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book reviews

Book Review: ‘Belonging’ by Michelle Miller

Belonging: A Daughter’s Search for Identity Through Loss and Love by Michelle Miller with Rosemarie Robotham shows the CBS Saturday Morning cohost go through childhood and adulthood wondering the whereabouts of a mother who refused to raise her. 

Born at the end of 1967, Michelle arrives back in Los Angeles on June 6, 1968. The night before, her father, Dr. Ross Miller, becomes embedded in one of U.S. history’s most tragic events: the assassination of Robert F. Kennedy. Michelle’s father was the first doctor to examine the presidential candidate’s gunshot wounds. Still a newborn, Michelle flies back to the city of her recent birth from Birmingham, Alabama, after her grandmother, Bigmama, discovers her existence. Her father sent his secret daughter to family in Alabama, but Bigmama demanded her granddaughter return to LA. It’s Bigmama’s responsibility to raise Michelle out of sight from her son’s wife and two adopted daughters. This is where the journalist’s story begins. 

Her mother, a Chicana fair enough to pass as White, worked in the same hospital as her married father, a top Black cardiopulmonary surgeon. Their affair sparks hate from her mother’s family; they only see their daughter and sister dating a Black man. Once her mother, known by the pseudonym Laura Hernandez throughout the book, gives Michelle to her father, the doctor depends on his family to raise his first biological child. As Michelle grows up around civil rights activists like her father, attends a historically Black college like her father, and embarks on a news career, she leans into her Black identity while wondering about her other ethnicity and the woman who birthed her. 

“All my life, I had encountered people who would take note of my light skin, long wavy hair, and pointed features and be curious about my ethnicity. ‘What are you exactly?’ they might ask. ‘I’m Black,’ I would tell them, cheerfully removing their confusion. Sometimes, if I was in the mood to claim my mother’s contributions to my heritage, despite her absence from my life, I might say, ‘My father is Black, and my mother is Hispanic.’” 

Growing up in 1970s South Los Angeles, Michelle attends predominantly Black schools at first then gets bussed far away to attend predominantly White schools. Bigmama, who is 73 when she starts raising her newborn granddaughter, is a retired teacher, so education is prioritized in their household. Michelle’s father lives in his own townhouse in Long Beach and visits often after his shift at the hospital. He also brings in girlfriends who become a part of Michelle’s greater village, such as civil rights legend Xernona Clayton, who Michelle lovingly calls “Big.” 

When Bigmama gets sick as Michelle becomes a teenager, a neighbor named Vondela starts to help out in the house. She becomes Michelle’s surrogate guardian and also takes care of Michelle’s adopted sister Cheryl. Bigmama’s house evolves and expands with the village once Michelle attends Howard University to continue her family’s legacy of attending the renowned HBCU in Washington, D.C. There, she develops her journalism career while making lifelong friends like her roommate, actress Wendy Raquel Robinson. After graduation, she starts hitting the pavement looking for opportunities to report on the news.

“For one thing, I had spent years obsessing over the mother who did not stay, and fixating on the maternal surrogates who had been there for me while their relationships with my father ran their course. Yet I had hardly noted that it was Vondela who had truly stepped up to care for me. She had been more of a mother to me than anyone else, save Bigmama.” 

By the time she starts her news career, her father is diagnosed with cancer. He gives Michelle her mother’s contact information. He says her mother should know who she is. Michelle doesn’t know what to do with the information, her motherlessness always lingering in the background of her ambitious life. She eventually calls her mother for the first time. As the years and decades pass, even with Michelle starting a family of her own with former New Orleans mayor and National Urban League president Marc Morial, she finds that every time she reaches out to the woman genetically linked to her as her mother that she longs for answers she may never get. 

“Suddenly, my mother’s decades-old abandonment of me felt as near and as raw as if it had happened yesterday. In becoming a mother, I had stumbled upon a vast reservoir of hurt that I hadn’t even realized I was still carrying, one that might have been forever drained of its poison with one simple act—a phone call or a card from my mother hailing the arrival of our beloved boy.” 

