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book reviews

Book Review: ‘Why Didn’t You Tell Me?’ by Carmen Rita Wong

Why Didn’t You Tell Me? by Carmen Rita Wong follows the financial journalist’s life as she discovers family secrets that uniquely affect her. 

There was no family meeting to sit the kids down and prepare them psychologically for all these changes to come or to get them to weigh in on what they’d like to do and how they were feeling. Just as there wasn’t any discussion about the trauma of moving us away from all the family and friends we’d ever known in New York City and the people who looked like us. You go where your parents go and they’ll hear nothing of your unhappiness or fears or anxieties or, for god’s sake, your opinion.

Born in New York City, Carmen is raised as the daughter of a Dominican immigrant mother and a Chinese immigrant father. Her parents eventually divorce after a tumultuous marriage that leaves Carmen and her older brother, Alex, under the care of their mother, Lupe. After Lupe remarries quickly, the siblings are living with their White stepfather, Marty, in New Hampshire. Being a brown-skinned girl with a Chinese surname in predominantly White suburbia makes Carmen stand out. She feels uncomfortable with the microaggressions from her Catholic school teachers and classmates. As the family expands to adding four more girls, Carmen begins to see the pressure in the household with her mother spewing vitriol to her and her siblings.

As high school graduation approaches, she has to depend on her father to pay for college. Her tuition is expected to be paid by her father, who sells jewelry and other accessories to department stores in shady operations. Those operations lead to her father serving time in prison. With her father imprisoned and her stepfather unemployed, Carmen finds herself financing her college education and eventually finding her own independence. Her resourcefulness leads to an executive assistant position at Christie’s auction house back in her hometown of New York City. Her ambition eventually places her on the path to multimedia financial journalism.

After finding success in her career and heartbreak in a failed marriage, Carmen learns that her mother has been diagnosed with colon cancer. At this point, her mother and stepfather are divorced, and her stepfather has moved back to New York City. With her mother sick, her stepfather tells her that her father is not her father. She had noticed over the years that as her brother looked more Chinese like a Wong while her looks failed to head in the same direction. She brings the long-held family secret to her mother, who fights against the truth. After her mother dies, Carmen realizes there was more to the secret that defined her upbringing and forced her to question the past and present. 

My Spanish was being displaced by French, the only language offered in school. It became harder to understand my beloved abuela as both English and French squeezed space in my brain, burying my Spanish deep, one shovelful of New Hampshire at a time. My English pronunciation was East Coast newscaster, just as my mother wanted, no Dominican-NYC flavor like my extended cousins, who’d taunt me with “You talk white!” My clothes were prim, proper, pastel eighties “good girl.” I looked like a forty-year-old accountant, not cool like my cousins. Code-switching became my destiny whether I liked it or not.

Once she learns the truth about her genetic biology, Carmen finds herself questioning her racial, ethnic, and cultural identity. With the memory of being a little girl who loved dressing up to go to Chinatown, she is no longer Chinese. Her last name is no longer accurate. The alienation she felt in her New Hampshire home growing up as Dominican-Chinese, different from her younger siblings, resurfaces. Realizing that she doesn’t have the same exact DNA as her brother, who arrived with her in the new version of the family household in New Hampshire, is heartbreaking and frustrating.

Like many housewives at the time, her immigrant mother believed the American Dream could be brighter with a White husband in White suburbia. This recurring theme throughout the story shows how a person who identifies with a particular ethnicity or more ethnicities can experience a different reality from even other immediate family members. In Catholic school, for example, a nun credits Carmen’s intelligence to being half-Chinese. The nun assumes this by taking Carmen’s surname and believing the stereotype of all Asians being smart. When she gets older, other people of color confuse her for being White or being Black. Her multiracial and multiethnic identity makes her wonder how her journey would have differed knowing her true racial and ethnic identities. 

The theme of race, ethnicity, and culture resonates throughout her story with the truth about her DNA weighing heavily on every memory thread. If her mother was happy with the man believed to be her father, then would she have been removed from her diverse hometown of New York City? If her stepfather was her biological father, would she have been treated the same way as her stepsisters? How much of her life would have been different if she had known her paternity and ethnicity? 

