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Two book festivals in Maryland have kick-started the summer off in a year when literary diversity is under attack in the form of book bans.
Books in Bloom and Gaithersburg Book Festival held family-friendly community events that featured a number of authors who either identify on the diversity spectrum or are passionate about freedom of speech in literature. Over the last year, more parents nationwide are asking school libraries to take books off shelves they deem inappropriate for their children to read while some libraries are reactively subtracting books to avoid controversy.
This movement of banning books is sparking opposition as authors and readers alike are going out of their way to support not only freedom of speech but support the variety of books meant to be read by children. The political divide was felt at these book festivals and may become a theme for other similar events in the U.S. throughout the year.
Books in Bloom calls itself a progressive book festival in the master-planned city of Columbia, Maryland. To show support for banned books, the festival dedicated one of its soundstages to authors who discussed freedom of speech.
A vibrant setting in Merriweather District’s Color Burst Park, the book festival had a giant book-shaped display describing some of the top banned books in history from Toni Morrison‘s Beloved and Song of Solomon to Alice Walker‘s The Color Purple. With Busboys and Poets as the independent bookstore for the event and a location in the park, most books for sale were books by authors who are Black and/or LGBTQIA+.
Queer memoirs All Boys Aren’t Blue by George M. Johnson and Gender Queer by Maia Kobabe had notable stacks on the tables with other titles that have become the face of many bans though they were created for the middle grade and young adult audiences. The bans are usually due to racial and cultural content, sexually explicit content, and offensive language.

Headliners included a panel with PEN America, the nonprofit organization advocating in the intersection of literature and human rights to protect free expression, and Democratic U.S. Rep. Jamie Raskin of Maryland’s 8th congressional district and author of Unthinkable: Trauma, Truth, and the Trials of American Democracy. Raskin also attended Gaithersburg Book Festival to sell and sign his latest book.
The book festival’s keynote speaker was Carl Bernstein, the well-known The Washington Post reporter who co-headed the news coverage on the Watergate scandal in 1972. On the festival’s main stage, he marveled at his time growing up around Columbia and how he first became a cub reporter as a high school dropout in his new memoir, Chasing History: A Kid In The Newsroom.
The last Books in Bloom was held less than a year ago in-person in October with The New York Times reporter and The 1619 Project creator Nikole Hannah-Jones serving as the keynote speaker.
Reminiscent of a large outdoor book festival such as Los Angeles Times Festival of Books, Gaithersburg Book Festival in Gaithersburg, Maryland marked its 12th year as an event supporting the greater community with inviting traditionally published authors and offering seminars on book publishing and creative writing for children and adults.
Authors such Dhonielle Clayton, who has a new middle grade release with The Marvellers, and Kimberly Jones, who is promoting her social justice young adult novel Why We Fly with co-author Gilly Segal, discussed their works at the annual event. Dhonielle, a Gaithersburg native, and Kimberly are some of the top YA Black authors who have been outspoken about diversity in literature and social justice matters.
Asked about some of her summer read recommendations, Dhonielle mentioned Valentina Salazar Is Not a Monster Hunter by Zoraida Córdova; the Track series by Jason Reynolds; and The Devouring Wolf by Natalie C. Parker, in which Dhonielle says there’s a wolf character named after her.

Another author at the event was Jeanine Cummins, who gained notoriety with her immigration novel American Dirt, interviewing Reyna Grande about her book A Ballad of Love and Glory. American Dirt follows a Mexican woman trying to escape to the U.S. with her young son after her family is murdered.
Some high-profile Hispanic and Latine authors spoke out about the White Latina author’s seven-figure advance because they said the publishing industry would never offer them such a sum for centering stories on Hispanic and Latine characters. They also claimed the book had inaccuracies in the culture and language that wasn’t native to the author. On the other hand, there were Hispanic and Latine authors and celebrities who supported the Oprah’s Book Club selection.
Since American Dirt came out in 2020, Jeanine, like many authors who had released their works at the beginning of the COVID-19 pandemic, now have the chance to work the promotion circuit in-person.
Social justice and historical nonfiction were the focus of many authors’ works at the book festival. Gayle Jessup White talked about her lineage connected to former slave-holding president Thomas Jefferson in her book Reclamation: Sally Hemings, Thomas Jefferson, and a Descendant’s Search for Her Lasting Legacy. Kristin Henning shared her experience representing Black youth in the D.C. court system and how she conceived the idea for her book The Rage of Innocence: How America Criminalizes Black Youth.
