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book reviews

Book Review: ‘The Woman in Me’ by Britney Spears

The Woman in Me by Britney Spears pulls the curtain back on the making of one of the biggest pop stars the world has ever seen and reveals how her superstardom eclipsed her familial trauma.

Taking the title from the lyrics of the 2001 hit “I’m Not a Girl, Not Yet a Woman” from the Britney album and Crossroads soundtrack, the long-awaited memoir made headlines with the sordid details of Britney’s relationship with fellow pop star and Mouseketeer Justin Timberlake during the turn of the century where tabloid articles and paparazzi photos overtook the media landscape. But there’s more to Britney’s life story starting in Kentwood, Louisiana. Born 25 miles away in McComb, Mississippi (also R&B pop star Brandy’s birthplace), Britney is a little girl who loves singing and dancing.

The woman in me was pushed down for a long time. They wanted me to be wild onstage, the way they told me to be, and to be a robot the rest of the time. I felt like I was being deprived of those good secrets of life—those fundamental supposed sins of indulgence and adventure that make us human. They wanted to take away that specialness and keep everything as rote as possible. It was death to my creativity as an artist.

Her father, Jamie, transitions through jobs as a welder to a construction worker to a gym owner, while her mother, Lynne, runs a daycare center raising Britney and her brother, Bryan. Britney scores opportunities to audition for The All New Mickey Mouse Club and perform on Star Search. Like many future stars at the time, once these opportunities end, she is back home. Her family eventually welcomes her younger sister, Jamie Lynn. The family dynamic is volatile. Her father is an alcoholic. Her mother smokes and yells constantly. She feels the most in power when she is performing. 

“Tragedy runs in my family,” Britney writes when telling the story of her paternal grandmother, known as Jean, who was committed to an asylum by Britney’s grandfather after losing a baby. Her grandmother was 31 years old when she shot herself with a shotgun over her infant son’s grave. New York Magazine covered this story in November 2022 in a longform piece that explores Britney’s ancestral tree on the Spears side to set the background for the conservatorship that ended in November 2021. Like her grandmother, Britney suffers from mental health issues after having her two sons a year apart. She says she had been forced to take Prozac for years. She had been hospitalized, where she says she was given lithium instead. Lithium was the drug her grandmother had taken as well. And like her grandmother, the reason why her mental health had destabilized is misunderstood. 

I was a little girl with big dreams. I wanted to be a star like Madonna, Dolly Parton, or Whitney Houston. I had simpler dreams, too, dreams that seemed even harder to achieve and that felt too ambitious to say out loud: I want my dad to stop drinking. I want my mom to stop yelling. I want everyone to be okay.

One aspect that seems to have been dominated by the Justin Timberlake headlines is the mistreatment Britney endured being married to backup dancer and wannabe rapper Kevin Federline. The father of her two children, Kevin disappears into recording studios and industry parties while Britney is breastfeeding one son and is pregnant with another one. As her marriage is falling apart and her custody arrangement goes against her, paparazzi stalk her more than ever to capture photos of her in disarray. Then in 2007,  she shaves her head at a barbershop with camera lens catching the moment outside. A few weeks later, she strikes a paparazzo’s car with an umbrella. The media salivates over these incidents and brands them as erratic, but Britney blames the stress on her postpartum depression, her divorce, the death of her aunt, and her family’s failure to help her properly through the grief. Throughout the book, she clarifies her emotions during events that dominated tabloids because her voice was misconstrued or silenced when it came to defending herself. 

The memoir serves as further defense for her sanity, post-conservatorship. Now, Britney makes headlines strictly with her Instagram usage. She often tapes herself dancing and modeling clothes with smoky eyes. In the book, she explains she finally has the right to express herself through photography. She owns the images and reels she shares on social media and poses for the camera of her volition. 

I am willing to admit that in the throes of severe postpartum depression, abandonment by my husband, the torture of being separated from my two babies, the death of my adored aunt Sandra, and the constant drumbeat of pressure from paparazzi, I’d begun to think in some ways like a child.

As for her infamous relationships, she was 24 and 25 years old when she had her sons. She married Kevin at 22 years old in 2004. That was only 2½ years after her unexpected breakup with Justin. When a girl falls in love with a boy at eleven years old and reconnects with him in a relationship plastered on every tabloid page, it’s natural for judgment to lead to soul mate talk. The raw emotion on the pages of Britney’s memoir just shows how she had to grow and move on from a relationship that seemed like it could last forever. Showbusiness had gotten in the way of both her major romances, which both ended disastrously with her receiving the weight of the judgment as the woman. 

