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what's lit

‘Shakti Girls’ Author Shetal Shah Uses Poetry to Tell the Stories of Indian Innovators

A former teacher who taught at all-girls schools, Shetal Shah said she noticed how the girls’ self-esteems soared when they were learning about women of various diverse backgrounds. This has led to Shakti Girls, her debut children’s picture book featuring poetic biographies about trailblazing women across the Indian diaspora.

“Shakti” refers to an individual’s divine power and energy in traditional Hinduism. This energy is considered female because mothers have the power to birth new life, according to the first page of the book. Throughout the book, the poems highlight the accomplishments of newsmakers such as Vice President Kamala Harris to actress-producer Mindy Kaling, but we also learn about former PepsiCo CEO Indra Nooyi, gymnast Mohini Bhardwaj, and astronaut Kalpana Chawla.

Empowering Hindi words and motivating messages are woven into the verses to affirm each young reader’s identity and self-esteem. A short glossary of English and Hindi words is provided on each page to enhance the experience, as well as activities to empower one’s inner shakti.

The inspiration to tell these stories are not only from Shetal’s education background, but it also pairs with her upbringing in New York City as a second-generation Indian American. She talks to she lit about telling these women’s stories in rhythm and seeing her children’s reactions to the finished product. Check out the conversation below:

she lit: How did you come up with the concept to tell these stories in rhyme and intentionally use Hindi words and phrases in the poems?

Shetal: The idea of sharing these stories was in the back of my mind for quite some time. However, it was my youngest son who sparked the idea to present them in a more engaging format that would resonate with young readers. In order to capture their imagination, I knew the writing had to be lively, fun, and ignite their thirst for learning.

As an educator, I was aware of the cognitive benefits of rhyme in enhancing memory retention and concentration. Additionally, having experienced the sheer pleasure of reading and reciting rhyming poems, I knew it would captivate and delight my audience. With this in mind, I embarked on the task of narrating the stories of these remarkable women in verse.

Later on, I felt compelled to incorporate Hindi words into the poems when I reflected on my own grasp of Hindi and Gujarati, a regional language of India. Having realized that my exposure to these languages did not include many self-affirming and empowering words, I imagined how uplifting it would have felt if the first words I learned were words of empowerment. 

she lit: Growing up as a second-generation Indian American, how and where did you learn about women of Indian descent? What was your sense that classmates and kids around you knew about these women?Ā 

Shetal: Growing up in the United States during the ’80s and ’90s, I did not have access to the resources that would have helped me learn about women of Indian descent. Occasionally, a family member visiting from India would bring me short stories about Hindu goddesses like Lakshmi, but I never encountered a secular book or article about an Indian woman until I learned about Indira Gandhi in high school.

However, the information was limited, and Gandhi remained the only woman of Indian descent I knew about until college. I realized that my knowledge, or lack thereof, was not unique and was likely shared by my peers. Even as a frequent library-goer, I had little knowledge of books and media that celebrated Indian women.

Today, I am grateful to see a shift in diversity represented in children’s literature, but there is still much work to be done. While we have made progress since I was a child, we have yet to scratch the surface of adequate representation.

she lit: From your experience as a teacher at all-girls schools, how did you engage students in learning about women from different ethnic backgrounds who may have been left out of their history lessons? 

Shetal: Witnessing my students’ natural curiosity about the world and its diverse cultures and people was a privilege and a joy. Teaching an extension lesson on Murasaki Shikibu, the author of the world’s first novel, The Tale of Genji, as part of our unit about medieval Japan, was particularly memorable. The thoughtful questions and wonderment my students shared about her and her achievement were exciting.

Fortunately, many of the courses I taught fell under the umbrella of global studies, making it easier to introduce diverse cultures and viewpoints within the curriculum. By starting with student inquiry and later giving them the space to reflect and make connections to historical figures like Shikibu, my students took ownership of their learning and forged deep connections that transcended boundaries and cultures.

Learning about history and the people who made it can be incredibly empowering, especially when students are given a choice and voice in how they want to learn. The true challenge, however, was finding the resources to support different learning preferences and interests.

she lit: There is an interactive component with having readers look for symbols related to the poems in the illustrations. What motivated you and illustrator Kavita Rajput to add this type of engagement for young readers? 

Shetal: As an educator, I recognized that incorporating an interactive component would enrich the learning process by enabling readers to make connections between the visual cues and the women featured in the book.

In my teaching practice, I favored a multisensory approach that engaged learners through storytelling (hearing it), illustrations (seeing it), and activities (interacting with it) that fostered reflection and interaction. I was determined to apply this approach to Shakti Girls, as I believed it would create a more meaningful and enjoyable learning experience for readers.

she lit: How have your children reacted to the book and what has impacted them the most? 

