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‘Shakti Girls’ Author Shetal Shah Uses Poetry to Tell the Stories of Indian Innovators

A former teacher who taught at all-girls schools, Shetal Shah said she noticed how the girls’ self-esteems soared when they were learning about women of various diverse backgrounds. This has led to Shakti Girls, her debut children’s picture book featuring poetic biographies about trailblazing women across the Indian diaspora.

“Shakti” refers to an individual’s divine power and energy in traditional Hinduism. This energy is considered female because mothers have the power to birth new life, according to the first page of the book. Throughout the book, the poems highlight the accomplishments of newsmakers such as Vice President Kamala Harris to actress-producer Mindy Kaling, but we also learn about former PepsiCo CEO Indra Nooyi, gymnast Mohini Bhardwaj, and astronaut Kalpana Chawla.

Empowering Hindi words and motivating messages are woven into the verses to affirm each young reader’s identity and self-esteem. A short glossary of English and Hindi words is provided on each page to enhance the experience, as well as activities to empower one’s inner shakti.

The inspiration to tell these stories are not only from Shetal’s education background, but it also pairs with her upbringing in New York City as a second-generation Indian American. She talks to she lit about telling these women’s stories in rhythm and seeing her children’s reactions to the finished product. Check out the conversation below:

she lit: How did you come up with the concept to tell these stories in rhyme and intentionally use Hindi words and phrases in the poems?

Shetal: The idea of sharing these stories was in the back of my mind for quite some time. However, it was my youngest son who sparked the idea to present them in a more engaging format that would resonate with young readers. In order to capture their imagination, I knew the writing had to be lively, fun, and ignite their thirst for learning.

As an educator, I was aware of the cognitive benefits of rhyme in enhancing memory retention and concentration. Additionally, having experienced the sheer pleasure of reading and reciting rhyming poems, I knew it would captivate and delight my audience. With this in mind, I embarked on the task of narrating the stories of these remarkable women in verse.

Later on, I felt compelled to incorporate Hindi words into the poems when I reflected on my own grasp of Hindi and Gujarati, a regional language of India. Having realized that my exposure to these languages did not include many self-affirming and empowering words, I imagined how uplifting it would have felt if the first words I learned were words of empowerment. 

she lit: Growing up as a second-generation Indian American, how and where did you learn about women of Indian descent? What was your sense that classmates and kids around you knew about these women? 

Shetal: Growing up in the United States during the ’80s and ’90s, I did not have access to the resources that would have helped me learn about women of Indian descent. Occasionally, a family member visiting from India would bring me short stories about Hindu goddesses like Lakshmi, but I never encountered a secular book or article about an Indian woman until I learned about Indira Gandhi in high school.

However, the information was limited, and Gandhi remained the only woman of Indian descent I knew about until college. I realized that my knowledge, or lack thereof, was not unique and was likely shared by my peers. Even as a frequent library-goer, I had little knowledge of books and media that celebrated Indian women.

Today, I am grateful to see a shift in diversity represented in children’s literature, but there is still much work to be done. While we have made progress since I was a child, we have yet to scratch the surface of adequate representation.

she lit: From your experience as a teacher at all-girls schools, how did you engage students in learning about women from different ethnic backgrounds who may have been left out of their history lessons? 

Shetal: Witnessing my students’ natural curiosity about the world and its diverse cultures and people was a privilege and a joy. Teaching an extension lesson on Murasaki Shikibu, the author of the world’s first novel, The Tale of Genji, as part of our unit about medieval Japan, was particularly memorable. The thoughtful questions and wonderment my students shared about her and her achievement were exciting.

Fortunately, many of the courses I taught fell under the umbrella of global studies, making it easier to introduce diverse cultures and viewpoints within the curriculum. By starting with student inquiry and later giving them the space to reflect and make connections to historical figures like Shikibu, my students took ownership of their learning and forged deep connections that transcended boundaries and cultures.

Learning about history and the people who made it can be incredibly empowering, especially when students are given a choice and voice in how they want to learn. The true challenge, however, was finding the resources to support different learning preferences and interests.

she lit: There is an interactive component with having readers look for symbols related to the poems in the illustrations. What motivated you and illustrator Kavita Rajput to add this type of engagement for young readers? 

Shetal: As an educator, I recognized that incorporating an interactive component would enrich the learning process by enabling readers to make connections between the visual cues and the women featured in the book.

In my teaching practice, I favored a multisensory approach that engaged learners through storytelling (hearing it), illustrations (seeing it), and activities (interacting with it) that fostered reflection and interaction. I was determined to apply this approach to Shakti Girls, as I believed it would create a more meaningful and enjoyable learning experience for readers.

she lit: How have your children reacted to the book and what has impacted them the most? 

Shetal: From the inception of the book, my children were part of the creative process, unapologetically critiquing, editing, and validating all aspects of it. Now, I catch my son who inspired the rhymes, casually reading the book on his own. I can tell they are proud of their mom, but I can also tell they are excited to learn about these brave women and are inspired by their stories.

As a mother of two boys, I am confident that reading this book will help break down any unconsciously held beliefs they have about women and girls. A defining moment for me came when my oldest son, who enjoys swimming competitively, asked me if I knew any Indian American swimmers who had competed at the Olympics. Given the statistics on diversity in the swim world, I wasn’t surprised when our internet research drew a blank.

However, I was able to share Mohini Bhardwaj’s story from my book. As an Olympian and former captain of the USA’s gymnastics team, who happens to be a vegetarian like my son, her journey was a source of inspiration for him. While it didn’t entirely answer his question, it helped him see that people like him can achieve greatness in athletics.