Along with Raskin, Democratic U.S. Rep. Adam Schiff for California’s 28th congressional district visited the event to chat about his book Midnight in Washington: How We Almost Lost Our Democracy and Still Could.
D.C. area indie bookstore chain Politics and Prose served as the event bookseller.
The pre-summer book festivals helped usher in the first literary events for authors and readers to enjoy as society emerges out of the pandemic and the world of book publishing remains volatile in the wake of book bans.
The Virginia gubernatorial election placed the Toni Morrison classic Beloved in the crosshairs of the conversation on race entering American classrooms. As the concept of parental choice becomes a voting concern, the banned books movement will continue to grow, resulting in the elimination of authors telling diverse stories from classrooms and libraries around the country.
As for Virginia, the banned books movement has the potential to cement itself in a bill that successfully passes and becomes law based on the incoming governor’s stance.
In the last Virginia gubernatorial debate on Sept. 28, former Virginia Gov. Terry McAuliffe and Republican challenger Glenn Youngkin touched on the topic of two bills McAuliffe had vetoed twice during his time as governor. The bills would have allowed parents to receive notification of any literature assigned to students that contained sexually explicit content.
McAuliffe had been asked by a reporter about his most recent take on transgender bathroom policy for schools in the education budget portion of the debate, where he said he now preferred local school districts making the decision.
In his rebuttal, Youngkin brought up McAuliffe’s veto of the “Beloved” bill twice in 2016 and 2017.

“In fact in Fairfax County this past week, we watched parents so upset because there was such sexually explicit material in the library they had never seen—it was shocking,” Youngkin said. “In fact, you vetoed the bill that would have informed parents that they were there. You believe school systems should tell children what to do, but I believe parents should be in charge of their kids’ education.”
After calling Youngkin “clueless” about the legislation, McAuliffe said the bill would have given parents the right to take books off school library shelves.
“I’m not going to let parents come into schools and actually take books out and make their own decision,” McAuliffe said. “I stopped the bill… I don’t think parents should be telling schools what they should teach.”
Youngkin, who ran his campaign on parental choice especially focused on the law school-level critical race theory curriculum that is not taught in Virginia schools, won the election on Nov. 2.
The original bill, HB 516, was introduced in the Virginia Legislature in 2016. The proposed bill’s text only makes up a fourth of a page, but its goal was to have local school boards notify parents of any instructional material that contains “sexually explicit content.” It was proposed by Republican delegate R. Steven Landes.
A 2013 Washington Post article features Northern Virginia mother Laura Murphy, who approached state lawmakers about Beloved and its contents. Media outlets reported that she and her husband are Republican activists and their son, who was assigned Beloved in his high school English class, eventually worked a short stint in the Trump administration.

“When my son showed me his reading assignment, my heart sunk. It was some of the most explicit material you can imagine,” Murphy said in the Youngkin campaign ad that was released after the debate. “I met with lawmakers; they couldn’t believe what I was showing them. Their faces turned bright red with embarrassment.” The bill was bipartisan, she added.
The bill passed the House and Senate awaiting approval by McAuliffe, the governor at the time. He vetoed the bill.
“Open communication between parents and teachers is important, and school systems have an obligation to provide age-appropriate material for students,” he wrote in his veto message. “However, this legislation lacks flexibility and would require the label of ‘sexually explicit’ to apply to an artistic work based on a single scene, without further context.”
House members voted to override the veto, but the 66 yes and 34 no vote failed because 67 yes votes were required. So the bill died by one vote.
The next session the bill’s purpose is reintroduced by Landes in HB 2191 that adds local school boards should develop policies and procedures to address sexual abuse complaints from students by teachers and other school staff. This version fills up one page.
Again, the bill’s reincarnation passes the Legislature and arrives on the governor’s desk. And again, McAuliffe successfully vetoes it, with the House two votes short of overriding the veto.
A detail news outlets picked from the WaPo article mention how Murphy said her son suffered from night terrors when reading Beloved as a high school senior.
Banning a book in essence can be a nightmare, Toni Morrison wrote in the introduction in 2012’s Burn This Book: Notes on Literature and Engagement published by HarperCollins Publishers, in which she served as the anthology’s editor.