This memoir touches the deep vein of living without a mother who is alive and well. From child to adult, Michelle wonders about her mother’s whereabouts while people around her are wondering the same. She is able to connect with people like a young man she dates during a foreign exchange program in Kenya who didn’t know his late mother, or like her stepdaughter who is raised mostly in the Ivory Coast with her mother without spending the same adequate time with her father in the U.S.

Not having a mother distorts her life journey a bit since she’s always expecting her mother to show up magically to support her for the important events, but other women show up instead. Her motherly surrogates seem numerous as her father inadvertently creates a village for Michelle. She is raised by her grandmother, her neighbor, her father’s girlfriends, and her family friends. The African proverb of it taking a village to raise a child is in action, yet there is still the longing for Michelle to have her two biological parents raising her. 

Overall, from the storytelling perspective, the underlying motherlessness weaves into the author’s life moments smoothly. She wonders where her mother is as a child, for example, seeing other girls at her school getting picked up from school by their mothers. But that feeling remains when she becomes a mother to her own son and daughter and still wonders if her mother will show up as a doting grandmother. The racial undertones of the reason why her mother is missing is also explained well as a reminder that her White-passing Chicana mother refused to be a present mother simply because her daughter was the product of an affair with a Black man. This story shows how there are still families who have missing members due to racism and the fear of prejudice.

Categories
film reviews

Simon & Schuster Publisher’s Memoir Comes to Life in ‘Journal for Jordan’

Commercials for the Christmas opening of the film A Journal for Jordan shows a smiling Michael B. Jordan in Army fatigues and boasts Denzel Washington as the director, but many in the bookish community might not realize it’s the story of a literary industry executive.

Dana Canedy was named senior vice president and publisher at Simon & Schuster in July 2020 as U.S. companies focused on elevating their diversity and inclusion promises after the police murder of George Floyd. The New York Times 20-year veteran, former Pulitzer Prize administrator, and Pulitzer Prize winner wrote A Journal for Jordan: A Story of Love and Honor in 2008 about her fiancé, U.S. Army First Sergeant Charles Monroe King, who died in combat in Iraq and left a journal for their son Jordan. The book is published by Penguin Random House’s imprint Crown Publishing Group.

The daughter of an Army drill sergeant, Dana and her family lived near the Fort Knox base in Kentucky. On Father’s Day 1998 while visiting her family, she meets Charles and is left smitten. But the feeling fizzles as she heads back to New York to work at the Times and live her single metropolitan lifestyle. Then her father tells her he gave her contact info to Charles. Once she and Charles connect, sparks fly. They spend years hopscotching the country for their jobs, as Dana works at other Times offices and Charles is stationed on other bases. After a few years, they are engaged and have a baby on the way. It’s the height of Operation Iraqi Freedom when Charles is called to duty. He dies after a bomb explodes underneath his armored vehicle in October 2006 when Jordan is six months old.

From the very first pages, Dana writes about the imperfection of her relationship with Charles. She does an excellent job describing their shortcomings with developing a relationship as a high-profile Black journalist with a dedicated military man. There is a frustration that Charles won’t leave his post in Iraq until his team returns safely home, and Dana describes that heartbreak that her fiancé won’t stay home for their newborn son.

“He was so devoted to his troops, many just out of high school, that he bailed them out of jail, taught them to balance their checkbooks, and even advised them about birth control,” she writes in the book. “But I struggled to understand what motivated the man who had for so long dreamed of your birth but chose to miss it because he believed his soldiers needed him more.”

The book, like the film, revolves around the journal Charles writes for his unborn son. Interwoven between Dana’s descriptions of their situations, Charles’ passages from the journal he leaves for Jordan tell the story from both sides with gems of wisdom the parents hope their son will understand someday.

Dana Canedy

Dana wrote an essay this week for the Times about the trauma reliving her grief onscreen. “So, yes, I have answers to the obvious questions about my life being turned into a movie,” she writes. “Ask me about the behind-the-scenes part and it’s harder to find the words to describe it. I am trying to take it all in and appreciate it. But as the movie rolls out nationwide, I am not sleeping well and am overwrought at times.”

