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After Creating #PublishingPaidMe, LL McKinney Hosts Juneteenth Book Fest

L.L. McKinney, the author behind A Blade So Black, A Dream So Dark, and the upcoming third novel in the series A Crown So Cursed, has organized the Juneteenth Book Fest for today starting at 10 a.m. EST.

The videos will be recorded and uploaded to YouTube. Fresh off creating the #PublishingPaidMe hashtag earlier this month asking for White authors to reveal the amount of their advances on Twitter to show discrepancies between advances of Black authors, L.L. is leading the way on promoting and supporting Black authors during the age of #BlackStoriesMatter.

Juneteenth, the June 19 holiday celebrating the end of slavery, has reached a popularity peak as several name-brand companies this year committed to giving their employees the day off to reflect on racial injustice. The holiday, which is recognized in 46 states and the District of Columbia, has mostly been celebrated in the African American community since 1865. With the latest civil unrest sparking the conversation on racism in general and in the book industry, a Juneteenth book event helps push awareness about the significance of the holiday and Black authors’ works in today’s environment.

The featured bookpeople and panels are:

We Need a Hero: Black Superheroes in Comics

Panelists: L.L. McKinney and Mikki Kendall

Moderator: Karama Horne, The Blerd Gurl

Queer and Black On and Off the Page

Panelists: Julian Winters, Claire Kann, Roya Marsh, Candice Iloh, and Ashley Woodfolk

Moderator: Leah Johnson

Light It Up!: FIYAH Magazine and Black Short Stories

Panelists: The FIYAH Magazine team

It’s a Different World: Black Secondary Worlds in Fantasy

Panelists: Dhonielle Clayton and Kwame Mbalia

Moderator: L.L McKinney

Black Love: Writing Black Romance

Panelists: Farrah Rochon, Beverly Jenkins, and Rebekah Weatherspoon

Moderator: Alyssa Cole

Our Truth: Being Black in Publishing

Panelists: Zakiya Jamal, Ashley Woodfolk, and Nivia Evans

Moderator: Saraciea J. Fennell, event co-organizer

All of Me: Black Memoirs

Panelists: Mikki Kendall, Keah Brown, and Nichole Perkins

Moderator: L.L. McKinney

Black Stories Are Not Niche

Panelists: Lamar Giles, Leah Johnson, Justin A. Reynolds, and Kim Johnson

Moderator: Tiffany D. Jackson

My Mythology: Reclaiming Stories of Old

Panelists: Tracy Deonn, L.L McKinney, Bethany C. Morrow, and Kalynn Bayron

Moderator: Patrice Caldwell

Capturing the Moments: What It Means to Write Black Stories Right Now

Panelists: Tiffany D. Jackson, Angie Thomas, Bethany C. Morrow, L.L. McKinney

Moderator: Julian Winters

The Kids Are Alright: Writing for Black Kids with Middle Grade

Panelists: Kwame Mbalia, Karen Strong, and Alicia D. Williams

Moderator: Nic Stone

One Cause: Many Voices – Editing and Contributing to Black Anthologies

Panelists: Bethany C. Morrow and Patrice Caldwell

Moderator: L.L. McKinney

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‘The Vanishing Half’ Dominates the Charts Amid #BlackStoriesMatter Movement

Brit Bennett’s long-awaited sophomore book sits in the number one spot on The New York Times Best Sellers list as several prominent book clubs make it a monthly selection.

The Vanishing Half explores racial identity among twin sisters who flee their Southern Black community and lead separate lives after one starts passing as White. Spanning generations from the South to the West between the 1950s to the 1990s, the themes in the novel may resonate more with readers as anti-racism awareness rises after the Memorial Day police killing of George Floyd.

In nonfiction, many Black authors are seeing their works soar on the best-selling lists as well, including So You Want to Talk About Race by Ijeoma Oluo, Me and White Supremacy by Layla F. Saad, and The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander.

Brit’s novel, coming out four years after her memorable debut The Mothers, is the only piece of fiction touching on race in the list’s top 10.

On top of topping the charts, The Vanishing Half has been chosen for the following book clubs:

  • Barnes & Noble Book Club: The bookseller will offer a free live virtual event on its Facebook page with Brit in conversation with Kiley Reid, author of Such a Fun Age, on Tuesday, July 7, at 7 p.m. EST.
  • Belletrist: The book club co-organized by actress Emma Roberts wrote in an Instagram post that Brit will contribute to a conversation. “Please stay tuned as we will have a more in depth conversation with Brit towards the end of the month, and look out for our weekly quotes, which are curated this month by this month’s author!”
  • GMA Book Club: Good Morning America asked its Instagram book club followers for questions that Brit could answer. The first post features Brit in a video sharing the book she was reading at the time, The Prettiest Star by Carter Sickels.
  • Book of the Month: Now a two-time BOTM author, Brit starred in a virtual tour on the book subscription service’s Instagram. “Head to our IGTV to watch the episode, where Brit talks about her inspirations for the book, her favorite authors, and why NYC > LA.”
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Recognizing Racial Injustice Delays and Defines Announcements: June 2020 Celebrity Book Club Picks

The deaths of Breonna Taylor, Ahmaud Arbery, and George Floyd and the subsequent worldwide protests to combat racial injustice affected the celebrity book clubs with many delaying their monthly book selection announcements.

Most book clubs make the official announcement on social media the first week of the month, but some news on the latest picks came the second week of June and highlighted works by black women authors.

AMERIE’S BOOK CLUB

My Vanishing Country by Bakari Sellers

In his unapologetically emotional memoir, CNN analyst @BakariSellers shares what it is to grow up “Black, country, and proud,” Amerie wrote in the book club’s Instagram announcement. “From the tragic event that helped to shape his life though it occurred before his birth, to his rise in politics while pursuing his education, to his dedication to not allowing those in his rural South Carolina community to be forgotten, to his personal experiences with anxiety, Bakari Sellers’ story left me amazed while also leaving me to wonder just how he managed to fit so much life into such a short time.”

BELLETRIST BOOK CLUB

GMA BOOK CLUB

The Vanishing Half by Brit Bennett

Actress Emma Roberts’ book club and Good Morning America‘s book club chose the same book again this month along with other major national book clubs. For May, both book clubs chose The Book of V. by Anna Solomon.

Belletrist shared that it delayed its announcement due to the civil unrest.

“We know we’re about a week later than usual, but we wanted to spend last week thinking about the ways in which we, as an online community, will be moving forward as we approach this seismic shift in our collective consciousness.”

“We have loved Brit’s book since we first got it a few months ago and are very excited to finally announce,” Belletrist stated in its message on Instagram. “Please stay tuned as we will have a more in depth conversation with Brit towards the end of the month, and look out for our weekly quotes, which are curated this month by this month’s author!”

“It’s a compelling read about twin sisters, inseparable as children, who ultimately choose to live in two very different worlds: one black, and one white,” Good Morning America‘s book club wrote in its post. “It’s a powerful story about family, compassion, identity and roots.”

KAIA GERBER’S BOOK CLUB

Kaia Gerber shares book selections every week for her book club on Instagram, but she decided to give her friend Janaya Future Khan, international ambassador for Black Lives Matter, a platform on her account with over 5.6 million followers. She bookstagrammed a pile including Maya Angelou’s I Know Why the Caged Bird Sings and Danielle Allen’s Cuz: An American Tragedy, which follows the author’s journey in trying to rescue her younger cousin who dies after incarceration for a crime he commits as a teenager.

 

“in lieu of book club this week, i am honored that my friend and international ambassador of @blklivesmatter @janayathefuture will be going live on my page. they have been such a leader and powerful voice,” she wrote in her post. “they helped educate me on understanding the weight of privilege and the importance of these protests—and they have continuously and tirelessly worked to give people an understanding of what the mission of Black Lives Matter means for this country and for this world.”

NONAME’S BOOK CLUB

Blood in My Eye by George L. Jackson

Race Music: From Bebop to Hip-Hop by Guthrie Ramsey

Rapper Noname’s book club had selected one book last month, a change from its two-books-a-month template, but the book club returned to two books due to what’s going on in the world now.

“I felt it was important to go back to our old routine of picking two books a month,” Noname said on the book club’s Instagram profile. “In addition to reading Race Music I chose Blood In My Eye by George Jackson. Books about revolutionary action and resistance are vital during this time.” 

