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book reviews

Book Review: ‘Rhythm & Muse’ by India Hill Brown

*Given an advanced reading copy from the publisher in exchange for an honest review*

Rhythm & Muse by India Hill Brown is a predictable young adult romance novel giving us the perspective of the boy pining for the popular girl he has a crush on.

Darren likes Delia Dawson, the popular girl at his school known as Dillie who has her own podcast Dillie D in the Place to Be. He has Delia Daydreams, in which his best friend Justin always keeps shaking him out of. One day, Justin gets to spend time with his wannabe rapper cousin in a recording studio session. Darren tags along though he knows Justin’s cousin doesn’t have the rhythmic talent necessary to be a decent rapper. While in the studio, after listening to awful raps, Darren and Justin perk up to the cousin’s beats. Justin pushes Darren to sing on the beat for fun. Darren used to sing in the choir, but a mortifying experience made him drop out of choir and put his music dreams on hold. But he sings anyway – about Delia. Coincidentally, Delia’s podcast is running a competition for a new jingle. Somehow the track Darren recorded was submitted anonymously. As podcast listeners groove to Darren’s track, he can’t let anyone know he recorded it, especially Delia. He realizes they attend the same church, though he hadn’t been there in a while. He joins Delia on an all-night church sleepover where they bond over 90s R&B and their suspicions on the anonymous song that’s growing in popularity. While Darren gets closer to his dream girl, he second-guesses every move until Delia makes him more comfortable in the moment. When Delia announces the winning song of the competition, Darren knows it’s his chance to tell her the truth. But he still second-guesses telling her the truth, which endangers the relationship they are trying to build.

First, Darren’s obsession with Delia makes him a boring character. Yes, he sings, but the reason why he stopped is weak, and it is built up too much throughout the story to be that weak. The incident that has taken him away from music also has decreased his desire for college, in which he is working with a high school counselor. His second-guessing with Delia eliminates tension between the characters too quickly. He already has the girl the minute they click, which makes for a predictable ending. Other issues like his parents being married and in love and having simple dialogue adds to the boringness in the family of characters. Not saying we need a divorce, but the parents didn’t add enough tension to the situation. His love for 90s R&B could be a questionable decision since today’s teens are most likely listening to contemporary artists. Though it’s talked about how his parents taught him to love 90s R&B, it comes off as inauthentic with a music-obsessed teen not aligning himself more with music topping the charts now.

Overall, this young adult debut reads on the bland side with the unexciting characters and developments. It seems like a safe choice in YA literature as the genre continues to be battered by the banned books movement. The entire point of a romance novel is to reach the happily-ever-after, but when the main character’s personality is too tied to the person they want to be with and the tension falls apart too quickly, the story becomes less entertaining.

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deep lit

‘Wildblood’ Writer Lauren Blackwood Brings Magic to the Jamaican Jungle in Historical Fantasy Novel

⚠️ Trigger warning! The story and the post below mention sexual assault.

Following the success of Within These Wicked Walls, Lauren Blackwood returns with another vibrant story, this time set in a magical Jamaican jungle.

Wildblood, which is out now from Macmillan’s Wednesday Books, takes us to the late 19th century and builds a unique story that serves as an extraordinary sophomore novel after weaving the thread of the Charlotte Brontë classic Jane Eyre into an Ethiopian retelling with her debut novel. Within These Wicked Walls earned the recognition of being a Reese’s Book Club Fall 2021 YA Pick.

The new young adult book centers on Victoria, an 18-year-old woman who was kidnapped at a young age and forced to serve as a guide within a tourist company that specializes in venturing into the jungle. Except the jungle has creatures that could be dangerous to mortals such as spirits that can snatch souls without remorse. Victoria is a Wildblood, meaning she has the magic to communicate with the creatures and, in her professional standing, can ensure the safety of tourists.

When a well-known Black gold miner named Laertes Thorn becomes a client with his rather large party, Victoria is tasked with her fellow Wildbloods to bring these foreigners to a mountain allegedly full of gold. The gold is a legend since survivors have never exited the jungle to tell the story of reaching the treasures.

On the trip like back at home, Victoria tries to remain a motherly figure to Bunny, a young Wildblood who cannot control his magic, and a girlfriend to Samson, a Wildblood who was kidnapped by the company after her. But new emotions arise as she finds herself falling for Thorn and battling her former love Dean, the main Wildblood in charge who seems like he’ll do anything to keep their abusive boss happy like saying yes to such a dangerous trip.

The fight for survival underlies the story that places Victoria in a spot where she’s trying to understand love from different angles and trust in her inherent magic.