Overall, the memoir hits on the notes of other memoirs by women of color who have had their lives stamped by their racial and ethnic identities. These memoirs examine how their intersectionality impacted their growth from childhood to adulthood. This memoir could be useful to readers interested in adapting to new environments, learning about family history and heritage, and persevering as an eldest daughter and a woman of color. 

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book reviews

Book Review: ‘Belonging’ by Michelle Miller

Belonging: A Daughter’s Search for Identity Through Loss and Love by Michelle Miller with Rosemarie Robotham shows the CBS Saturday Morning cohost go through childhood and adulthood wondering the whereabouts of a mother who refused to raise her. 

Born at the end of 1967, Michelle arrives back in Los Angeles on June 6, 1968. The night before, her father, Dr. Ross Miller, becomes embedded in one of U.S. history’s most tragic events: the assassination of Robert F. Kennedy. Michelle’s father was the first doctor to examine the presidential candidate’s gunshot wounds. Still a newborn, Michelle flies back to the city of her recent birth from Birmingham, Alabama, after her grandmother, Bigmama, discovers her existence. Her father sent his secret daughter to family in Alabama, but Bigmama demanded her granddaughter return to LA. It’s Bigmama’s responsibility to raise Michelle out of sight from her son’s wife and two adopted daughters. This is where the journalist’s story begins. 

Her mother, a Chicana fair enough to pass as White, worked in the same hospital as her married father, a top Black cardiopulmonary surgeon. Their affair sparks hate from her mother’s family; they only see their daughter and sister dating a Black man. Once her mother, known by the pseudonym Laura Hernandez throughout the book, gives Michelle to her father, the doctor depends on his family to raise his first biological child. As Michelle grows up around civil rights activists like her father, attends a historically Black college like her father, and embarks on a news career, she leans into her Black identity while wondering about her other ethnicity and the woman who birthed her. 

“All my life, I had encountered people who would take note of my light skin, long wavy hair, and pointed features and be curious about my ethnicity. ‘What are you exactly?’ they might ask. ‘I’m Black,’ I would tell them, cheerfully removing their confusion. Sometimes, if I was in the mood to claim my mother’s contributions to my heritage, despite her absence from my life, I might say, ‘My father is Black, and my mother is Hispanic.’” 

Growing up in 1970s South Los Angeles, Michelle attends predominantly Black schools at first then gets bussed far away to attend predominantly White schools. Bigmama, who is 73 when she starts raising her newborn granddaughter, is a retired teacher, so education is prioritized in their household. Michelle’s father lives in his own townhouse in Long Beach and visits often after his shift at the hospital. He also brings in girlfriends who become a part of Michelle’s greater village, such as civil rights legend Xernona Clayton, who Michelle lovingly calls “Big.” 

When Bigmama gets sick as Michelle becomes a teenager, a neighbor named Vondela starts to help out in the house. She becomes Michelle’s surrogate guardian and also takes care of Michelle’s adopted sister Cheryl. Bigmama’s house evolves and expands with the village once Michelle attends Howard University to continue her family’s legacy of attending the renowned HBCU in Washington, D.C. There, she develops her journalism career while making lifelong friends like her roommate, actress Wendy Raquel Robinson. After graduation, she starts hitting the pavement looking for opportunities to report on the news.

“For one thing, I had spent years obsessing over the mother who did not stay, and fixating on the maternal surrogates who had been there for me while their relationships with my father ran their course. Yet I had hardly noted that it was Vondela who had truly stepped up to care for me. She had been more of a mother to me than anyone else, save Bigmama.” 

By the time she starts her news career, her father is diagnosed with cancer. He gives Michelle her mother’s contact information. He says her mother should know who she is. Michelle doesn’t know what to do with the information, her motherlessness always lingering in the background of her ambitious life. She eventually calls her mother for the first time. As the years and decades pass, even with Michelle starting a family of her own with former New Orleans mayor and National Urban League president Marc Morial, she finds that every time she reaches out to the woman genetically linked to her as her mother that she longs for answers she may never get. 

