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Ibi Zoboi Talks Writing Process With Yusef Salaam in New YA Book

Award-winning young adult author Ibi Zoboi and Dr. Yusef Salaam shared their writing process on their upcoming YA book.

On Instagram Live Wednesday, Ibi explained how she infused her writing into Yusef’s poetry in Punching the Air. It tells the story of 16-year-old Amal Shahid, a Black Muslim teen pursuing poetry and art, who finds himself in prison after “an altercation in a gentrifying neighborhood escalates into tragedy,” according to the publisher HarperCollins Publishers.

During the video chat, Ibi wore a T-shirt printed with art by Yusef that he named “Born Brave” and had designed while wrongfully convicted for seven years over the 1989 rape of a White female jogger. He was a part of the Central Park Five, the group of four Black teens and one Latino teen blamed for the infamous crime. They became known as the Exonerated Five after filmmaker Ava DuVernay brought their story to Netflix last year in When They See Us. The group was exonerated in 2002 after the identity of the real rapist was discovered. Yusef was 15 when he went to jail.

While in jail, Yusef found ways to create art and poetry with the tools he could find like a pin in his clothes.

“Art is a completely liberating meditative process,” he said in the chat. “When you get the opportunity to delve into it and be free with it, you don’t really know where it’s going to go. And the beauty of it is when you finish coming out of the meditation and see what you’ve created, it’s like, ‘Wow.'”

Attendees were allowed to ask questions, and the first question focused on how Ibi and Yusef co-wrote the book.

“I’m the writer and Yusef is the storyteller in this situation,” Ibi said. “It was collaborative in the storytelling process, and I could not have written this book without Yusef’s input and Yusef’s history and Yusef’s mindset.”

She said while Yusef was busy promoting When They See Us she was hard at work. “While he was doing that, I was typing away and really having conversations with him, so in that sense he was the storyteller and I was the writer and transcriber, and Yusef was giving me ideas.”

Though they didn’t go into detail about the specific crime that leads Amal to trouble, the co-authors said the crime is inspired by their upbringings in segregated 1980s New York. They also said they didn’t want to apply Yusef’s real story to the novel.

Ibi and Yusef said they were inspired by the 1989 murder of Yusuf Hawkins, a Black teen, who was killed by a White teen mob in the predominantly White section of Bensonhurst in Brooklyn after inquiring about a car for sale with his friends. His group was mistaken for another group going to a birthday party of a girl one of the White boys had a relationship with.

The authors also recalled the Jena Six case of six Black teens in Jena, Louisiana who had beaten a White classmate in 2006. The incident followed a Black teen at their local high school trying to sit in a part of the courtyard reserved for White kids. The Jena Six received attention from civil rights leaders after they had been heavily charged with attempted murder and conspiracy to commit murder. Since this incident occurred before social media took off, Ibi said we tend to have a collective amnesia about racially charged events.

“I was scared to write this story, but I knew I could lean on you,” Ibi told Yusef. “I couldn’t have never written this story without you at all. One of things I asked you is whether or not you were OK with me as a woman telling this story and do you remember what you told me?”

“Absolutely,” Yusef said. “I don’t remember exactly what I told you, but there’s a certain power from a woman telling a story that can’t be not from a woman. I’m thinking about my mother as a nurturer. I’m thinking about Ava DuVernay as a master storyteller, who can take something out of the world …. I want to say I was so blessed to be able to have you in that space.”

Ibi and Yusef met in 1999 while they were both attending Hunter College in New York. American Street, Ibi’s debut novel, was a National Book Award finalist. She also wrote the YA novel Pride, a Pride and Prejudice remix, and the middle grade novel My Life as an Ice Cream Sandwich. She edited the YA anthology Black Enough: Stories of Being Young & Black in America.

Punching the Air is being recommended to readers who like Jason Reynolds, who made an appearance in the Instagram Live stream, along with fellow YA novelist Nic Stone.

The book is scheduled to come out Sept. 1. The authors said in the chat that they plan to do a book tour, but no news yet on if it will be in-person or virtual.