Shetal: From the inception of the book, my children were part of the creative process, unapologetically critiquing, editing, and validating all aspects of it. Now, I catch my son who inspired the rhymes, casually reading the book on his own. I can tell they are proud of their mom, but I can also tell they are excited to learn about these brave women and are inspired by their stories.

As a mother of two boys, I am confident that reading this book will help break down any unconsciously held beliefs they have about women and girls. A defining moment for me came when my oldest son, who enjoys swimming competitively, asked me if I knew any Indian American swimmers who had competed at the Olympics. Given the statistics on diversity in the swim world, I wasn’t surprised when our internet research drew a blank.

However, I was able to share Mohini Bhardwaj’s story from my book. As an Olympian and former captain of the USA’s gymnastics team, who happens to be a vegetarian like my son, her journey was a source of inspiration for him. While it didn’t entirely answer his question, it helped him see that people like him can achieve greatness in athletics.

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book reviews

Book Review: ‘Surviving Home’ by Katerina Canyon

*Given a copy from the publisher in exchange for an honest review*

Surviving Home by Katerina Canyon is a collection of poems examining the author’s South Los Angeles upbringing in the 1980s and looking for comfort in the harsh memories from then.

Each poem tells a story about realizing the beauty in a situation although it’s difficult to find the beauty amid the obstacles of growing up in the area formerly known as South Central.

In the poem ā€œI Say You Can’t Go Home Again,ā€ for example, she shares her experience of being unhoused as a child and her family living in a dispossessed home of a convicted drug dealer. A bright spot is witnessing the collection of roses by a female who may be her mother. She steals varieties of roses from their unknowing neighbors as a ā€œrose petal shoplifter.ā€ But they as a family look for the hidden drugs on the five-acre property; stealing is a source of comfort, whether it’s stealing roses or drugs.

ā€œLife Mapā€ describes the geography of where events take place from home to school, but also include where her father bought crack cocaine and where her mother was treated for cancer. Traveling off familiar highway ramps and on avenues like Slauson and Vermont touches on nostalgia, yet her parents are dealing with hard truths as they make their daily trips around the area.

The origin of the term ā€œassault weaponā€ is explored with the term being born the same year as the author along with ā€œBand-Aidā€ in a poem called ā€œI Left Out ‘Bells and Whistles’ Written with a Little Help from Websters Dictionary.ā€

Assault weapons could 

have easily served 

as pacifiers in my 

South Central Los Angeles home. 

I was seven the first time 

I remember holding one.

With making lemonade out of the lemons that fell into her hands, there is still mental trauma happening within the pages. A poem called ā€œNYP Psychiatryā€ describes the fear of keeping everything inside or spirits will take advantage of those emotions. The last line: ā€œI arrived a martyr and exited a shadow.ā€ Poems such as ā€œAll Day Longā€ and ā€œI Felt My Brother’s Wristsā€ shows how she is with her brothers seeing them be abused and tormented by their father. She tries to be their savior and watches over them. Thinking she has the power to help her brothers overwhelms her as she realizes her actions can’t stop the pain. 

I hold my brother’s hand. 

I clench my breath. 

His scream lowers to a bleat. 

The closed door becomes an ocean, 

Our prison an oasis. 

Just he, me, and the sea 

Playing hand-clap games,

And we cannot be bound. 

We are free, I tell him. 

We are infinite 

Because I declare it 

As sister and deity.

Being a Black woman is also an underlying theme. ā€œSojournerā€ narrates the hardships of living in a society constructed and maintained by White men today and during slavery when abolitionist and activist Sojourner Truth walked the planet. 

You never forgot to say who a woman 

Could be, what a Black woman could do 

When we eschewed weakness and misogyny. 

No one helped you. You just carved the trail. 

No one helps me either. That’s what I learned 

It means to be a Black woman. 

To be strong, to plough, to plant, to raise barns. 

That’s what you did. I do that metaphorically. 

Now, I raise children, plough through journals 

With my pen. I always remember to never 

Pin my tongue for fear of other’s thoughts 

This is the way you walked.

Overall, the poetry follows a path of Black girlhood to Black womanhood amid traumatic settings when one needs to fixate on what’s beautiful or what’s calm in a situation to survive the moment. Random thoughts as a way to deal with the obstacles turn into a poem like the one about words that were added to the Webster’s Dictionary the year the author is born. It’s a way to examine life, the time of birth, the hometown, and all the elements that make up the cosmic journey.

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music reviews what's lit

Halsey’s Poems May Dive Deeper into Her Biracial Identity

Grammy-nominated singer and songwriter Halsey announced she will have a poetry book come out later this year called I Would Leave Me If I Could. With the poems hitting shelves on Nov. 10, will it touch on race and her fight to be understood as a biracial woman?