“Suddenly, my mother’s decades-old abandonment of me felt as near and as raw as if it had happened yesterday. In becoming a mother, I had stumbled upon a vast reservoir of hurt that I hadn’t even realized I was still carrying, one that might have been forever drained of its poison with one simple act—a phone call or a card from my mother hailing the arrival of our beloved boy.” 

This memoir touches the deep vein of living without a mother who is alive and well. From child to adult, Michelle wonders about her mother’s whereabouts while people around her are wondering the same. She is able to connect with people like a young man she dates during a foreign exchange program in Kenya who didn’t know his late mother, or like her stepdaughter who is raised mostly in the Ivory Coast with her mother without spending the same adequate time with her father in the U.S.

Not having a mother distorts her life journey a bit since she’s always expecting her mother to show up magically to support her for the important events, but other women show up instead. Her motherly surrogates seem numerous as her father inadvertently creates a village for Michelle. She is raised by her grandmother, her neighbor, her father’s girlfriends, and her family friends. The African proverb of it taking a village to raise a child is in action, yet there is still the longing for Michelle to have her two biological parents raising her. 

Overall, from the storytelling perspective, the underlying motherlessness weaves into the author’s life moments smoothly. She wonders where her mother is as a child, for example, seeing other girls at her school getting picked up from school by their mothers. But that feeling remains when she becomes a mother to her own son and daughter and still wonders if her mother will show up as a doting grandmother. The racial undertones of the reason why her mother is missing is also explained well as a reminder that her White-passing Chicana mother refused to be a present mother simply because her daughter was the product of an affair with a Black man. This story shows how there are still families who have missing members due to racism and the fear of prejudice.

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film reviews

Simon & Schuster Publisher’s Memoir Comes to Life in ‘Journal for Jordan’

Commercials for the Christmas opening of the film A Journal for Jordan shows a smiling Michael B. Jordan in Army fatigues and boasts Denzel Washington as the director, but many in the bookish community might not realize it’s the story of a literary industry executive.

Dana Canedy was named senior vice president and publisher at Simon & Schuster in July 2020 as U.S. companies focused on elevating their diversity and inclusion promises after the police murder of George Floyd. The New York Times 20-year veteran, former Pulitzer Prize administrator, and Pulitzer Prize winner wrote A Journal for Jordan: A Story of Love and Honor in 2008 about her fiancé, U.S. Army First Sergeant Charles Monroe King, who died in combat in Iraq and left a journal for their son Jordan. The book is published by Penguin Random House’s imprint Crown Publishing Group.

The daughter of an Army drill sergeant, Dana and her family lived near the Fort Knox base in Kentucky. On Father’s Day 1998 while visiting her family, she meets Charles and is left smitten. But the feeling fizzles as she heads back to New York to work at the Times and live her single metropolitan lifestyle. Then her father tells her he gave her contact info to Charles. Once she and Charles connect, sparks fly. They spend years hopscotching the country for their jobs, as Dana works at other Times offices and Charles is stationed on other bases. After a few years, they are engaged and have a baby on the way. It’s the height of Operation Iraqi Freedom when Charles is called to duty. He dies after a bomb explodes underneath his armored vehicle in October 2006 when Jordan is six months old.

From the very first pages, Dana writes about the imperfection of her relationship with Charles. She does an excellent job describing their shortcomings with developing a relationship as a high-profile Black journalist with a dedicated military man. There is a frustration that Charles won’t leave his post in Iraq until his team returns safely home, and Dana describes that heartbreak that her fiancé won’t stay home for their newborn son.

“He was so devoted to his troops, many just out of high school, that he bailed them out of jail, taught them to balance their checkbooks, and even advised them about birth control,” she writes in the book. “But I struggled to understand what motivated the man who had for so long dreamed of your birth but chose to miss it because he believed his soldiers needed him more.”

The book, like the film, revolves around the journal Charles writes for his unborn son. Interwoven between Dana’s descriptions of their situations, Charles’ passages from the journal he leaves for Jordan tell the story from both sides with gems of wisdom the parents hope their son will understand someday.