Though she discusses her most memorable tours and appearances, Britney uses the memoir to give us a picture of the life she tried to make private until it was forced into privacy with her 13-year conservatorship. She describes the loneliness of performing while under a conservatorship like serving as a reality show judge and headlining a Las Vegas residency. A conservatorship is defined in legal terms as the designation of a conservator by a court to manage the financial and personal affairs of an incapacitated or incompetent individual, minor, or older adult with limited capacity. Britney was under a conservatorship when she shouldn’t have been classified as incapacitated or incompetent since she worked under extreme pressure. When the legal battle to gain back her independence started in 2020, many fans didn’t realize what a conservatorship entailed. Now, that her father is no longer her conservator, she is free, but she lost many years of her adulthood not having the freedom to control her wealth, decide on what to put in her body, or even drive her car. 

Looking back, I think that both Justin and Kevin were very clever. They knew what they were doing, and I played right into it. That’s the thing about this industry. I never knew how to play the game. I didn’t know how to play the game.

Overall, the memoir gives Britney a chance to explain her side of the story, which was largely ignored or misconstrued by the media machine. The book is written in her voice (think her lengthy Instagram captions), where you can tell she is sorting out her feelings and emotions during difficult times of her life. She chose Oscar-nominated actress Michelle Williams to record the audiobook on her behalf, which is unusual, especially for a celebrity who uses her voice to opt out of recording her own story. How you use your speaking voice can vary greatly compared to how you use your singing voice. The way the entertainment industry took a young Southern girl who loved to perform and transformed her into a robot to sell millions of albums and concert tickets took an insurmountable toll on the pop star. Now, that her story is out in the open, it seems like she is setting the parameters for her life.

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book reviews music reviews

Book Review: ‘Shine Bright’ by Danyel Smith

Shine Bright: A Very Personal History of Black Women in Pop by Danyel Smith explores how Black female music artists have impacted the world and in particular the author’s world as she navigates her unstable childhood in 1970s California. 

Were there champagne toasts with Mariah Carey on a private island off the coast of Antigua? Yes. Was I backstage with Beyoncé in Philly, in Paris, in Cleveland, in Brooklyn? All of it. Have I cruised the Upper West Side in a vintage Cadillac convertible with Queen Latifah? Yes, indeed. But, though I chalked it up to not wanting to get too close to creatives, I would have to cover as a writer or an editor—I actually did not feel worthy of such friendships.

Danyel Smith is a music entertainment journalist titan who’s most famous for her editor in chief stint at Vibe magazine at the height of hip-hop domination. With the quote above from the book, her work has sparked friendships with the Black celebrities forever shaping our culture. (Mariah Carey describes Danyel’s 2005 novel Bliss as such on the cover: “The music business can be an enchanted snake pit, but Danyel tells her heroine’s story with an insider’s knowledge, with power, and most of all, with emotion.”) 

The author’s upbringing in Oakland, the city in which she reps with her whole heart, wasn’t always shiny. Her parents split when she and her sister are in elementary school, and her mother engages in a toxic relationship with a violent lawyer named Alvin who rages against the family. Her mother stays for the questionable financial stability, but when Danyel starts fighting back, that’s when she realizes what she wants the most is threatened by Alvin.

But the radio is on in Alvin’s car, and Danyel’s mother is still playing her albums. The music speaks to Danyel, even when she’s eating her free breakfast at school where the morning care teachers double as vocal trainers showing the kids how to croon to The Stylistics’ “Betcha by Golly, Wow.” The Black artists singing through speakers in different places influence Danyel. She will take her writing talents from her personal diary dedicated to getting rid of Alvin to media platforms describing the impact the artists had on pop culture, though sometimes unappreciated, she makes it her mission to ensure they are appreciated. 

People wonder why I have been able to stand up to men in this business of music. To go to shows—glamorous and grimy—by myself. To negotiate with the worst of the promoters, the performers, publicists, security guards, police officers. To, on behalf of any given media organization, but mostly on behalf of Vibe, and on behalf of myself, not stand down. I just wasn’t that scared of men, not for a long time. “Step to me” was my front. “If you want this smoke.”

The don’t-back-down mantra happens to be how many of the artists she writes about are handling their livelihoods. One chapter is dedicated to the “Drinkard Family Dynasty.” The rich branch that produced Leontyne Price, the first Black woman to gain international fame as an opera singer. Leontyne’s cousin, Dionne Warwick, is the pop singer who reached a pinnacle of success in the 1970s and 1980s and whose impact surpasses generations with her “Twitter auntie” status regularly updating almost 600,000 followers. Dionne’s aunt, Cissy Houston, is the gospel singer who started touring with her group then with Mahalia Jackson and Elvis Presley before her solo debut. Cissy’s daughter, Whitney Houston, is arguably one of the greatest singers of our time, or as the author writes: “But—their problematic relationship notwithstanding—Cissy’s training of Whitney Houston is one of the most important accomplishments in the history of American music.” This familial connection between some of the greatest singers we ever known should be acknowledged more, and the author breaks down their roots and their personal histories to show the anguish they must have had for not always being appreciated for sharing their talents. 