Blood In My Eye was written by George Jackson, who died days after completing the book in 1971 at the hands of San Quentin State Prison guards during an alleged escape attempt. He was serving a sentence for stealing $70 from a gas station.

The homie pick, Race Music: From Bebop to Hip-Hop, is from the book club’s project manager Shakira in honor of June being Black Music Month.

OPRAH’S BOOK CLUB

Hidden Valley Road: Inside the Mind of an American Family by Robert Kolker

Oprah is finishing up Hidden Valley Road, according to her book club’s schedule though it may have been pushed back with giving space online for the current civil unrest. The book club has posted about anti-racism books to read for kids and young adults.

READ WITH JENNA – TODAY SHOW BOOK CLUB

A Burning by Megha Majumdar

The debut novel surrounds an ambitious Muslim girl from the slums who is accused of executing a terrorist attack because of a careless Facebook comment.

“I think books are a tool for empathy,” Jenna said in her announcement. “And now when we are stuck at home—and I definitely won’t be traveling to India this summer—this is a tool for all of us to learn more about the plight of people all over the world.”

“I started writing from a place of alarm and anger,” Majumdar told Today in the article. “India has been changing in frightening ways and growing more intolerant of minority communities, more extremist. I definitely hope that readers will see resonances in the U.S. as well.”

REESE’S BOOK CLUB

I’m Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown

The Guest List by Lucy Foley

After the book club delayed its selection announcement, actress Reese Witherspoon directed her book club to make two selections—a first to recognize current events. Both books will be read over June and July.

“Elevating women’s stories is at the core of Reese’s Book Club. I love how this community champions the narrative for women and we are just getting started,” the book club placed in a graphic on Instagram. Unity and understanding through the lens of storytelling is how we will continue these meaningful conversations.”

Readers expressed their disappointment in the comments over the book club adding a book by a black woman author last minute and not pushing back the book by a white woman author to another month.

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#PublishingPaidMe Reveals Pay Discrepancies Between Black and White Writers

Going into the third week of protests over the police killing of George Floyd, book Twitter went down another road in revealing the racial bias in publishing.

A Blade So Black and A Dream So Dark author L.L. McKinney started the #PublishingPaidMe Twitter hashtag on Saturday to invite White authors to share the advances they received on their books to give Black authors insight on what they received for theirs.

Writer’s Digest shares this definition of an advance versus a royalty:

An advance is a signing bonus that’s negotiated and paid to the author before the book is published. It’s paid against future royalty earnings, which means that for every dollar you receive in an advance, you must earn a dollar from book sales before you start receiving any additional royalty payments.

Though L.L. tweeted she made the hashtag to discover numbers from only White authors, Black authors and other authors of color decided to share their numbers.

One author is Dhonielle Clayton. Her debut fantasy young adult novel The Belles that published in 2018 is seen as inspiration in the multicultural fantasy YA genre. She shared she only received a $45,000 advance for her book though it was in one of the hottest genres at the time amid the publishing industry’s alleged push toward diversity and inclusion with adding more authors of color on their rosters and books featuring characters of color.

In a quote tweet from White YA novelist Laura Sebastian, Zoraida Córdova, who also writes fantasy YA, said she received $7,500 for Labyrinth Lost, which features Latinx characters inspired by her Ecuadorian roots. She added it’s her best-selling book yet. Laura, the author behind the Ash Princess series, tweeted she had received six-figure deals for each book in each of her three trilogies, the next two with debut novels set for 2021.

Laura later tweeted she received backlash for putting up such high numbers and was accused of distributing “sexual favors.” Battling the sexism online, she added she wanted to be an ally and share her reality.

Myriam Gurba, the queer Chicana memoirist behind Mean and the main campaigner to spread awareness on Jeanine Cummins’ White narrative version of the Mexican immigration story in the best-seller American Dirt, said she just earned $3,000 for Mean.

Nigerian-American novelist Nnedi Okorafor who specializes in literature highlighting Africanfuturism and Africanjujuism said she wouldn’t share her numbers but offered the alternative of not taking advances and just receiving royalties. From her tweet, she implies that royalties put more money in her hands in the long run, especially for her award-winning novella trilogy Binti.

The #PublishingPaidMe hashtag is an eye-opening account of how authors who are not White and cisgender may be lowballed for their work, the work readers pay for and check out from libraries, actions that produce a lot of money for publishers.

This conversation may trigger a long-term movement in the publishing industry, where publishers have the opportunity to divide budgets more equally instead of basing sale projections on the myth that diverse stories don’t sell well. Even with the success of books such as Angie Thomas’ The Hate U Give and Kiley Reid’s Such a Fun Age, that myth still lingers, especially when these Black authors and very few others made news with their advances.

Jesmyn Ward, who won the National Book Award twice, tweeted Monday that her publisher did not want to give her $100,000 for her next book after Salvage the Bones received the award.

Mary Karr, Robinne Lee, and Lilliam Rivera were a few of the authors to respond to Jesmyn’s claims. In a series of tweets, Jesmyn clarifies how her other works fared like Men We Reaped and Sing, Unburied, Sing, which was her first book to earn a $100,000 advance.

L.L. added in multiple tweets that there will be continuation in the discussion where Black authors will be asked to share information.

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YA Author Kimberly Jones Explains Civil Unrest Logic in Viral Video

A young adult author’s video interview discussing how race, socioeconomic status, and history are the root of the latest civil unrest has gone viral.

Kimberly Jones, the co-author of the young adult novel I’m Not Dying With You Tonight along with Gilly Segal, passionately spelled out why people are protesting, rioting, or looting after the Memorial Day death of George Floyd, who was killed by police officers in Minneapolis. His death has sparked nationwide civil unrest as the U.S. slowly comes out of the COVID-19 quarantine.

In a George Floyd tribute T-shirt, Kimberly says she supports both viewpoints from Black people saying they don’t want rioting or looting in our communities and they don’t want to support mainstream White-centric businesses. She then breaks down the difference between protestors, rioters, and looters—a definition that the media struggles with in its reporting, which leads to people misunderstanding the situation such as in the example with the Red Sofa Literary Agency founder who called police on people she classified as looters last month.

“Let’s ask ourselves why in this country in 2020 the financial gap between poor Blacks and the rest of the world is at such a distance that people feel like their only hope and only opportunity to get some of the things that we flaunt and flash in front of them all the time is to walk through a broken glass window and get it,” Kimberly says in the video.

“But they are so hopeless that getting that necklace, getting that TV, getting that change, getting that bed, getting that phone, whatever it is they’re going to get because in that moment when riots happen and they present an opportunity of looting that’s their only opportunity to get it. We need to be questioning that. Why are people that poor? Why are people that broke? Why are people that food-insecure, that clothing-insecure?”

What also helped the video go viral is her Monopoly comparison to how economics work in America.

“If I right now decided to play Monopoly with you and for four hundred rounds of playing Monopoly, I didn’t allow you to have any money,” she says, pointing to the four centuries that Black people have been in the U.S. dealing with injustice after injustice. “I didn’t allow you to have anything on the board. I didn’t allow for you to have anything. And then we play another fifty rounds of Monopoly and everything that you gained and you earned while playing that round of Monopoly was taken from you.

“That was Tulsa, that was Rosewood. Those were places we built Black economic wealth, and we were self-sufficient. We owned our stores. When we owned our property. And they burned them to the ground.”

She refers to the race massacres in Tulsa, Oklahoma in 1921 and Rosewood, Florida in 1923 in which White mobs destroyed thriving Black communities. Descendants of people who were impacted by those massacres are calling for reparations.

In a tweet, Kimberly wrote, “I just took the time to go through the first hundred or so responses in this thread and I am FLOORED! The support is so welcome and overwhelming.”

https://twitter.com/kimlatricejones/status/1269275215663685635

Titled “How Can We Win,” the video interview is on YouTube via David Jones Media and has a timestamp of being posted on June 1 and the interview conducted on May 31. David Jones wrote in the video’s summary:

“On day two, Sunday the 31st, he activated his dear friend author Kimberly Jones to tag along and conduct interviews. During a moment of downtime he captured these powerful words from her and felt the world couldn’t wait for the full length documentary, they needed to hear them now.”

