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Book Review: ‘Red Clocks’ by Leni Zumas

Red Clocks by Leni Zumas is a layered, multi-perspective story following the lives of four women in the Pacific Northwest who find themselves questioning the feelings they have about motherhood as the U.S. starts implementing restrictive reproductive laws. 

The characters are labeled as their occupations. First, we have Ro, known as the biographer. She is in the process of writing a biography of a lesser-known 19th century female polar explorer named Eivør Mínervudottír. Still in mourning over her brother’s death, Ro gets up every day and teaches history at the local high school. Sometimes, she starts her mornings off at a fertility specialist’s office since she is trying to get pregnant in her late thirties with the assistance of a sperm donor. 

“When Congress proposed the Twenty-Eighth Amendment to the U.S. Constitution and it was sent to the states for a vote, the biographer wrote emails to her representatives. Marched in protests in Salem and Portland. Donated to Planned Parenthood. But she wasn’t all that worried. It had to be political theater, she thought, a flexing of muscle by the conservative-controlled House and Senate in league with a fetus-loving new president. Thirty-nine states voted to ratify. A three-quarters majority… She couldn’t believe the Personhood Amendment had become real with all these citizens against it.” 

The Personhood Amendment was just ratified by Congress giving every fertilized egg the constitutional right to life, liberty, and property. This federal law also bans abortion in all 50 states with providers at risk of being charged with second-degree murder and abortion seekers at risk of being charged with conspiracy to commit murder. In vitro fertilization is also banned as the transfer of an embryo from laboratory to uterus is considered illegal. 

Another law, Every Child Needs Two, is taking effect soon where two parents with a valid marriage license are the only eligible people to adopt children. Single, unmarried people like Ro will soon be prohibited from adopting children. Her plan for motherhood has always been delayed as she was searching for her soulmate, but these laws have quickened her actions. She’s getting tests frequently to see if her body can carry a baby to term with a sperm donor. But her chances of getting pregnant are low. And now she wonders how much time she has to rush her adoption application to get a child before she’s not allowed to. 

“You can’t say it was rape or incest—nobody cares how it got into you.”

Mattie, known as the daughter, is a student in Ro’s class. A stellar student, she finds out she’s pregnant. Her best friend, Yasmine, had been in the same situation right when the Personhood Amendment went into effect. The situation Yasmine was in destroys their friendship, so Mattie feels lonely as she looks for ways to get an abortion secretly, whether that means crossing the border into Canada or getting help from the mender. 

“American intelligence agencies must have some nice dirt on the Canadian prime minister. Otherwise, why agree to the Pink Wall? The border control can detain any woman or girl they “reasonably” suspect of crossing into Canada for the purpose of ending a pregnancy. Seekers are returned (by police escort) to their state of residence, where the district attorney can prosecute them for attempting a termination. Healthcare providers in Canada are also barred from offering in vitro fertilization to U.S. citizens.” 

The mender, or Gin, is a traditional herbalist who lives away from society in the forest where her family has been known to make concoctions that treat ailments for centuries. When the Personhood Amendment goes into effect, Gin is still helping women with their abortions like she had always done, like her family generations before her had always done as reproductive care. When Mattie walks through her door, she feels a tinge for the sense of motherhood she gave up. Soon after, she is in a courtroom on trial for administering an abortion to another woman who ends up in the hospital with serious injuries. 

Then there’s Susan, the wife. She is the wife to Didier, another high school teacher who happens to be work friends with Ro. Battling the fatigue of raising two younger children, Susan is tired and feels unappreciated by Didier, who likes to come home after dinner with his work buddies without giving her a heads up. Their marriage is fraught with friction that only Susan senses as she goes through her daily housewife chores. She wonders what it would be like to abandon her marriage and her children for another man, even with the Every Child Needs Two law looming. 

In the background of all these contemporary perspectives is the long-gone explorer Eivør Mínervudottír, who according to biographer Ro, goes on all-male expeditions after rejecting marriage at age 19. Male domination follows Eivør as she constantly educates the men she’s venturing into the Arctic with. Though we don’t sense any longing for children or becoming a mother from her, Eivør’s femaleness still leads to her demise in a world where her rights were always restricted. 

