways.

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Book Review: ‘Juliet Takes a Breath’ by Gabby Rivera

Juliet Takes a Breath by Gabby Rivera is a coming-of-age novel that has been miscategorized in the young adult genre since it focuses on a college student on an unconventional ride to self-acceptance.

Juliet Palante is discovering herself. On summer break from college, she’s at home in the Bronx about to embark on a journey to Portland, Oregon, to serve as an assistant to a feminist writer. But before she leaves, Juliet notices her sorta girlfriend Lainie has doubts about their relationship while she’s deciding how to come out to her family. She tells her family that she’s a lesbian at the dinner before her flight to Portland. The aftermath makes her look forward to Portland, where she lives with her new boss, Harlowe Brisbane. Once she’s inside Harlowe’s home, she’s quickly learning about the preference of pronouns to the range of sexuality. Where does she belong? Especially as a Latina in the very White-centered world of Portland. Her race, ethnicity, and culture intertwine with her sexual orientation as she meets young women like herself who seem so sure of who they are. 

As far as we know, this book has been banned by at least one school district. First of all, the book is about a college student. That’s the “new adult” genre that the book publishing industry barely uses. The new adult genre is supposed to be for readers between the ages of 18 to 30, but many of these books are still classified as either young adult or adult. The issue is this book has been categorized as a young adult novel, meaning it’s for youth between the ages of 12 to 18, but the material, especially to a parent or a teacher, is definitely not for that age group when it comes to literature. And the age of eighteen is overlapping between the YA and NA genres, so when the protagonist is in that age group, it gets even murkier on how the book should be marketed. 

Right off the bat, the book’s inside flap calls Juliet a “self-proclaimed closeted Puerto Rican baby dyke.” The d-word is usually an offensive word, though it may be embraced by some lesbians like the author and the character. Harlowe writes about women’s bodies and is known around town as the “pussy book lady.” When Juliet wakes up on her first morning at Harlowe’s home, she comes face-to-face with a naked man. Harlowe reminds the naked man, her friend Phen, that he must ask Juliet if she’s OK with his nakedness. Confused, Juliet says yes. But the reader knows Juliet and any other young woman in that predicament would be uncomfortable to find a strange, naked man in the home of someone who’s supposed to be caring for them. The scene is small but can be confusing for the average maturing teenage girl who most likely was taught to stay away from naked men they do not know and depend on their supervising adult to prioritize their safety and comfort. The book has numerous parentless, college-girl adventures, which again can be viewed as inappropriate by high school administrators and parents, because that’s another life when you cross the eighteen-year age threshold and wander into the real world on your own. 

On the other end of the spectrum, there are girls, boys, and nonbinary teens who yearn to read a book like this to see how their worlds can open up after high school, either in college and/or in the real world off campus. Meeting characters like Juliet and Harlowe through the pages may inspire them to craft their own journeys like venturing off to an unknown place, exploring their identity and creativity, or looking for their communities of support that may not be visible where they are in their guardians’ home and at a high school where books featuring queer teens can be banned. 

Overall, the book is entertaining with showing the White cultural mecca Portland has become over the years and juxtaposing that setting with a queer Latina character’s Bronx-driven culture as she comes to terms with who she wants to be. 

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Joy Revolution Acquires First Fantasy YA Romance Novel

The Random House Children’s young adult imprint founded by best-selling literary supercouple Nicola Yoon and David Yoon has purchased its first fantasy duology at auction.

Joy Revolution‘s two-book deal was shared Monday on Twitter for Sinner’s Isle, a “dual-POV Latinx fantasy romance,” written by Angela Montoya, according to Publishers Marketplace Deal Report.

“I’m shook. I’m thrilled. I’m scared to death,” Angela tweeted about her debut novel. “But mostly, I’m just so damn grateful for everyone who’s ever believed in me and SINNER’S ISLE; the #Latine #yafantasy #romance of my dreams.” She is represented by literary agent Larissa Melo Pienkowski of Jill Grinberg Literary Management.

“This is our first fantasy acquisition & it was worth waiting for,” Nicola tweeted. “It’s got epic romance, powerful & dangerous magic, incredible storytelling. I can’t wait for you guys to read it!”

Dubbed Pirates of the Caribbean meets Shelby Mahurin’s Serpent & Dove series, the book features a witch held captive on an island desperate to escape before a weeklong fiesta for rich tourists ready to meet majestics like her. The desperation morphs into her blackmailing a pirate who washes ashore.

With its initial round of books scheduled to be released this year, Joy Revolution debuted in October 2020 to focus on YA love stories centered on people of color. Wendy Loggia, author and senior executive editor at Penguin Random House’s Delacorte Press, oversees the imprint while Bria Ragin serves as the imprint’s editor.