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what's lit

‘Queen Sugar’ TV Review: Oh Mamere

With creating the season around a character’s memoir, Queen Sugar has focused on the traumas the memoir brought up for all the characters in the series. Wednesday’s episode emphasized those traumas and spurred an OWN Twitter chat.

Ahead of the episode, OWN held a three-hour Twitter chat under the hashtag #QueenSugarTalks to get viewers to discuss the issues of trauma and addiction. The episode starts with Nova (Rutina Wesley) and Charley (Dawn-Lyen Gardner) Bordelon going on a retreat in the woods. Feelings come out: Nova tells Charley she hates being invited on getaways she couldn’t afford. She feels small on Charley’s dime. They realize,  as half-sisters, they still don’t know each other due to a lifelong level of competition and separation.

The addiction storyline comes in when Darla (Bianca Lawson), the former flame of Nova and Charley’s brother Ralph Angel (Kofi Siriboe), meets up with an old friend from her partying days. Her friend acknowledges Darla’s sobriety at the restaurant but asks Darla if it’s fine she still has a drink. Then she goes on and on about one of the last parties they went to eight years ago. She says Darla was so high that she went up to a room at a house party with two guys.

The walk down memory lane appears to be the night when Darla’s son Blue (Ethan Hutchison) was conceived. Darla can barely recall those moments and the revelation of a second man throws her into a tailspin at a nearby bar. Violet (Tina Lifford), the Bordelon aunt, soon finds a disheveled Darla in a park and takes her home where Darla unveils why she lied about Blue’s paternity for years. She said she buried the rape because of the shame of being hooked on drugs and alcohol. Violet calls Ralph Angel to come to Darla’s house, and Darla shares the story.

Charley’s son Micah (Nicholas L. Ashe) takes Blue to a carnival, where they get split up in the bathroom area. While Micah’s back is turned looking at his smartphone, Blue dashes to the women’s restroom to avoid the line to the men’s restroom. Micah asks people in the area if they had seen Blue, and when he gets no answers, he ventures off. Blue comes out of the restroom and ends up with a police officer to wait for Micah to find him. Since last season, Micah has been dealing with the trauma of being arrested and jailed by a white cop over an alleged traffic violation.

The trauma between the sisters and Darla have been brought up by Nova’s memoir Blessing and Blood, the book that’s been tearing apart the family since the beginning of the season. Micah’s trauma is in the book also, but it became known when it happened. As the women’s trauma is amplified, so is the trauma for the men. Micah’s recurring trauma around police brings him to a mild panic attack while Ralph Angel is still absorbing how his son is not biologically his. With two episodes left in the season, viewers may see more evolution of the trauma stemming from the memoir.

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what's lit

‘Queen Sugar’ TV Review: Stare at the Same Fires

The OWN series Queen Sugar has been knee-deep this season in driving storylines around the memoir by Nova, the middle daughter of the sugar mill-owning Bordelon family in Louisiana. In this episode, Nova’s biological sister and former sister-in-law of sorts are dealing with the aftermath of Nova’s memoir with controlled substances.

Nova (Rutina Wesley) helps her real sister, Charley (Dawn-Lyen Gardner), off a barstool in New Orleans, miles away from their hometown of St. Josephine. Charley had been drinking throughout the night at the bar with her sunglasses on, so her potential constituents won’t notice her since she’s running for office. Nova takes her sister to the hotel room and dresses Charley in her pajamas. The tender moment shows the distance they’ve been dealing with can be reduced so quickly. Under the blankets, Charley asks why Nova wrote her book and told the Bordelon family secrets. Nova says she thought it would help the family but now realizes it only helped her career. Charley begins crying, and Nova comforts her sister.

Once Charley returns home, she notices the front page of the local newspaper with the headline, “Charley Bordelon Is My Role Model.” It’s an op-ed by Nova about why her sister would make a great city councilwoman who will defend their farmer community. Nova adds in the op-ed that she regrets what she wrote about her sister in the best-selling memoir.