“The girl is a mirror, repeating, folding time in half. When the mender had the same problem, she didn’t solve it how Temple told her to. Terminations were lawful then, but the mender wanted to know how it felt to grow a human, with her own blood and minerals, in her own red clock.” 

From the quote above, we learn “red clocks” is a term for the uterus, the organ that carries babies up to nine months in pregnancy and sheds its lining every month for a period. The organ is the biological clock for women, always running on a schedule for the purpose of reproduction. 

Mattie wants to stop the clock in order to continue her studies and to go off to college. Even though she was careful, even though her friend Yasmine was careful, pregnancy still occurred, and pregnancy in their teenage minds is shameful and destructive. On the other hand, Ro wants to get the clock fixed. She desperately wants a child, and when she learns that her star student Mattie is pregnant and needs assistance in getting an abortion, she can’t help but feel the complicated feelings. She can’t get pregnant while the teenagers who are in her face every day can easily get pregnant and not want to be pregnant, not want to have a child.

Complicated feelings come up for Gin when Mattie approaches her makeshift clinic for assistance. When abortion was legal, Gin used her red clock to give birth, but she didn’t keep the baby. Though she helps other females with their abortions, something about Mattie’s case strikes a chord with Gin. On another end of the spectrum, Susan gave birth to her first child when she was finishing up law school. The regret of not fulfilling her career goals because she had to start a family knots up inside her. Her red clock worked when she wasn’t ready, but now she’s wondering what life would’ve been like if it had not worked efficiently and she wasn’t tethered down to a husband and children. 

How the characters’ lives intersect is awe-inspiring because their stories reflect the complexity of reproductive decisions. It’s not easy to have a baby, and sometimes the woman with the red clock is the only one factored into the equation. Feelings change about motherhood where we see Ro putting the pedal to the metal to beat laws that would restrict her decision on motherhood to Susan who already has kids but now feels anchored to a marriage she no longer wants.

One underlying factor throughout the narratives is the characters are all dealing with the loss of a person or the sense of family that is surfacing more as they make their decisions on bringing a baby into the mix. The mourning seems to be louder at this stage in their lives and shows how even when family is perceived as important, depending on where you stand with your family, there is still insurmountable stress as the person wanting to expand the family.

Overall, this novel is very timely as the U.S. deals with anti-abortion laws and the overturning of the history-making Roe v. Wade Supreme Court decision that almost hit its 50-year milestone. Regardless of the pro-choice, anti-abortion, or in-between supporters, the story parallels real life well with the attention on reproductive laws and how those changes can affect all women, like the characters in this small fishing town in Oregon where its proximity to Canada means nothing. The rhythmic flow of the story helps open up the characters’ narratives, though minor characters’ narratives sometimes get lost in the interweaving. At the center, still, is how political and personal decisions on reproduction can wreak havoc in changing times. 

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Book Review: ‘Juliet Takes a Breath’ by Gabby Rivera

Juliet Takes a Breath by Gabby Rivera is a coming-of-age novel that has been miscategorized in the young adult genre since it focuses on a college student on an unconventional ride to self-acceptance.

Juliet Palante is discovering herself. On summer break from college, she’s at home in the Bronx about to embark on a journey to Portland, Oregon, to serve as an assistant to a feminist writer. But before she leaves, Juliet notices her sorta girlfriend Lainie has doubts about their relationship while she’s deciding how to come out to her family. She tells her family that she’s a lesbian at the dinner before her flight to Portland. The aftermath makes her look forward to Portland, where she lives with her new boss, Harlowe Brisbane. Once she’s inside Harlowe’s home, she’s quickly learning about the preference of pronouns to the range of sexuality. Where does she belong? Especially as a Latina in the very White-centered world of Portland. Her race, ethnicity, and culture intertwine with her sexual orientation as she meets young women like herself who seem so sure of who they are. 

As far as we know, this book has been banned by at least one school district. First of all, the book is about a college student. That’s the “new adult” genre that the book publishing industry barely uses. The new adult genre is supposed to be for readers between the ages of 18 to 30, but many of these books are still classified as either young adult or adult. The issue is this book has been categorized as a young adult novel, meaning it’s for youth between the ages of 12 to 18, but the material, especially to a parent or a teacher, is definitely not for that age group when it comes to literature. And the age of eighteen is overlapping between the YA and NA genres, so when the protagonist is in that age group, it gets even murkier on how the book should be marketed. 