The thought that leads me to contemplate with dread the erasure of other voices, of unwritten novels, poems whispered or swallowed for fear of being overheard by the wrong people, outlawed languages flourishing underground, essayists’ questions challenging authority never being posed, unstaged plays, cancelled films—that thought is a nightmare.
Toni Morrison, Burn This Book
Beloved centers around Sethe, a former slave woman living in Ohio, who had killed her baby daughter after being discovered as an escapee. Years later, the dead daughter returns as Beloved, a visible young woman obsessed with getting Sethe’s attention. The paranormal activity that grips Sethe and her family eventually stretches beyond their control and outside their haunted home.
In the first chapter alone, there are references to the infanticide and subsequent haunting, rape, lynchings, and stolen breast milk in relation to Sethe’s traumatic journey of living as a slave. Because of themes interlaced in slavery and violence, the book has been banned or challenged in school districts since the 1990s, according to the American Library Association’s Office for Intellectual Freedom that tracks the removal attempts of books from libraries, schools, and universities.
Beloved, Toni Morrison’s fifth novel, won the Pulitzer Prize in Literature in 1988, along with other notable awards such as the Robert F. Kennedy Book Award and the Melcher Book Award. Five years later, Toni Morrison won the Nobel Prize in Literature as an author “who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality,” the foundation’s website notes.
What has been missing from the latest news coverage is how the award-winning novel is based on a true story.

Sethe is inspired by the real-life Margaret Garner, a slave from Kentucky who escaped to Ohio with her husband and four children. Then one night in 1856, slave catchers and U.S. marshals acting on the Fugitive Slave Act surrounded her free cousin’s home and demanded she turn herself and her family in. Instead, she slit the throat of her two-year-old daughter before she was subdued. She had plans to kill her other children then herself rather than return to the abuse of her owner.
Scholars have studied infanticide as a form of resistance to slavery; one less person to be considered property to the slave owner and the mother believing she saved her child from the horrors of the institution. This type of violent reality is usually left out of the average K-12 curricula, where a book like Beloved fills that gap in knowledge.
Margaret Garner’s case may have attracted more attention because historians believe she was a mulatto and so were two of her children suspected to have been the children of her owner produced by rape. She stood trial for her baby’s killing, where she was indicted on charges of damage to property. Her family was returned to their owner who sold them to his brother. She died of typhoid fever in 1858 at around 25 years old.
Toni Morrison would later write the 2005 opera, Margaret Garner, based on the woman’s life that inspired Beloved.
Amid the election popularizing Beloved again, Toni Morrison’s debut novel The Bluest Eye was recently removed in Virginia Beach City Public Schools’ libraries, according to the National Coalition Against Censorship.
Well-Read Black Girl marked five years with its annual book festival on Saturday centering on the theme of Black girlhood.
On Girlhood is the name of founder Glory Edim‘s second anthology released this week from the W. W. Norton & Company imprint Liveright featuring works from the literary organization’s library by Toni Morrison, Alice Walker, and Rita Dove.

The daylong event started with a prerecorded surprise message from former First Lady Michelle Obama, who opened up about the support she received from the Black female audience for her record-shattering memoir Becoming.
Keynote speaker Gabrielle Union discussed in-depth the themes underlying her latest autobiographical story collection You Got Anything Stronger?: Stories with Glory in a prerecorded conversation.
The collection is a follow-up to Gabrielle’s 2017 best-seller We’re Going to Need More Wine: Stories That Are Funny, Complicated, and True. She said she learned from the “overwhelming” response from readers that there is a “desperate need for community and to be seen and understood and to be embraced by one another.”
“I left out a lot in the first book,” she said. “And as brave as folks thought I was and as revealing as folks thought I was, I knew that there was a lot I hadn’t healed enough from to include in that first book.”
Brene Brown’s podcast and TED talks on shame and vulnerability along with therapy helped her cope with the stories she wanted to share in her new book, she said.
“It logically just clicked; it made perfect sense. Then to see a shaman who said very similar things, and he was like, ‘Yo, Gab, what if what if your vulnerability is actually your superpower?” she said, adding, “You associate vulnerability with being weak and you feel that it is counterintuitive to just expose your full self to challenges, struggles, joys, all of it, random feelings. You feel like that’s giving the opposition the ammunition to take you out but really it’s sharpening your sword to tackle the world.”