Charley’s son Micah (Nicholas L. Ashe) then brings his mother out to a get-together where family, friends, and mill workers have gathered to uplift each other after the mill’s fire from last week’s episode.

As the festivities are taking place under garden lights, Darla (Bianca Lawson) is at home taunted by a bottle of alcohol. Since she’s broken up with Nova’s brother Ralph Angel (Kofi Siriboe) and lied about their son Blue (Ethan Hutchison)’s paternity, it’s striking to see her suffering no longer a concern for the Bordelons. She’s not considered family anymore. Nobody is checking on her as she deals with the impact of Nova’s memoir.

Darla’s depression in the episode starts with her visiting the musician she is dating at a practice. He approaches Darla to let her know he’s worried about what he read in Nova’s book. Since he’s working on his sobriety, he picks up on Darla’s slip. Darla becomes hard to contact like Charley.

The contrasting moments with Charley and Darla succumbing to their vices because of Nova’s book are eye-opening to the deeper impact the book has had on the family. The storyline keeps evolving every episode, where the pivotal moments are connected to the pain caused by Nova’s book. This week, the book didn’t seem to earn more awards as it seemed to in previous episodes while a character is having a breakdown. It’d be interesting to see how these characters will keep reacting to the book and how the book will keep rising on the charts.

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‘Queen Sugar’ TV Review: Of Several Centuries + All the Borders

Based on the critically acclaimed novel by Natalie Baszile, Queen Sugar follows the Bordelons, a black family who owns a sugarcane company in Louisiana. As some of the members are experiencing a higher profile, it seems like the entire family is seeing the repercussions of their success.

The season has highlighted how middle daughter Nova (Rutina Wesley) wrote a memoir revealing family secrets—unbeknownst to her family. The tension grows by the episode.

Darla (Bianca Lawson), the ex-fiancee of Nova’s brother Ralph Angel (Kofi Siriboe), arrives at her job to find Nova’s book facedown on her seat. The way the book is flipped open, it looks like it’s on the pages describing Darla’s journey in and out of drug addiction. She’s embarrassed that her past life has been made public and has followed her to work.

Nova runs into her police officer ex, Calvin (Greg Vaughan), who now owns a security company, and tells him over lunch how he’s mentioned in her book. Another ex now appears on the book tour since she was sleeping with her professor-mentor for the last two episodes.

There are bookmarks of destruction: The vandalism of Aunt Violet (Tina Lifford)’s restaurant in the beginning and the family-owned mill on fire in the end.

The second episode starts with Nova running to Charley and Ralph Angel as they watch the firefighters contain the mill fire. But her siblings are still unhappy to see her. After learning the fire most likely was caused by arson, Charley and Ralph Angel storm off to approach the nemesis sugarcane business family matriarch, Frances Boudreaux (Annalee Jefferies).

“They looked at me like I wasn’t one of them. They looked like I was a stranger. Not even a stranger, like an enemy,” Nova cries into the phone to Calvin. “I lost my family.”

Calvin runs over to Nova’s house to check on her. Micah comes over at the same time. Once Calvin goes into another room to take a call, Micah questions Nova on how she’s comfortable being with a white ex-cop who could’ve beaten the black and brown residents of St. Josephine. Last season, Micah had been mistreated by a cop during a traffic stop, creating distrust for him and his family over police presence. During that time, Nova’s profile rose as a result of her coverage on cops targeting unarmed black men, which led to her book deal. Nova later asks Calvin if he ever saw another police officer “abuse black people.” He says he looked the other way and he left the force since he had lost his relationship with Nova over the racial tensions in their town.

Nova’s book alone has destroyed her relationship with her family, but as she copes with that loss, she’s been gravitating to her toxic relationships from the past. The college professor she had an affair with turned up on the tour and now it’s her married cop boyfriend returning as divorced and retired from the force.