Author Lauren Blackwood talks to she lit about how she came up with the story and the art of making sure the characters, the plot, and the tension remain engaging until the very end. Check out the conversation below:

she lit: The story’s main character, Victoria, is a Wildblood who possesses the magic to communicate with the precarious jungle. Her touring company kidnapped her at a young age to take advantage of her magic. How did you come up with this story and figure out how to convey the difficult subject of abuse?

Lauren Blackwood: I wanted to write a book about a girl finding her strength. Anytime I portray an issue or trauma I want it to be done sensitively and respectfully, but also honestly. I don’t think showing SA* on page is ever necessary—there are ways to get the message across without that type of triggering imagery. So with that in mind, I then let Victoria guide her own journey on the path that felt right for her. 

she lit: While on the dangerous tour, Victoria finds herself tangled in a love cube with her partner Samson, her ex Dean, and her new client Thorn. Can you describe your writing experience with creating the tension between these characters?

Lauren Blackwood: You’re the first one to ever describe their situation as a love cube, haha! Writing relationships is my favorite thing, and I purposely wanted to use this book to explore different kinds of love. But I think the issue is that all three boys have different intentions for Victoria, which puts them in conflict with each other and with Victoria herself, who’s really just learning to live her life on her own terms.

Photo Credit: Terri LaShae

she lit: Victoria takes it upon herself to be a mother figure to Bunny, a younger Wildblood who rages with his magic. How would you describe this source of love for Victoria as a counterbalance to the love she’s getting from Samson and Thorn?

Lauren Blackwood: Victoria’s relationship with Bunny is more of that of a mother and child—she’s extremely protective of him, which is a love he doesn’t necessarily appreciate. It’s the opposite of her relationship with Samson, who in his own loving way tries to look out for her but ends up being a bit overbearing. So you have those two opposites of the spectrum, and then you have Thorn, who sits right in the middle. They have mutual respect and love for each other, and they don’t doubt each others’ abilities but look out for each other equally.

she lit: Greed is an overwhelming theme with Thorn and his team endangering their lives to mine gold in the Gilded Orchard that has never been mined by survivors. Can you explain the historical significance of making the team members Black and their desire to gain riches before the turn of the 20th century?

Lauren Blackwood: If you’ve read my debut Within These Wicked Walls, you’ll know I love writing about wealthy Black guys who have the freedom to do as they please. I suppose the historical significance is that when Black people owned business, all the staff would be Black because they weren’t welcome in white spaces—whatever business ventures white people were up to, Black people were usually doing it too and just not getting any credit for it. But honestly, I just wanted to write about Black people, regardless of history.

she lit: The book’s cover is vibrant, featuring Victoria in the jungle. Victoria looks a lot like you. How much input did you have in the cover design and the way the character is portrayed on the cover?

Lauren Blackwood: I wanted to write a character who looks like me (who’s Jamaican like me) because growing up there were never any fantasy novels about girls who shared my heritage. So, the only thing I really requested was to feature the Jamaican flag colors—black, green, and gold. The rest of the genius design was handled by my amazing cover designer Kerri Resnick and brilliant artist Colin Verdi. They interpreted Victoria perfectly, so I really didn’t have to say much.

*SA is an acronym for sexual assault.

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book reviews

Book Review: ‘The Lesbiana’s Guide to Catholic School’ by Sonora Reyes

The Lesbiana’s Guide to Catholic School by Sonora Reyes shows a Mexican American girl’s journey of realizing she’s queer and figuring out to hide her queerness at her new high school. 

We first meet Yamilet “Yami” Flores punching a mirror out of frustration over quitting her job at a café because her ex-best friend Bianca walked in. Bianca had told the student body at their high school that Yami is gay, without Yami’s approval. In fact, Yami is still trying to figure out her sexuality and her identity and only confided in Bianca. The embarrassment convinces Yami to start at a new high school, Slayton Catholic. Attending school with her younger brother Cesar, who skipped a grade so he’s a junior too, will be a fresh start for Yami, who still needs another job to help pay for tuition since her grades failed to garner a scholarship the way Cesar’s grades did. 

Right away, Yami is questioning her decision. The students at her old school are “mostly Black and Brown Chicanes,” while at Slayton 40 minutes away “there’s not a lot of melanin over there.” Yami jokes that she could sell sunscreen to her Slayton classmates to help pay for tuition. At least, she has Cesar by her side. They’re close since Mami works a lot and Papi was deported years ago back to Mexico after getting arrested at an anti-immigration protest though Yami keeps in touch with her father through phone calls, video calls, and text messages.

I put on my favorite gold hoops. They’re not real, but they look it and I like the way the gold frames my face. I feel like Selena Quintanilla. Cute and elegant at the same time. I put extra love into doing my makeup. The hoops and J’s and makeup show all the me the uniform hides. I’m ready. 

