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‘Nope’ Star Keke Palmer Wrote Books to Share Her Talent

<![CDATA[SHE LIT: ‘Nope’ Star Wrote Books to Share Her Talent šŸ’šŸ¾ā€ā™€ļø]]> SHE LIT: ‘Nope’ Star Wrote Books to Share Her Talent šŸ’šŸ¾ā€ā™€ļø
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Keke Palmer - Photograph by John Johnson/HBO Max

Keke Palmer already told us who she is in her memoir and Amazon story collection

On this day as BeyoncĆ© drops her long-awaited album Renaissance, let’s talk about Keke Palmer, who dominated the entertainment news this week, and tie that news to books.

Coming off a weekend spooked by Jordan Peele’s western thriller Nope, media attention focused squarely on star Keke Palmer. Rarely does a megahit have three actors of color on billboards, which included Keke, Daniel Kaluuya, and Steven Yeun, but allegations of colorism overshadowed the Twitterverse similar to Jean Jacket in the film.

A viral tweet where a tweeter brought up colorism in why Keke’s success may appear to not have the ā€œmainstream popularityā€ Zendaya’s has struck a debate. The tweeter implied that Keke didn’t have the career like that of Zendaya, a star in her own right who was irrelevant to any conversation on Nope, but tried to clarify in the Twitter thread that the main tweet was to counter the remarks from people who say Nope is Keke’s breakout role.

In a clapback, Keke reminded us about her career and how she’s an ā€œincomparable talent.ā€ As media outlets reported on the story, many failed to point to her memoir and story collection that tell us about the career Lauren Keyana ā€œKekeā€ Palmer has created for herself.

The tweeter implied that Keke is considered a star in fewer households compared to Zendaya, who is biracial and has a lighter complexion. Though both have kid sitcom roots, both these shining Black female stars do indeed lead different careers, and Keke set the record straight saying the tweet perpetuated colorism to even compare the two. She went on to remind us that she was the first Black Cinderella on Broadway and the youngest talk show host ever, to name a few accomplishments.

As the articles came out about the Twitter clarification and the timeline of Keke’s extraordinary career, barely any articles mentioned her books. Yes, like most celebrities, Keke received help writing those books, but still she has her name on several books that are available in print, e-book, and audio formats showcasing her dramatic voice punching up the personality on page.

Along with Nope, Keke lent her voice to another summer blockbuster out in theaters now: Lightyear, the Pixar animated film serving as a precursor to the Toy Story series that opened in June and so far grossed $117 million in the domestic box office. She also uses her voice in the audio recordings of her short story collection ā€œSouthern Belle Insultsā€ that she released with Amazon Publishing last year and wrote with best-selling romance novelist Jasmine Guillory. The stories were based on her Instagram alter egos.

In My Dear Friend Janet, Keke uses her high-pitched drama queen narrator voice for Lady Miss who’s telling the story of a woman named Janet going through her day trying to come out of her shell but second-guesses her scripted plans. Then Janet agrees to put on a wig and transforms into Lady Miss, a story that continues in From the Desk of Lady Miss.

To back up her response, one can glean the facts of her career from child actor getting industry recognition (she remains the youngest actor to receive a SAG Award nomination at age 11 for her 2004 role in The Wool Cap) to grown-up star still getting industry recognition in her memoir I Don’t Belong to You: Quiet the Noise and Find Your Voice from Simon & Schuster’s Gallery Books.

The 2017 book starts off telling her unlikely rise to stardom with her mother helping her take risks to get noticed by people like Ice Cube when the producer was looking for a young actress to play Queen Latifah’s character’s niece in the 2005 film Beauty Shop. A year later, buzz started to build for her starring role in Akeelah and the Bee, as a Black preteen from South Los Angeles who gets coached by Laurence Fishburne’s character to compete in the Scripps National Spelling Bee.

Entertainers, particularly those of color, for example, have to prove themselves time and time again as random social media users may have their opinionated tweets go viral that forces the stars to respond to crush the negative publicity. Keke had to respond on the weekend Nope debuted in movie theaters at No. 1 because all eyes were on her.

But like many celebrity bookwomen, she had already told us who she is and how she operates in her memoir and story collection. Books sometimes are the forgotten vehicle competing with the internet when we want to learn about an individual. Excluding the unauthorized biographies, although those can be helpful at times, the books with the celebrities’ names on the book covers and their voices on the audiobooks are the stories those celebrities approved.

Those stories were carried out through their literary and business agents. They have a say on who helps them co-author those stories. That being said, her co-authors also deserve the credit, but those stories are still from Keke, who graced us with storytelling talents on top of being one of the youngest people, regardless of diversity markers, to be dominating Hollywood.

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President Obama shares summer reading list

Days after his wife and former First Lady Michelle Obama announced her new book, former President Barack Obama shared his top books for the summer Tuesday on Instagram. Velvet Was the Night by Silvia Moreno-Garcia, Black Cake by Charmaine Wilkerson, and The School for Good Mothers by Jessamine Chan made the list.