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From the Editor: Diversifying the #TBR List to Add More Books by Latina Authors

For Banned Books Week, One World authors discussed what they wished they had learned in school. As in what they felt was missing from their yearslong education presumably from kindergarten to college. The conversation centered on the absence of racial and ethnic groups that make up the fabric of the United States and the context of discrimination against these groups. English and history classes became a target where authors said they didn’t recall reading works by entire groups of people, their voices missing from our curriculums.

We’re in the midst of National Hispanic American Heritage Month. From Sept. 15 to Oct. 15, we as a country are celebrating the histories, cultures, and contributions of Americans whose ancestors came from Spain, Mexico, the Caribbean, and Central and South America. The middle of September marks the independence days for Costa Rica, El Salvador, Guatemala, Honduras, Nicaragua, Mexico, and Chile.

I don’t read enough books by Latina authors. I started she lit to document my adventures of becoming a published author like blogging about the literary industry conferences and networking events I attended in Los Angeles. One factor I realized as a future author is the necessity to read current works. That’s when I noticed the diversity and inclusion conversation in book publishing. And that’s when I realized I read mostly books by men because that was what was marketed to me the most, recommended to me the most. When I started adding more books by women to my #ToBeRead list, I added books by Black women because as a Black woman who had attended predominantly White schools, I rarely had the opportunity to invest the time into reading books by women whose experiences I can identify with.

The disappointing realization that I need to read more books by Latinas occurred to me months ago while examining my book collection. Julia Alvarez’s In the Time of Butterflies and Yo! stared at me from my bookshelf, both fixtures that have been there for years, but the time to read them always slips away. I reread The House on Mango Street by Sandra Cisneros a few years ago since we share Chicago roots, and I had to experience her part of Chicago again. The thick hardcover of Women Who Run With the Wolves by Clarissa Pinkola Estés sits unread though I bought it last year to replace the paperback Jada Pinkett Smith gifted my class at Spelman College that later made its way to the jungles of Africa with my sister. It didn’t return intact.

As a challenge, I read three books in a row:

Mexican Gothic by Silvia Moreno-Garcia

Dominicana by Angie Cruz

Clap When You Land by Elizabeth Acevedo

Other content related to Latina authors you can find on she lit include:

Why the Latinx Literary Community Is Warning Us About ‘American Dirt’

Book Review: ‘Sabrina & Corina’ by Kali Fajardo-Anstine

‘The View’ Co-Host Sunny Hostin Gushes Over Debut Novel

Book Launch: ‘The Education of Margot Sanchez’ by Lilliam Rivera

I look forward to blogging about more works by Latina authors, and diversifying that list even more since many of the ones I have read recently are of Dominican descent. Like many readers open to broadening their perspectives, there is always room for improvement. Leave a comment below on the books you recommend by Latina authors 👇🏾

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book reviews

Book Review: ‘Dominicana’ by Angie Cruz

Dominicana by Angie Cruz

My rating: 4 of 5 stars


Read more book reviews like this on my blog shelit.com

Dominicana by Angie Cruz is a coming-of-age literary fiction novel about a Dominican girl in the 1960s who’s forced into a marriage to get her chance to live in the United States, but the American dream comes with more sacrifices than she expected.

Ana Canción is growing into her own. She loves her family composed of her parents, three siblings, and two cousins, and helps them on their dying farm in the Los Guayacanes area of the Dominican Republic. Except her family needs to sell some land to the entrepreneurial Ruiz brothers, who mostly live in New York City. Ana’s mother convinces Ana to marry middle brother Juan to seal the business deal and have an opportunity to live in the U.S. As the obedient daughter who witnessed her older sister Teresa suffer the downfall of having a child with a no-good man, Ana says yes to a marriage proposal that’s been on the table since she was eleven years old, even though she’s falling for Gabriel, her first crush:

One kiss and suddenly I’m una mujer. Not a niña or jovencita but a woman. I touch the mirror to understand how it happened without warning, but with the hot-pink dress on, the girl who had never been kissed is gone. I am Ana, about to be married and to travel to America. Juan Ruiz is expected before noon.

On the way to New York, Juan buys Ana a ceramic doll at the airport she calls Dominicana. By the time they get to their apartment in Manhattan on 168th Street and Broadway, Ana realizes that the doll is the only constant. Juan works most of the day in the garment business and comes home smelling like another woman’s perfume. He becomes violent when Ana isn’t the perfect homemaker, always cooking, cleaning, helping with Juan’s side hustle, and staying home as an undocumented immigrant who doesn’t know English. Juan’s side hustle is selling men’s suits out of their apartment. Ana figures out a way to overcharge and keep some of the profits for herself, hidden in Dominicana. But upon expanding her world, she loses her money and feels desperate about starting over again.