The chapter dedicated to Diana Ross examines how her departure from The Supremes and solo success branded “Miss Ross” as a diva in a negative light when she used to be a little girl from Detroit who had unfathomable dreams that by chance came true. Gladys Knight also gets her own chapter starting with how she became one of the hardest-working kids in showbusiness already performing with her cousins and friends, “The Pips,” so she can help her divorced mother put food on the table. We learn LaDonna Adrian Gaines would drop out of her high school she had said were full of “pretty violent people” straddling the racial lines in Boston to eventually head to Germany where she christens herself as Donna Summer. The shock and disappointment lies on the page when Mariah Carey, the queen of the ’90s pop who also released her own memoir, doesn’t get a single Grammy Award for her 1995 Daydream album that still produces the soundtracks to people’s lives to this day. The ups and the many downs of Black women breaking barriers in music are palpable. 

The big stars get the props. Sprinklings of Phyllis Hyman, Millie Small of “My Boy Lollipop” fame, and Lisa Fischer whose performance of the 1991 hit “How Can I Ease the Pain” is pure magic, feel like they needed more recognition as they are singers who deserved the riches and stardom, but they remain “unsung” à la the popular TV One docuseries. Reading stories of Black women in pop reminds you of the many artists who changed the cultural landscape, sometimes as a one-hit wonder, but their achievements get lost in the mix. That’s where the author fills in those gaps with her Ringer podcast “Black Girl Songbook.” Episodes focus on artists like Deniece Williams, Angela Bofill, and Karyn White—all Black women who had defined music during a moment in time but now have fallen out of public discourse. 

Overall, the author brilliantly tells her story in a poetic rhythm and how music saved her. The love for music she has is on the storytelling side, so she can promote the Black women who turned their love for music into a career beyond their imaginations. Published by Jay-Z’s literary imprint Roc Lit 101 under Penguin Random House with the title deriving from Rihanna’s “Diamonds,” this book serves as a reminder that music history is heavily influenced by Black women, but they unfortunately don’t always receive flowers for their immeasurable contributions.

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book reviews

Book Review: ‘Hooked’ by Sutton Foster

Hooked: How Crafting Saved My Life by Sutton Foster

My rating: 5 of 5 stars


Read more book reviews like this on my blog shelit.com

Hooked by Sutton Foster dives deep into the Broadway and TV star’s poignant moments punctuated by her love for crafting and how it helped her stay sane.

Known for her head-turning Broadway starring roles and her turn in sexy bookish TV series Younger where she plays a 40-something passing as a millennial, Sutton Foster has written a memoir about her rise in entertainment and how crocheting helped along the way. Growing up in the South then the Midwest, she moved often with her family that included her older brother Hunter, also a Broadway veteran; their agoraphobic mother, and their father who seemed to be under the thumb of his wife’s undiagnosed mental health condition. Though her mother doesn’t want to face society, Sutton and her brother are placed in youth theater to exercise their energy. They fall in love with the theater, and we go on the adventure of seeing Sutton evolve into a professional actor at seventeen. She goes on her first tour in her senior year of high school for a musical, where she grows homesick amid battling catty girls who despise her energy. After dropping out of Carnegie Mellon, she finds herself lost trying to figure out her next step, so she journals and crochets. She eventually returns to her theater work where her risk of being the understudy of the Broadway run of Thoroughly Modern Millie leads to her becoming the lead and winning her first Tony Award.

The crafting is threaded throughout her story. She describes some of her hardest moments and how crafting became therapy. A chunk of her latter story surrounds her fertility hardships. While deciding on adoption, she is honest about the anxiety of becoming her mother and not becoming a mother in case the birth mother decides to keep the baby. All those swirling emotions motivates her to sew a blanket for her potential daughter. She stops at one point when she hears a friend fails to secure the baby she intended to adopt; crocheting the blanket when her adoption is up in the air is too much to bear.

Another underlying theme of the memoir is Sutton’s relationship with her mother. She learns crafting from her mother, recalling a stitched Strawberry Shortcake bookmark she received.