With her tour, Nova hasn’t really had the chance to mend the relationships at home like she thinks she has. She returns home over the mill fire, but it’s reminiscent of a few weeks ago when she ran to Violet’s home after noticing her aunt’s ex-husband, whom she had interviewed for her book, terrorizing her aunt.

The impact of the memoir is weaved brilliantly into the season with Nova enjoying the success of her book but feeling the fire of burning bridges.

Queen Sugar” has new episodes on Wednesday nights at 9 p.m. on OWN.

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‘Queen Sugar’ TV Review: Pleasure is Black

Queen Sugar returned for its fourth season with Nova Bordelon (Rutina Wesley), the activist journalist of the sugarcane business family, preparing for the launch of her book and realizing her family might not be ready for it.

In the beginning of the episode, Nova is creating a video about Blessing and Blood, looking confident while vaguely describing her “American family.” But minutes later, she’s at a restaurant chugging wine and telling her agent that she’s nervous about the impact of her memoir because she failed to prepare her family for its contents, even though she’s learned the New York Times plans to review the book.

“They know it’s coming, but they don’t know what’s in it,” Nova says.

Back in Louisiana, in their summer attire with umbrellas, the family parades up to aunt Violet (Tina Lifford)‘s new restaurant, Vi’s Prized Pies & Diner, where Nova’s antisocial demeanor stands out.

“This is the last we’ll see her serve anybody,” a woman tells Prosper (Henry G. Sanders), who works with the sugarcane business, as they chat with Nova serving behind the counter. She goes on to add her sister saw a billboard in New York City advertising Nova’s book that’s being compared to the works of Roxane Gay and Ta-Nehisi Coates. “What’s the book about? Can we get a little preview? Or a taste?”

Violet’s new husband, Hollywood (Omar J. Dorsey), overhears the conversation. As Nova turns to the kitchen, Hollywood whispers his thoughts on the book to her.

“When do we get to read your book?” Hollywood asks. “You ain’t been shy about nothing you did. Something not right about that book.”

Nova hesitates.

Hollywood adds the family should’ve been prepared for what the memoir would entail because he has a feeling that family secrets have been spilled without permission.

Outside in the dining area, Violet expresses her dislike for her nephew Ralph Angel (Kofi Siriboe) passing his son Blue like “day-old bread” in his custody exchange between his ex Darla (Bianca Lawson), who recently revealed he’s not Blue’s father. 1990s teen R&B sensation Tevin Campbell made his high-profile appearance singing at the festive opening as a Bordelon cousin.

Guiltily, Nova ambushes Charley (Dawn-­Lyen Gardner) at work the next day while her sister, dressed impeccably in a taupe pantsuit ready to head to women’s conference panel, is confused by the surprise. Nova hands her sister a copy of the manuscript and later visits her brother Ralph Angel to leave a copy as she wipes a tear away.

At the conference, Charley is getting revved up during her inspirational speech while receiving a leadership award until a reporter bombards her with questions in the crowd. The reporter claims she received an advanced copy of Nova’s manuscript and it read Charley had secretly paid off one of her basketball player ex-husband’s mistresses, which happened two seasons ago. Once Charley gets home, she pops the cork on a bottle of wine and chugs as much as she can before laying her eyes on the manuscript.

In the morning, she calls Ralph Angel to warn him to not look at the manuscript until she talks to him. On the car ride to talk to her brother, Charley calls her lawyer to send her sister a cease-and-desist over the book.

Meanwhile, Hollywood picks up the manuscript on Violet’s desk and reads the first page to see it disparages Violet calling her a self-proclaimed “strong black woman” but saying how she lived her life doesn’t show that evidence.

Elsewhere, Ralph Angel, intrigued by Charley’s warning to not look at the manuscript, decides to look at the manuscript. He reads the paragraph about how he has a “fragile ego” as it criticizes his drama with Darla for never questioning Blue’s paternity when she is a recovering drug addict.

Nova visits her father’s mausoleum at the cemetery, laying a fresh bouquet of flowers.