To make matters worse, Ana discovers she’s pregnant. She needs her own money. Juan’s younger brother César comes to her rescue. While Juan sorts out business affairs in the Dominican Republic, César, who also works all day and comes home smelling like another woman’s perfume, takes it upon himself to be the husband he knows Ana doesn’t have. They form a bond that seems indestructible until Juan returns home.

Every detail of a regular life juts out in a way that’s still interesting in this historical fiction novel reflecting the journeys of Dominican women coming to the United States in the 1960s when the island was on the brink of civil war. Seeing the world unfold from her window, Ana even witnesses Malcolm X’s assassination at the Audubon Ballroom next to her building.

It’s a snapshot of immigrant life in American history that’s rarely told in American literature. The story follows a pattern from other novels such as Monica Ali’s Brick Lane, which takes place in London with a woman from Bangladesh brought there by a much older husband, of the teen bride-turned-housewife dedicated to serving the husband who works all day while she doesn’t get the love she deserves until she finds it elsewhere. But the story also features domestic violence and rape as Ana is fifteen and Juan thirty-two, more than double her age. Ana feels stuck in a new country and in a promise to financially support her family. The weight is heavy of being the chosen daughter of a poor family from a poor country where she has the chance to make life easier for everyone by sacrificing herself for the cause.

Overall, the reader sees Ana’s growth from shy teenage girl to determined mother-to-be looking for ways to escape her marriage without causing harm to her family. Throughout the book, Ana thinks about her family as tragedy strikes amid her home country sinking into war. Her dedication to her family is strong as she depends on one Ruiz brother to save her from another.

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Book Review: ‘Mexican Gothic’ by Silvia Moreno-Garcia

Mexican Gothic by Silvia Moreno-Garcia

My rating: 4 of 5 stars


Read more book reviews like this on my blog shelit.com

Mexican Gothic by Silvia Moreno-Garcia is a slow burn novel that takes place in a mansion tinged with supernatural forces where the main character is trying to diagnose her cousin’s mysterious illness and the settings that made her sick.

Noemí Taboada is a wealthy socialite living in 1950s Mexico who wants to pursue a master’s degree in anthropology. Her father, an entrepreneur in the ink industry, promises Noemí he will fund her education if she visits her newlywed cousin Catalina. The destination is High Place, a Gothic mansion high up a mountain in a remote town that belongs to Catalina’s in-laws, the Doyles. When Noemí arrives at the mansion, she finds Catalina is ill.

A disturbing letter from Catalina claiming she is being poisoned by the Doyles forces Noemí to make the long-term visit to check in on her cousin, who lost her parents at a young age. So Noemí enters the High Place believing her cousin is putting on the theatrics for attention. Then, Noemí meets the Doyles. There is Catalina’s husband, Virgil, who makes Noemí uncomfortable right off the bat. Florence Doyle, Virgil’s aunt and the drill sergeant of the house, chastises Noemí for questioning the rules like seeing the sickly Catalina at her convenience. Howard Doyle, Virgil’s father, appears at the first dinner and remarks on how Noemí has darker skin and hair color than Catalina. After making a mental Post-it note on the microaggression, Noemí answers that her cousin is half-French. This leaves a bad taste in her mouth. The only ally Noemí has is Francis Doyle, Virgil’s younger cousin, who appears gentle enough to get along with.

After having a chance to survey Catalina, Noemí notices the illness has overtaken her cousin with strange symptoms. The doctor working with the Doyles keeps medicating Catalina and assuring Noemí nothing else can be done. Noemí doesn’t buy that. She sneaks out into the town and tries to get a doctor to come to High Place. The one doctor she finds is afraid to get involved with the Doyles’ matters. A medicine woman in town claims to know Catalina and had given her natural remedies before Catalina was confined to High Place. From the townspeople and the Doyle grounds, Noemí discovers that hundreds of miners died during an unexplained epidemic from the family’s silver mining heyday amid the start of the Mexican Revolution.

Piecing together the strangeness of the Doyles and their home, Noemí forges on her quest to save her cousin. Except she is having hallucinogenic visions and doesn’t quite feel like herself. She confides in Francis more and more for help until they figure out the magnitude of the engulfing presence that defines the family and their surroundings.

Not a fan of thrillers, but this historical fiction novel set in Mexico weaves the social sciences and the physical sciences together to create a perfect storm of extreme tension between Noemí and the Doyles sans Francis. Though there is a supernatural element, there is also the lure of how the Doyles live and where they live. Noemí realizes the house would draw a fairy tale-loving Catalina in:

It was the kind of thing she could imagine impressing her cousin: an old house atop a hill, with mist and moonlight, like an etching out of a Gothic novel. Wuthering Heights and Jane Eyre, those were Catalina’s sort of books. Moors and spiderwebs. Castles, too, and wicked stepmothers who force princesses to eat poisoned apples, dark fairies cursing maidens and wizards who turn handsome lords into beasts. Noemí preferred to jump from party to party on a weekend and drive a convertible.