Right off the bat, the book’s inside flap calls Juliet a “self-proclaimed closeted Puerto Rican baby dyke.” The d-word is usually an offensive word, though it may be embraced by some lesbians like the author and the character. Harlowe writes about women’s bodies and is known around town as the “pussy book lady.” When Juliet wakes up on her first morning at Harlowe’s home, she comes face-to-face with a naked man. Harlowe reminds the naked man, her friend Phen, that he must ask Juliet if she’s OK with his nakedness. Confused, Juliet says yes. But the reader knows Juliet and any other young woman in that predicament would be uncomfortable to find a strange, naked man in the home of someone who’s supposed to be caring for them. The scene is small but can be confusing for the average maturing teenage girl who most likely was taught to stay away from naked men they do not know and depend on their supervising adult to prioritize their safety and comfort. The book has numerous parentless, college-girl adventures, which again can be viewed as inappropriate by high school administrators and parents, because that’s another life when you cross the eighteen-year age threshold and wander into the real world on your own. 

On the other end of the spectrum, there are girls, boys, and nonbinary teens who yearn to read a book like this to see how their worlds can open up after high school, either in college and/or in the real world off campus. Meeting characters like Juliet and Harlowe through the pages may inspire them to craft their own journeys like venturing off to an unknown place, exploring their identity and creativity, or looking for their communities of support that may not be visible where they are in their guardians’ home and at a high school where books featuring queer teens can be banned. 

Overall, the book is entertaining with showing the White cultural mecca Portland has become over the years and juxtaposing that setting with a queer Latina character’s Bronx-driven culture as she comes to terms with who she wants to be. 

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Book Review: ‘Linden Hills’ by Gloria Naylor

Linden Hills by Gloria Naylor

My rating: 5 of 5 stars

Linden Hills by Gloria Naylor explores the rise of a Black suburb and how the residents sacrifice so much to live at the lowest elevation to flaunt their wealth.

The community of Linden Hills was created by Luther Nedeed’s “double great-grandfather” who has the same name. The rumor around town is the original Luther Nedeed sold his wife and six children into slavery to get the money to buy the hilly land that nearby White residents found unlivable. But the original Luther Nedeed set out to build a community that lasted generations with the current Luther Nedeed approving all the residents with a contract. If the residents fail to live up to the terms in the contract, then they’re asked to leave the elusive Linden Hills. But residents keep coming to the master-planned community the moment they amass enough money. They also try to get closer to Nedeed’s grand cabin and the funeral parlor he owns. If their home is closer to the man who pulls the strings in town, then they’re considered the most important residents in town as well.

The story follows two twentysomething handymen, Lester and Willie. Lester lives in Linden Hills proper, but on the edge of town in a small home that doesn’t meet the standards of most of the homes in the area. Willie lives outside of Linden Hills with his family in low-income housing. They team up to fulfill jobs around Linden Hills to multiply their money for holiday gifts, with Willie opting to stay with Lester the week leading up to Christmas. But something doesn’t sit well with Willie. He’s noticing the quirks of the average Linden Hills resident.

Willie and Lester work the wedding of the year of Winston Alcott, a rising businessman who feels he must get married to succeed in Linden Hills. Or that’s what Luther Nedeed is telling him. When Willie and Lester listen to Luther Nedeed talk on stage at the wedding, Willie gets a bad feeling about the man who serves as the face of Linden Hills.

The more jobs the handymen do in the span of five days, the more they come across Luther Nedeed. As Luther’s eerie presence marks the scenes where they work, the situations with the residents Willie and Lester are helping seem to worsen. Willie tries to make sense of it as he and his friend witness the ultimate sacrifice residents take to live up to Linden Hills’ expectations.

With chapters split into full days from Dec. 19 to Christmas Eve on Dec. 24, the book becomes unputdownable with easing into the narratives of neighbors weaved together through the eyes of Willie and Lester. We meet characters desperate to keep their economic stature in order to move on up in Linden Hills. The higher on the hill, the higher the respect, but in this case, residents want to move down to the center of the hill where the Nedeed cabin and mortuary sits. They don’t realize they’re physically being dragged downward instead of upward.