That was during the peak of my obsession with the red-haired cartoon character. I had coloring books, figurines, and even a garbage pail, all store-bought. I find it so moving that my mother took the time to meticulously stitch that sweet girl in her poufy pink bonnet and white frilly apron into existence. She added my first and last name in red thread and a row of hearts in pink and green, then finished the piece with a calico border. I don’t recall my mother saying “I love you” often. But I do know that she poured her love for me into that bookmark.

The palpable pain jumps through the author’s voice and on the pages of the book of how she had a difficult relationship with her mother and how that impacted the entire family dynamic and followed her onstage. She talks about how her mother only saw her once on Broadway while her high school drama teacher flew to see her perform on several occasions. Her mother didn’t acknowledge her brother’s eventual wife or talk to her brother for years because the couple had lived together before marriage “in sin.” After her mother’s death, Sutton soon starts her own family in fear she will become the mother she had. She also witnesses her father coming out of his unintended shell and living the life he always wanted.

Overall, the crafty memoir hits the emotional nerve mostly with the author’s relationship with the stage and the family she loves. The crocheting adventures and recipes seem to be a bit detached from the story. This is really a story of following your dreams. Sutton even has a few run-ins with her idol, Broadway and TV actress Patti LuPone, and conducts an interview featured in the book. So while you may want to head to your local craft store and learn to crochet to reduce anxiety like the author, you’ll connect more with her inspirational backstory.

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what's lit

Can You Tell Your Story Your Way? Mariah Carey Faces Lawsuits From Siblings Over Her Memoir

Songstress Mariah Carey enjoyed debut author success when her long-awaited memoir hit bookshelves last September. But the memoir that dives deep into how she found her voice in what she calls an abusive family environment has led to lawsuits from her siblings.

While promoting The Meaning of Mariah Carey with Oprah Winfrey on an Apple TV+ special last fall, Mariah said after years of therapy she calls Alison her “ex-sister” and Morgan her “ex-brother.” Her so-called former siblings now are suing her in New York Supreme Court over allegedly false and defamatory claims.

News broke this week that Morgan Carey, Mariah’s older brother, filed a lawsuit on March 3 against Mariah, co-author Michaela Angela Davis, Andy Cohen of Bravo fame whose imprint published the book, and Macmillan Publishers that owns Andy Cohen Books. Mariah’s older sister, Alison Carey, also had filed her own lawsuit on Feb. 3 solely against Mariah.

In the memoir, the singer describes several alleged violent interactions with her siblings. From the descriptions, lawsuits were expected, but it begs the question of how a memoirist can write her own story and portray real-life characters the way she interpreted their behavior and personality.

What Are the Allegations?

First, in Alison’s two-page complaint, she is representing herself and asking the court to have her sister pay $1.25 million in damages plus money for legal costs. She has issue with the chapter in Mariah’s memoir called “Dandelion Tea,” which is dedicated to Mariah’s allegedly dangerous experiences with her sister, who she claims tossed boiling hot water on her when she was 12 years old that made her black out and develop third-degree burns.

Alison says she was a troubled preteen, but she blames their mother, Patricia Carey, for allegedly forcing her to “attend terrifying middle-of-the-night satanic worship meetings that included ritual sacrifices and sexual activity.” Alison goes on to write that she has been diagnosed with a series of mental and physical health diseases. She says Mariah “used her status to attack her penniless sister” and “callously dismisses” her as an ex-sister.

Morgan also references in his lawsuit about being called publicly by Mariah as her ex-brother. He claims Mariah falsely depicted him as a “physically violent man.” In his own words, he alleges their father, Alfred Roy Carey, was the abuser and the reason he was placed in a children’s psychiatric center, a revelation Morgan says is an invasion of privacy. He says he believes he was portrayed as a stereotypical violent Black male for Mariah to “play the victim card and curry favor with the Black Lives Matter movement.” As part of the lawsuit, he attached a page of photos from over Mariah’s career of them together appearing happy to dispute his sister’s allegations.

Memory or Mismemory?

Memoirists have to reach for memories and describe those memories and the meaning behind what happened and how it impacted their lives. But as humans our minds may misinterpret an old memory and transform it. That’s a concern that impacts any writer writing their own true story.

“This is because memory is not just about retrieving stored information,” reads a Scientific American article on the unintentional phenomenon of misremembering, or the act of remembering incorrectly. “Our minds normally construct memories using a blend of remembered experiences and knowledge about the world. Our memories can be frazzled, though, by new experiences that end up tangling the past and the present.”

Should a writer discuss what they plan to tell in their story with people who will have a major appearance? It’s a question about how much to reveal about someone and how similar are the memories you share with that someone to ensure the right description makes it into the book. But if you’re not close to that particular someone, then reaching out can get murky. Also, reaching out could mean that someone wants their name and any reference to the event they’re mentioned in to be out of the book, subtracting some of the author’s freedom to express their story.