Academy Award-winning filmmaker Matthew A. Cherry, who recently received the golden Oscar statue for his six-minute film and accompanying book Hair Love illustrated by Vashti Harrison, shared the video on June 5.

Authors like Angie Thomas and Jason Reynolds were quick to point out that Kimberly is a Black author who deserves the support with the purchase of her book. Harper Collins Publishers’ Epic Reads even chimed in.

According to the book’s description, “I’m Not Dying with You Tonight follows two teen girls―one Black, one White―who have to confront their own assumptions about racial inequality as they rely on each other to get through the violent race riot that has set their city on fire with civil unrest.”

The video is approaching half a million views on YouTube.

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Agents Resign After Red Sofa Literary Owner Calls Police on ‘Straight Up Looters’ in Minneapolis

As the death of an unarmed Black man killed at the hands of police in Minneapolis sparks protests, a local literary agency owner is being criticized for notifying police about so-called “looters.”

Literary agents who worked at Red Sofa Literary Agency, located in the Minneapolis twin city St. Paul, have been announcing their resignations on Twitter and letting aspiring authors know their queries may go unanswered due to owner Dawn Frederick’s actions. It’s in response to the uprisings in Minneapolis and other U.S. cities over the death of George Floyd, who was killed after a police officer knelt on his neck for almost nine minutes on May 25 to place him in custody for alleged forgery.

On May 28, Dawn said during protests she called the police to alert officers to what she viewed as looting and property damage.

The people who did this had busted the doors and many people were running out with items in their arms, jumping back into their cars, and hightailing it off the block. It was straight up looters.

Please note: there were NO protestors present. Zero protestors.

She continues in her statement on the agency’s website that she’s participated in protests in support of Black, Indigenous and People of Color. She also added she’s “incredibly saddened” by George Floyd’s death, especially since it happened in her city.

Having seen people get arrested when protesting, I’d never under any circumstances call the police on someone for protesting. That goes against everything I do when it comes to honoring (and participating) in protests.

But her fellow literary agents disagreed as they were still resigning as of Saturday afternoon, the height of protests across the U.S. marching in solidarity over police brutality. Kelly Van Sant, Amanda Rutter, and Stacey Graham shared their resignation letters on Twitter. According to the list of agents on the website, Dawn and Liz Rahn, who hasn’t tweeted in weeks, may be the only ones left.


Abby Jimenez and Barb Curtis are two authors who expressed they’ll be leaving the literary agency along with their agents. Some aspiring authors announced rescinding their queries to and contracts with the agency. Beth Phelan, the creator of the #DVpit Twitter pitch party for aspiring marginalized authors, shared the story to her 23,800 followers that may have helped it go viral on book Twitter.

She and other supporters quote-tweeted the agents who resigned and asked their followers to assist them in finding another job.

Dawn has owned Red Sofa Literary since 2008, according to the agency website. Her experience shows her dedication to the local literary community with being a co-founder of the MN Publishing Tweet Up and a member and teaching artist of the BOD for Loft Literary. Book editor Jake Klisivitch stood in solidarity with Dawn but received backlash on social media for his support.

Her Twitter account @redsofaliterary doesn’t exist anymore after sharing her reasons for calling authorities amid the protests; the agency can be found on @TeamRedSofa.

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Saying Goodbye to Bookstore Entrepreneur Poppy of TV’s ‘Single Parents’

One of TV’s dream literary businesswomen is Poppy on ABC’s Single Parents. Played by actress Kimrie Lewis, Poppy owns the ultimate dream venture: a bookstore/wine bar.

We won’t see any new updates with Poppy’s business because ABC cancelled the adult-centric family comedy series last week. Now with the series’ two seasons living on Hulu, The Winebrary in the background can still be appreciated as the ideal place to peruse books and drink wine.

The Winebrary showcased bookshelves in a swanky setting with the bar being the focal point. The business model is starting to pick up steam in the real-life literary world. One example includes The 1894, the wine bar at Vroman’s Bookstore in Pasadena, which opened in February but has been temporarily closed like most bookstores due to the COVID-19 coronavirus pandemic.

Bookstores find it hard to break even with the competition of Amazon.com, so adding another non-book part, especially surrounding refreshments has been explored more in the past few years.

SINGLE PARENTS –
KIMRIE LEWIS, JAKE CHOI
SINGLE PARENTS –
KIMRIE LEWIS, BRAD GARRETT

 

Single Parents revolved around a group of five single parents played by Kimrie, Brad Garrett of Everybody Loves Raymond, Taran Killam of Saturday Night Live, Leighton Meester of book-to-TV classic Gossip Girl, and Jake Choi separately raising their children but depending on each other to create a village. With the children spewing appropriate lines clearly written for an adult audience and hanging out at The Winebrary bar at times, it stood out as an edgy, refreshing comedy even if you’re an adult who’s outgrown the family comedy model.

Having Poppy as a black woman owning a bookstore was also a unique creative decision. Los Angeles itself doesn’t have a black woman-owned bookstore though black women do own stores that sell books on top of other merchandise. Black women are the top book consumers, but owning indie bookstores period is too risky of a business for anyone with Amazon taking over the market share. The bookish bizwoman character even inspired Kimrie to share her book picks as #PoppysPick on her Instagram account. Though she hadn’t shared a selection in a while, Kimrie would pose with books worth reading.

 

 

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May 2020 Celebrity Book Club Picks

AMERIE’S BOOK CLUB

Singer and author Amerie will read Deacon King Kong by James McBride with her book club.

“James McBride tackles trauma, the Black migration, community, racism (of both Southern and Northern variety), and the perils of Growing Up While Black with subtlety and humor,” she wrote in her Instagram announcement. “In his deft hands, the exploration of such themes within a premise in which a perpetually drunk deacon shoots a teen drug dealer is not depressing or gratuitous, but intimate, funny, and full of hope.”

BELLETRIST BOOK CLUB

GMA BOOK CLUB

Emma Roberts, the actress and book connoisseur of Belletrist, and Good Morning America crowned The Book of V. by Anna Solomon as their monthly book club pick.

The book describes the intersecting story between a struggling writer in Brooklyn balancing motherhood and being a second wife, a  political wife who receives a humiliating favor from her husband, and an independent young woman in ancient Persia who may have become a sacrifice to the king in order to save her people.

“I think a lot of readers will find some part of themselves in this book,” the author tells GMA. Whether you relate most to the headstrong Esther, who does not want to become queen to Vivian Barr, a senator’s wife torn between following conventions and breaking free or to Lily, a contemporary mother of two struggling to figure out what she even wants, you’ll recognize and root for the characters in this book.”

KAIA GERBER’S BOOK CLUB

 

Rising teen supermodel and the daughter of legend Cindy Crawford, Kaia Gerber started a weekly book club in March. This week, she announced to her Instagram followers that she’s reading Where the Crawdads Sing by Delia Owens.

She will discuss the book on Friday, May 15 with her mother on Instagram Live at 5 p.m. PST.

Since her book selection changes every week with Instagram Live interviews with authors and others in the literary realm, check out her social media channel to keep up with selections for the rest of the month.

NONAME’S BOOK CLUB

Busy revolutionizing the book club model, indie rapper Noname’s book club usually selects two books each month particularly for readers of color. She chooses a book, which this month has yet to be announced, and the homie pick, the classic black revolutionary memoir Assata: An Autobiography by Assata Shakur, which comes from Blake and Delency, the founders of People’s Breakfast Oakland.

OPRAH’S BOOK CLUB

Hidden Valley Road: Inside the Mind of an American Family by Robert Kolker is still Oprah Winfrey’s book club pick, which was named at the beginning of April.

The biography of a family where six out of 12 of the children were born with schizophrenia and became a major source of research for scientists working to understand the genetics behind the devastating mental illness.

“This is a riveting true story of an American family that reads like a medical detective journey,” Oprah announced in a video. “It reveals the shame, denial, shock, confusion and misunderstanding of mental illness at a time when no one was really sure what schizophrenia was or how to treat it.”

READ WITH JENNA – TODAY SHOW BOOK CLUB

Through her Today Show correspondent gig, former first daughter Jenna Bush Hager chose All Adults Here by Emma Straub for her May selection.