“I’m afraid, Daddy, that everybody will not understand what I’m doing, but I’m offering up my work to see that, to be better,” she cries on the ground. “Because I grew up with too many secrets. You did, too. And it’s time for us to be as free as you wanted us to be. Please give me the strength to see this through.”

The episode ends with a telling preview for the rest of the season with the memoir tearing the family apart while the audience waits to see what these secrets are. It’s interesting to see a TV series based on a book have a storyline where a personal story could be destructive to a family. The impact of memoirs doesn’t seem to be brought up in the book world as authors most likely don’t touch on the subject with their families or generally say their families are supportive. Queen Sugar, with the vision brought to the forefront by main producers Ava DuVernay and Oprah Winfrey, will be a standout this season on examining the impact of a published book on a family.

“This is the last time I want to look at you,” Violet says to Nova in the preview.

‘Queen Sugar’ Shows How a Memoir Could Affect Your Family

The new trailer for Queen Sugar‘s fourth season made a splash with seeing how the Bordelons handle the activist journalist-turned-author character’s memoir, which begs the question on how much can you reveal comfortably when your family will read your work?

Nova Bordelon, played by Rutina Wesley, has turned her career of black community journalism into a memoir about her family’s rise in the sugarcane industry as they are the only African American owners to create a sustainable business in St. Josephine Parish, Louisiana. Yet, like with many families across cultures, there is deep-rooted tension that never came to the surface until Nova decides to put it to pen in what looks like will be a successful memoir. The success drives a wedge between each family member with her sister Charley, played by Dawn-Lyen Gardner, accusing Nova of the pages showing how much she hates her.

The season starts Wednesday, June 12 at 9 p.m. ET/PT. The critically acclaimed OWN series is based on Natalie Baszile’s 2014 novel of the same name that added Ava DuVernay’s cinematographic vision to upgrade the overall story.

 

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Mystery Novelist Attica Locke Lends Writing Talent to Netflix’s ‘When They See Us’

Acclaimed novelist Attica Locke joined a National Association of Black Journalists Los Angeles panel Wednesday in Hollywood along with actors Niecy Nash and Blair Underwood for their new Netflix series When They See Us, featuring the true-life stories of the boys who had become known as the Central Park Five.

Based in Los Angeles, Attica has written award-winning novels The Cutting Season, Pleasantville, Black Water Rising, and Bluebird, Bluebird, which was picked up by FX in 2017 for a TV series. A sequel titled Heaven, My Home will be out in September.

Attica Locke / Mel Melcon, Los Angeles Times

As a writer and producer, Attica said the Ava DuVernay project, which includes Oprah and Robert DeNiro as producers, was the highest outlet for her talent with the social justice aspect. The four-episode series available on Netflix this weekend surrounds the New York City case convicting five teenage African American and Latino boys over the rape of a white investment banker who received the moniker of Central Park Jogger. The 1989 event and the subsequent trials revived racial tensions within the city and country, infamously including an $85,000 New York Times ad from Donald Trump calling for the death penalty for the boys. The woman, who was later revealed to be Trisha Meili in a 2004 memoir, survived the attack though still experiences cognitive difficulties.

The case is now examined by journalism scholars who find the media coverage 30 years ago had a racial tinge with most articles never saying these boys—Antron McCray, 15, Kevin Richardson, 15, Yusef Salaam, 15, Raymond Santana, 14, and Korey Wise, 16—”allegedly” committed the crime, a necessarily placed word to let the masses know their innocence was probable. Terms such as “wolf pack” and “wilding” dominated headlines along with “bloodthirsty,” “animals,” “savages” and “human mutations,” according to the Poynter Institute, a nonprofit journalism and research organization. It added newspaper columnists such as New York Post’s Pete Hamill wrote the teens hailed “from a world of crack, welfare, guns, knives, indifference and ignorance…a land with no fathers…to smash, hurt, rob, stomp, rape. The enemies were rich. The enemies were white.”