Dana Canedy

Dana wrote an essay this week for the Times about the trauma reliving her grief onscreen. “So, yes, I have answers to the obvious questions about my life being turned into a movie,” she writes. “Ask me about the behind-the-scenes part and it’s harder to find the words to describe it. I am trying to take it all in and appreciate it. But as the movie rolls out nationwide, I am not sleeping well and am overwrought at times.”

She continues about her lack of sleep and the reenacted scenes affecting her. “While I am often so exhausted that my exercise bike has become an expensive clothing rack, some nights I fight sleep to keep the nightmares away,” she writes. “After Denzel sat with me for a private screening of our film, I dreamed I was fighting in the war alongside Charles and watched helplessly as he was shot dead in a hail of gunfire. Even the excitement of planning the premiere brought pangs of pain.”

Jordan is now 15 years old, and she says in the essay she worries about the impact of the story on her son and that he covered his eyes during the romantic scenes.

In the film, The Photograph‘s Chanté Adams plays Dana, and Michael B. Jordan plays Charles and serves as a producer alongside director Denzel.

A Journal for Jordan opens in theaters Christmas Day.

Categories
what's lit

Tamron Hall’s New Novel ‘As the Wicked Watch’ Taps Into Her Crime Reporter Experience

Talk show host Tamron Hall has the book of the week with her debut novel about a crime journalist seeking justice for Black female victims of a serial killer.

As The Wicked Watch, published by HarperCollins’ William Morrow and Company imprint, is the first of a series in which Tamron said she plans to write six books.

“For Jordan, she is a much braver reporter than I was at the beginning of my career,” she said at the National Black Book Festival recently held live on Facebook in conversation with author Rhonda M. Lawson. “First of all, she has a background that I don’t have; she is a forensic scientist who has found herself tapped to be a reporter… I wanted to created this protagonist who had this level of expertise that’s not often seen in thrillers.”

The book centers on Jordan Manning who arrives at a Chicago news station with her eye on the anchor chair. Jordan’s forensic science background blended with her journalistic prowess motivates her to cover murder victims, particularly Black women. But when she comes across the case of a Black girl abandoned in a parking lot, the lack of coverage elsewhere and the collective amnesia drives Jordan to seek who is responsible for the girl’s murder.

Timing of the novel’s release this week coincides with the national discussion around missing and murdered women of color falling out of the media spotlight. The conversation was sparked by the death of White blogger Gabby Petito that dominated headlines over the last month.

Pulling from her real-life experience as not only a reporter but also as the sister of a murder victim, Tamron said she wished she exhibited the boldness of her main character.

“She’s able to call things out in the newsroom and call out things when she goes in, for example, what appears to be a crime scene from this perspective,” Tamron said of Jordan at the book festival. “She also recognizes through something that happened to her in her past the sensitivity that family members of victims deserves. And in this case, she befriends a mother who is looking for justice and she does cross lines between what is the lane a reporter should occupy versus what is the lane a human should occupy.”

Covering crime impacts Jordan’s relationships and love life and stimulates distrust with others, Tamron said, also adding that a reporter’s support system and mental health may not be stable while they’re working on traumatic stories. The National Association of Black Journalists provides resources to Black journalists coping with everyday stressors inside and outside the newsroom.

Since the book festival mainly serves self-published Black authors, Tamron said she would like to highlight more of this population who wouldn’t be recognized in mainstream media. She also acknowledged that her ties with her talent agent who connected her to a literary agent then a publisher is a privilege many authors of color do not have.

“Like in any industry, I believe we are underrepresented on the agent level; I don’t see a lot of Black book agents,” she said, adding she is a newbie still navigating the publishing industry. “You have to have advocates in the room, and we need more advocates of power whether they are agents or publishers in the rooms to make sure Black content creators, Black writers are represented.”

Tamron is also planning a children’s book inspired by her infant son Moses.

The second book in the Jordan Manning series is in the works, she said.

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book reviews

Book Review: ‘Paper Gods’ by Goldie Taylor

Paper Gods: A Novel of Money, Race, and PoliticsPaper Gods: A Novel of Money, Race, and Politics by Goldie Taylor
My rating: 4 of 5 stars

Paper Gods by Goldie Taylor is a political thriller centered in Atlanta where characters pretend to be sweet as syrup to the public and wicked in private.