Once she gets to school, girls named Becky and Karen call her “ghetto” and ask why she’s trying to look like a “chola.” As the microaggressions continue in the school hallways, Yami meets Bo, a girl of Chinese descent who was adopted by White parents and seems to not let anything bother her as the only openly queer girl at Slayton. Yami wants to be unbothered like Bo. She befriends Bo and starts to develop romantic feelings. But Yami feels she has to squash them because she can’t let her queerness drive her out of another school. 

Yami throws herself into Mami’s Etsy homemade jewelry business to get her mind off her sexuality. Then she notices her brother acting strange. Once she finds out the double life Cesar is leading, Yami rushes to help him hide it from their mother and from their classmates. But the more she gets closer to Bo, the more Yami wants to tell someone she’s gay. She sends the text message professing her queerness, but there’s no response. The anxiety of hiding her identity overwhelms Yami as she starts collecting secrets to keep everyone around her satisfied with their assumptions of who they think she is. 

The novel does a great job of showing a timeline of a 16-year-old girl who is developing feelings for other girls but trying to figure out how to define those feelings and how to define herself. Although she has a supportive family, Yami knows her pious Catholic parents would never approve of her sexuality. And to make matters worse, she thought concealing herself among Catholic school kids would make those feelings go away, make the shame go away. But, of course, Slayton has amplified Yami’s thoughts on navigating queerness as she realizes there are more students like her also struggling with the unfortunate consequences of sharing how they feel with their friends and family. 

Changing schools because of bullying is a central issue. Sometimes, it feels like many parents may not know the full extent of why their child wants to switch schools. Here, we have Mami not only clueless about Yami’s sexuality, but she’s also sharing anti-gay sentiment that she has taken from her religion. Yami carries that fear, shame, and sadness of leaving her old school to start anew because of Bianca’s bullying. Bianca was her best friend, so even the issue of losing a close friend is emphasized in the story with Yami’s upset over Bianca resonating through the pages as she goes to a different school where we don’t see Bianca. Mami also doesn’t realize Yami quit her job over simply seeing Bianca in her workplace. The hasty decision-making many teens do eats away at Yami as she holds onto secrets upon secrets just trying to hide who she is. 

Overall, the coming-of-age debut novel with hints of romance from author Sonora Reyes who identifies as a “queer second-generation immigrant who attended a Catholic high school” shows how queer teens have several obstacles when it comes to revealing their true selves at school and at home, especially when both places are steeped in a religion that does not condone anything outside heterosexuality. The secrecy is overwhelming as people in their orbit may have some degree of stigmatizing thoughts toward the queer community. Once they reveal themselves, their safety becomes an issue, which is addressed with the fear of being kicked out of their homes or not feeling comfortable in their homes based on telling and not telling family members the truth. This story shows not only Yami jumping through hoops to hide her identity, but other characters are also avoiding the inevitable in their own ways.

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book reviews

Book Review: ‘Zyla & Kai’ by Kristina Forest

*Given a copy from the publisher in exchange for an honest review*

Zyla & Kai by Kristina Forest is a young adult romance bringing together two teens who think they are too different but find enough common ground to develop a relationship that always seems threatened by outside factors. 

The story starts with the title characters going missing from a school ski trip, but it really starts the summer before where the two are lowly amusement park employees trying to earn extra cash for college. 

Hezekiah “Kai” Johnson is working at Sailor Joe’s Amusement Park over the summer when he and his on-and-off-again girlfriend Camille start arguing in front of customers. Camille approaches Kai over his alleged flirtatious behavior with other girls on the job. Kai denies the allegations, but the hullabaloo has almost cost them their jobs. Once Kai gets home to Aunt Brenda and Uncle Steve, they tell him he needs to swear off girls until he graduates high school and matriculates at the family alma mater Morehouse College, the historically Black men’s college in Atlanta. His father and Uncle Steve are college alumni while his mother and Aunt Brenda attended the Black women’s college next door, Spelman College. The dream to continue the HBCU legacy keeps Kai motivated, especially since he lost both of his parents in a car accident. Even when he catches up with his therapist, he doesn’t seem to understand why he keeps getting entangled with the wrong girls.

Zyla Matthews is the opposite. She’s afraid to commit to any relationships. Her mother constantly curling herself up in a ball and crying over her latest boyfriend is enough relationship drama for Zyla to handle. Since Zyla, her mother, and her sister live with her great-aunt, Zyla wants to add more money to her college stash. She has her eyes on fashion school in Paris. So, she’s spending her summer at Sailor Joe’s. When a rowdy customer threatens Zyla at a booth, Kai inadvertently comes to the rescue.