In 2002, after the boys became men in prison from sentences ranging from 6 to 13 years, convicted murderer and rapist Matias Reyes admitted to the rape. His DNA matched the samples collected from the crime scene, and detectives said he knew details about the crime that was never released to the public. He’s serving a life sentence.

The next year, the five wrongfully convicted men filed a civil lawsuit against New York City for malicious prosecution, racial discrimination, and emotional distress. The charges against them were vacated, and they eventually received a $41 million settlement in 2014.

Reams of articles from the time were prepared by the When They See Us staff for the actors to know the real people they will play on screen, the panel said. Attica added that watching the actual “confession” videotapes from the boys, who say they were coerced into those confessions for a crime they didn’t commit, “fucked her up.” She said it was difficult to watch the children without their parents saying they were a part of the crime when their statements contradicted each other. Niecy brought up in the discussion that mental health hotlines were available to the cast and staff over the emotionally heavy material, adding she had never seen an emphasis of self-care on a production set.

In November, Attica led a social media campaign against the Mystery Writers of America’s decision to bestow a lifetime achievement award to Linda Fairstein, the Central Park Five prosecutor who pushed for the convictions of the teens and eventually became a successful mystery novelist. The literary organization rescinded the award for the first time in its history after it said many members were also against the decision.

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book reviews

Book Review: ‘Queen Sugar’ by Natalie Baszile

Queen Sugar by Natalie Baszile

My rating: 3 of 5 stars

First of all, the writing and pacing is really good. But the drama dragged. The actual sugar cane business overshadowed the interesting family situations occurring between characters. And because it went into detail about the business, there were all these miscellaneous characters the reader doesn’t care about. I read it because Oprah is doing a show on it, but I have a feeling OWN changed a lot for the book to be remotely entertaining on TV.

Charley Bordelon is a single mother raising her 11-year-old daughter Micah in Los Angeles, where she can’t keep a job as an artist though she enjoys the fruits of her ophthalmologist mother’s labor. When Charley’s father dies, he leaves her a sugarcane field in Louisiana, where he’s originally from. So Charley packs her things up and moves to Louisiana with Micah. They live with Charley’s grandmother Miss Honey while Charley deals with her troubled half-brother Ralph Angel, who has a son named Blue.

While Charley tries to figure out how to run a sugarcane farm, her bullheadedness leaves her making some business mistakes as Ralph Angel grows jealous that the business wasn’t left to him. As Charley gets on track with the help from Remy Newell, a competitor, she finds herself falling him though she doesn’t realize how much she’s neglecting Micah. Ralph Angel’s actions eventually lead to a timely Black Lives Matter ending, which brings the family closer.

The OWN TV series is better but totally changed characters and situations. The show added a sister, Nova Bordelon, to add even more tension between Charley and Ralph Angel. Violet is a preacher’s wife who only shows up a few times in the book as a confidant to Charley; now she’s a waitress with a knack for baking. Miss Honey doesn’t exist, like her character is combined with Violet. In the show, Violet’s love interest is Hollywood, but in the book Hollywood is an old classmate of Ralph Angel who’s a little slow (he gets his nickname for loving tabloids) yet wants to be there for his friend while having a crush on Charley. Remy is an older white man, so Charley has reservations about dating him at first since she would be in an interracial relationship in the South. Micah is a boy in the show while his father is alive and well as a star basketball player who Charley leaves in the season premiere over a cheating scandal. In the book, girl Micah’s father is dead, which is the reason why Charley has been financially desperate to the point where she relocates to handle a sugarcane farm without experience. Also, Ralph Angel returns to town with Blue assuming his son’s mother died of a drug overdose since he abandoned her in a crack house in the book. The TV counterpart has the mother as a recovering addict but still alive and trying to make amends with her family. Prosper, the old farmer who helps Charley get her business moving, is probably the only character who’s stayed the same. And maybe Blue (though the Power Ranger he played with in the book evolved into a Barbie doll in the show).

Though the book sets a good layout for the TV show, it’s one of those stories fun to compare and contrast because there are multiple changes.

View all my reviews