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‘From Scratch’ TV Review: Bread and Brine

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

Christmas 2004 opens up the fifth episode of From Scratch when the parents of Lino, played by Eugenio Mastrandrea, arrive in Los Angeles to care for their son who’s battling a rare soft-tissue cancer.

Amy, played by Zoë Saldaña, is standing at the end of the escalator with her mother Lynn, played by Kellita Smith, as they wait for Lino’s father Giacomo, played by Paride Benassai, and Lino’s mother Filomena, played by Lucia Sardo, to come down to their level in the airport. Amy has to run up the escalator to help them since they probably never used one before. Once they all arrive at the house, Lino becomes the focus.

Filomena rushes to her bedridden son while Giacomo stops before the front door and remains in the garden. As a lifelong farmer, he sees myriad mistakes in the boxes where plants like garlic and parsley are growing. He stays outside to tend to the garden.

Inside, Filomena opens up her heavy suitcase to reveal glass jars of pastas, spices, herbs, and tomatoes. She cooks a hearty meal for Lino, but Amy has to tell her that Lino can’t eat that type of meal on his medications. Lino gets jealous others get to eat his mother’s cooking, so he stuffs his face. And, of course, he gets nauseous before his scheduled stay in the hospital.

The transportation of the food happens in the memoir by Tembi Locke as she tells the story of falling in love with her late husband Saro and moving through the stages of grief with her daughter in Saro’s homeland of Sicily.

“Bread and Brine” is the name of a chapter. With the book mostly focusing on Tembi’s time in Sicily after her husband dies, the chapter shows the relationship between Tembi and her mother-in-law Croce, who cooks as she grieves.

“She had never let me cook in her house. Never. Not even her chef son was allowed to,” Tembi writes. “No matter how many nights I slept under her roof, no matter how many times she washed my bras and ironed my underwear, I was her guest. Even if I was also family. She preferred to work alone, at her own pace; she didn’t want company while she cooked. In the past, I had just passed through, made small talk, but had never lingered from start to finish. She, like many women in town, saw their time at the stove as their domain. I was forbidden to even set the table.”

coffee break

As Lino recovers from surgery, Giacomo finally comes to greet his son in the hospital bed. They have a small heart-to-heart when Lino says he would like a cup of coffee. This gives Giacomo a spring in his step as he walks around the hospital in search of coffee without knowing English. He finds a doctor who seems to know a bit of Italian who helps him use the coffee machine. He tells a story about seeing Lino in the hospital when he was a kid who had broken a bone, but now it’s different.

When he returns to the hospital room, he sees Amy’s father Hershel, played by Keith David, bonding with Lino. Standing by the door, he notices the connection between the two, blossoming over his absence from his son’s life at a time when he expanded his family.

Lino soon comes home, where his family and friends sit down to watch football, also known as soccer, on the Italian channels. Giacomo asks one of Lino’s friends about his son. As they talk about kids, Lino becomes increasingly irritated because the chemotherapy has threatened his reproductivity. He gets up and leaves with his crutch.

IT COULD GET WORSE

For a moment of escape, Amy runs to her and Lino’s mutual friend Preston, played by Rodney Gardiner, to drink scotch and talk. He welcomes the opportunity, especially when he’s just watching the Black Christmas classic Holiday Heart starring Ving Rhames as a drag queen helping a girl and her drug-addicted mother. Amy is upbeat about Lino’s surgery to remove the cancer. But Preston has other thoughts. He offers the possibility that Lino may never quite fully recover; the cancer can return.

The doctor tells Amy and Lino that the surgery was successful, but recurrence is possible. Lino describes cancer as “like a weed” to his parents, who learn they have to tame their excitement over the surgery.

Since the surgery was technically a success, Lino now qualifies for a clinical trial. He announces the news at dinner with the entire family. Then Amy’s sister Zora, played by Danielle Deadwyler, announces her engagement to her longtime boyfriend Ken, played by Terrell Carter. The family congratulates the happy couple. Even Giacomo stands up ready to give a toast. Lino is in disbelief. His own father who didn’t go to his wedding is happy an unrelated couple is getting married. The bright mood plummets.

Going back to the book, Tembi brings Saro and his parents to her native Texas to meet her family. Saro’s parents enjoy a Houston Texans football game and struggle to figure out the art of eating Texas Barbecue. Tembi catches her mother-in-law taking in the scene, looking at her son constantly until she turns to Tembi’s sister Attica Locke, who serves as the head of the Netflix series, to tell her her surprise about Saro being welcomed in America.