“I loved it because I thought, on one hand, it was light and funny,” Jenna said in an article. “On the other, Emma Straub has the capability of writing in a way that explores these themes that are important and interesting.”

REESE’S BOOK CLUB

Actress and producer Reese Witherspoon picked The Henna Artist by Indian-born author Alka Joshi for her monthly book club.

This debut novel surrounds a teenager in India who escapes an abusive marriage and ends up in 1950s Jaipur where she rises as a prominent henna artist and confidante to the wealthy women of the upper class who could never know her secret.

“This vivid story is so rich and complex… reading about Lakshmi’s journey from escaping an abusive marriage to becoming one of the most sought-after henna artists in Jaipur captivated me from the first chapter to the final page,” Reese shared on her book club website.

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Book Review: ‘Such a Fun Age’ by Kiley Reid

Such a Fun AgeSuch a Fun Age by Kiley Reid
My rating: 3 of 5 stars

Such a Fun Age by Kiley Reid is a tale about a millennial black woman who gets caught between her white boss and her white boyfriend after a racial incident while on the job leaves her vulnerable. Though the book rides on the racial divide, it fails to make the characters likeable and the main character is riding in the backseat of her own story.

Emira Tucker is partying with her friends when she gets a call from a couple, the Chamberlains, she regularly babysits for. She ditches the party while in her party clothes to save toddler Briar from her parents as they deal with an unexpected situation in their home. With an upscale grocery store down the street, Emira decides to take Briar there to buy time. Being a black woman in a skimpy dress baby-sitting a young white girl rings the alarm for one customer. Soon, the security guard is asking Emira why she has custody of Briar, assuming some type of kidnapping. The event escalates then cools off when Mr. Chamberlain shows up.

Emira doesn’t want to talk about the event, but the wife and mother, Alix Chamberlain, a well-to-do lifestyle expert, wants to take Emira under her wing by offering Emira more gigs and getting other ways for her to take care of things around the house. Emira doesn’t pick up on any changes because she’s desperate for money.

Soon, Emira meets Kelley, a white guy she remembered seeing at the store during the incident. In fact, he taped the incident and tries to convince Emira to approve its release. She doesn’t want to. Kelley then goes out of his way to date Emira, and they become an item. But it turns out Alix and Kelley have history with each other that dates back to high school when they were dating until a racial profiling incident ends their relationship.

With Kelley thinking he knows Alix’s motives around Emira with Alix growing up with black nannies, he also may have a motive of his own with only dating women of color. As they bicker about who will reveal themselves to Emira, Emira is oblivious to everything going on around her, including not taking the lead on her own life with being reduced to just baby-sitting Briar as a college graduate.

After the secrets between Alix and Kelley are revealed, Emira takes note and eventually finds her happy ending. But it takes too long for Emira to wake up. She doesn’t want the video of the incident to get out, but she’s not vocal enough expressing her concerns about safety if the video surfaces publicly. Because the incident fades more and more throughout the book and then pops up again, her character personality gets faded, too. She’s a Temple University grad, but she’s baby-sitting and doesn’t know what she wants to do with her life at 25 years old. Many black women college graduates have more direction, so this part of the story falls flat. Why is she not ambitious? Why is she half-awake? If the why is there, then that also falls flat.

Also, I don’t know a lot of black women who would subject themselves to being that close to a white family that they work with. Even at 25, that’s something they would handle delicately if ever in that situation. Emira’s devotion to Briar mirrors that of Aibileen in Kathryn Stockett’s The Help, where the “you is kind, you is smart, you is important” speech that Viola Davis voiced as the character onscreen to the little white girl she’s responsible for is still a running joke.

Emira comes alive with her friends, but there’s too much focus on the Ebonics within their interactions to the point their conversations have no meaning; they’re just using a blaccent to be using a blaccent. On Good Morning America for a Black History Month literary segment, author Kiley Reid said, “As I’ve been touring, a lot of black women have said, ‘This is the first book I’ve read where I hear me and my friends talking,’ so I’m so glad they can hear themselves in it.” Black women readers told me NOT to read this book. They couldn’t explain why, just shook their heads no.

It’s hard to explain why we needed this to be the story that brings up race and privilege. The issues are dropped into the storyline but among unlikable, stereotypical characters who don’t know how to play with those themes. With a future film coming out, this book can come off stronger like Celeste Ng’s Little Fires Everywhere, where those themes are more emphasized onscreen, making the story more entertaining.

Overall, this book is hard to decipher as a story that’s relatable and necessary to strike the conversation the publisher is pushing in its marketing strategy for readers to have.

View all my reviews

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Quarantine Life Lessons From Nicola Yoon’s ‘Everything, Everything’

With most of the U.S. population under some type of stay-at-home measure, it may feel like we’re Madeline Whittier from Nicola Yoon’s 2015 blockbuster young adult novel Everything, Everything. The 17-year-old character stays home her entire life after her doctor mother diagnosed her with severe combined immunodeficiency, meaning she’s allergic to pretty much everything.

Maddy’s illness keeps her indoors all day every day. Her mother takes every precaution to make sure Maddy’s bubble stays clean, with the assistance of Maddy’s home nurse Carla. But once Maddy lays eyes on her new neighbor Olly outside her bedroom window, she questions the lifestyle her mother put her in after her father and younger brother died years before.

Since Maddy stayed inside for 17 years, she has moments in the book that reflect on what many may be experiencing now amid the COVID-19 coronavirus pandemic.

KEEP THE CONSTANT ONLINE INTERACTION

At the start of the chapter “Secrets,” Maddy expresses how her online communication is reducing her sleep: “My constant IMing with Olly is catching up with me. I fall asleep during not one but two movie nights with my mom. She begins worrying that something’s wrong, that my immune system is compromised somehow.”

As Maddy and Olly mostly depend on online interaction, they exhibit the qualities many people are feeling now with using social media like Instagram Live and videoconferencing tools like Zoom to stay in touch because they can’t see each other in person. Authors are using IG Live to read their works, give writing lessons, and interview each other. Book clubs have found refuge with Zoom to keep their book selections on schedule and continue or start face-to-face meetings.

MAKE FANCY HOME-COOKED DINNERS

The “Menteuse” chapter describes the dinner traditions between Maddy and Pauline, which sometimes include Carla. “Everything at Friday Night Dinner is French. The napkins are white cloth embroidered with fleur-de-lis at the edges. The cutlery is antique French and ornate. We even have miniature silver la tour Eiffel salt and pepper shakers.”

She goes on about how Pauline likes to make cassoulet, “a French stew with chicken, sausage, duck, and white beans.” Except their cassoulet only contains the white beans because of Maddy’s allergies.

One of the conversations that keeps coming up online during the coronavirus isolation is people are either learning to cook or taking pleasure in cooking their own meals. To dress up dinner night, incorporate a theme to keep spirits high at least once a week for yourself or your family.

EXAMINE STRANGE DREAMS

In “My White Balloon,” Maddy describes a dream she had about the house breathing in line with her. On an inhale, walls collapse, but on an exhale, they expand.

According to the World Economic Forum, a sleep expert says the reportedly high rate of vivid dreams people are having during the coronavirus lockdown may be due to information and emotional overload. Maddy is having similar dreams early on in the book when she first sees Olly, which revs her up to find out more about him and how to communicate with him.

MOVE THROUGH THE BOOKSHELF

In “Madam, I’m Adam,” Maddy tells us she returns to a lot of her favorite books: “Sometimes I reread my favorite books from back to front. I start with the last chapter and read backward until I get to the beginning. When you read this way, characters go from hope to despair, from self-knowledge to doubt.”

If you have an obsession to outpace your book consumption with buying more books before finishing most of the ones already on your shelf, then this may be the perfect time to make a dent in your home readership. With physical libraries closed, it makes us value the books we own and revisit the ones we love. More people, not really bibliophiles, have done Marie Kondo makeovers on their bookshelves, so bulking up a skimpy bookshelf can still be done with supporting independent bookstores and checking out library e-books through a mobile device.

Everything, Everything was also made into a motion picture in 2017, starring Amandla Stenberg, Anika Noni Rose, and Nick Robinson.