The downward pull is supposed to represent hell for these residents. They’ve signed their names to contracts to keep homes until infinity, but if they break any rules, then the contracts are nullified by Luther Nedeed himself. The book adapts the 14th century epic Inferno by poet Dante Alighieri, which depicts nine circles of hell: limbo, lust, gluttony, greed, wrath, heresy, violence, fraud, and treachery. The Linden Hills residents are socially climbing so high that they don’t realize downfall is the only place left to go when the obsession for riches and power overcomes them.

A theme in the book is the absence of women. There are several references to funerals happening in Linden Hills of women and husbands who had lost their wives years prior. We meet Laurel Dumont, a successful woman separated from her husband. She summers in Linden Hills as a child who loves to swim with her grandmother. But the moment Luther Nedeed finds out Laurel’s husband has filed for divorce, he threatens to take away her home because it wasn’t in the contract for her to live in the home without her husband. Also an interwoven perspective is that of Luther Nedeed’s wife, who nobody ever sees because she’s trapped in the basement. Luther Nedeed carries on business in town and lies about his wife’s whereabouts, knowing that nobody will investigate further because of the power he possesses over the town and its residents. He creates a patriarchal society without anyone realizing it because they’re so consumed by their financial worth.

Overall, the novel gives us a chilling look into a fictional Black suburb built on wealth and how residents only care about accumulating more wealth to move closer to the most powerful resident. The characters are blind to their obsession with money and to their worship of Luther Nedeed. Author Gloria Naylor started writing this book for her master’s thesis examining the Black middle class at Yale University under the guidance of Dr. Henry Louis Gates Jr. Linden Hills is a stark difference from her award-winning debut novel The Women of Brewster Place but maintains the narrative of a community making sense of the socioeconomic elements that went into its creation. The way she describes Linden Hills as a haven for Black residents is in reality a different kind of hell shows the duality of how we see our communities. It could be safe, but your life could be in danger because of other circumstances that you may have overlooked in search of calling a place home.



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Book Review: ‘Bone Black’ by bell hooks

Bone Black: Memories of Girlhood by bell hooks

My rating: 5 of 5 stars

Bone Black by bell hooks is a raw narrative of a Black girl navigating a world that seems to not be able to accept who she is.

bell hooks’ girlhood memoir starts in the countryside of Kentucky where the author is given a keepsake from her late grandmother and sensing the talk around why she gets the beaded purse when she wasn’t her grandmother’s favorite, nor her mother’s favorite. The book opens with a foreword emphasizing how the author’s behavior as a Black girl among six daughters and a son in a poor family came off as rebellious as she pushed against the frustration her family felt for not being able to understand her behavior.

She was sent to bed without dinner. She was told to stop crying, to make no sound or she would be whipped more. No one could talk to her and she could talk to no one. She could hear him telling the mama that the girl had too much spirit, that she had to learn to mind, that that spirit had to be broken.

The main theme throughout the memoir is the loneliness she feels within her family. She is considered the bad girl in the house, and that accusation eats away at her though she tries to conceal it through finding her comfort in raising her voice. She asks her family for a Black doll. Instead of happiness that she wants a doll that looks like her, she’s met with aggression; the White dolls are cheaper and easier to find. But somehow she gets her Black doll, Baby. This example shows bell’s young self fighting for what she wants, something that shouldn’t be a hassle, but her family processes her asking for a Black doll as a hassle. And those conflicting perspectives make bell look like the “problem child.”

She wants to express herself—to speak her mind. To them it is just talking back. Each time she opens her mouth she risks punishment. They punish her so often she feels they persecute her.

Backtalk is a cornerstone of one of her books, Talking Back: Thinking Feminist, Thinking Black , that explores the concept as a way to silence people, especially people of color, who have been taught to stay quiet and not talk to others with equal authority. In her memoir, her family targets her for backtalk, but she feels she’s just expressing her thoughts. Because of her tongue, her family brands her in essence an “old soul,” or how she puts it as an “old woman born again in a young girl’s body.” How she speaks seems to scare her family, according to her, to the point she is believed to be a witch. That leads to her being given a book of fairy tales that describe old female characters as cannibalistic and evil. But a book in her hands transports her to another world, a world where she doesn’t have to be with her family. And reading so much inspires her to start writing.

