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Book Review: ‘Why Didn’t You Tell Me?’ by Carmen Rita Wong

Why Didn’t You Tell Me? by Carmen Rita Wong follows the financial journalist’s life as she discovers family secrets that uniquely affect her. 

There was no family meeting to sit the kids down and prepare them psychologically for all these changes to come or to get them to weigh in on what they’d like to do and how they were feeling. Just as there wasn’t any discussion about the trauma of moving us away from all the family and friends we’d ever known in New York City and the people who looked like us. You go where your parents go and they’ll hear nothing of your unhappiness or fears or anxieties or, for god’s sake, your opinion.

Born in New York City, Carmen is raised as the daughter of a Dominican immigrant mother and a Chinese immigrant father. Her parents eventually divorce after a tumultuous marriage that leaves Carmen and her older brother, Alex, under the care of their mother, Lupe. After Lupe remarries quickly, the siblings are living with their White stepfather, Marty, in New Hampshire. Being a brown-skinned girl with a Chinese surname in predominantly White suburbia makes Carmen stand out. She feels uncomfortable with the microaggressions from her Catholic school teachers and classmates. As the family expands to adding four more girls, Carmen begins to see the pressure in the household with her mother spewing vitriol to her and her siblings.

As high school graduation approaches, she has to depend on her father to pay for college. Her tuition is expected to be paid by her father, who sells jewelry and other accessories to department stores in shady operations. Those operations lead to her father serving time in prison. With her father imprisoned and her stepfather unemployed, Carmen finds herself financing her college education and eventually finding her own independence. Her resourcefulness leads to an executive assistant position at Christie’s auction house back in her hometown of New York City. Her ambition eventually places her on the path to multimedia financial journalism.

After finding success in her career and heartbreak in a failed marriage, Carmen learns that her mother has been diagnosed with colon cancer. At this point, her mother and stepfather are divorced, and her stepfather has moved back to New York City. With her mother sick, her stepfather tells her that her father is not her father. She had noticed over the years that as her brother looked more Chinese like a Wong while her looks failed to head in the same direction. She brings the long-held family secret to her mother, who fights against the truth. After her mother dies, Carmen realizes there was more to the secret that defined her upbringing and forced her to question the past and present. 

My Spanish was being displaced by French, the only language offered in school. It became harder to understand my beloved abuela as both English and French squeezed space in my brain, burying my Spanish deep, one shovelful of New Hampshire at a time. My English pronunciation was East Coast newscaster, just as my mother wanted, no Dominican-NYC flavor like my extended cousins, who’d taunt me with “You talk white!” My clothes were prim, proper, pastel eighties “good girl.” I looked like a forty-year-old accountant, not cool like my cousins. Code-switching became my destiny whether I liked it or not.

Once she learns the truth about her genetic biology, Carmen finds herself questioning her racial, ethnic, and cultural identity. With the memory of being a little girl who loved dressing up to go to Chinatown, she is no longer Chinese. Her last name is no longer accurate. The alienation she felt in her New Hampshire home growing up as Dominican-Chinese, different from her younger siblings, resurfaces. Realizing that she doesn’t have the same exact DNA as her brother, who arrived with her in the new version of the family household in New Hampshire, is heartbreaking and frustrating.

Like many housewives at the time, her immigrant mother believed the American Dream could be brighter with a White husband in White suburbia. This recurring theme throughout the story shows how a person who identifies with a particular ethnicity or more ethnicities can experience a different reality from even other immediate family members. In Catholic school, for example, a nun credits Carmen’s intelligence to being half-Chinese. The nun assumes this by taking Carmen’s surname and believing the stereotype of all Asians being smart. When she gets older, other people of color confuse her for being White or being Black. Her multiracial and multiethnic identity makes her wonder how her journey would have differed knowing her true racial and ethnic identities. 

The theme of race, ethnicity, and culture resonates throughout her story with the truth about her DNA weighing heavily on every memory thread. If her mother was happy with the man believed to be her father, then would she have been removed from her diverse hometown of New York City? If her stepfather was her biological father, would she have been treated the same way as her stepsisters? How much of her life would have been different if she had known her paternity and ethnicity? 

Overall, the memoir hits on the notes of other memoirs by women of color who have had their lives stamped by their racial and ethnic identities. These memoirs examine how their intersectionality impacted their growth from childhood to adulthood. This memoir could be useful to readers interested in adapting to new environments, learning about family history and heritage, and persevering as an eldest daughter and a woman of color. 