Your Truth or Their Truth?

Both of Mariah’s siblings say they weren’t contacted by the press for their sides of the story nor were given a copy of the unpublished book to verify any information.

There are memoirs, especially celebrity ones, that share private information about others without substituting names. Actress Demi Moore in her 2019 memoir Inside Out, for example, wrote she had taken actor Jon Cryer’s virginity. This aspect, of course, exploded in the media, but Jon issued a correction on Twitter saying he lost his virginity in high school before meeting Demi.

For Demi, her mismemory was forgiven though it involved sexual information that’s usually preferred to remain private.

Mariah hints at the alleged situation with her family in “Petals” off her 1999 Rainbow album.

Who Will Win?

When the lawsuits spill in claiming false and defamatory statements after a memoir is published, it’s hard to say how the court battle will go down. Most lawsuits head toward settlement as in we may never hear the result of the settlement if Mariah and her siblings believe that’s the best route to resolution.

In 2003, Augusten Burroughs published his memoir, Running with Scissors, that mentioned his time living with a family that he gave a fictional name. In the family’s chapter, he recounts abuse, drug use, and overall dysfunction. The real family filed a defamation and invasion of privacy lawsuit against the author and his publisher St. Martin’s Press. The author argued his memories were as accurate as he remembered, therefore what he wrote was true. The $2 million lawsuit settled outside of court with the author saying in his apology that the family’s memories were “different from my own,” The New York Times reported in 2007. The memoir became a movie starring Alec Baldwin and Annette Bening.

Mariah told The Hollywood Reporter in December amid her Apple TV+ Christmas special that she’s in talks to adapt her memoir for the screen. This is before the lawsuits were filed that may or may not impact any future projects, especially around the division of profits if that becomes part of the probable settlements.

If you are working on a memoir and worried about your memories sparking lawsuits, here are some resources to check out:

A Writer’s Guide to Defamation and Invasion of Privacy, Writer’s Digest

How Not to Get Sued for Your Memoir, HuffPost

Writing Memoirs—What You Need to Know to Avoid Being Sued, Self Publishing School 

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book reviews

Book Review: ‘The Meaning of Mariah Carey’ by Mariah Carey

The Meaning of Mariah CareyThe Meaning of Mariah Carey by Mariah Carey
My rating: 5 of 5 stars

*Reviewed by a dedicated member of the Lambily who has waited for this story for three decades*

The Meaning of Mariah Carey by Mariah Carey is an in-depth celebrity memoir that highlights the intersection of racial and familial trauma and how the world-famous songstress converted the pain into laser focus on talent exploration and superstardom success.

Mariah clarifies that this is her story from her perspective as she describes her family in the negative light that she viewed them. The story starts with Mariah’s childhood that hints at trauma described in many of her songs from “Outside” on the Butterfly album to “Petals” on the Rainbow album. The youngest of three children, Mariah is years apart from her teenage brother Morgan and sister Allison, who were both already showing signs of psychological damage from growing up in an interracial family in the 1960s and 1970s in New York City. Mariah also has the fairest complexion that makes her a target of sibling abuse ranging from her brother exhibiting violence to the point where cops are called to her sister pimping her out to a grown man. Race plays a huge part with her Black father and White mother and seeps into her upbringing as she lives with her mother in a White section of Long Island and visits her father in Black Harlem. The location forces Mariah to attend predominantly White schools where she’s called racial slurs on an everyday basis for being Black. Then when she hangs out with her father and her Black cousins on the weekend she feels her complexion comes up in the question of her paternity. One of the issues that bothers little Mariah the most is that her mother never could wrangle her curls. The untidiness of her appearance brings self-esteem down even more until her opera singer mother trains her to sing, and music becomes Mariah’s saving grace.

A major portion of the book covers a few chapters on her tumultuous marriage to Sony Music executive Tommy Mottola, who discovered her and became her first husband. Mariah goes into detail about how what looks like a storybook fairy tale romance is slow torture to her twentysomething self. She even calls the mansion in upstate New York she shared with Tommy “Sing Sing” like the infamous prison. Metaphorically, she describes the luxurious baths she would take as washing off the Mariah Carey persona to become an unhappy housewife. The mental abuse is more described here with what Mariah calls Tommy’s incessant anger that was shown to her all the time and visible to others in his inner circle.

There are explanations for some of her obsessions that have been magnified in the media to make her seem frivolous. For example, she connects with her idol Marilyn Monroe after seeing her in film as a young girl and learning little Norma Jeane Mortenson also had a tumultuous childhood. Mariah is “eternally twelve” because the physical and emotional abuse hit a fever pitch at that age where she wishes she could be a regular kid.