Sparks fly between the two employees even as summer fades and they attend their separate schools. Morning text message exchanges kindle the flame. Once Zyla and Kai start getting serious, they fret over introducing each other to their respective guardians. Kai’s uncle and aunt had already banned him from dating while Zyla’s mother and great-aunt have track records of making mistakes with men. 

Despite their families’ reactions to their budding romance, they get the blessing to continue seeing each other. Zyla goes to parties with students who go to school with Kai, including his trail of ex-girlfriends. This worries Zyla, who has never been in a relationship and fears she’ll get hurt like her mother does every other week. Kai, who’s still battling the overwhelming grief of losing his parents suddenly, tries to reassure her that he only has eyes for her. Then on Valentine’s Day, when they shed all their insecurities, the night is ruined to the point they have to face their fears again about their relationship. 

What stands out in this book is how both characters are dealing with their inner demons and letting those demons get in the way of their relationship. With Kai growing up without his parents and Zyla still facing the post-divorce reality within her family, they are trying to figure out how to define love for themselves. The hormones are telling them one thing, but their brains are forcing them to think further on their gravitational pull. Kai is known as a player when in actuality he’s looking for love in all the wrong places. He tries to live down his reputation as Zyla becomes insecure about being thought of as another one of Kai’s girlfriends, mainly when they’re around Kai’s crew. 

The family dynamics also play a large role in the story. Kai is close to Uncle Steve and Aunt Brenda, but he feels he is failing at being his best for them. They’re the ones who took him in when he became an orphan, so he feels he’s letting them down when he prematurely commits to his promise of not dating any more girls. In the beginning of the book, we see Zyla comforting her mother in the car after another breakup. Zyla is the one who lets her mother rest in the backseat and drives them to their destination. She has to be mature beyond her years for herself and her younger sister Jade since her mother doesn’t have it together and that’s why they live with Aunt Ida, a curmudgeon always muttering about how bad men are. 

If you’re interested in reading the audiobook, narrator Tashi Thomas does a fantastic job of switching up the characters’ voices. When she returns to the story narration, sometimes her voice comes off as mechanical, but the audio recording is a smooth listen.

Overall, this YA romance dives deep into how family dynamics can interweave into a blossoming relationship. The mental health aspect ties into the family dynamics as we see Kai attending therapist sessions that contribute to his character development of trying to be more self-aware about his relationships. Zyla, an aspiring fashion designer, uses retail therapy as her outlet instead finding pieces at the thrift store to create her own designs. They are teenagers looking for ways to cope with their environments, and once they bond together, they start to question their stability as a unit and as individuals. The ups and downs to get to the happily-ever-after feels like a pleasant ride on the Ferris wheel.

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what's lit

Jenny Han Talks Asian Representation in Books on ‘The Summer I Turned Pretty’ Tour

Best-selling young adult novelist Jenny Han has another series in the book-to-TV limelight. After finding success on Netflix with the three film adaptations of her To All the Boys I’ve Loved Before series, she now has her first YA series The Summer I Turned Pretty getting the screen treatment with its recent premiere on Amazon Prime Video.

Not new to advocacy for having more Asian and Asian American stories represented in books, Jenny spoke about the issue on her press tour while a mention made an appearance on the new TV show.

On CBS Mornings this week, anchor Gayle King asked if Jenny was hurt when she wasn’t able to sell her early works featuring an Asian character. Jenny says her feelings weren’t hurt “because it was so matter-of-fact.”

To be able to sell her first YA novel, she made her main character Belly Conklin, played by Lola Tung onscreen, appear White.

Jenny Han in ‘The Summer I Turned Pretty’ (Peter Taylor/Prime Video)

“I had tried to sell a book with an Asian main character before this one, and people weren’t really interested in it,” says Jenny, who’s also the executive producer of the show. “The thing I would hear is we already have a book with an Asian. I thought with The Summer I Turned Pretty, it was a story I hoped would kind of have an effervescence to it that people can lock onto. After that, I wrote To All the Boys, and I was able to write my own ticket once I had garnered trust from an audience that might not pick up a book with a cover with someone who didn’t look like them.”

The character of Belly became half-Asian, half-White, and is now depicted as biracial on the updated media tie-in cover issued by Simon & Schuster Books for Young Readers.

To All the Boys I’ve Loved Before was the first best-seller to have an Asian girl on the cover, according to the author. The fight for representation even spilled onto the choice to have her headshot on the back cover.

“Even with my first book, it was important to me to put a picture on the back of it because at first they were like, ‘Hmm, we don’t really need it.’ It wasn’t really done at the time,” she says. “I want other young Asian women to see that and think it’s possible.”