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Simon & Schuster Loses Publisher to Book Deal 

<![CDATA[SHE LIT: Simon & Schuster Loses Publisher to Book Deal 📚]]> SHE LIT: Simon & Schuster Loses Publisher to Book Deal 📚
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📚 Join the #shelitbookclub on July 31 as we discuss the novel Red Clocks by Leni Zumas amid the overturning of Roe v. Wade. Details can be found here.

Film poster for "Where the Crawdads Sing"

The most high-profile Black woman in publishing leaves post to write second book

Simon & Schuster announced this week that its senior vice president and publisher Dana Canedy is leaving the position she’s held for two years.

After her 2008 memoir was turned into a film last year, she says she plans to write a follow-up. But with her hiring coinciding with the racial unrest of 2020 and coming into question in last year’s controversy over the acquisition of former vice president Mike Pence’s memoir, Dana’s departure still feels like a blow to diversity and inclusion in book publishing.

Directed by screen legend Denzel Washington, A Journal for Jordan opened in theaters Christmas Day 2021 starring Michael B. Jordan playing the late U.S. Army First Sergeant Charles Monroe King, Dana’s fiancé who died in 2006 in combat during Operation Iraqi Freedom. Their son, Jordan, was only six months old. Dana’s narration of their relationship and their decision to have a family along with letters from father to son is reflected in A Journal for Jordan: A Story of Love and Honor published by Penguin Random House’s imprint Crown Publishing Group.

Though Dana hasn’t tweeted much since President Joe Biden’s inauguration, there are a flurry of tweets supporting the film that grossed close to $6.6 million in global box office sales and received bad press for its low performance during a high-volume holiday weekend. The positive feedback contributed to her decision to leave her lofty publishing position to write a follow-up book expected to be released in 2024 under Simon & Schuster.

Dana’s short-lived stint at the top of a major publishing house also came with criticism. When news broke that Simon & Schuster will publish Mike Pence’s memoir, outsiders as well as insiders attacked the move, pushing that Trump administration officials should not have their books published especially when the Jan. 6 insurrection and claims of illegal actions from the onetime administration were still coming to light.

Simon & Schuster at the time, like most publishers, have been trying to add more BIPOC, short for Black, Indigenous, and people of color, and LGBTQ+ authors to their rosters. Hence Dana’s appointment. More than 200 members of Simon & Schuster staff members signed a petition calling for the publisher to cancel the seven-figure book deal with the former vice president, The Wall Street Journal reported in May 2021.

“What I don’t want to do is what the industry does. It has to diversify. We need much more range. Through the people I’m hiring and the books we’re acquiring, I’m already trying to do that,” Canedy told the audience at Fortune’s Most Powerful Women Summit in Washington, D.C. last October. “I didn’t make the decisions for the wow factor. I’m not the Black publisher, I’m the publisher.”

A Pulitzer Prize winner, Dana worked in several positions at The New York Times over a 20-year span and eventually served as the administrator of the Pulitzer Prizes. She has a deep-seated journalistic mindset, so nabbing Pence’s book would not only be a potential goldmine for the publisher but also would let readers know the selection was unprejudiced.

On the other hand, like readers and staffers who protested against Pence’s book deal, the move looked like it went against diversity and inclusion efforts since most voters who identify as BIPOC or LGBTQ+ didn’t vote for Trump or agree with some of the administration’s most controversial actions. But the publisher sees the book as still supporting diversity of thought.

Jonathan Karp, who held the publisher position prior to Dana’s appointment, will reassume the title in the interim. He says in the memo announcing the job change that Dana will still consult on Pence’s memoir and books by Eugene Robinson, a Black columnist for The Washington Post, and Erica Armstrong Dunbar, a Black historian.

The question remains if Simon & Schuster will hire another person on the diversity spectrum who can boost diversity, equity, and inclusion in the workplace and in the book market. Also, if the next permanent publisher identifies as “diverse,” then they may also have to deal with the decision and the criticism over acquiring a blockbuster book from a prominent White figure.

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Michelle Obama helps us navigate change in new book

Still profiting from the success of Becoming, former First Lady Michelle Obama announced Thursday that she has a second book coming out in November. The Light We Carry: Overcoming in Uncertain Times will offer reflections about how to change amid changing times. The book will be published by Crown.

HarperCollins union raises $40,000 for strike workers

The strike the publishing industry had its eye on happened Wednesday as HarperCollins Publishers’ union closed its online fundraiser after it received $40,000 from supporters.