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what's lit

‘Sistas’ Actress Novi Brown Starts a Book Club

Novi Brown, who currently stars in BET’s Wednesday night hit Tyler Perry’s Sistas, has joined the book club realm.

Naturally Lit Book Club, according to its Instagram profile, will select two books a month and focus on “breaking generational curses” and “discover new ways of thinking.”

Right now, the selections are at three books: What You Think of Me Is None of My Business by Terry Cole-Whittaker, The Hidden Messages in the Water by Masaru Emoto, and The Seven Spiritual Laws of Success by Deepak Chopra.

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The Afro-German actress plays Sabrina Hollins, a bank teller looking for love and supporting her three girlfriends in their search for love in Sistas, which premiered on BET and sister channel BET Her last October. The season finale airs Wednesday, April 29.

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Author Jia Tolentino and Model Kaia Gerber Discuss What to Take From ‘Trick Mirror’ During Quarantine

The novel coronavirus quarantine has produced another celebrity book club. Supermodel Kaia Gerber, daughter of the legendary Cindy Crawford, started a book club that’s already receiving praise from fans and young Hollywood.

Now a month into her book club, she had an Instagram Live conversation with Jia Tolentino, the author of Trick Mirror: Reflections on Self-Delusion, on Friday night with an average high of 2,200 viewers. Kaia started the chat saying she found the book to be a refreshing take on modern-day philosophy.

This is how publisher Penguin Random House describes the essay collection: “Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die.”

A staff writer at The New Yorker, Jia talked about the ills of the internet and social media, a focus in her book, but also mentioned its current necessity as we grapple with self-isolation and quarantine due to the coronavirus crisis. Jia brought up how the internet and social media has made people perform for attention. She asked Kaia about her personal experiences since the Gen Z model has 5.5 million followers due to her career and stature.

Now 18, Kaia said she started her Instagram at 14 and noticed how social media can change a person and their professional goals and give more attention to influencers rather than, for example, doctors and nurses who are saving lives during the COVID-19 pandemic.

“The internet, for better for worse, is the biggest change of this era,” Jia said during the conversation. “It’s become this nervous system of our society… There’s an unavoidable centrality to it that seems like every story in a way is an internet story, no matter what.” She added we have a natural impulse to be seen, to be recognized, to be liked, and the business of social media takes these behaviors and monetizes “every inch of human life.”

They discussed how social media and the internet has to be impacting teens’ lives now and adding unique pressures never before experienced. Jia, a millennial who said she graduated during the Great Recession, said it would’ve been “dark” if she owned a smartphone in high school. With dreams to attend Columbia University, Kaia said as social media became a regular existence around her and she became hyper cautious in order to stay clean for college application times.

Jia pointed out to the feminism parts of the book where women were not able to apply for credit cards alone until the Equal Credit Opportunity Act in 1974 and how marriage is supposed to be the main life-changing event for a woman. Kaia brought up how her mother’s wedding dress was revolutionary in a way because it was a slip dress when sexy was looked down upon for a bride.

The chat came to a close with Jia saying how clear it is during the coronavirus quarantine that we can’t wholly replace in-person interaction with the internet and social media. Kaia said she would read anything else Jia writes and added the excitement of being able to have the conversation:

“This is the coolest thing ever. Truly the only people I fangirl over are writers and authors because I admire it so much because the idea of sitting down and writing an entire book is so intimidating to me, but I would read all of them.”

Earlier in the month, Kaia had an Instagram Live chat with the stars of Normal People on Hulu, Daisy Edgar-Jones and Paul Mescal. The TV series is based on Sally Rooney’s literary fiction book about two unlikely friends who develop a complex relationship in high school then college.

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Author Dhonielle Clayton Says Students Called Her a Racial Slur on Zoom

The Belles author and We Need Diverse Books chief operating officer Dhonielle Clayton says she was called the n-word several times during a Zoom class.

The situation sounds eerily familiar to fellow young adult author Kelly Yang who said last month that a student called her a “Chinese virus” in the floating comments on an Instagram Live lesson for students now out of the physical classroom due to the COVID-19 coronavirus quarantine. She said a few days later the student apologized.

Dhonielle tweeted on April 23 that students unmuted on blank video screens kept calling her the n-word while they also kept calling their teacher fat. She said the teacher “burst into tears” and in another tweet that she too wanted to do the same. The students were 11th graders in Los Angeles, she revealed in some tweets later when many big-time authors chimed in the comment section on Twitter to send their apologies over the situation.

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Dhonielle further added her concern for security during Yallwest, or YallStayHome this year, a popular book festival for YA authors that attracts many teens, so the new virtual format could unfortunately be a breeding ground for hateful comments as well.

While these authors are making time out of the kindness of their hearts to directly interact with their audience, it raises the question of security when racial slurs and other inappropriate comments can be typed in or verbalized in a virtual setting.

As most Americans were beginning to do school and work at home, the videoconferencing provider Zoom became a popular tool in late February but so did the term “Zoombombing” in which people uninvited to a meeting enter the meeting with many using racist terms against particular groups who were meeting on camera.

The Anti-Defamation League wrote about one incident on March 24 “when a white supremacist interrupted a webinar about antisemitism hosted by a Massachusetts Jewish student group by pulling his shirt collar down to reveal a swastika tattoo on his chest.” CNET reports that though this phenomenon began in March there are still privacy concerns as Zoombombing has led to meeting attendees being exposed to racial slurs and pornographic material from uninvited parties.

Zoom said in an April 1 blog that the company was making improvements to privacy and security. The company wrote that it set up a dedicated policy for education users from kindergarten to 12th grade. It also added that its videoconferencing software was designed for clients with full information technology support, meaning Zoombombing was never supposed to happen since Zoom would be used by corporate clients that had the means to avoid such occurrences. Now as the tool ballooned in the number of public users, Zoom’s founder and CEO Eric S. Yuan has started weekly webinars on Wednesdays for input from users.

Many authors are also using Instagram Live as a source to reach readers, especially kids, which is what Kelly Yang used. The social media network’s parent, Facebook Inc., hasn’t given any information on the hate speech that could be spread on the video part of the platform though users can press the restrict button on any bullies in written posts.

Dhonielle is the author of The Belles, a multicultural fantasy YA novel, and its sequel The Everlasting Rose. She’s also the co-author of Tiny Pretty Things and its sequel Shiny Broken Pieces with Sona Charaipotra, who’s her business partner at Cake Literary, a media content company focused on kidlit to women’s fiction projects. She’s an outspoken advocate for diversity in literature, especially in kidlit and YA books, and is one of the more recognizable authors in the Twitterverse with 30,000 followers.

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‘Little Fires Everywhere’ TV Review: Find a Way

The Hulu series Little Fires Everywhere based on the best-selling novel by Celeste Ng came to end with its eighth episode that has the characters realizing and acting on their fates.

The premise revolves around two mothers fighting each other over who is a good mother in Ohioan suburbia. Elena Richardson, played by Reese Witherspoon, embodies the rich white mother stereotype with raising four children in a mansion with her successful lawyer husband. She rents her family cottage to Mia Warren, played by Kerry Washington, a single black mother who’s a traveling artist constantly moving around the country with her teen daughter.

As their children grow closer, the mothers find themselves in conflict when Elena’s best friend Linda McCullough, played by Rosemarie DeWitt, is in the process of adopting a Chinese baby who had been abandoned by Mia’s work friend Bebe Chow, played by Lu Huang, during a postpartum breakdown. The battle for the baby, whom Bebe named May Ling but Linda renamed Mirabelle, goes to court where Elena’s husband Bill, played by Joshua Jackson, defends Linda and Mia pays for Bebe’s legal defense with the sale of a pricey photo.

IZZY’S FIRE

Elena’s daughter Izzy, played by Megan Stott, is the fourth and youngest child that we learn Elena blames for stunting her journalism career. They come to a screaming match at the end when Izzy, upset when she sees Mia and Pearl driving away with their belongings strapped on the hood of their car, pours gasoline on a pile of clothes and her curtains. The other Richardson children—Trip, played by Jordan Elsass; Lexie, played by Jade Pettyjohn; and Moody, played by Gavin Lewis—try to stop Izzy from setting the fire. The commotion brings in a tipsy Elena. She yells at Izzy that she never wanted her. This makes Izzy run out the front door. We later see her riding the Greyhound out of town.