“And as I sat there with everyone eating—not just consuming food but sharing our dreams, our aspirations, our histories—I could see how the stakes, the specter of illness, had changed all our lives,” Tembi writes. “What was important had changed. We were far from the wedding in Florence, reading telegrams from the half of our family who had refused to come because of race and fear. That trip to Houston was the first time we didn’t have to wonder what it would have been like to have both parts of who we were together in the same room.”

The next morning on the show, Lino and Giacomo clear the air with a hug as Lino’s parents head out for their flight to Sicily. The cancer is gone, and the family is at peace until the next monumental changes come along.

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‘From Scratch’ TV Review: A Villa. A Broom. A Cake.

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

In the third episode of From Scratch, we make an 18-month jump to summer 2004 where Amy, played by Zoë Saldaña, and Lino, played by Eugenio Mastrandrea, are touring their wedding venue, a duchess’ mansion in Florence.

When they’re talking to the duchess about paying for their reservation, the duchess repeats how she needs the deposit in full. The microaggression from the duchess becomes a laughing matter when Amy and Lino meet with friends because they know the duchess, like many others, didn’t expect to see a Black American woman with a Sicilian man wanting to marry in an Italian mansion.

The series is a fictional adaptation of From Scratch by Tembi Locke, who tells the story of how she fell in love with her husband and how she fell in love with his country after his untimely death from cancer. This episode covers the wedding that doesn’t stray away too far from the memoir.

FAMILY MATHEMATICS

Before family arrives, Amy and Lino joke about him meeting her entire family. Lino will be baptized as a Texan, Amy laughs. Lino asks if that means he’ll be dipped in barbecue sauce. Amy giggles and says the choice condiment would be hot sauce.

What is unspoken between them is Lino’s family is not coming to the wedding. With his father still angry about his decisions to leave Sicily for education, career, and now a wife, Lino will have to lean on Amy’s family.

Like clockwork, Amy’s father, Hershel, played by Keith David, arrives in Florence in Texan cowboy attire, along with a crowd of their family members. The Black family dominates the guest list, and they’re wondering why the Sicilian family is not present. They compare the commute times from Houston to Dallas with Florence to Sicily, both trips an hourlong flight. How did they come halfway around the world while the much closer other side didn’t bother to show up?

At the low-key bachelorette slumber party, Amy asks her older sister, Zora, played by Danielle Deadwyler, if it’s OK to get married without her future in-laws in attendance at the wedding. As the day gets closer, the hope they will show up is dissipating.

Meanwhile in Castelleone, Sicily, Lino’s mother Filomena, played by Lucia Sardo, is visibly upset about not being able to attend her son’s wedding. She’s from another generation, as in she obeys her husband, Lino’s father Giacomo, played by Paride Benassai, disapproves of Lino’s actions. In fact, Giacomo calls Lino a “disgrace.”

It’s the wedding day. Amy gets her something old, something borrowed, something blue from Zora, her mother Lynn, played by Kellita Smith; her stepmother Maxine, played by Judith Scott; and her grandmother Evelyn, played by Greta Sesheta.

With the men, Lino is christened with Texas-shaped cuff links from Hershel. Though his father is not there, Lino can now depend on his father-in-law.

Before they walk down the aisle outside on the terrace, Amy and Lino meet inside the mansion. They console each other that they will be fine getting married without his parents there.

Image: Netflix

The Sicilan side did not show up in the book either. At least Tembi’s late husband Saro’s immediate family was not there, but an aunt and uncle-in-law had shown up.

“Unbeknown to us, they had driven down using the address on the invitation I had sent them. They had told no one they were coming, not Saro’s mother, not Saro’s father. To do so would have been a family betrayal. Still, there they were. Saro was speechless, moved to tears by their gesture. And for the first time, I sensed what we had missed in not having is parents there. My heart opened wide.”

After exchanging vows and jumping the broom, they have dinner. Lynn rises from her seat for a toast and advises the new married couple to not allow pebbles of problems pile up into a boulder. When there are too many peddles impeding growth, then a couple may never get past that boulder. She says she had that problem with Hershel. The moment becomes tense between the divorced couple, but Hershel finds a way to end the toast as guests drink their wine. Everyone later dances the Harlem Shuffle under string lights on the terrace.