The only union at a major U.S. publisher tweeted that the 200+ strikers will receive $200 each as a payment of “hardship money.” The union, which boasts 250+ members, marched the streets of Manhattan demanding a fair contract.

Earlier this month, the union scheduled the strike after it accused HarperCollins of failing to reach a contract promising to pay a predominantly female workforce a livable wage for New York City standards and to put into diversity, equity, and inclusion initiatives in practice.

Actress Freida Pinto plans to adapt Huma Abedin’s memoir

Both/And by longtime Hillary Clinton adviser Huma Abedin will get the book-to-screen treatment. Frieda Pinto, who is currently starring in the book-to-film Mr. Malcolm’s List based on Suzanne Allain’s 2009 novel, was confirmed by multiple reports to be adapting the memoir for a TV miniseries via her production company Freebird Films. The book was released late last year.

Huma made headlines this week also for being rumored to be dating actor Bradley Cooper. Frieda first gained fame in her breakout performance in 2008’s Oscar-winning film Slumdog Millionaire that was loosely based on a novel Q&A by Vikas Swarup.

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Simon & Schuster Publisher’s Memoir Comes to Life in ‘Journal for Jordan’

Commercials for the Christmas opening of the film A Journal for Jordan shows a smiling Michael B. Jordan in Army fatigues and boasts Denzel Washington as the director, but many in the bookish community might not realize it’s the story of a literary industry executive.

Dana Canedy was named senior vice president and publisher at Simon & Schuster in July 2020 as U.S. companies focused on elevating their diversity and inclusion promises after the police murder of George Floyd. The New York Times 20-year veteran, former Pulitzer Prize administrator, and Pulitzer Prize winner wrote A Journal for Jordan: A Story of Love and Honor in 2008 about her fiancé, U.S. Army First Sergeant Charles Monroe King, who died in combat in Iraq and left a journal for their son Jordan. The book is published by Penguin Random House’s imprint Crown Publishing Group.

The daughter of an Army drill sergeant, Dana and her family lived near the Fort Knox base in Kentucky. On Father’s Day 1998 while visiting her family, she meets Charles and is left smitten. But the feeling fizzles as she heads back to New York to work at the Times and live her single metropolitan lifestyle. Then her father tells her he gave her contact info to Charles. Once she and Charles connect, sparks fly. They spend years hopscotching the country for their jobs, as Dana works at other Times offices and Charles is stationed on other bases. After a few years, they are engaged and have a baby on the way. It’s the height of Operation Iraqi Freedom when Charles is called to duty. He dies after a bomb explodes underneath his armored vehicle in October 2006 when Jordan is six months old.

From the very first pages, Dana writes about the imperfection of her relationship with Charles. She does an excellent job describing their shortcomings with developing a relationship as a high-profile Black journalist with a dedicated military man. There is a frustration that Charles won’t leave his post in Iraq until his team returns safely home, and Dana describes that heartbreak that her fiancé won’t stay home for their newborn son.

“He was so devoted to his troops, many just out of high school, that he bailed them out of jail, taught them to balance their checkbooks, and even advised them about birth control,” she writes in the book. “But I struggled to understand what motivated the man who had for so long dreamed of your birth but chose to miss it because he believed his soldiers needed him more.”

The book, like the film, revolves around the journal Charles writes for his unborn son. Interwoven between Dana’s descriptions of their situations, Charles’ passages from the journal he leaves for Jordan tell the story from both sides with gems of wisdom the parents hope their son will understand someday.

Dana Canedy

Dana wrote an essay this week for the Times about the trauma reliving her grief onscreen. “So, yes, I have answers to the obvious questions about my life being turned into a movie,” she writes. “Ask me about the behind-the-scenes part and it’s harder to find the words to describe it. I am trying to take it all in and appreciate it. But as the movie rolls out nationwide, I am not sleeping well and am overwrought at times.”

She continues about her lack of sleep and the reenacted scenes affecting her. “While I am often so exhausted that my exercise bike has become an expensive clothing rack, some nights I fight sleep to keep the nightmares away,” she writes. “After Denzel sat with me for a private screening of our film, I dreamed I was fighting in the war alongside Charles and watched helplessly as he was shot dead in a hail of gunfire. Even the excitement of planning the premiere brought pangs of pain.”

Jordan is now 15 years old, and she says in the essay she worries about the impact of the story on her son and that he covered his eyes during the romantic scenes.

In the film, The Photograph‘s Chanté Adams plays Dana, and Michael B. Jordan plays Charles and serves as a producer alongside director Denzel.

A Journal for Jordan opens in theaters Christmas Day.