Loneliness brings me to the edge of what I know. My soul is dark like the inner world of the cave—bone black. I have been drowning in that blackness. Like quicksand it sucks me in and keeps me there in the space of all my pain.

The color black is a recurring theme. Not necessarily about race, but more about the darkness she feels as being treated like she’s too different to understand. “Bone black” is a color she learns about in art class. She defines it as “a black carbonaceous substance obtained by calcifying bones in closed vessels.” To burn bones into ash is like disappearing altogether. Her art teacher allows her to paint with all the black she wants. Her mother doesn’t allow her to wear black because it’s a color only for women. bell rebels against this notion, but it becomes a point of contention between her and her mother. While her mother may not think it’s appropriate for a girl to wear black, bell thinks she should be able to express herself the way she wants.

Overall, the memoir, told mostly in third person, observes everyday acts and unpeels the trauma of a Black girl trying to use her voice when it’s restrained by others. The restraint becomes overwhelming, as in she knows her faith in believing her voice could be stomped out, and that conjures feelings of invisibility and unimportance. Instead of her voice being valued, it’s devalued with her family saying she’s too weird, incomprehensible. Though it’s set in the 1950s and 1960s in rural Kentucky, the pain points of being misunderstood, being silenced, being depressed, being poor, being female, being Black resonate beyond its time, unfortunately since these issues remain commonplace for many children in American households. The writing is simple, but every word conveys more meaning than what meets the eye.

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Book Review: ‘Seven Days in June’ by Tia Williams

Seven Days in June by Tia Williams

My rating: 5 of 5 stars


Seven Days in June by Tia Williams follows two best-selling authors who reunite on the New York literati circuit years after a high school fling that left them scarred. It’s a sophisticated romance still accompanied by a happily ever after.

Manhattanite single mom Eva Mercy is a former best-selling novelist whose Black vampire romance series à la Twilight still excites fans via the interwebs. By chance, an author drops out of a panel event, and Eva gets the last-minute invitation to fill the spot. That’s where she sees fellow, still-successful best-selling novelist Shane Hall, a mysterious intellectual who makes women and men alike swoon. Eva tries not to swoon because it turns out she and Shane went to high school once in D.C. and spent a week of debauchery in a mansion during their senior year. They meet up for a day in New York where the deep-rooted chemistry overtakes them. The day blends into another one and another where they start catching up about what went wrong when they were teenagers. Eva thinks Shane, who was a foster child and drug dealer at the time, abandoned her at her lowest point, but she learns that another force divided them. As they try to rekindle what they had as adults, Eva and Shane must combat their demons to accept the love that was severed so many years ago.

This is Tia Williams’ most complex work yet. Known for centering her novels on Black women in New York working in media, the author adds more layers to Eva’s character and Shane’s character not common in a lot of women’s fiction and romance novels. In adolescence, the main characters are dealing with substance abuse, self-harm, unstable homes, and missing parents. In adulthood, the age-old traumas return with them realizing how reflective their behaviors are when they interact with each other and the kids in their lives like Eva’s Gen Z daughter Audre and Shane’s mentee Ty. The character and storyline complexity blends well with the ubiquitous pop culture references the author loves to add to her novels.

Also, this is the first novel the author makes her main character an author as well when her previous novels’ main characters are beauty and fashion editors like her former day job life. Switching up the career choice also shows more depth with Eva translating her healing process through her books and Shane doing the same with his. Another element of the novel is Eva living with her invisible disability of suffering from debilitating migraines that worsen with barometric pressure. This also reflects the author’s life. She has given this trait to her first novel’s main character from The Accidental Diva, but this time around in Seven Days in June she makes Eva feel the everyday pain and impact and gives Audre the fear of seeing her mother chronically ill. The migraines also contribute to Eva’s writer’s block and how she’s struggling to deliver the 15th book of her famous series that is getting the film treatment with some hiccups along the way.

Overall, this novel is an excellent summer beach read that’s definitely a page-turner the deeper you get into the book. Tia Williams’ last novel from 2016, The Perfect Find, is in production with Gabrielle Union for Netflix. This novel also has silver-screen potential, especially with the book-to-film subplot that brings up diversity and inclusion in Hollywood projects.



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