LEXIE’S FIRE

While snooping for more incriminating evidence against Mia, Elena heads to the clinic to ask her friend there for any files connected to Bebe. Of course, her friend denies her request over health privacy concerns, but once she steps out of the office, Elena looks on the computer then sees a paper file with Pearl’s name on it. Pearl, played by Lexi Underwood, is Mia’s daughter who accompanied Lexie during her abortion. But Elena thinks Pearl is the one who had the abortion. She thinks she’s surprising Mia with the news at her door, but Mia reveals that it is Lexie who had the abortion and shames Elena for not being the mother Lexie could run to in such a situation.

After Izzy leaves the house during the gasoline fight, Lexie tells her mother that she is the one who had the abortion. She screams she’s not perfect while Elena screams back that she is. Distraught, Lexie tells her brothers they would end up like their mother desperate to live a perfect life. Then she sets the first fire in her bedroom.

TRIP’S FIRE

When pouring the gasoline, Izzy tells her siblings that their mother drove Mia and Pearl away. Trip is in shock since he developed a romantic relationship with Pearl and hid it from Moody. Earlier in the day, they physically fight over Pearl in a junkyard that Moody had introduced to Pearl as a secret space. Pearl eventually starts meeting Trip there to create their secret relationship. Losing Pearl forces him to set his fire in his bedroom.

MOODY’S FIRE

Coming home after the fight with his brother, Moody is icing his bruised face with a bag of frozen peas in the kitchen. Elena comes in and blames him for Pearl’s alleged abortion. He tells her to look at Trip.

Later, he’s on the sofa still icing his face when he and Izzy are looking at the news when the verdict over who won custody over baby Mirabelle/May Ling appears. The McCulloughs win. Visibly upset, Izzy shakes tears away when Moody tells her she should’ve expected that outcome because the rich and beautiful people always win.

Izzy accuses him of being in that category and that’s why he expected Pearl to be with him instead of Trip. She tells him he didn’t own Pearl as the first Richardson kid to become friends with Pearl and falling for her. While his siblings are setting fires in their own bedrooms, he’s doing the same, watching the flames grow.

WHY EVERYONE IS SETTING FIRES

Mia plants the idea of the fires unintentionally when she tells Izzy a story about seeing a prairie wildfire in California while she was pregnant with Pearl. She says sometimes the land has to be scorched to start over.

Instead of starting an actual fire, Mia soon talks to Pearl about calling the Ryans, the family she originally had acted as a surrogate before losing her brother and being disowned by her family. Now with Pearl knowing who her biological father is, she confides in her mother that she knows their time in Shaker Heights, Ohio is finished. They go into Mia’s art studio as she starts completing a massive art project emphasizing the current and past racial landscape of the town. Then they pack and leave town.

Bebe chooses another route. In the McCullough residence, Mirabelle cries in her room over the baby monitor. But Linda wants to check on the baby when her husband stops her to train Mirabelle to cry it out; they won the baby and nobody is taking her away. Uneasy, Linda falls back in the bed until the early morning when she finds Mirabelle is gone. We see baby May Ling in Bebe’s arms at a rest stop in New York. She kidnaps her own baby.

Bill isn’t home when his children are having breakdowns that turn into acts of arson. He admits to Elena that he knows that she had dinner with her ex-boyfriend, a superstar The New York Times reporter, while she headed to New York to investigate Mia’s background. Though he wins the custody case, he’s sour to the point he leaves the house smoking a cigarette. On his drive back, he returns to his house completely engulfed in flames.

When asked by investigators who started the fires, Elena takes the blame for her children.

WHO REALLY STARTS THE FIRE

In the book, Izzy is the sole arsonist who starts the fires alone in each of her siblings’ bedrooms at the end of Chapter 19.

“On her shoulder she had her bookbag stuffed with a change of clothes, all the money she owned. They couldn’t be far ahead, she thought. There was still time to find them. The sandpaper grated under the match head like nails on a chalkboard and there was a whiff of sulfur and the tip flared bright, and Izzy dropped it onto her sister’s flowered comforter and ran out the door.”

Watching the fractured mother-daughter relationship between Izzy and Elena onscreen may have swayed the writers’ room to take the blame off of Izzy. The girl has been through a lot. The premiere episode shows the house on fire with the investigators asking about Izzy’s whereabouts, which follows the book, of letting us know Izzy commits the fire but the story will reveal the why.

But the TV series went the surprise route with forcing the other Richardson kids to start their own fires. It humanizes the siblings more because in the book Izzy remains the outcast until the end. At least, on TV the Richardsons, except Elena, seem tired of the perfectionism constantly bestowed upon them.

The next chapter reveals Pearl wanting to include Izzy on the car trip out of Shaker Heights. The TV series doesn’t show that aspect; Pearl and Mia just want to flee and avoid goodbyes.

“An idea began to form in Pearl’s mind in wild golden loops. “We could go back and get her. I could climb up the back porch and knock on her window and—”

 

“My darling,” Mia said, “Izzy is only fifteen. There are rules about that kind of thing.”

Izzy fantasizes about running off with Mia and Pearl after actually seeing them pull away from the curb, so that hope remains with Izzy that she can experience the freedom the Warren women have. The freedom theme continues when Elena sees the art project Mia leaves behind. It’s a wheat flour mold of Shaker Heights with a birdcage in the center of the town holding a cardinal feather. We see the feather in the beginning of the episode when a younger Izzy lets an injured bird into the house and Elena becomes upset by the disruption to her perfect home. Inside the cottage, Elena caresses the feather and hopes for her daughter’s return. In the book, the character has the same sentiment, knowing the authorities could find Izzy but if they can’t, she will look for Izzy herself.

The TV series did an excellent job with bringing the book to life even when artistic license created more depth to the characters and their behaviors. The largest difference is making Mia and Pearl black to reinforce the racial tensions in this real utopian community and pitting white mothers with means against nonwhite mothers without means. Since the final episode ends with the book, let’s hope there won’t be a meaningless continuation like HBO’s Big Little Lies based on Liane Moriarty’s book that Reese is also involved in.

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‘Little Fires Everywhere’ TV Review: Picture Perfect

The latest episode of Little Fires Everywhere continues to pit two mothers and their children against each other during a child custody trial that’s rocking their quaint Ohio suburb.

Elena Richardson, played by Reese Witherspoon, is a wealthy homemaker and journalist who rented a cottage to Mia Warren, played by Kerry Washington, without checking her background. But as they become more acquainted with each other and their teen kids become friends, they notice they have different perceptions of motherhood.

Elena’s best friend Linda McCullough, played by Rosemarie DeWitt, is about to adopt a Chinese baby who had been abandoned at a local fire station. It turns out Mia’s work friend Bebe, played by Lu Huang, left her baby at the fire station in the throes of a postpartum depression breakdown. Once Mia realizes that Bebe’s  daughter May Ling is really the baby Linda plans to adopt whom she named Mirabelle, she helps Bebe fight for the baby. But Elena gets behind her friend, too, and now she and Mia are fighting each other over a baby that belongs to neither of them.

LOVING WHO YOU LOVE

The episode starts with Elena’s youngest daughter Izzy, played by Megan Stott, going to a house party months before with her best friend. They run into a spin-the-bottle game which in turns leads to 7 Minutes In Heaven. Izzy spins the bottle and lands on her friend. They go into the closet after being forced by the other teens. Inside, they touch each other romantically; they already had done this before. They start kissing until a boy opens the door in shock of them kissing with the other kids staring. The friend shouts at Izzy and accuses her of molestation.

Throughout the miniseries so far, Izzy has had a difficult time fitting into high school because of her relationship with the friend, who is now popular, while Izzy has sunken into a depression for being misunderstood. Their fracture is finally explained. Until the friend makes it worse again.

Later, Izzy and her friend are going through boxes of old dolls. Izzy asks her friend why she put the blame on her, and her friend says the peer pressure made her freak out and she rolled with it. At school, the next day Izzy brings the Cabbage Patch dolls and places magazine cutouts of faces and places them on the dolls. She’s selling the dolls based on race—Asian for the $10,000 the Elena offered to Bebe on behalf of the McCulloughs, white for $100,000, and black for free—to make a statement about the May Ling/Mirabelle case that has gripped the community. When students come up her outraged about the stunt, her friend throws Izzy under the bus again. In disbelief, Izzy is staring at her ex-friend when the principal comes to shut the social experiment down.