Halsey’s poetry collection will explore “longing, love, and the nuances of bipolar disorder.” Publisher Simon & Schuster describes the book as:

In this debut collection, Halsey bares her soul. Bringing the same artistry found in her lyrics, Halsey’s poems delve into the highs and lows of doomed relationships, family ties, sexuality, and mental illness. More hand grenades than confessions, these autobiographical poems explore and dismantle conventional notions of what it means to be a feminist in search of power.

The “family ties” part looks promising for Halsey to share her story on being half-Black and half-White and the criticisms she received about her racial identity while famous.

In an August 2017 Playboy interview, Halsey said she was “White-passing” and that she has “never tried to control anything about black culture.” At first, it sounded like a Rachel Dolezal situation until she cleared up that her father is Black and her mother is White and that her light complexion on first impression does not show her Blackness.

After she emphasized her biracial identity, she complained about hotels in 2018 for having toiletries that “entirely alienates people of color.” She goes on to say she “can’t use this perfumed watered down white people shampoo.” The hair care industry still marks products for “normal hair,” meaning it’s designed for the hair of most White people, for example.

She quickly corrected those who said she is White and didn’t believe racism exists in the hotel toiletry business with clarifying again that she is biracial. Months later, she revealed a photo of herself in her natural curls, where again she faced attacks from fans who didn’t know her biracial identity.

Over the past few weeks, Halsey has been sharing content surrounding the Black Lives Matter movement and the latest protests by supporting Black artists and activists on Twitter and Instagram. She even participated in a protest in Los Angeles which she shares in a post on June 1 where she treated protestors hit with rubber bullets and tear gas with a massive first aid kit. The post has 1.5 million likes.

Halsey joins other singer-poets such as JhenƩ Aiko, the author of the poetry collection 2Fish, and Lana Del Rey, who plans to release her poetry collection and spoken word album Violet Bent Backwards Over the Grass later this year.

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experiences

Free Black Women’s Library Holds Lavender + Lit Poetry Reading

The Free Black Women’s Library held a read-and-relax event Sunday afternoon at the Underground Museum in Arlington Heights section of Los Angeles.

Taking place in the Purple Garden among purple parasols and plants, the Lavender + Lit on July 21 featured a reading by poet Mahtem Shiferraw, who shared her new collection of poems, Your Body Is War. Her curated reading list sparked a conversation on handling generational trauma.

“With the newer generation trying to distance themselves, they end up replicating the same traumatic act of violence or aggression without actually doing it themselves,” said Mahtem, who spoke from her cultural experience of being Ethiopian and Eritrean. “So part of the process of healing, or when distancing ourselves, we can also recognize what happened because of that ugliness and beauty. We came from that.”

Under the parasols shielding the 40 attendees from the 80 plus-degree heat, the poet and attendees, mostly millennials, discussed their roles in helping an older generation understand the obstacles.

“For Ethiopian people specifically, I know they open more when they’re around friendly faces and when they’re eating and they’re joking, so things come out like that, then they get serious,” Mahtem said. “If I try to have a one-on-one sit-down, they will never talk to me. It’ll be like, ‘Who are you asking me this?’ I don’t mean with just strangers; even my family members will not talk to me like that.”

The two-hour event also allowed the attendees to roam among woven baskets of books separated by genres that make up the library that includes hundreds of works all by black women writers. The Los Angeles arm of the New York-based organization launched in April.

 

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book reviews

Book Review: ‘The Poet X’ by Elizabeth Acevedo

The Poet XThe Poet X by Elizabeth Acevedo
My rating: 4 of 5 stars

“The Poet X” by Elizabeth Acevedo is a coming-of-age novel that expertly showcases the teenage life of a girl of color who’s first-generation American scared to share her true voice due to family expectations.

Xiomara is a Dominican teenager living in New York City with the gift of poetry she feels she can’t share with the world because she has to please her strict parents. Her religious mother makes Xiomara and her twin brother Xavier aka Twin attend after-school bible lessons. Xiomara is rough around the edges while Twin is active in his religious lessons and goes to a high-performing school, so Xiomara suppresses her love for poetry, especially since Poetry Club coincides with her religious classes. Her young teacher, Ms. Galliano, inspires her to find her voice, and when she does, Xiomara is falling in love with her classmate Aman, which is another no-no under her religious household. When Xiomara begins skipping church for poetry, her world begins to crumble as she realizes she can’t be the pure Catholic Dominican girl her parents want her to be.