Constance Wu returns to the scene with memoir news

Actress Constance Wu is slowly reemerging into the spotlight with a new memoir titled Making a Scene. Published by Scribner, the essay collection is expected out in October. She recently revealed her suicide attempt after sharing her disappointment of her TV show ABC’s Fresh Off the Boat being renewed in 2020 when her film career was taking off. The Hustlers and book-to-film Crazy Rich Asians alum said she had to take a break from social media but lately has been posting about past and current projects.

Journalist Goldie Taylor announces childhood memoir

Former editor at large for The Daily Beast Goldie Taylor will have her life story in book form. The Love You Save echoes Maya Angelou’s I Know Why the Caged Bird Sings as she tells the story of how being raped by a man in her neighborhood leads to her living in East St. Louis with an aunt. Abuse continues in her new home, but she finds solace in James Baldwin’s words. The memoir is planned for release in January from Hanover Square Press.

Whoopi Goldberg shares re-release of her middle grade series

Actress, comedienne, and The View co-host Whoopi Goldberg posted a video of herself opening boxes to reveal the re-release of her Sugar Plum Ballerinas series. Originally published in 2008 by Disney Book Group’s now-defunct Jump at the Sun imprint, the first two books, Plum Fantastic and Toeshoe Trouble, are getting a makeover from Little, Brown Books for Young Readers as the stories focus on young ballerinas of color. The updated versions of the books have new artwork on their covers and are now available through Hachette Audio narrated by Bahni Turpin.

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Alice Sebold Apologizes to Exonerated Man She Had Accused of Rape

The Lovely Bones novelist Alice Sebold released a statement a week after the Black man she accused of rape was exonerated by a New York court.

The author set the literary industry ablaze with her 2002 debut novel and eventual film The Lovely Bones about a girl who is raped and murdered in the 1970s and trying to satisfy her teenage longings in the afterlife. The novel rips a page from the author’s memoir Lucky, detailing her 1981 rape as a Syracuse University student.

In Lucky, she describes the sexual assault and the justice system navigation while also obsessing over her rapist’s race that foreshadows the recent exoneration of Anthony Broadwater, a Black man who was convicted for Alice’s rape and served 16 years in prison. The pseudonym of Gregory Madison is used in the book. Coincidentally, Anthony was released in 1999, the same year Lucky hit shelves.

Alice wrote in her statement posted Nov. 30 on Medium that she is “truly sorry” to Anthony for her role in him being “another young Black man brutalized by our flawed legal system.”

“40 years ago, as a traumatized 18-year-old rape victim, I chose to put my faith in the American legal system,” she wrote. “My goal in 1982 was justice—not to perpetuate injustice. And certainly not to forever, and irreparably, alter a young man’s life by the very crime that had altered mine.”

The letter does not mention if Alice said this apology directly to Anthony over her role in his wrongful conviction. There isn’t any mention of what she plans to do with profits she made off Lucky.

“It took a lot of courage, and I guess she’s brave and weathering through the storm like I am,” Anthony told The New York Times. “To make that statement, it’s a strong thing for her to do, understanding that she was a victim and I was a victim too.”

Though Lucky was published in 1999, the memoir was recently being turned into a film for Netflix. The exoneration occurred after screenwriter Timothy Mucciante questioned the script’s authenticity during the court proceedings compared to the book, according to media reports. Then Timothy hired a private investigator who worked with Anthony’s lawyers to prove his innocence.

The Lucky film project has since been killed due to losing financing months ago, according to Variety. Timothy is working on a documentary about the case titled Unlucky with his production company, Red Badge Films, and Red Hawk Films, according to media reports.

Publisher halts Lucky distribution

Simon & Schuster‘s Scribner imprint, the publisher behind Lucky, tweeted Dec. 1 that it will no longer distribute the memoir.

The publisher’s website appears to have removed Alice’s book and author page.

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Alice Sebold’s Fixation on Accused Rapist’s Race in ‘Lucky’ Forecasts Overturned Conviction

*Update post available on Alice Sebold’s apology and publisher Simon & Schuster’s response*

The man accused of rape by best-selling author Alice Sebold had his conviction overturned by the New York Supreme Court this week due to missteps in the case decades earlier. The author tells the story of her 1981 rape as a Syracuse University student in the 1999 memoir Lucky that unnecessarily fixates on the race of her perpetrator.

As a young White woman raped by an individual she identifies as a Black man, Alice pinpoints other experiences with Black men that come off as cringeworthy today in light of the recent news.

Anthony Broadwater spent 16 years in prison for the rape and was released in 1999, the same year Lucky was released to critical acclaim. The memoir eventually led to the success of Alice’s most famous novel, The Lovely Bones published in 2002 by Little, Brown and Company, loosely based on her own experience about a teenage girl who is raped and killed by a predator in her neighborhood. The Lovely Bones was turned into a film in 2009 starring Saiorse Ronan and Susan Sarandon.