PEBBLES TURN INTO BOULDERS

Amy and Lino embark on a trip to Sicily. Lino couldn’t return to the U.S. without seeing his family, although they refused to come to the wedding. Once on Sicilian ground, he calls his family’s home. His father picks up and warns him to not come near the house. Devastated, Lino says they can go back home. Amy says no; they can still enjoy their time.

At the hotel, Amy calls the house herself. Lino’s sister Biagia, played by Roberta Rigano, answers the phone this time, cradling a baby daughter who’s never met her uncle. Amy explains Lino wants to see the family badly. Biagia says it’d be impossible for her and her mother to see Lino; the very action will bring shame to the family for disobeying the patriarch.

Later, Giacomo comes inside the house and takes off his boots. Filomena notices a pebble in one of the boots that she slides into her apron’s pocket. It symbolizes the pebbles, or the problems, that could pile up in a marriage, per Lynn’s wedding toast.

The next day, while Amy and Lino walk around the farmers market, Lino spots his father bringing a merchant some of his crops. Lino and Giacomo lock eyes, but Giacomo jumps into his truck and speeds away.

At home, Filomena scrimps on Giacomo’s meal by barely adding any tomato sauce to his spaghetti. This deliberate action eats away at her so that she tells her priest during confession. The priest asks why would she do that as a dutiful wife. She explains the fractured relationship she now has with her son, including missing his wedding, because she must obey her husband.

As Amy and Lino are leaving the hotel after a fruitless effort to see his family, Lino notices his mother, his sister, and his baby niece. They sit down outside to catch up, but not for very long. Filomena and Biagia must go before Giacomo notices anything is amiss. They return to the priest’s car and drive away.

The memoir has Tembi surprising Saro with a trip to Sicily months after the wedding. They stayed in a hotel and shared their schedule with Saro’s sister Franca. This brought different family members, mostly cousins, to their hotel to meet with Saro and Tembi. Then finally, Saro’s parents came.

“As we passed bread, no one referenced the previous years. There was no grand apology or even gesture of regret for time lost. We just ate and carried forward as if starting our relationship from that moment.” Tembi goes on to write that she ate “pasta with local capers and a simple tomato sauce that pleased my palate like no other.”

CAKE DELIVERY

On this trip, Tembi and Saro are saddled with a dry cake a local baker gives them. The cake, or “the traditional cake of Polizzi Generosa,” is supposed to be delivered to actor Vincent Schiavelli, known for his roles in One Flew Over the Cuckoo’s Nest, Ghost, and Batman Returns. Once they’re back in Los Angeles, Tembi calls her agent about how to contact Vincent. The actor himself calls and comes over to pick up the cake.

This is dramatized with Amy and Lino being in the same predicament looking for a distant cousin of a Sicilian baker who lives in LA like them. Amy uses her contacts at the art gallery to find the cousin, who happens to work at the Watts Towers art installation, which was created by Italian immigrant artist Sabato “Simon” Rodia. The cousin also gets his cake.

The cake leads to more for Amy as she wrestles with a major career decision right when she and Lino are stabilizing their married lives.

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‘Love Life’ Examines the Underappreciated Black Editor Experience

*Spoilers ahead! Watch the series’ second season on HBO Max*

The Good Place star William Jackson Harper leads the HBO Max series Love Life as a Black editor in a White-dominated publishing world who evolves his approach to diversifying the field.

The first season of the series starred Anna Kendrick as an art dealer stumbling through relationships. In this new iteration, we meet Harper’s character Marcus Watkins, who is also stumbling through relationships with the show emphasizing race and culture in his romantic and career choices via pitch-perfect narration by Keith David.

Marcus Watkins in the beginning of the series is married to Emily, played by Maya Kazan, but he’s starting to feel she doesn’t understand him as a Black man in America since she’s White. He makes this realization after meeting Mia Hines, played by Jessica Williams, at Anna Kendrick’s character Darby’s wedding reception at a bar. Marcus and Mia hit it off, though he’s married and she’s in a relationship with who we soon learn is no other than basketballer Amar’e Stoudemire playing himself. Marcus’ emotional affair is discovered by Emily via iPad messages, and they get a divorce. Marcus blames Mia for the divorce, which of course starts a fight that separates them. They reunite after a few relationships, then another mishap happens in their budding love that forces them to separate.