The Summer I Turned Pretty follows Isabel “Belly” Conklin who’s on the verge of turning 16 when she heads off to Cousins Beach in Massachusetts with her mother and older brother for another summer with the Fishers, her mother’s best friend and two sons.

The foursome who grew up together every summer are now teenagers, and Belly feels the energy shift between her and the oldest Fisher son Conrad, played by Christopher Briney, and the younger Fisher son Jeremiah, played by Gavin Casalegno. Belly always had a crush on Conrad when she was considered too young and nerdy. Now that she’s blossoming into womanhood, heightened by a debutante ball, she becomes entangled in a love triangle that stretches beyond her and the two brothers.

In one scene in the fourth episode “Summer Heat,” after a conflict reaches a fever pitch in the Fisher summer home, Belly’s author mother, Laurel, played by Jackie Chung, heads to a bar to cool off. There, she sees the local author she’s been competing with in the beach town’s bookstore. Once they start chatting, the state of their careers comes up.

“When we went out with my first novel, everyone said, ‘Uhhh, there is no market for a book about a Filipino main character, and now it’s all they want from me,” says author Cleveland, played by Alfredo Narciso, about his treatment in the beginning of his fictional publishing career.

The show also stars Rachel Blanchard as Susannah Fisher, the mother of Conrad and Jeremiah. Rachel starred as the ’90s TV version of Cher Horowitz, the main character of Clueless loosely based on Jane Austen’s classic Emma.

The second season of the series has already received the green light for production.

Categories
book reviews

Book Review: ‘Juliet Takes a Breath’ by Gabby Rivera

Juliet Takes a Breath by Gabby Rivera is a coming-of-age novel that has been miscategorized in the young adult genre since it focuses on a college student on an unconventional ride to self-acceptance.

Juliet Palante is discovering herself. On summer break from college, she’s at home in the Bronx about to embark on a journey to Portland, Oregon, to serve as an assistant to a feminist writer. But before she leaves, Juliet notices her sorta girlfriend Lainie has doubts about their relationship while she’s deciding how to come out to her family. She tells her family that she’s a lesbian at the dinner before her flight to Portland. The aftermath makes her look forward to Portland, where she lives with her new boss, Harlowe Brisbane. Once she’s inside Harlowe’s home, she’s quickly learning about the preference of pronouns to the range of sexuality. Where does she belong? Especially as a Latina in the very White-centered world of Portland. Her race, ethnicity, and culture intertwine with her sexual orientation as she meets young women like herself who seem so sure of who they are. 

As far as we know, this book has been banned by at least one school district. First of all, the book is about a college student. That’s the “new adult” genre that the book publishing industry barely uses. The new adult genre is supposed to be for readers between the ages of 18 to 30, but many of these books are still classified as either young adult or adult. The issue is this book has been categorized as a young adult novel, meaning it’s for youth between the ages of 12 to 18, but the material, especially to a parent or a teacher, is definitely not for that age group when it comes to literature. And the age of eighteen is overlapping between the YA and NA genres, so when the protagonist is in that age group, it gets even murkier on how the book should be marketed. 

Right off the bat, the book’s inside flap calls Juliet a “self-proclaimed closeted Puerto Rican baby dyke.” The d-word is usually an offensive word, though it may be embraced by some lesbians like the author and the character. Harlowe writes about women’s bodies and is known around town as the “pussy book lady.” When Juliet wakes up on her first morning at Harlowe’s home, she comes face-to-face with a naked man. Harlowe reminds the naked man, her friend Phen, that he must ask Juliet if she’s OK with his nakedness. Confused, Juliet says yes. But the reader knows Juliet and any other young woman in that predicament would be uncomfortable to find a strange, naked man in the home of someone who’s supposed to be caring for them. The scene is small but can be confusing for the average maturing teenage girl who most likely was taught to stay away from naked men they do not know and depend on their supervising adult to prioritize their safety and comfort. The book has numerous parentless, college-girl adventures, which again can be viewed as inappropriate by high school administrators and parents, because that’s another life when you cross the eighteen-year age threshold and wander into the real world on your own. 

On the other end of the spectrum, there are girls, boys, and nonbinary teens who yearn to read a book like this to see how their worlds can open up after high school, either in college and/or in the real world off campus. Meeting characters like Juliet and Harlowe through the pages may inspire them to craft their own journeys like venturing off to an unknown place, exploring their identity and creativity, or looking for their communities of support that may not be visible where they are in their guardians’ home and at a high school where books featuring queer teens can be banned. 

Overall, the book is entertaining with showing the White cultural mecca Portland has become over the years and juxtaposing that setting with a queer Latina character’s Bronx-driven culture as she comes to terms with who she wants to be. 