Feeling more comfortable with the situations that made her who she is, Gabrielle said she has adopted a “zero fucks given” philosophy with age when it comes to sharing her stories and battling the haters. She turned 49 on Friday.
“When the chatter gets little louder and the folks around me are like, ‘Did you hear what so-and-so said?’ No one with a hot take on my family or me has ever been anyone I’ve admired or whose life I wanted to emulate,” she said.
She discusses in length the backstories behind some of her new book’s chapters. The she lit book review can be found here.
For the On Girlhood panel, WRBG scholar-in-residence Bianca Williams moderated the conversation with Glory and Farah Jasmine Griffin, author of Read Until You Understand: The Profound Wisdom of Black Life and Literature published by W. W. Norton.
“Nikki Rosa” a poem by Nikki Giovanni in the The Black Woman: An Anthology and Sula by Toni Morrison were the titles Farah said became inspiring Black girlhood works. Toni and Zora Neale Hurston defined the Black girlhood subgenre, she added.
“They both handled girlhood so well. They both gave us unforgettable Black girls,” she said. “Toni gave us Pecola and she also gives us Claudia and Frieda [The Bluest Eye] and Denver [Beloved], all of these Black girls. Janie [Their Eyes Were Watching God] is a girl, so we see ourselves as girls for the first time, fully dimensional in the work of Black women writers.”

Zeba Blay was the featured author for the On Carefree Black Girls panel. Her book Carefree Black Girls: A Celebration of Black Women in Popular Culture came out Oct. 19 from Macmillan imprint St. Martin’s Griffin. In conversation with Marjon Carlos, Zeba said she had to revisit her younger self who depended on the internet to collage images of Black women and inform her cultural understanding that led to her pop culture writing career.
“In writing this book, I was thinking a lot about my childhood, that younger Z who created the life I am living now and didn’t even know it,” she said. “I went through my old LiveJournal because that Live Journal was my life and I was astonished to see I was posting very similar mood boards in a different format.”
#BlackGirlMagic creator CaShawn Thompson discussed her children’s book Good Night Stories for Rebel Girls: 100 Real-Life Tales of Black Girl Magic edited by Lilly Workneh in partnership with edutainment publisher Rebel Girls. The book features stories for girls ages six and up on groundbreaking Black women like singer Aretha Franklin, tennis player Naomi Osaka, and presidential candidate Shirley Chisholm.

“Girlhood is a universal experience, but even in that, it happens in so many ways, so I had a real keen understanding after doing the work of putting this book together is that girlhood, much like womanhood, looks like a lot of different things, but it all leads us to who we eventually will become,” CaShawn said. “I felt like having a book that exposes the girls to the many ways that we show up would give them a wider and deeper breadth of what they can possibly become when they grow up.”
Festival sponsors include Rebel Girls, 4 Color Books, The New York Times, and HarperCollins Publishers along with partner indie bookstores Reparations Club in Los Angeles, Mahogany Books and Loyalty Bookstores in D.C., Café Con Libros in Brooklyn, and Semicolon Bookstore & Gallery in Chicago. Brooklyn-based Center for Fiction provided the space for the festival events.
WRBG announced this week it has partnered with podcast and audiobook producer Pushkin Industries for a podcast to debut in February 2022.
Well-Read Black Girl: Finding Our Stories, Discovering Ourselves by Glory Edim
My rating: 3 of 5 stars
Well-Read Black Girl is an anthology by Black female writers who discuss how they became writers, but while some stories strike a chord, others lack depth.
Between the stories, the anthology has lists of written works by Black women to check out. It’s a valuable resource for a to-be-read list. The writers themselves usually mention a work that changed their life and directed them to writing. Jesmyn Ward discusses the unexpected Black girl magic within Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth by E.L. Konigsburg. Dhonielle Clayton credits Coffee Will Make You Black by April Sinclair with making her realize her sexuality. Zinzi Clemmons discovers how close she grew up next to the Brooklyn brownstones highlighted in Paule Marshall’s Brown Girl, Brownstones. Mahogany L. Browne compares the girls in Toni Morrison’s The Bluest Eye to the ones she grew up with in Northern California and how they all felt invisible as Black girls.