This is a great YA novel with the necessary elements describing the hardships of an adolescent girl of color struggling with being American and also having immigrant parents going by the stricter rules of their homeland. I read it on audio book, so the characters’ names may not be spelled correctly, but the author does a fabulous job in her poetic prose-y voice, so definitely recommend the audio book.

View all my reviews

Categories
experiences

Poet Cleo Wade Talks Setting Intentions at Aerie REALtreat Event

Best-selling poet Cleo Wade emphasized the power of setting intentions and navigating one’s way to success in today’s world at the Aerie REALtreat conference in downtown Los Angeles Saturday morning.

The Heart Talk: Poetic Wisdom for a Better Life author is also an #AerieREAL role model as she pumped up the audience at Rolling Greens Nursery in the Arts District then joined a panel with fellow ambassadors Olympic gymnast and Fierce: How Competing for Myself Changed Everything author Aly Raisman and body-positive model Iskra. Aerie is the intimate apparel lifestyle offshoot of American Eagle Outfitters.

Using advice from her book, Cleo said one of her intentions is to exude kindness when she’s most stressed.

“Another one I have is: Can I be patient? Can I not make rushing everyone else’s problem?” she said. “I’m sure you’re all familiar when you’re the one running late, but then all of sudden it’s the Uber driver’s problem if they’re not going fast enough. And then you’re like, ‘I have to be there in 10 minutes,’ if like you needing to be there in 10 minutes has to do with whether or not it’s 20 minutes away or not, and that is somehow their fault.”

Several of the estimated 100 women in attendance in Cleo’s speaking session went up to the decorated stage to share their intentions. Cleo said she requested Aerie put notebooks and pens in the giveaway bags to do the five-minute, intention-writing exercise.

“For me, intentions are a space where we can say I know I have these default settings as the person I am, but what does it look like for me to carve out the person I know I can be,” Cleo said. “That’s what we really do when we set intentions for ourselves.”

In partnership with Create & Cultivate (disclosure: I’m an insider), the event focused on tapping into women’s power for entrepreneurial success, so Cleo brought up the theme of making connections.

“If you’re someone who doesn’t like to be the first to walk up to someone to say like, ‘Your hair looks really amazing today’ or ‘I love your scarf,’ or ‘Hi, my name is Cleo,’ then maybe your intention for today is ‘I’m going to be the first to say hello,'” she said. “If you came here today, like so many of you I’m sure did, it’s such a beautiful and safe space to create fellowship and participate in sisterhood and make new friends then maybe your intention today is, ‘I am going to be open enough to allow connection to take place between me and another sister I walk or sit next to today.'”

She then had the attendees hug the woman sitting next to them with an introduction. The session ended with her reading a poem from her book while sitting on the edge of the stage.

Joining Aly and Iskra in the next panel, Cleo discussed how many use the internet to connect and grow a brand but recommended to be cautious of what works or won’t work for you.

“Before you endorse anything, there are people who are working with you, for you, not for how many people follow you or how many people’s eyeballs are on what you see or do,” she said. “And you do that by getting to know brands or people before you work with them, so that they are there for your voice, they are there for your story, they are there for the way that you have built your community rather than anyone reducing you to a number or anyone reducing you to an algorithm.”

And with so many connections, the act of gluing the connections can become stressful to the point where slowing down may be the best option.

“I think in that space it’s always OK if you allow yourself to not be Superwoman. I always say with the women who work with me, it’s like I don’t want to be Superwoman because she’s not real,” Cleo said. “That has to be OK because that’s the truth. So when it comes to whether having the answer or that one piece of advice—if I don’t have that, I don’t put pressure on myself to have that.”

Aly later said as the main takeaway she wanted to share with audience was partly inspired by Cleo’s book, and that’s to be “authentically you.”

“Know your value and what you want in your life,” she said. “If you are willing to, I would recommend when you leave here, or when you feel like it, to really take time and really get to know what you want and who you want to be with… I think it’s about really knowing your value and really getting to know what makes you happy.”

Cleo co-signed actively surrounding ourselves with people who support us with recalling a moment she shared with her brother in their mother’s kitchen one day in Louisiana. After realizing it would’ve been a good anecdote in her book, she said her mother was cooking food in a pan when she and her brother mentioned “haters.”

“She looks up from the pan and says, ‘Haters? What are haters? I have no idea who hates me. I don’t hang out with those people.’ I always think of that as some of the best advice I’ve ever gotten because you’re like, ‘Exactly!'” Cleo said. “Sometimes, I don’t think we realize we’re moving in this world looking for people to criticize us because we don’t believe in our own power and we don’t believe in our own place in the world. We actually look around whether it’s on the internet or in social spaces for people who might reject us or tell us we’re not enough.”

The panel ended with Aly having the audience engage in a 10-minute meditation rather than the originally scheduled fitness workout.