The book is also part romance with Noemí trusting Francis as the days go on as the only person who can help her with Catalina. Even though he’s a Doyle, he takes a liking to Noemí and looks for ways to help as the youngest member of the family who’s grown accustomed to how everything functions and doesn’t know if he wants to poke the bear of what’s lurking around them.

Overall, the suspenseful ending solves the mystery of what’s ailing Catalina, and the reason is complicated like the journey to discovering the secret. Again, the unique setting in place and time elevates the story and the complexity of the characters.

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Book Review: ‘Clap When You Land’ by Elizabeth Acevedo

Clap When You Land by Elizabeth Acevedo

My rating: 4 of 5 stars


Clap When You Land by Elizabeth Acevedo explores how a father’s dual life impacts two daughters with two different identities who have to unify as one to move forward past tragedy.

Camino Rios and Yahaira Rios are half-sisters, but they don’t know about each other until their father dies in an airplane crash flying to the Dominican Republic like he always does for the summer.

Camino, who lives on the island, is devastated, especially since she had lost her mother years before to illness. Her best friend, Carline, is occupied with her boyfriend and their impending baby. Camino’s aunt, Tia Solana, takes care of her and the community as a healer. With hopeless New York City university dreams, Camino throws herself into training to become a healer, so she can follow in her aunt’s footsteps and assist her friend.

Yahaira lives on an island, too. Born and raised in the Morningside Heights section of Manhattan, she was a promising chess player until she found out her father’s secret. As the secret eats her alive, she faces her father’s untimely death and leans on her girlfriend, Dre.

The closer it gets to burying their father, the more secrets Camino and Yahaira’s extended family reveal, including about each other. Chatting via social media, they try to accept each other in their grief and unite to make sure their father receives the proper burial.

This is so far one of the top young adult novels in verse. Another competitor is Punching the Air by Ibi Zoboi, who is also Dominican, and Dr. Yusef Salaam of the Exonerated Five. Novels in verse are becoming more popular in YA literature, but it’s difficult to deepen characters and storylines when writing long poems in the form of chapters. But Elizabeth Acevedo―an awardee for her previous two YA novels, The Poet X, and With the Fire on High, does an excellent job of navigating two separate lives handling unexpected grief. She says she was inspired by the real-life crash of American Airlines Flight 587, where most of the passengers had ties to the Dominican Republic and traveled back and forth from New York. Since it occurred weeks after 9/11 and had no ties to terrorism, the tragedy lost steam in American media as the Dominican community stateside continued to grieve. The loss of a parent hits the two characters but so do the lies that their father kept. The trauma and betrayal are spelled out in the pages as we get to know Camino and Yahaira more, especially when they are roaming through their own labyrinths of confusion.

Overall, the portrayal of two sisters interpreting their father’s fate miles apart from each other without knowing each other elevates the emotions in this novel. The gravity of the situation also feels authentic as the main characters try to figure out what’s next for them at a time when they are preparing to enter the real world.




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#PublishingPaidMe Reveals Pay Discrepancies Between Black and White Writers

Going into the third week of protests over the police killing of George Floyd, book Twitter went down another road in revealing the racial bias in publishing.

A Blade So Black and A Dream So Dark author L.L. McKinney started the #PublishingPaidMe Twitter hashtag on Saturday to invite White authors to share the advances they received on their books to give Black authors insight on what they received for theirs.

Writer’s Digest shares this definition of an advance versus a royalty:

An advance is a signing bonus that’s negotiated and paid to the author before the book is published. It’s paid against future royalty earnings, which means that for every dollar you receive in an advance, you must earn a dollar from book sales before you start receiving any additional royalty payments.

Though L.L. tweeted she made the hashtag to discover numbers from only White authors, Black authors and other authors of color decided to share their numbers.

One author is Dhonielle Clayton. Her debut fantasy young adult novel The Belles that published in 2018 is seen as inspiration in the multicultural fantasy YA genre. She shared she only received a $45,000 advance for her book though it was in one of the hottest genres at the time amid the publishing industry’s alleged push toward diversity and inclusion with adding more authors of color on their rosters and books featuring characters of color.

In a quote tweet from White YA novelist Laura Sebastian, Zoraida Córdova, who also writes fantasy YA, said she received $7,500 for Labyrinth Lost, which features Latinx characters inspired by her Ecuadorian roots. She added it’s her best-selling book yet. Laura, the author behind the Ash Princess series, tweeted she had received six-figure deals for each book in each of her three trilogies, the next two with debut novels set for 2021.