Like Mariah said on her book tour, what she says is unimportant is not in the book from the highly publicized engagement and breakup with Aussie billionaire James Packer to the highly publicized stint and battle on American Idol with rapper Nicki Minaj. She also brilliantly throws shade at other highly publicized events from her career to show the media monster she’s over it. And shade is hinted toward Jennifer Lopez, who Mariah claims she does not know, and now we know the subtle beef started way before the meme.

Overall, this is an extraordinary celebrity memoir by Mariah, along with her co-writer and Black cultural writer Michaela Angela Davis, that emphasizes her biracial identity and how that impacted her family and her drive. Because of the depth, it’s recommended to read the actual book though the audiobook is also an excellent choice due to the amount of well-known lyrics within the chapters. There is a lot of digging deep into the construct of race and how it could destroy individuals with Mariah describing her journey of working to overcome the obstacles placed in her path.

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book reviews

Book Review: ‘More Myself’ by Alicia Keys

More Myself: A JourneyMore Myself: A Journey by Alicia Keys
My rating: 3 of 5 stars

More Myself by Alicia Keys is a memoir by an artist whose wins seem to dominate the losses, making the book less relatable, but she tells her story of striving to lead an inspiring life.

Alicia starts her story of being a girl in a cab with her mother and seeing a sex worker outside in the wintertime. She asks her mother about the woman standing on the corner, and the way her mother answers her question plants a seed for her to remember to work hard for her dreams to come true. She then takes us through her childhood in 1980s and 1990s Hell’s Kitchen in New York City, near Times Square and the theater district. It’s not the neighborhood it is now but one that was riddled with crime where she lived with her single mother, a former actress. She talks about her strained relationship with her father, who she sees seldomly throughout her childhood as he starts another family. As she navigates adolescence in New York City, she’s working on her music with her older music producer boyfriend Kerry “Krucial” Brothers. She lies about her age to him several times as their romantic and career-defining relationship grows. Then she’s offered a record deal simultaneously as an acceptance to Columbia University. She learns quickly she can’t juggle college and music, so she drops school and dedicates herself to become a full-fledged artist. Once her debut album Songs in A Minor drops in 2001, she solidifies her music superstardom.

Actually listening to Alicia’s voice on audiobook brought the story alive, though her hardships seem little compared to her success. For years, she tends to talk about her life in rough New York City with her single mother, but with her piano and singing skills, she’s signed to her first record deal at 15-years-old. That already puts her above the average upbringing in that same scenario. Unlike Jessica Simpson’s Open Book where that singer describes hardships before and throughout her career, Alicia’s story fails to come off as relatable to the average reader. It does leave that awe-inspiring glow of “if you stick to your dreams, then your dreams come true,” which we all know does not add up for most people. Alicia’s chapters open up with words from her husband Swizz Beatz, Jay-Z, Clive Davis, Oprah Winfrey, Michelle Obama, and America Ferrera. Also as well as her father and her ex Krucial, both relationships she has repaired to the point they’re willing to contribute vocal notes to her audiobook. Again, not the most relatable move but could be seen as inspiring. Don’t we all want to repair past relationships so when those people are mentioned in our memoirs they get a say? Maybe, maybe not.

Overall, it’s a positive, not-as-moving portrait of a famous singer who sings on the audiobook at times with her voice really illustrating her story in a more entertaining way.

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music reviews

Reading a Singer’s Memoir? Choose the Audiobook

Mariah Carey is the latest singer to tell her life story in a book that will be formatted into an audiobook she narrates. With singers using their actual voices in their memoirs, the audiobook has become the best format in this booming genre.

Last week, the five-octave diva revealed the title of her memoir, The Meaning of Mariah Carey. The book will be coming out via Henry Holt & Company’s Andy Cohen Books in the U.S., Pan Macmillan in the U.K., and Audible. The release date is Sept. 29 with Michaela Angela Davis, a well-known Black culture insider, as the co-writer.

 

The next day, as fans chimed on social media about the fate of an audiobook, Mariah confirmed her memoir will be in an audio format, linking to the Audible pre-order page. On Friday, in celebration of the 30th year of her career, she released a new album featuring one of her first concerts at the Tatou Club in New York during her 1990 debut.

Between new music and the audiobook, songstress memoirs are more entertaining to read, as evidenced by Jessica Simpson and Alicia Keys, the other major female artists who also released memoirs this year.

In Harper Collins’ Open Book, Jessica’s voice not only breaks with emotion at the emotional parts, but it also includes six new songs she wrote while writing the book. Her new music is still not available on streaming services as an exclusive for audiobook readers.