RICH GIRL, POOR GIRL

Mia’s daughter Pearl, played by Lexi Underwood, has led a vagabond lifestyle since she could ever remember with her artist mom, but now after settling in Shaker Heights, Ohio, she’s done. In last week’s episode, we learn Elena has crossed state lines to do a deep-dive investigation into Mia’s past where she learns Mia was supposed to be a surrogate mother but instead skipped town with Pearl and raised Pearl as her own child. Two episodes ago, Mia sells an old photograph by her former lover for thousands of dollars to help Bebe with her legal defense.

Pearl doesn’t know any of this. When her pseudo-boyfriend and eldest Richardson son Trip, played by Jordan Elsass, tells her he overheard his mother saying that her mother is paying for Bebe’s lawyer and had a lot money, half a million stashed somewhere, Pearl grows suspicious.

At home, Mia comes into Pearl’s bedroom wanting to talk. Pearl asks laughingly if it’s about the half a million and if she’s paying Bebe’s legal bills. Mia admits she sold a piece of art reserved for a rainy day. Pearl becomes angry that her mother received a large sum of money and didn’t spend it on their family. Instead, Mia spent the money on Bebe, whom she only known for three months. Pearl screams for her mother to leave.

The next day, Pearl tells Trip that she never had what she wanted. She shares a story of living on the property of a family with a girl who had horses. Pearl wanted everything the girl had. It upset her that the girl can have anything, and Pearl rarely had a bed. This is a revelation that though the Warrens lived as if they were in poverty but also lived in ritzy areas where Pearl has grown accustomed to seeing what other kids like her have and feeling deprived of such luxuries.

TAKE A PHOTOGRAPH

The name of the episode comes from Elena’s obsession to get the Christmas family portrait just right. In the beginning, she rejects the photos they had already taken, rendering them useless. After her oldest daughter Lexie, played by Jade Pettyjohn, gets into Yale University, she throws a nice dinner and invites the photographer back to the house for a redo.

During the photo session, the Richardsons are patiently waiting for Izzy. When Izzy shows up without the plaid Keds her mother requested to match other family members’ accessories, Elena throws a fit. We see later Izzy had gone back and put on the Keds, but she is sticking her middle finger in the photo Elena is already stuffing into cards. The Richardson patriarch Bill, played by Joshua Jackson, notices the faux pas. Soon, Elena begins chopping Izzy out of the dozens of copies.

When Mia returns home, she finds a distraught Izzy in her family room. Izzy had ran out of her mother’s car after she had to get picked up over the doll-selling debacle. They talk about the dolls, but Mia eventually admits about loving her art professor—a woman—which surprises and soothes Izzy to let her know nothing was wrong with her trying to find romance with her best girl friend.

When Izzy returns home, she finds the cutup photos of her in the trash. She collects them and tries to piece them together on her bedroom carpet.

RACE EQUATION

As Izzy tries to figure out her slashed photos, Lexie comes in and tells her she broke up with boyfriend Brian, played by Stevonte Hart.

Earlier they had another race-based argument. Brian is still upset with Lexie when she used Pearl’s essay to get into a higher math class that she was first rejected for because she was black. Lexie reworks the essay and submits it with college applications, and now she’s headed to Yale. This doesn’t sit right again with Brian, who plans to attend Princeton University.

They’re in the fast food drive-thru when Lexie sends her hamburger back; she didn’t want the meat, just a grilled cheese sandwich. The attendant, who’s black, explains that wasn’t in the order but takes the burger back when Lexie insists it was. Brian in the driver seat tells Lexie he feels like she sent it back because the attendant is black. Lexie is upset that he thinks that’s the reason. When Lexie gets the burger sans the burger, Brian still seems unsure about Lexie’s unnecessary action.

Later on Lexie’s bed, Brian brings up the race issue again. He asks Lexie if she sees his blackness because everyone else does. He won’t be seen as a smart kid who got into Princeton because everyone will assume he’s an affirmative action case. Lexie tearfully explains herself, that’s she not racist, and though she turned Pearl’s story into hers, she didn’t mean for it to happen that way. Her whitesplaining doesn’t agree with Brian. When Lexie sees she’s not getting her way, she wants to tell him about the abortion but instead she tells him to leave.

Their heartbreaking breakup shows how deciding to ignore how race plays a major factor in society like Lexie can make a partner feel like they’re not being seen at all because their race is a part of their identity. Lexie uses the she-doesn’t-see-color excuse, and Brian asks what does she see. It’s hard for her to say to him as a person when he sees his blackness as a part of the equation.

SECRETS REVEALED

The entire episode Elena and Mia are taunting each other as the trial for custody of May Ling/Mirabelle starts. In the court bathroom, Elena tells Mia that she knows her secret that Pearl wasn’t meant to be her child but a child for the Ryans, a couple she was a surrogate for while in art school. Elena even admits she visited Mia’s parents. Mia is taken aback by the revelation.

Meanwhile, Elena is pushing Bill to use the evidence in court as her husband defends Linda’s family, the McCulloughs. He tells Elena she doesn’t need to worry about Linda losing Mirabelle because people like Bebe don’t win these cases. Linda has the financial means to give Mirabelle whatever she needs while Bebe doesn’t. But as the episode progresses, Bill is seeing Elena in a different lens, a vindictive lens. With Mia on the stand, he doesn’t bring up her questionable maternity issues. Elena catches his arm, and he shoos her down.

While Mia is comforting Izzy, Pearl ends up at the Richardson home with Trip. Pearl wants Trip to tell his brother Moody, played by Gavin Lewis, that they’re dating. She had met Moody first, and Moody is in love with her and trying to figure out why they’re spending less time together. As Trip searches for Moody, Pearl sits down with Elena. We see them talking through the Christmas lights in the living room, but we don’t hear the conversation. It’s not until Elena drives Pearl home is where we get the gist of the conversation: Elena told Pearl about her paternity. Pearl in tears rushes past her mother, who’s in the driveway in shock that Elena came near her child.

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Publisher Flubs Quarantine House Tweet by Forgetting Authors of Color

Little, Brown and Company shared a quarantine house tweet Monday morning to its almost half a million followers, but it was quickly met with criticism after sharing six houses with all white authors. After most of the responders asked the publisher to delete the offensive tweet, the publisher later did just that and apologized for its oversight. But this incident added fire to the continuous discussion on diversity and inclusion in the publishing industry.

The quarantine house tweet trend has taken over the social media network with users grouping well-known people in a particular industry in so-called houses and asking their followers to pick a number, a house they would want to be quarantined in. The trend is supposed to be a viral uplifter amid the coronavirus COVID-19 pandemic where most people are staying home in quarantine. But the fun feel of this tweet backfired.

A few authors and other tweeters quickly noticed that none of the houses featured authors of color. The publisher responded that it purposely highlighted its roster of authors, which isn’t diverse.

Some responders mentioned that the Hachette Book Group imprint is associated with authors of color such as: Attica Locke, who is currently a writer on the Hulu series Little Fires Everywhere promoting her recent book Heaven, My Home; Walter Mosley, who won the Los Angeles Times Robert Kirsch Award Monday; Malcolm Gladwell, the well-known intellectual with a recent book called Talking to Strangers: What We Should Know about the People We Don’t Know; and Marie Kondo, whose new book Joy at Work: Organizing Your Professional Life came out last week. Walter and Marie later were promoted on the publisher’s timeline along with press articles about their work.

Dawnn Karen, the author of Dress Your Best Life: How to Use Fashion Psychology to Take Your Look—and Your Life—to the Next Level, and Leslie Gray Streeter, the author of Black Widow: A Sad-Funny Journey Through Grief for People Who Normally Avoid Books with Words Like “Journey” in the Title, are two black women authors with upcoming books within the imprint. A promotional tweet for Leslie’s book was shared by Little, Brown and Co. and another one was retweeted, so the social media promotion for authors of color ramped up after the quarantine house tweet was taken down.