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she lit newsletter

LGBTQIA+ Books Are More Banned Than Ever

LGBTQIA+ Books Are More Banned Than Ever

*|MC:SUBJECT|*
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June is Pride Month! Join the #shelitbookclub with reading the recently banned young adult novel Juliet Takes a Breath by Gabby Rivera 🏳️•

Why banned books are disappearing from library shelves

The most banned book in the United States right now is Maia Kobabe’s memoir Gender Queer. Maia, who uses the pronouns e/em/eir, illustrates eir experience growing up in rural San Francisco Bay Area in a graphic book where e undergoes traditional gendered events from getting eir first bra to developing crushes on boys and girls.

Published by Simon & Schuster’s Oni Press in 2019, the author’s autobiographical coming-of-age story held the top spot on the most banned and challenged books list compiled by the American Library Association’s Office for Intellectual Freedom. The group says the book has been “banned, challenged, and restricted for LGBTQIA+ content, and because it was considered to have sexually explicit images.”

Most books are banned from libraries and schools without much media fanfare, as in up to 97% of these books that are challenged will never be covered by the news. That means Americans, especially children, may never know why they can’t find a particular book at their local library.

Banned books have become a priority over the last few years since many of these works are by LGBTQIA+ authors as well as authors of color describing racial, ethnic, and cultural experiences like The Hate U Give by Angie Thomas being famously banned and challenged for allegedly promoting an “anti-police message and indoctrination of a social agenda,” the ALA’s list notes.

I recently attended Books in Bloom, a so-called progressive book festival in Maryland, which celebrated banned books this year by adding panels with authors and experts discussing freedom of speech, including Maryland Congressman Jamie Raskin and literary civil rights group PEN America. The partner indie bookstore Busboys and Poets mostly sold banned books, such as Gender Queer.

More people are taking action to support the sales of these books. Students are starting banned book clubs in their high schools. They’re even filing lawsuits against their schools for removing books. In retaliation of the increase in book censorship, Margaret Atwood modeled with a flamethrower to show off a fireproof version of her 1985 Hulu-adapted novel The Handmaid’s Tale. The book was auctioned off for $130,000 this week with proceeds going to PEN America.

As 2022 becomes a year of giving banned and challenged books a spotlight, the annual Banned Books Week will take place in September. That’s three months of really surveying the impact of banned and challenged books and hearing more authors speak about the freedom of speech. And maybe we’ll get more fireproof books…

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What we’re highlighting

June book club picks promise addictive summer reads

Oprah’s Book Club has chosen Nightcrawling by Leila Mottley. The debut novel centers on a young woman in Oakland who starts working on the streets at night to keep up with rising rent and the costs to support her family. But when she gets picked up by the police one night, she finds herself fighting to protect her freedom. The 19-year-old author, who’s also the 2018 Oakland Youth Poet Laureate, will sit down with Oprah in a livestream conversation June 30 on Oprah Daily.

Reese’s Book Club is reading Counterfeit by Kirstin Chen. Jenna’s Book Club is reading These Impossible Things by Salma El-Wardany. GMA Book Club is reading More Than You’ll Ever Know by Katie Gutierrez. Noname Book Club is reading The Death of Vivek Oji by Akwaeke Emezi

Best-selling memoirist gets spotlight in food docuseries

Coming off of Asian American, Native Hawaiian, and Pacific Islander Heritage Month, you can catch the HBO Max docuseries Take Out with Lisa Ling about the stories of how Asian communities weaved their cuisines into the fabric of America. One episode follows Michelle Zauner aka indie recording artist Japanese Breakfast as she ventures the aisles of the Korean grocery chain H Mart and talks about her award-winning book Crying in H Mart

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what's lit

Joy Revolution Acquires First Fantasy YA Romance Novel

The Random House Children’s young adult imprint founded by best-selling literary supercouple Nicola Yoon and David Yoon has purchased its first fantasy duology at auction.

Joy Revolution‘s two-book deal was shared Monday on Twitter for Sinner’s Isle, a “dual-POV Latinx fantasy romance,” written by Angela Montoya, according to Publishers Marketplace Deal Report.

“I’m shook. I’m thrilled. I’m scared to death,” Angela tweeted about her debut novel. “But mostly, I’m just so damn grateful for everyone who’s ever believed in me and SINNER’S ISLE; the #Latine #yafantasy #romance of my dreams.” She is represented by literary agent Larissa Melo Pienkowski of Jill Grinberg Literary Management.

“This is our first fantasy acquisition & it was worth waiting for,” Nicola tweeted. “It’s got epic romance, powerful & dangerous magic, incredible storytelling. I can’t wait for you guys to read it!”