More Myself from Macmillan Audio has Alicia expressly telling her story with every chapter guest-starring family and friends from her mother, husband Swizz Beatz, and even ex-boyfriend and collaborator Kerry “Krucial” Brothers Jr. with of course Oprah Winfrey, Michelle Obama and Jay-Z. She also has spurts of singing to describe how albums or singles came together.

Jessica and Alicia have been promoting their books the best way they can amid the COVID-19 pandemic, but with cases rising in many states, even Mariah may have to deal with the same fate of not meeting fans in public who want their books signed, or their audiobook covers.

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book reviews music reviews

Book Review: ‘Open Book’ by Jessica Simpson

Open BookOpen Book by Jessica Simpson
My rating: 5 of 5 stars

Open Book by Jessica Simpson is a poignant memoir where she describes her successes and failures in a relatable way.

Once a part of the line of the teen pop machines introduced in the late 1990s, Jessica Simpson stood out with her debut ballad “I Wanna Love You Forever” getting the attention of divas from Whitney Houston to Celine Dion at a time when that type of powerhouse voice was disappearing from airplay. Growing up with a pastor father in a Baptist family, Jessica moves all over Texas, even with a stint in Colorado, where her father presides over multiple churches. They finally settle down in Richardson, Texas, and her big voice gets attention. She even tried out for the Mickey Mouse Club with her future industry friends: Britney Spears, Justin Timberlake, Ryan Gosling, and Christina Aguilera. She bombs the final audition even though Disney had sent her to acting school with Chuck Norris with her acting partner being the actor who embodied Barney, the purple dinosaur. That’s just one of the fun celebrity connections. She eventually finds fame when she signs with Columbia Records and gets a voice teacher who tells her she reminds industry folks of another young Texan songstress—Beyoncé Knowles.

She talks about her marriage with fellow pop star Nick Lachey and feeling the doubt before the walk down the aisle. In her early twenties haze, she learns she wanted to be a wife before she was ready and imagined herself like her mother and grandmother before her marrying at a young age. And she was a virgin, which exploded in the media more than she thought it would be. Once her marriage falls apart, she finds herself involved in an emotional affair with Johnny Knoxville, her The Dukes of Hazzard co-star. That’s the start of her love life coming under a microscope, most likely dating back to her days of simply stating she was a virgin and the media following her every love misstep.

One of the greater touching elements is the dedication to her cousin Sarah, who died at eighteen the summer before college in a freak accident. This defines Jessica’s life with her motivating to start a prayer journal because Sarah had one, and Jessica learns her name was under every date; her cousin was always praying for her. Jessica didn’t know she had all those prayers on her, especially after she deals with being molested by the daughter of a family friend. This haunts her later when she confides in the wrong person.

Along with her faith, Jessica is candid about her body perception issues, alcohol abuse, and how she still lost her way after making the comeback of helming a billion-dollar eponymous fashion brand and starting the family of her dreams. It shows her humanness that seems to be forgotten in the coverage of celebrities and their real problems.

Overall, the elements of her story are relatable, and she works at telling her story that way with her celebrity status. She sees her mistakes and understands how hard they were to overcome. On audiobook, her voice is flawless, breaking with emotion when it needs to and joking with the fun parts. At the end of the audiobook, there are six original songs that relate to her journey of writing down her story. It’s one of those more memorable celebrity memoirs because she strives to engage with her fans on a human level.

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music reviews

The Songstresses Who Have Memoirs Coming Out This Year

2020 is looking to be a momentous year for three divas who’ve grown into multihyphenates. After pursuing extraordinary careers with the media capturing the highlights and lowlights, the singers plan to tell their stories, from rocky childhood moments to failed romantic relationships.

Jessica Simpson

The 2000s teenage pop star turned fashion designer has written her memoir, Open Book. According to her book’s official page, she had originally been approached to write a motivational guidebook but felt like she would be lying to her fans.

“I promise to be totally honest with you, so you can feel safe to be honest with yourself, too,” Jessica says in a HarperCollins Publishers promo video for the book.

With the book going on sale last week, the press has focused on the newsmaking details such as Jessica surviving child sex abuse; having an emotional affair with Johnny Knoxville while married to 98 Degrees frontman Nick Lachey; and developing a yearslong diet pill addiction after Tommy Mottola, former Sony Music CEO and Mariah Carey’s ex-husband (see below for her pending memoir), told her to lose 15 pounds when she was 17 years old.

Music note: Jessica’s best album, 2003’s In This Skin, was written while she was in the throes of love with Nick Lachey. It produced some of her best hits: “With You,” “Sweetest Sin,” and the cover of Robbie Williams’ “Angels.” Unreleased gems include “Everyday See You” and “Be.”