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book reviews

Book Review: ‘On Her Own Ground’ by A’Lelia Bundles

On Her Own Ground: The Life and Times of Madam C.J. Walker by A’Lelia Perry Bundles
My rating: 4 of 5 stars

Self Made also known as On Her Own Ground by A’Lelia Bundles is an engrossing biography about Madam C.J. Walker, the Black woman behind a million-dollar hair care empire who became a Black History Month fixture yet the story of her life and rise to success is largely still shrouded.

Born Sarah Breedlove in Louisiana, Madam C.J. Walker lived in poverty for decades with marrying as a teenager after her formerly enslaved parents died, dealing with abusive marriages, then making pennies as a washwoman. At the time, she, like many other women, are dealing with severe hair loss, most likely due to the lack of daily cleanliness with the scarcity of water and soap. A hair care entrepreneur named Annie Turnbo helps Sarah grow her hair. With the success, Sarah makes her own products to help women grow their hair. She does everything in her power to hobnob with the wealthy in Indianapolis, where she ends up as the place to start her business with her third husband C.J. Walker and daughter Lelia from a previous marriage. One of the main people she tries to connect with is Booker T. Washington, the civil rights speaker, who believes Madam C.J. Walker’s hair care products are meant to straighten Black women’s hair to conform to Eurocentric beauty standards. It’s one of the fabrications about Madam C.J. Walker that she created the products, including the straightening comb, to straighten kinks out. This biography tries to decipher how this lie followed Madam C.J. Walker’s career as it derives from a newspaper article where a White reporter wrote the products are for straightening Black hair to be more like White hair.

The book is drenched in details. A’Lelia Bundles, an experienced journalist, is the great-great-granddaughter of Madam C.J. Walker, named after the daughter Lelia, who later goes by A’Lelia when she becomes a Harlem socialite. With the journalism aspect, there’s context on top of context describing the historical, geographical, and socioeconomic conditions around Sarah and her career as she moves around the country to grow her business. Indianapolis is the city of choice during the Great Migration for Sarah to make it the business birthplace until the blossoming Harlem in New York City becomes the spot as the home of Black excellence. A lot of these details had been omitted in the shortened bios that people are given about Madam C.J. Walker, so it’s refreshing to get the whole story along with the thousands of obstacles that this history-making entrepreneur endured, which is a main aspect missing from those bios.

Annie Turnbo Malone, the hair care entrepreneur who may have inspired Madam C.J. Walker to start her own business, is portrayed in the Netflix series as a nemesis. In the story, there is conflict between the two women as competitors, but it’s not all-encompassing like the TV series made it seem. In the series, Annie Turnbo Malone is turned into a fictional character who is color-struck and upset that Madam C.J. Walker is finding more success. Most never heard of Annie Turnbo Malone, and the TV series messes up her image as a nemesis rather than a natural business competitor since she’s also a part of Black history, particularly when it comes to entrepreneurship. Annie Turnbo Malone also had a monstrously large business spanning states and a résumé reflecting philanthropy. The biography clears up the relationship that Netflix chose to construe for dramatic purposes.

The book also shows how Madam C.J. Walker and her daughter A’Lelia worked so hard to get the business off the ground and running that their physical health deteriorated. Both women died relatively young from hypertension and not being able to control it because they refused to slow down. They both had similar marriage problems with Madam C.J. Walker’s title being named after her third husband she was only married to for about six years, which turned out to be crucial years in the business hence her title. A’Lelia also had three short-lived marriages like her mother. Surprisingly, the marriage tumult doesn’t seem to derail the women’s ambitions as the company grows and takes young Black women under their wings to spread the success.

Overall, the biography is very well-researched and elaborately tells the full story of a Black woman seen as the grandmother of the modern-day billion-dollar Black hair care industry. The book was originally published as On Her Own Ground in 2001 and casually renamed Self Made after the Netflix series of the same name.

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book reviews

Book Review: ‘Barracoon’ by Zora Neale Hurston

Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston
My rating: 4 of 5 stars

“Barracoon” by Zora Neale Hurston is an interesting nonfiction piece from a voice that’s rare in our literature.

Cudjoe Lewis aka Kazoola at the time was considered the sole survivor of the slave ship Clotilda, which brought 150 people in 1860 from around Benin in Africa after the ban on ships from going to the continent. Because of the secretive act, the slaves worked on the Alabama coastline. Zora Neale Hurston interviewed Cudjoe while a graduate student of anthropology in the late 1920s. She would go to his home and discuss his life, where he vividly recalls his life in Africa.

The book is mostly his folktale-sounding true stories from his native land involving how the king interacted with the people and how his father worked for the king. He talks about how he was brought to the king with the others and corralled onto the ship. He shudders at the horrendous journey to America, a strange place where he said it took him and the others from his homeland awhile to learn how to tend to the land, especially the sugarcane. He’s a slave for five years until the Union soldiers arrive in town and tell him he’s free. He asks where does he go now, and the soldiers don’t know. The community settles in what they call Africatown, modern-day Plateau, Alabama, where most of the descendants are African-born from the Clotilda. Cudjoe talks about the family he started and how they were gone by the time he’s speaking with Zora, even mentioning how one of his sons was shot dead by a police officer and how he had to look at his son’s disfigurement to understand what had happened.

It’s a quick read that made me research more on Cudjoe – there’s not enough of his story there, yet it’s there. It’s an interesting journey from living a regular life in Africa to adjusting to a new life in America he did not ask for or want. He expresses his longing to return home, especially with the family he started in America passing before him. The way he loses his son to a gun is the way many black families still lose their sons. He talks about being criticized by other African Americans because he was African and remembered Africa and preferred his African name, a sentiment still felt for African immigrants in America. The book opens the reader to a part of history from a personal account we rarely hear from, similar to “12 Years A Slave” by Solomon Northrup though that’s a first-person account.

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