Laura later tweeted she received backlash for putting up such high numbers and was accused of distributing “sexual favors.” Battling the sexism online, she added she wanted to be an ally and share her reality.

Myriam Gurba, the queer Chicana memoirist behind Mean and the main campaigner to spread awareness on Jeanine Cummins’ White narrative version of the Mexican immigration story in the best-seller American Dirt, said she just earned $3,000 for Mean.

Nigerian-American novelist Nnedi Okorafor who specializes in literature highlighting Africanfuturism and Africanjujuism said she wouldn’t share her numbers but offered the alternative of not taking advances and just receiving royalties. From her tweet, she implies that royalties put more money in her hands in the long run, especially for her award-winning novella trilogy Binti.

The #PublishingPaidMe hashtag is an eye-opening account of how authors who are not White and cisgender may be lowballed for their work, the work readers pay for and check out from libraries, actions that produce a lot of money for publishers.

This conversation may trigger a long-term movement in the publishing industry, where publishers have the opportunity to divide budgets more equally instead of basing sale projections on the myth that diverse stories don’t sell well. Even with the success of books such as Angie Thomas’ The Hate U Give and Kiley Reid’s Such a Fun Age, that myth still lingers, especially when these Black authors and very few others made news with their advances.

Jesmyn Ward, who won the National Book Award twice, tweeted Monday that her publisher did not want to give her $100,000 for her next book after Salvage the Bones received the award.

Mary Karr, Robinne Lee, and Lilliam Rivera were a few of the authors to respond to Jesmyn’s claims. In a series of tweets, Jesmyn clarifies how her other works fared like Men We Reaped and Sing, Unburied, Sing, which was her first book to earn a $100,000 advance.

L.L. added in multiple tweets that there will be continuation in the discussion where Black authors will be asked to share information.

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Book Review: ‘Sabrina & Corina’ by Kali Fajardo-Anstine

Sabrina & Corina by Kali Fajardo-Anstine is a brilliant short story collection surrounding indigenous and Latina characters in Colorado. From the first story to the last story, the book follows the lives of several women who are trying to keep family and history a priority.

“Sugar Babies” is the introductory story showing two classmates trying to care for a pretend baby made of sugar that brings up feelings for the girl who’s trying to develop a relationship with a mother who had abandoned her. “Cheeseman Park” has a young woman staying with her mother and meeting another woman in the same apartment complex who appears misunderstood by their neighbors as they bond in the nearby park. “Remedies” emphasizes how hard it is to incorporate blood ties into the family when a mother brings in her daughter’s father’s other child by another woman into the home and deals with a head lice problem that turns her life upside down. “Tomi” features a woman getting out of prison and bonding with her nephew while figuring out her new surroundings as the neighborhood changes. And the neighborhood changes also comes up in “Galapago” when a grandmother, being pushed by her granddaughter to move away, faces a home invasion. The namesake story, “Sabrina & Corina,” examines the dwindling relationship between two cousins and how one finds relative success and the other experiences the ultimate downfall.

The stories amazingly concentrate in the greater Denver area, showing the Latinx and indigenous female experience we don’t really see in fiction, especially from the perspective of an author who was bred within that culture. There is a struggle for the characters to remain in their homeland where generations before them had settled as they handle the gentrification, family, and discrimination. A consistent theme is the woman’s role in her family and how her relationships with her family dictate all her relationships. They are daughters, granddaughters, sisters, cousins, aunts, mothers, grandmothers figuring out their roles in their current situations.

Overall, the stories are well-structured and thought-provoking. I listened to the book on audio where the voices changed as if to give the indigenous and Latina narrators the opportunity, but it was unnecessary; one narrator throughout the book would’ve worked better to make the transitions more seamless.

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what's lit

The Fight for Diversity in Publishing Competes With ‘American Dirt’ Success

American Dirt, Jeanine Cummins’ debut sensation, was met with controversy right off the bat when the Latinx literary community said some descriptions in the book appeared racist. Jeanine, who identifies as a white woman with a Latina grandmother, saw her author profile still rise with white readers and Oprah Winfrey claiming it as a marvel.

Whether readers think the novel had racist undertones or not, American Dirt reignited the conversation around diversity in publishing. But what changes should we expect?

A group of Latinx writers, spearheaded by Myriam Gurba, helped drive the campaign against the novel, which led to a meeting with Flatiron Books after the publisher canceled the book tour  over safety concerns for the author and booksellers hosting the events. The Flatiron Books president and publisher, Bob Miller, said he and his colleagues had been excited about the book’s release and its praise from major authors and Barnes & Noble and Oprah’s Book Club making the book a selection. In a statement, after the excitement wore off, he said:

“We were therefore surprised by the anger that has emerged from members of the Latinx and publishing communities. The fact that we were surprised is indicative of a problem, which is that in positioning this novel, we failed to acknowledge our own limits.”