In the end, they finally get together and stay together with a marriage and baby. As an editor, Marcus struggles to get Black voices heard through the book projects he picks up because his publisher, the fictional Sutton Court Publishing, and boss Josh, played by Steven Boyer, are not supportive of his vision. After Marcus quits his job, Mia convinces him to pursue his own novel. He becomes a full-time author and finishes his novel within two years. And they live happily ever after.

Uplifting Black authors

The first episode “Mia Hines” starts off with Marcus poking fun at his new client, a social media influencer who wants to add an insane amount of words in a subtitle of an instructional book. He wants to take on more serious projects, like an Afrofuturism manuscript he found from a Black grad student at Columbia University.

Josh asks about an update on the social media influencer’s book, and Marcus pipes up about the Afrofuturism book. Josh isn’t interested because the sales projections on that type of book is unpredictable while the social media influencer’s book will become an instant best-seller with her built-in audience.

We see Marcus fighting through the frustration of trying to push more works by authors of color. He decides to invite student-author Trae, played by Jordan Rock, into his office. With Marcus’ notes, Trae is not having it. After ridiculing Marcus’ posters of Black authors from Toni Morrison with cigarette in hand to James Baldwin with cigarette in hand, Trae calls Marcus a “safe, nonthreatening” Black editor voicing the opinions of a White editor. Marcus argues no publisher would take on the thousand-page manuscript. They agree to disagree.

It’s not until the season finale “Epilogue,” Marcus reunites with Trae to get feedback on his novel. Trae, who appears to have sold his book, tells him that Marcus’ Black character trying to maneuver through the White publishing world lacks personality. Marcus takes the note, and it motivates him to improve the book that eventually sells to a publisher. After not seeing eye to eye, they become beta reader brothers.

Celebrating a legend

Marcus visits his University of Michigan professor parents in episode “Destiny Mathis.” His distant father Kirby, played by John Earl Jelks, and mother Donna, played by Fresh Prince of Bel-Air “first Aunt Viv” Janet Hubert, seem to be disappointed that Marcus married Emily too soon out of college and now is divorced. Marcus feels like his happily married parents who are celebrating 35 years together don’t understand the complexities of his modern-day relationships.

In episode “Becca Evans,” Marcus is given an invitation to The Paris Review dinner from Josh as a consolation prize of sorts for receiving a promotion without a raise. The dinner honors poetry legend Nikki Giovanni. It’s the perfect way to lure his father to Manhattan from Ann Arbor for a night of bonding out on the town with their favorite poet.

The fact that the show writers and HBO managed to book the legend and have her on TV is amazing in itself. At 78 years old, Nikki Giovanni takes the stage as the living legend she is, reciting “Autumn Poems.”

the heat
you left with me
last night
still smolders
the wind catches
your scent
and refreshes
my senses

I am a leaf
falling from your tree
upon which I was
impaled

Nikki Giovanni, “Autumn Poems”

Taking a stand

The season finale “Epilogue” makes several time jumps, starting with New Years’ Day 2020 to March 2020 as the COVID-19 pandemic takes hold of society. As Marcus adjusts to working on his laptop from his couch, he realizes his live-in fling is not taking precautions seriously and breaks up with her. But as soon as he grows accustomed to his stay-at-home routine, the murder of George Floyd forces him to examine his role in society as a Black man.

Due to the pandemic, his job furloughs almost the entire staff, leaving Marcus the only employee of color. Via videoconferencing, Josh asks Marcus to review Sutton Court’s message on George Floyd and its commitment to diversity and inclusion. As much as Marcus had to fight to bring on authors of color that he still wasn’t able to bring on, the ask is too much. And Marcus demanded a proper promotion with a salary bump and didn’t get an answer. The missteps spark an expletive-laden explosion of how Sutton Court fails to have any commitment to diversity and inclusion whatsoever. Marcus quits on the spot by slamming his laptop screen down.

He soon reunites with Mia, who texts him out of the blue. They meet up masked up and commit to give their relationship another try. Then there’s marriage, a baby carriage, and the book Marcus always wanted to write.

The series packs in some Black Hollywood heavy-hitters like Blair Underwood and Kimberly Elise, both playing Mia Hines’ parents. Every episode is named after a person, mostly the woman Marcus is seeing, but under the romantic stumbling is a character of color also looking for his footing in the current publishing landscape.