While some essays mostly focus on one experience and one book, others broaden their journey. Rebecca Walker talks about being Alice Walker’s daughter and how hanging out with Black female writing dynamos informed her future career. Gabourey Sidibe writes about her mother’s disappointment in having a daughter and how that motivated her to live her best life. Renee Watson tells the story of how she became a Rose Festival Princess in Portland despite being a big Black girl expected to lose and how Lucille Clifton’s poetry later moved her to accept her body.
The anthology gives insight to what inspires some of the top Black female writers, but it comes off as a collection meant for a younger audience. The theme of how you became a writer or what it means to be a Black writer also simplifies the essays with several mentioning well-known books as inspiration with similar reasoning. Marita Golden writes about Zora Neale Hurston’s impact on her career, particularly with Their Eyes Were Watching God. Zora is an expected source of inspiration due to her popularity, and the essays that highlight other lesser-known Black writers resonate better and make you feel as the reader you’re learning about or being reminded of a writer’s legacy.
Overall, the anthology is entertaining, but some stories are better than others and what inspires authors can sometimes be interesting and sometimes not, depending on how they write their inspiration story.
View all my reviews
More book clubs are selecting a second book for the month as some continue their promise of reading works by authors of color in the wake of the latest anti-racism protests.
The Only Good Indians by Stephen Graham Jones
“Jones is unflinching in his exploration of vengeance and justice, the realities of living and growing up Native today, as well as community and where tradition fits into the modern world,” Amerie wrote on the book club’s Instagram profile. “At turns poignant and difficult to digest, I found the story brimming with despair, anger, and, despite everything, hope.”
Luster by Raven Leilani
Blue Ticket by Sophie Mackintosh
Actress Emma Roberts’ book club with Karah Preiss have taken the two-book route this month for the first time.
“Loving #luster 💖 are you?” Emma shared on Instagram in a selfie with the book.
The Lions of Fifth Avenue by Fiona Davis
“It’s set at the New York Public Library and it’s about a family that lives in an apartment deep inside the building, an apartment that actually existed,” the author told Good Morning America. “It’s about the magic of the written word and the power of women’s voices, and it’s dedicated to some of my favorite people: librarians.”
Teen supermodel Kaia Gerber selects several books throughout the month, and she has chosen a summer book club favorite. She also hosted author Brit Bennett on Instagram Live.
The Vanishing Half by Brit Bennett
Playing in the Dark: Whiteness and the Literary Imagination by Toni Morrison
Indie rapper Noname is celebrating the first anniversary of her book club that focuses on social science books for readers of color. This month the book club made its two selections: The Vanishing Half from Noname and Playing in the Dark as the homie pick.
Caste by Isabel Wilkerson
“It explains why we are where we are in terms of racial injustice and inequality,” Oprah said on her book club website, “and it show us how to rebuild a world in which all are truly equal and free.”
The Comeback by Ella Berman
Here For It by R. Eric Thomas
Jenna Bush Hager, Today Show correspondent and presidential daughter, selected two books for August for the first time in the 2-year-old book club’s history.
“This beautifully written and compulsively readable book broke me from my pandemic blockage,” she said of The Comeback on Instagram.
Jenna partnered with Noelle Santos, the owner of The Bronx-based indie bookstore The Lit Bar, to pick Here For It.
“I just loved how she was bringing a new face to literature and I loved her passion for it,” Jenna said about Noelle in Today.
Everything Inside by Edwidge Danticat
You Should See Me in a Crown by Leah Johnson
Recently Emmy-nominated producer for the Hulu miniseries based on the novel Little Fires Everywhere, Reese Witherspoon named the latest short story collection by Edwidge Danticat as the monthly pick for her book club.
“#EverythingInside is a collection of short stories anchored in Haitian culture about love, love loss and love of country,” the book club posted on Instagram. “#EdwidgeDanticat encourages you to find rays of hope in each story and to take moments in between to let the narratives sink in.”
Reese’s Book Club also announced last week its young adult version, which chose You Should See Me in a Crown as its inaugural selection. Now, the book club will choose a novel for adult readers and another novel for the YA audience each month.
“I’ve been reading so many incredible, diverse stories in the YA genre and can’t wait to share them with you each month as an additional pick,” Reese said in the announcement of Reese’s Book Club YA.