The statement also added the publisher regretting the categorization of the novel under the migrant experience, the mention of Jeanine’s husband being an undocumented immigrant “while not specifying that he was from Ireland,” and a centerpiece at a bookseller dinner last May that “replicated the book jacket so tastelessly.”

The barbed wire illustration on the cover has been seen as offensive, and critics accused Jeanine of glamorizing the negative symbol of immigration with her book cover manicure. The blue watercolor-looking birds have become a part of Oprah’s Book Club profile photo on Instagram and the background of Jeanine’s website.

Flatiron Books plans to organize town hall meetings, where Jeanine will be joined by groups who have raised objections to the book. Dignidad Literaria responded with a letter from 142 writers of various ethnic backgrounds asking Oprah, who wields much literary industry power, to backtrack and drop American Dirt from its selection list. Some authors include Kali Fajardo-Anstine, author of Sabrina & Corina; Jasmine Guillory, author of The Wedding Date; and Angie Kim, author of Miracle Creek.

On Oprah’s Book Club Instagram posts asking for input on the novel, most of the comments are positive reviews. Jeanine, the author of The Crooked Branch, The Outside Boy, A Rip in Heaven: A Memoir of Murder and its Aftermath, has expressed her support for migrants along the U.S.-Mexico border on her website and asked readers to also send their support.

When I was traveling in Mexico and the borderlands researching for American Dirt, nothing surprised me more than the preponderance of HOPE among people who endure so much hardship. That is what the United States of America still represents to the people who risk everything to get here. So many good people in the US and Mexico are deeply committed to protecting refugees in their most vulnerable moments; these folks are out there just quietly saving lives every single day. If you are moved to do so, please support them however you can.

The Los Angeles Times featured a recent local event, organized by Myriam and other writers including Roxane Gay, about the American Dirt controversy. Roxane said of the novel’s author, Jeanine:

“This woman is going to be set for life, this book is going to earn royalties in perpetuity, and so it just reinforces what publishing already knows, which is as long as white people are translating the experiences of people of color, it will sell very well.”

Dignidad Literaria is holding another town hall meeting in San Antonio, Texas at the Esperanza Peace and Justice Center on Feb. 22.

With American Dirt at No. 1 this week on The New York Times Best Sellers list, the time period of the book’s success may last a few more months and most likely reach the end of the year. Roxane echoes the concern that diversity in publishing, especially related to this book, might not happen the way it needs to.

One of the main issues is a white author being reportedly paid a seven-figure paycheck to tell migrant stories that are not a part of her experience. The argument between readers is who gets to write others’ experiences versus if it’s fair to designate certain stories for certain groups.

All eyes are now on Oprah’s TV special she promised in response to the criticism. According to local Arizona publications, she was shooting Feb. 13 on location in Tucson, where 250 people were asked to meet at the Harkins Theatres Arizona Pavilions and moved to another location. Oprah had promised last month on CBS This Morning that she would shoot the special around the border towns mentioned in the book.

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what's lit

Why the Latinx Literary Community Is Warning Us About ‘American Dirt’

While American Dirt by Jeanine Cummins was being officially named the monthly pick for Oprah’s Book Club and the Barnes & Noble February 2020 National Book Club Selection Tuesday morning, Latinx writers and book bloggers and their supporters had already launched a social media campaign warning readers of the alleged egregious stereotypes about Mexico and Mexican-Americans within the book.

Oprah joined the CBS This Morning crew, including her BFF Gayle King, with Jeanine to share the highly anticipated book selection.

“You already have a little bit of haterade people are drinking about you,” Gayle said about the controversy. “Even you were first worried you had no business writing this book. You felt compelled yet unqualified because it’s a migrant story. In Mexico.”

“I always knew I wanted to write about immigration,” Jeanine responded. “I was interested in that topic and I resisted for a very long time, telling the story from a migrant’s point of view because I was worried I didn’t know enough. That my privilege would make me bind to certain truths.

“I felt very compelled. It was five years of research and two failed drafts that convinced me that I needed to go into Lydia’s point of view,” she said. She added during her early research she spoke to a former Chicano studies professor chair at San Diego State University who told her: “‘Jeanine, we need every voice we can get telling this story.'”

Oprah ended the interview by saying she and Jeanine will travel to the U.S.-Mexico border to the real places mentioned in the book to videotape the book club special for Apple TV+.