Alicia Keys

Fresh off from hosting the Grammy Awards, Alicia plans to soon debut her memoir, More Myself: A Journey. Macmillan Publishers says in the book’s synopsis that Alicia will detail her experiences such as the “challenging and complex relationship with her father, the people-pleasing nature that characterized her early career, the loss of privacy surrounding her romantic relationships, and the oppressive expectations of female perfection.”

The book, co-written by celebrity memoir collaborator Michelle Burford, is under Macmillan’s imprints Flatiron Books and An Oprah Book from Oprah Winfrey. The press around Alicia’s memoir hasn’t started yet for its March 31 release, but it may be due to Flatiron and Macmillan dealing with the firestorm of their literary partner Oprah choosing their best-selling debut novel American Dirt as her book club pick. That book has been criticized for perpetuating stereotypes about Mexico and Mexicans.

Music note: The Diary of Alicia Keys solidified Alicia’s budding career in 2002 after her debut hit, “Fallin’.” This album produced even more hits such as “You Don’t Know My Name,” “Karma,” and the reality TV audition favorite, “If I Ain’t Got You.” Unreleased gems include “Diary” and “If I Was Your Woman.”

Mariah Carey debuts the “mixed-ish” theme song to partygoers in September 2019. (ABC/Image Group LA)

Mariah Carey

Mariah’s highly anticipated memoir will be released under Andy Cohen Books, the Henry Holt and Company imprint by the eponymous Bravo personality.

The singer, who just attained her 19th No. 1 hit with holiday classic “All I Want For Christmas Is With You,” has not revealed a name for her memoir.

“I did not feel like I was being treated the same as some male artists when I was coming out with my first album,” she told Variety in October. Though she didn’t add details about the industry misogyny from her interview, Mariah may save it for her memoir, along with her tumultuous marriage to Tommy Mottola and her relationship with her estranged father while growing up biracial in New York in the 1970s and 1980s.

Music note: Mariah Carey’s eponymous album from 1990 launched her unbelievable career with her first single, “Vision of Love,” hitting No. 1. It is rumored the title of this song may be the title of her memoir. Other No. 1 hits on this album are “I Don’t Wanna Cry”, “Love Takes Time,” and “Someday.” Unreleased gems include the rest of the album.

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book reviews

Book Review: ‘A Song For You’ by Robyn Crawford


A Song for You: My Life with Whitney Houston
by Robyn Crawford
My rating: 4 of 5 stars

“A Song For You” by Robyn Crawford is an honest memoir about the friend of pop superstar Whitney Houston who felt like she had to be quiet in the past out of respect and privacy, but she decides her side of the story is valuable.

Robyn tells her story. There has been backlash about Robyn, who became a backdropped friend of Whitney, due to the media overemphasizing their alleged romantic ties to Whitney’s family publicly showing disdain for Robyn and her relationship with Whitney. With Whitney being gone now seven years, it may seem like poor taste that Robyn wrote a book on her friendship with Whitney, but it’s more about her years working in Whitney’s camp, trying to protect her friend at every corner, but also losing herself in someone else’s dream and rediscovering her purpose.

The story starts with how Robyn meets Whitney at summer camp in New Jersey. She says Whitney introduces herself as a singer and is already a teen model. They begin to hang out a lot as Whitney soon becomes discovered as a singer, signing with Clive Davis at Arista Records. Robyn, who’s a college basketball standout, is thrust into the music industry, but the rumors of her and Whitney having a romance start early. Years go by as Robyn stays beside Whitney to make sure her business interests are met, but at home her brother and mother are diagnosed with AIDS while her sister is diagnosed with bipolar disorder. Robyn describes her interactions with Whitney’s husband Bobby Brown and other family members as unpleasant. Whitney’s marriage and drug addiction soon builds a rift between Whitney and Robyn, and in 1999 Robyn leaves Arista and the music industry behind. How Robyn’s life unfolds as she tries to find what she wants to do and what makes her happy as she approaches forty is intriguing.

Overall, as a memoir of a person who is known for being in the shadow of a superstar, Robyn does a great job of focusing the story on herself and describing what she had witnessed. This is not always the case for similar memoirs like Jessica Harris’ My Soul Looks Back, where that author gets lost in focusing on the famous people instead of herself. Robyn feeling comfortable to tell her side of the story is commendable, as she says she wasn’t interested for years until she felt Whitney’s legacy was marred by drug addiction and molestation rumors despite her extraordinary talent. Robyn’s book is more to support Whitney’s legacy while the author exhibits her right to tell her own story.

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