Lucky, available from Simon & Schuster’s Scribner imprint, was in the midst of becoming a film on Netflix. Screenwriter Timothy Mucciante was working on the project, according to multiple reports, when he realized the script wasn’t matching the book, especially during the court proceedings retold by Alice in the book. Timothy hired his own private investigator to look into the case. In an exclusive, Variety reports Lucky the film, which would’ve starred You actress Victoria Pedretti, was dropped after losing financing months ago.

Alice hasn’t commented publicly about the overturned conviction.

Constant emphasis on Black men

I knew the old men hadn’t raped me. I knew the tall black man in a green suit, sitting on a bus-station bench, hadn’t raped me. I was still afraid.

Lucky, Chapter Four

The book starts with detail of the rape: how she’s accosted and attacked by a stranger in a tunnel near campus, how she walks back to her dorm bloody and shaken, how she undergoes the post-assault medical examination. When she returns to her dorm, a friend’s boyfriend offers a hug. But she’s apprehensive. That’s when the boyfriend, who is Black, asks Alice if her assailant was Black. Alice confirms the assumption.

This exchange is problematic, reinforcing the stereotypes of criminals usually being Black. It says it’s OK if someone Black makes that assumption. Even if the event took place, it shows the lack of racial diversity in publishing overall with that passage allowed to run in the millions of book copies sold.

The above pullquote references later on when Alice is driving with her mother to the University of Pennsylvania to see her father and sister. Outside the window, she sees Black men living their lives, and it scares her. She even tells her mother that she feels like she had been “lain underneath” all these Black men. Her mother says that’s “ridiculous.”

What led to the overturned conviction is in the memoir. Alice has a run-in with a Black man, who claims she looks familiar. It spooks her because she believes he’s her rapist. She notifies authorities about the run-in. After a police lineup, officers tell her she picked the wrong man. Later, a hair analysis is traced back to Anthony Broadwater, who has the pseudonym of Gregory Madison in Lucky. That analysis has since been discredited by the Department of Justice and the FBI as a lone method to identify suspects.

Anthony Broadwater did not know that Alice was profiting from the incident that put him behind bars, according to the Daily Mail.

Race, class lead to perfect conviction

My rapist was poor, black, and uneducated, and came from a family with an entrenched criminal record. I was a middle-class white girl attending an expensive university and I was raped not on property owned by the college, but in a public park on the edge of it… And, like the victim in the Stanford case, I knew that my words mattered.

Lucky, “Afterword”

In a 2017 afterword, Alice brings up Chanel Miller’s story of being the unidentified victim in the Stanford rape case that is chronicled in the best-selling memoir Know My Name. Using race and class, Alice compares her case where her accused rapist was imprisoned for 16 years to Chanel’s case where the Stanford swimmer who raped her only served three months in jail.

Race comes up in Chanel’s story but her own race as a young woman who is half-Chinese and how that surprised some supporters when she revealed her identity. Class also becomes an issue because she accused a White male, Olympic-level swimmer of raping her while she was unconscious. A book review can be found on shelit.com.

The Lucky afterword acknowledges in the above quote that the racial and socioeconomic dynamics created a perfect storm for a conviction that we now know is another exoneration of an innocent Black man in America.

Alice’s story could be compared to Tricia Meili’s story as told in her memoir, I Am the Central Park Jogger: A Story of Hope and Possibility, published by Scribner in 2004. Tricia’s horrific rape dominated the news in 1989 and led to the arrest of five boys who happened to be in Central Park at the time she was jogging. Tricia, who is White, worked as an investment banker while the boys, known as the Central Park Five, were Black and Latino from low-income families. Now, those men who served time and have had their convictions overturned in 2002 are considered the Exonerated Five, after they told their story through Ava DuVernay‘s lens in When They See Us.

A Black prisoner serving time for sexual assault is 3½ times more likely to be innocent than a White sexual assault convict, according to the National Registry of Exonerations, because of the high likelihood of cross-racial misidentification by White victims involved in violent crimes with Black assailants.

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Noname Celebrates Opening of the Radical Hood Library

Indie rapper and book club innovator Noname announced the opening of Book Club Headquarters: Radical Hood Library in Los Angeles Saturday.

In a flyer, the library asked for donations of new and used books preferably written by Black and Brown authors, especially novels and children’s books. The library is a “black led organization that was created to service black/brown folks,” according to its book.clubhq Instagram account. Online, books can be checked out through the library’s Libib account.

The opening was an RSVP’d event. The library’s address has yet to be revealed publicly.

The daughter of a Black-owned bookstore owner, Noname started the Noname Book Club in 2019 to highlight “reading material for the homies” by exposing Black and Brown readers to books of today and yesterday that explore intersectionality. The book club now has 12 metro chapters across the U.S. and a prison program that delivers book club selections to incarcerated peoples.

Every month, Noname picks a book and a book club member aka “homie” picks one. Socially distanced in-person and virtual meetings are ongoing this month for September’s books: Belly of the Beast: The Politics of Anti-Fatness as Anti-Blackness by Da’shaun L. Harrison, Heavy: An American Memoir by Kiese Laymon, and The Skin I’m in by Sharon G. Flake.