On Instagram, book bloggers and writers posted several photos starting with a neon blue screen, matching the blue hue in the book cover, followed by a pile of books by Mexican-American writers. Book blogger Lupita @lupita.reads said the book is “filled with harmful stereotypes of my culture for the sake of representation.”

Especially not at this time when all we are fed in the media is “Mexico = bad”. I can’t and I won’t accept books that dehumanize immigrants. The thing is, I am not a “brown faceless mass”, as the author noted, I have had a face for a very long time and so have writers like me that have written about our struggles beyond our initial journey here.

The messages ask readers to educate themselves on the stereotypes in the book and support books actually written by Mexican and Mexican-American authors who depict more accurate immigrant stories but didn’t get the same marketing budget as American Dirt. Book bloggers a part of the “own voices” community posted they felt their concerns about the book have been drowned out by the good reviews by the publisher, Oprah, and their affiliates.

The book is under the Flatiron Books imprint with MacMillan Publishers. Its website has a quote from trailblazing Mexican-American poet Sandra Cisneros saying, “This book is not simply the great American novel; it’s the great novel of las Americas. It’s the great world novel! This is the international story of our times. Masterful.”

“This book is not simply the great American novel; it’s the great novel of las Americas. It’s the great world novel! This is the international story of our times. Masterful.”

American Dirt follows Lydia, a bookseller in Mexico, who is married to a journalist. Once her husband publishes a profile of a drug cartel leader, Lydia must flee her home with her son Luca. Their journey leads to the border where they know the cartel leader won’t find them in the U.S. The book’s description ends: “As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to?”

https://twitter.com/SassyMamainLA/status/1219701834454949888

Though Oprah received the bulk of the backlash, Barnes & Noble also announced its bookstores will hold a book club discussion on March 10 at 7 p.m. No word yet on any counter-discussions scheduled at that time.
 
 
“With Jeanine Cummins’ American Dirt, we have selected a book that will resonate with our customers and stay with them long after they turn the final page,” said Liz Harwell, senior director of merchandising, trade books at Barnes & Noble, in the announcement. “American Dirt is a heart-racing page turner that takes readers into the heart of the migrant crisis.”
 
 
Barnes & Noble Book Club conversation will be at #BNBookClub on social media while Oprah’s Book Club can be found at @OprahsBookClub on Instagram.
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what's lit

‘The View’ Co-Host Sunny Hostin Gushes Over Debut Novel

Celebrity host and lawyer Sunny Hostin excitedly announced she will be releasing her debut novel in June.

On last Tuesday’s episode of The View, Sunny announced Summer on the Bluffs surrounds an Afro-Latina lawyer, Esperanza “Perry” Soto, who returns to her godmother Ama’s beach cottage in the exclusive Black beach community of Oak Bluffs with her two godsisters as they vie for the real estate while harboring a secret .

“[Perry] escapes from New York every summer for the beaches of Oak Bluffs on Martha’s Vineyard where she shares a beautiful seaside home with her two godsisters, Billie and Olivia, and their home is owned by their godmother, Ama. She’s the first Black woman to have a seat on the New York Stock Exchange, but this summer on the bluff is different,” Sunny said on The View. “Because Ama decided to give her house to only one of her goddaughters. Each of the women want the house desperately.”

The book will be released on June 16, 2020 by HarperCollins Publishers.

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book reviews

Book Review: ‘The Poet X’ by Elizabeth Acevedo

The Poet XThe Poet X by Elizabeth Acevedo
My rating: 4 of 5 stars

“The Poet X” by Elizabeth Acevedo is a coming-of-age novel that expertly showcases the teenage life of a girl of color who’s first-generation American scared to share her true voice due to family expectations.

Xiomara is a Dominican teenager living in New York City with the gift of poetry she feels she can’t share with the world because she has to please her strict parents. Her religious mother makes Xiomara and her twin brother Xavier aka Twin attend after-school bible lessons. Xiomara is rough around the edges while Twin is active in his religious lessons and goes to a high-performing school, so Xiomara suppresses her love for poetry, especially since Poetry Club coincides with her religious classes. Her young teacher, Ms. Galliano, inspires her to find her voice, and when she does, Xiomara is falling in love with her classmate Aman, which is another no-no under her religious household. When Xiomara begins skipping church for poetry, her world begins to crumble as she realizes she can’t be the pure Catholic Dominican girl her parents want her to be.

This is a great YA novel with the necessary elements describing the hardships of an adolescent girl of color struggling with being American and also having immigrant parents going by the stricter rules of their homeland. I read it on audio book, so the characters’ names may not be spelled correctly, but the author does a fabulous job in her poetic prose-y voice, so definitely recommend the audio book.