Dubbed Pirates of the Caribbean meets Shelby Mahurin’s Serpent & Dove series, the book features a witch held captive on an island desperate to escape before a weeklong fiesta for rich tourists ready to meet majestics like her. The desperation morphs into her blackmailing a pirate who washes ashore.

With its initial round of books scheduled to be released this year, Joy Revolution debuted in October 2020 to focus on YA love stories centered on people of color. Wendy Loggia, author and senior executive editor at Penguin Random House’s Delacorte Press, oversees the imprint while Bria Ragin serves as the imprint’s editor.

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book reviews

Book Review: ‘Frankly in Love’ by David Yoon

Frankly in Love (Frankly in Love, #1)Frankly in Love by David Yoon
My rating: 4 of 5 stars

Frankly in Love by David Yoon, young adult author Nicola Yoon’s husband, is an intricate fictional first-person narrative from a Korean teen boy trying to overcome the subtle racism he was taught because he now finds himself liking a girl he knows his parents would never approve.

Frank Li is a first-generation Korean American teen living in Orange County, California. He starts falling for Brit Means, a white girl at his school. But he knows his strict Korean parents won’t be having that. They even practically disowned their older daughter, who attended Harvard and became an investment banker like she was groomed to do, but to them she canceled all her success by marrying a black man. Even with his best friend Q Lee, who’s black, Frank knows his parents aren’t the most comfortable with Q though they swear they love him like another son because he’s not like “other black people.” With that in his head, Frank decides to recruit his friend, Joy Song, who’s not only Korean but her parents are friends with Frank’s parents, to be his fake girlfriend. She also is hiding who she’s dating, a Chinese boy she knows her parents won’t approve of. While Frank invites Brit to his house with other friends, Brit doesn’t know about the ploy and falls deeper for her new boyfriend. After they exchange “I love you,” Frank is having doubts that he picked the right girl after all.

Frank’s voice is authentic with the constant worrying over race and how his hormones are leading him to someone outside his race then within his race but not within his income bracket. He struggles with how his immigrant parents racially profile everyone like many parents do, especially taking into consideration their American experience and what their parents taught them. The book does a good job in this mental back-and-forth of surveying the meaning of race around the character and seeing it affecting his life in a bad way yet not knowing how to avoid it. His internal monologue, though on the long side, shows what a lot of teens are coping with when it comes to relationships and their parents possibly not being supportive only because of the race of the partner they choose.

Some book reviews discuss the book’s length, and yes it’s too long and has the character going through a lot during his senior year on top of worrying about his love life, dealing with his parents, and trying to get into college. The beginning of the book is very long with over-describing his life and that same rhythm returns at the end, as in there are few times you think the book will end but it keeps going. It needed better editing when it came to length.

Overall, the book handles mixed-race relationships among teens well and how even today they may be dealing with heavier racial issues because they’re hearing their parents discuss race in a negative way. In this book, Frank becomes a bit obsessed analyzing race in his world, but he’s developing his viewpoints around cultural expectations and trying to figure out love in the process. Also listened to this story on audiobook where the narrator’s voice works except when he did the girls’ voice, which came out comical, but it’s a likeable audio read.

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film reviews

Netflix Options Sarah Dessen Novels for Films

Pioneering young adult novelist Sarah Dessen will see three of her novels become films on Netflix as the streaming service announces the upcoming projects.

Sarah, who released her latest novel The Rest of the Story earlier this month, will turn the following books into cinematic pieces: Along for the Ride from 2009, which will be the first to see its onscreen adaption; This Lullaby from 2002; and Once and For All from 2017. Netflix provided summaries of each book below.

Along for the Ride

 

It’s been so long since Auden slept at night. Ever since her parents’ divorce—or since the fighting started. Now she has the chance to spend a carefree summer with her dad and his new family in the charming beach town where they live. A job in a clothing boutique introduces Auden to the world of girls: their talk, their friendship, their crushes. She missed out on all that, too busy being the perfect daughter to her demanding mother. Then she meets Eli, an intriguing loner and a fellow insomniac who becomes her guide to the nocturnal world of the town. In her signature pitch-perfect style, Sarah Dessen explores the hearts of two lonely people learning to connect.

This Lullaby

A New York Times bestseller. She’s got it all figured out. Or does she? When it comes to relationships, Remy’s got a whole set of rules. Never get too serious. Never let him break your heart. And never, ever date a musician. But then Remy meets Dexter, and the rules don’t seem to apply anymore. Could it be that she’s starting to understand what all those love songs are about?