She continues about her lack of sleep and the reenacted scenes affecting her. “While I am often so exhausted that my exercise bike has become an expensive clothing rack, some nights I fight sleep to keep the nightmares away,” she writes. “After Denzel sat with me for a private screening of our film, I dreamed I was fighting in the war alongside Charles and watched helplessly as he was shot dead in a hail of gunfire. Even the excitement of planning the premiere brought pangs of pain.”

Jordan is now 15 years old, and she says in the essay she worries about the impact of the story on her son and that he covered his eyes during the romantic scenes.

In the film, The Photograph‘s Chanté Adams plays Dana, and Michael B. Jordan plays Charles and serves as a producer alongside director Denzel.

A Journal for Jordan opens in theaters Christmas Day.

Categories
what's lit

Marketing Maven Bozoma Saint John Teases New Memoir

Bozoma Saint John, the chief marketing officer of streaming service Netflix, announced she has officially joined the author family at Penguin Random House.

In an Instagram post, she shared a snapshot of an email from the publisher welcoming her to the author portal, where she will access information such as her sales and royalties. She revealed her book, The Urgent Life, is coming out next year courtesy of Viking Books, a Penguin imprint.

“I’m really writing y’all,” she wrote Wednesday. “And then one day, you’ll see my vulnerable words in print 🤯 This is truly one of the scariest things I’ve ever done.”

On a recent podcast episode with broadcast journalist Catt Sadler, Bozoma says the book will focus on her journey of grief after losing her husband to lymphoma within six months of his diagnosis in 2013. She tells Catt that she used social media to share the journey with loved ones until they told her she should piece the content together for a book after her husband’s death. But she wasn’t ready.

“He’s been gone for seven years, and I feel like the time is right now,” Bozoma says. “I’m in a really great place spiritually, where the mantra that I live my life with now is to live life urgently, so the book is called The Urgent Life, which is really about the pace at which he lived his last months and we lived it together… It’s not about speed, it was about the intention, the intentionality of how we did it.”

The book does not have a public title page yet on the Penguin website, but comparative titles include actress Tembi Locke’s From Scratch, also a forthcoming Netflix series starring Zoe Saldana, and Facebook chief operating officer Sheryl Sandberg’s Option B.

Categories
book reviews

Book Review: ‘Trailblazer’ by Dorothy Butler Gilliam

Trailblazer: A Pioneering Journalist’s Fight to Make the Media Look More Like America by Dorothy Butler Gilliam is a fascinating memoir of the first African American woman reporter at the Washington Post. Though parts of her story fall into history retelling, she still refocuses on her life and what she’s learned from her journalism career especially supporting diversity and inclusion in the field.

Born in 1936, Dorothy overcame poverty and racism in Louisville, Kentucky to win a scholarship at a Catholic women’s college and study to become a journalist. She eventually goes on to Columbia University for her master’s degree in journalism. Her first gig is at the black newspaper in Memphis where she covers the Little Rock Nine, the nine black children who integrated a high school in Little Rock, Arkansas in 1957. Her second gig is at the illustrious Washington Post, an opportunity she earns after taking a trip throughout Africa and reporting there. This puts her at the center of the civil rights movement. Later in the 1990s, she covers Nelson Mandela’s U.S. visit during his historic presidency to black women reacting to the cinematic success of Waiting to Exhale. She also serves as the president of the National Association of Black Journalists, the largest trade organization for journalists of color.

The best parts of her memoir is focusing on her contributions and her family. Her book tends to lean in to adding so much research and history almost from a perspective that she didn’t experience it as if she’s just taking it from historical records. The most details she gives about herself is when she talks about her upbringing with losing her father at a young age and becoming an obese teen to getting married and starting a family while starting a career without role models who look like her.

Overall, it’s a good memoir about a trailblazing black female journalist who wants to use her legacy to diversify the mostly white male industry. Companion to the book, the 83-year-old journalist now is active on Twitter saluting other lesser-known trailblazing black female journalists and praising current ones trying to pave their own paths.