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book reviews

Book Review: ‘With the Fire on High’ by Elizabeth Acevedo

With the Fire on HighWith the Fire on High by Elizabeth Acevedo
My rating: 4 of 5 stars

“With the Fire on High” by Elizabeth Acevedo touches on the struggle girls of color have when opportunities come their way because they live in a place where such opportunities never come or they feel they can’t handle those opportunities due to where they live and how they live.

Emoni Santiago is a 17-year-old high school senior with a passion to cook. She’s always cooking at home for ‘Buela and Emma aka Babygirl, the daughter she had at 14. A culinary experience class opens at her charter school and she gets a spot, but she realizes her usual rule-breaking in the kitchen at home won’t cut it in class. She tries to ignore the hiccups and wallows in the successes of the class since they have the opportunity to go to Spain at the end of the semester. It takes a fancy dinner at a restaurant to convince Emoni to take the class more seriously since it can lead her to a culinary career. Once she refocuses, she becomes the head of the donation drive for the Spain trip. And she also finds herself somewhat falling for Malachi – they like each other but Emoni wants to put Babygirl and school first, especially when she senses something off with ‘Buela, deals with a father going in and out of her life by flying to Puerto Rico, hands off Babygirl to her father Tyrone and his family, and sustains a relationship with her deceased mother’s sister.

As a teen mom, Emoni feels guilty about opportunities that would take her away from Babygirl because she knows not only she but also her family had to make sacrifices for her daughter because of her unplanned pregnancy. She wants to stay home and cook dishes her way because that keeps her close to ‘Buela and Babygirl, which almost derails her from continuing with the prized culinary class and going to Spain. There are chapters focusing on her time in Spain and she brings up the disbelief a girl from North Philly ended up in Seville. It also helps her find a way to attend college and stay close to home for her family. But the worrying about how the opportunities could mess up her current life when her current life may not be ideal but comfortable sticks with her as she tries to decide what’s next.

The theme of motherhood resonates in the novel with Emoni taking care of Babygirl while also wondering what her mother would’ve been like. Her mother died during childbirth and her father, Julio, gave her to his mother ‘Buela to raise. So while Emoni is working hard to be the best mother she can be on top of high school and college preparation, she questions why Julio is not around when he’s alive. And ‘Buela starts to be secretive over the stress of raising Julio then having to raise Emoni then helping raise Babygirl. Her mothering becomes endless in a way, and Emoni wishes she could change things to make it easier for her grandmother.

Overall, the book has remnants of an Americanized modern-day version of the classic “Like Water for Chocolate” with each part opening up to a recipe Emoni wants to conquer. Throughout the book, her cooking is heightened with ingredients she chooses for home and school to make her food pop. Then her family and class experience deeply-rooted emotions when she cooks and those emotions are even seen with the restaurateurs in Spain. Food is magic. Every other chapter being dedicated to what we already know about her past is annoying; it was already weaved into the story and additional details could’ve been weaved. The story stalled with those chapters and elongated it for no reason, but maybe for other readers that technique works. It’s a new perspective on YA lit with the teen mom lifestyle and school being a big part of the story like the author’s first novel, “Poet X.” The theme of a girl of color trying to figure out her dreams is still present in this novel and is elevated with the new perspective of culinary dreams.

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experiences

Book Launch: ‘The Education of Margot Sanchez’ by Lilliam Rivera

Tuesday night, I attended the launch party for The Education of Margot Sanchez by Lilliam Rivera. After hearing buzz around the novel for months, I traded in a night of writing to see a novel officially enter the literary space.

I’m working on a young adult novel with elements of The Little Mermaid that will deal with teenage hardships, gang violence, academic pressures, and young love. So when I heard about this novel, I waited with anticipation and luckily received an invitation through my book club.

The story surrounds the title character punished for stealing her father’s credit card to buy designer duds to wear at her prep school. Her punishment is to become one of the cashieristas at her family’s market. Coming of age in the Bronx as a young Latina juggling with class issues and gentrification was a story rarely seen in the young adult genre. 

The past two years have exploded with more characters of color ushering a new face to the genre. When I was a teen devouring library books, all the heroines I admired were presumably white, with the race of other characters defined. I saw my personality traits in those characters but wished at least one or two could look like me on the cover and understand my brown-skinned world. With Lilliam Rivera and Nicola Yoon, who presently has both her latest novels on the bestseller’s list at the same time, the game is evolving for the generation of girls looking for characters they can relate to, on a cultural and racial level. 

The party attracted around 60 people at Other Books in Boyle Heights, a neighborhood undergoing gentrification, and incorporated the book’s New York flavor with a deejay blasting hip-hop goodies. I usually bail on book launch parties because they take place after a long day at work, but it was nice to see a celebration for a book and the author talking about it with others.