Once and For All

After years facing brides with cold feet and badly behaved wedding guests, wedding planner Louna has become skeptical about romance and plans on remaining single during her last summer before college. Luckily, the busy wedding schedule provides plenty of legitimate excuses for Louna to avoid opportunities to meet potential dates. That changes when satisfying a particularly fussy bridal party requires hiring the bride’s brother, Ambrose.

No dates have been announced for the projects yet.

Sarah’s current novel The Rest of the Story centers on “big-hearted Emma Saylor, who reconnects with a part of her family she hasn’t seen since she was a little girl—and falls in love, all over the course of a magical summer.” Sounds like the perfect summer young adult read. Sarah’s first novel That Summer came out in 1996, making her one of the veteran young adult novelists still producing work today. (Author note: My favorite novels I read in high school by Sarah was Dreamland and This Lullaby mentioned above). According to her website, the New York Times best-selling novelist’s 14 books have been published in over 30 countries and have sold millions of copies worldwide. Her literary accolades include the 2017 Margaret A. Edwards Award from the American Library Association for outstanding contribution to young adult literature.

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film reviews

‘The Sun Is Also a Star’ Sees Mediocre Reviews: Is Multicultural YA Viable on Silver Screen?

Nicola Yoon’s best-selling young adult romance The Sun Is Also A Star transformed into a movie this past weekend, but the critics didn’t seem to love it. Now with a score of 52% on Rotten Tomatoes, this story about interracial love bombed at the box office, so how does that impact other multicultural YA novels blossoming into films?

So far, the movie grossed $2.5 million, significantly below the anticipated $6 million to $12 million from 2,100 theaters, according to Variety. Deadline Hollywood said the film’s ultimate box office return on its $9 million production budget looks dismal with even the author’s debut novel-turned-movie Everything, Everything opening at $11.7M in 2017 and finishing with almost $62 million globally.

The movie follows the novel well with Natasha Kingsley (Yara Shahidi of Grown-ish) heading to an immigration lawyer to save her family from deportation scheduled for the next day when she bumps into Daniel Bae (Charles Melton of Riverdale), who believes their meeting is kismet. As science-minded Natasha fights Daniel’s determination to make her believe in love and fall in love with him, they’re savoring every moment they can together in New York City. With the cinematography expertly showcasing the city, the marshmallow fluffiness of love that readers adored falters a bit onscreen.

And reviewers emphasized that. Entertainment Weekly gave the movie a C while it gave the book in 2016 an A with having the exclusive of the cover reveal. Separate reviewers graded the film and book, but it’s jarring to see such variations for the same media outlet.

The New York Times editors added the book to its curated top children’s books of 2016. “The story and its trappings feel a little generic, the dialogue studiously bland and the characters and their problems curiously weightless, in spite of gestures in the direction of real-world issues,” A.O. Scott wrote in the film review. And “generic” pops up in the headline for the review as well.

Potential moviegoers also saw casting issues with both stars being biracial when Natasha and Daniel were not in the story. Yara is half-black, half-Iranian when Natasha is fully Jamaican, a contrast visible in the film where the actors representing Natasha’s family have a darker complexion. Charles is half-white, half-Korean when Daniel is fully Korean, another contrast visible with the actors playing his family look fully East Asian as his attractiveness is mentioned. It’s the same issue that reared its head in the casting of Nick Young’s character in Crazy Rich Asians.

How this successful novel became an unsuccessful film may not influence future multicultural YA adaptations, but the magic of a book is hard to capture, and casting and script-writing obviously plays a role in the high-profile critiques and bringing the key audience into theaters.

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book reviews

Book Review: ‘The Sun Is Also A Star’ by Nicola Yoon

The Sun is Also a StarThe Sun is Also a Star by Nicola Yoon

My rating: 5 of 5 stars

What I love about Nicola Yoon’s young adult novels is they simplistically explore pure teenage love. This novel touches on timely issues with Natasha, who’s being deported with her family back to Jamaica, and Daniel, who’s dealing with academic pressures brought on by his Korean parents.

They both live in New York with immigrant parents and are trying to find their own version of the American dream. They meet on the street, like so many other New Yorkers, and totally connect despite Natasha scientifically explaining how love doesn’t exist while Daniel uses poetry to explain it does.

Despite their cultural differences, they find themselves interconnected as Daniel tries to help Natasha fight back the deportation order while they fall in love all in one day.

To stretch a book in the span of one day is a feat, and the author does it well, with short chapters from viewpoints of Natasha, Daniel, and the others they come into contact on that fateful day. It’s a feel-good love story that brings up issues of the day such as Daniel’s parents owning a Black hair store and Natasha’s parents coming into the country illegally. It can be devoured quickly with satisfaction.

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