Equipped with degrees from Spelman College and Harvard Law, Atlanta mayor Victoria Dobbs is a force to be reckoned with. Her shiny life with her cardiac surgeon husband Marshall Overstreet and their twin daughters, Maya and Mahalia, after poet Angelou and gospel singer Jackson, is enviable. When her mentor Congressman Ezra Hawkins is shot dead by a sniper in the historic Ebenezer Baptist Church, Victoria finds a red origami dragon beside Hawkins’ body. She takes it and tries to decipher the meaning since she’s seen one before. But Hawkins’ position is up for grabs, and Victoria wants it. As she announces her run in the special election, uber-wealthy White men Virgil Loudermilk and his cousin-brother Whit Delacourte look for their own candidate to snatch Victoria’s power. It turns out mostly Loudermilk’s actions have sinister origins, connected to a committee of White politicos arranging for Democratic Black politicos to hold city positions like mayor but not state positions like governor, reserved for mostly White Republicans. The forced racial divide in politics has piqued the interest of veteran reporter Hampton Bridges as he’s been pursuing the story for years. His snooping has placed him on the blacklist for Victoria, Loudermilk, and Delacourte. He’s also been a victim of a suspicious car crash with his latest college-age girl in the front seat that raises more concern. While everyone is trying to hide their secrets and dodge threats, they are making sure they protect their best interests no matter who gets killed in the process.

This novel explores the dual identity most politicos presumably live with. Mayor Dobbs, for example, is the impeccable Black woman worthy of likeability, but she’s also pulling strings behind the scenes to make sure she stays on top. Loudermilk and Delacourte remain top lawyers at major companies throughout the Atlanta region while pulling the strings in overall state politics. Everyone’s hands in this story are dirty and get filthier by the page. The amount of scandal that multiplies for each character makes it a page-turner, especially as characters get killed or almost killed. What incites character empathy is how the characters try to protect their families, with many members having the Southern-style double first name.

Overall, the novel is an entertaining take on the fictional political atmosphere that reads like a smooth investigative magazine piece. The author is the editor-at-large at The Daily Beast, so she uses many of the characters’ last names as their main names, meaning it’s written with journalistic flair. Read this book before the John Legend-produced ABC series starring Nia Long comes out. Also, the audiobook is hard to follow with the plethora of detail, especially all the names, and popular reader Bahni Turpin’s voice doesn’t vibe with the material.

View all my reviews

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book reviews

Book Review: ‘Trailblazer’ by Dorothy Butler Gilliam

Trailblazer: A Pioneering Journalist’s Fight to Make the Media Look More Like America by Dorothy Butler Gilliam is a fascinating memoir of the first African American woman reporter at the Washington Post. Though parts of her story fall into history retelling, she still refocuses on her life and what she’s learned from her journalism career especially supporting diversity and inclusion in the field.

Born in 1936, Dorothy overcame poverty and racism in Louisville, Kentucky to win a scholarship at a Catholic women’s college and study to become a journalist. She eventually goes on to Columbia University for her master’s degree in journalism. Her first gig is at the black newspaper in Memphis where she covers the Little Rock Nine, the nine black children who integrated a high school in Little Rock, Arkansas in 1957. Her second gig is at the illustrious Washington Post, an opportunity she earns after taking a trip throughout Africa and reporting there. This puts her at the center of the civil rights movement. Later in the 1990s, she covers Nelson Mandela’s U.S. visit during his historic presidency to black women reacting to the cinematic success of Waiting to Exhale. She also serves as the president of the National Association of Black Journalists, the largest trade organization for journalists of color.

The best parts of her memoir is focusing on her contributions and her family. Her book tends to lean in to adding so much research and history almost from a perspective that she didn’t experience it as if she’s just taking it from historical records. The most details she gives about herself is when she talks about her upbringing with losing her father at a young age and becoming an obese teen to getting married and starting a family while starting a career without role models who look like her.

Overall, it’s a good memoir about a trailblazing black female journalist who wants to use her legacy to diversify the mostly white male industry. Companion to the book, the 83-year-old journalist now is active on Twitter saluting other lesser-known trailblazing black female journalists and praising current ones trying to pave their own paths.