Little, Brown and Co.’s admission that its author roster was not diverse should force the publisher to take diversity more seriously like Flatiron Books promised to do after the backlash around Jeanine Cummins’ best-selling novel American Dirt. The diversity issue in publishing also coincides with #DVpit Twitter pitch party for marginalized authors looking for literary agent representation next week on April 22 and April 23.

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April 2020 Celebrity Book Club Picks

AMERIE’S BOOK CLUB

Nothing to See Here by Kevin Wilson

Singer-turned-writer Amerie chose Kevin Wilson’s New York Times best-seller and former Read With Jenna book club pick for her April book.

“An outrageous yet grounded read that had me laughing out loud and tearing up in the same paragraph, Kevin Wilson’s Nothing to See Here explores parenthood and found family, while also addressing the very frightening phenomena of spontaneous combustion, of which, like the author, I grew up scared to death,” Amerie wrote in her Instagram post announcing the book selection.

BELLETRIST BOOK CLUB

Writers & Lovers by Lily King

 

Actress Emma Roberts’ book club chose Lily King’s new novel. The book was also a March selection for the Today Show’s Read With Jenna book club.

 

In an Instagram post on her personal account, Emma said, “So excited to read along with you guys and discuss!”

 

GMA BOOK CLUB

Oona Out of Order by Margarita Montimore

Good Morning America‘s book club named Margarita Montimore’s debut novel. In the U.K., the same book is titled The Rearranged Life of Oona Lockhart. Both have abstract covers of Oona’s face with the GMA book club reposting some of their favorites from readers.

“I’m so grateful ‘GMA’ has chosen my novel ‘Oona Out of Order’ as its latest book club pick,” Margarita told GMA in its story on the book club pick. “I know the whole world feels like it’s out of order right now, and social distancing is tough, but join ‘GMA’s’ Book Club and we’ll all feel less isolated as we get lost in this uplifting story.”

NONAME’S BOOK CLUB

Mean by Myriam Gurba

War Against All Puerto Ricans: Revolution and Terror in America’s Colony by Nelson A. Denis

Indie rapper Noname’s book club usually selects two books each month, with Noname picking one and someone else naming the “homie pick.” Noname chose Mean by Myriam Gurba and Yahdon Israel, founder of Brooklyn-based @literaryswagbookclub, chose War Against All Puerto Ricans.

The book club says it stands in solidarity with the prisoners who participate in the book club over demanding more protection such as masks during the coronavirus COVID-19 forced quarantine. After announcing it had to cancel all in-person meetings due the pandemic, the book club recently started its own newspaper, Out of Print, for Patreon members.

OPRAH’S BOOK CLUB

Hidden Valley Road: Inside the Mind of an American Family by Robert Kolker

After the controversy around her last book club pick American Dirt, Oprah Winfrey chose the biography of a family where six out of 12 of the children were born with schizophrenia and became a major source of research for scientists working to understand the genetics behind the devastating mental illness.

“This is a riveting true story of an American family that reads like a medical detective journey,” Oprah announced in a video. “It reveals the shame, denial, shock, confusion and misunderstanding of mental illness at a time when no one was really sure what schizophrenia was or how to treat it.”

READ WITH JENNA – TODAY SHOW BOOK CLUB

Valentine by Elizabeth Wetmore

Former first daughter and Today Show co-host Jenna Bush Hager picked Elizabeth Wetmore’s debut novel that publisher Harper Collins describes as “explores the lingering effects of a brutal crime on the women of one small Texas oil town in the 1970s.”

“Elizabeth really developed these characters that I felt like I knew,” Jenna said about the debut novel on Today’s website. “I found myself missing them when the story was over. The women are complicated. They are a lot of things at once.”

As a native Texan, Jenna added that Elizabeth portrays Texas life just right in Valentine.

“I spent a good portion of my childhood eavesdropping on my mother and her girlfriends as they sat out on the back porch after dinner, and I listened to them telling stories,” Elizabeth told Today. “They would sit out there with their cigarettes and mix drinks because it was the ’70s, and I listened to them rehashing their days.”

REESE’S BOOK CLUB

Untamed by Glennon Doyle

Rising book club queen Reese Witherspoon, who’s currently starring in Little Fires Everywhere based on Celeste Ng’s novel, has chosen well-known memoirist Glennon Doyle’s latest book, Untamed.

 

“It’s an absolute joy to announce Glennon Doyle’s UNTAMED as my April book pick,” Reese wrote at the top of her Hello Sunshine announcement email. “This memoir is so packed with incredible insight about what it means to be a woman today, what it means to be “good,” and what woman will do in order to be loved. I swear I highlighted something in EVERY chapter. This book really spoke to me in so many ways!”

 

Glennon also wrote an essay about her writing process on Hello Sunshine’s website.
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what's lit

Black Fantasy YA Authors Discuss How They Are Revolutionizing the Genre

Up-and-coming Black fantasy young adult authors convened on a YouTube video chat hosted by Black Girls Create to go deeper into how they gravitated to the genre and what they hope their works can achieve for readers.

Bayana Davis of Black Girls Create, a hub for Black female creators, moderated the first half of the #KuumbaKickback conversation featuring Nandi Taylor, Jordan Ifueko, Namina Forna, and Roseanne A. Brown. Porshèa Patterson-Hurst moderated the second half with authors Kalynn Bayron, Tracy Deonn, and Bethany C. Morrow.

All the authors, who also participated in a #DontRush video challenge, mentioned how they fell in love with the fantasy genre but failed to see characters that looked like them and how the lack of visibility led to their writing careers. The video of the conversations are available on the Black Girls Create’s YouTube channel now.

Nandi Taylor is the author of Given. The story is about why “island princess Yenni is searching for a way to save her father’s life, but a handsome yet infuriating shapeshifting dragon becomes an unexpected distraction,” according to publisher Wattpad. The book is out now and has reached 1.2 million reads.

Nandi opened up about how she felt when trying to insert herself into certain fantasy stories, which created a conversation among the authors about being a Black girl who loved fantasy but not seeing Black girls in the stories.

“I loved reading fantasy, but the fantasy worlds I was reading about were very Eurocentric and it felt—how do I say this?—it felt wrong to insert myself in those worlds, which is sad to say. I felt kind of guilty like I wasn’t meant to be there. So I started writing my own world, so I can do that self-insertion without feeling guilty or ashamed.”

Jordan Ifueko is the author of Raybearer. Publisher Abrams’ imprint Amulet Books says “with extraordinary world-building and breathtaking prose, Raybearer is the story of loyalty, fate, and the lengths we’re willing to go for the ones we love.” The book is available on April 14.

Jordan spoke about how African influence in fantasy and science fiction stories was historically erased or not accurately documented amid colonialism.

“I wanted to write fantasy because I wanted a story about a magical Black girl who didn’t have to endure slavery or systematic subjugation to win something. I feel like there are so very few stories based on real life, which that happens to Black girls, not because there weren’t Black girls who were awesome and powerful but because those stories were not recorded in history. Precolonial Africa, especially West Africa, had powerful women all over the place, but we don’t hear about those women because you have to dig and dig and dig and dig to even get a reference to some of those heroines because the history was written by the colonizers and they didn’t care.”

Namina Forna is the author of The Gilded Ones. The debut novel is described as “the start of a bold and immersive West African-inspired, feminist fantasy series for fans of Children of Blood and Bone and Black Panther. In this world, girls are outcasts by blood and warriors by choice.” The book is scheduled for release in spring 2021.

Namina described her experience of immigrating to Atlanta from Sierra Leone at a young age and dealing with post-traumatic stress syndrome once she was old enough to understand the effects of the civil war in her native country.

“One of the ways I was able to cope with everything that was happening was by disappearing into fantasy. I would read, read, read, read a lot. When you read, you’re able to ignore what is happening around you and even when I came to America and really started understanding what was happening more, for me I loved disappearing into fantasy worlds. They’re my safe space. I think that is the importance of fantasy: it’s a place in which you can disappear, in which you can deal with things you might not have the wherewithal to deal with.”

Roseanne A. Brown is the author of The Song of Wraiths and Ruin. Publisher HarperCollins calls the book “the first in a gripping fantasy duology inspired by West African folklore in which a grieving crown princess and a desperate refugee find themselves on a collision course to murder each other despite their growing attraction.” The book will be out June 2.

Roseanne, who immigrated to the U.S. from Ghana at a young age, said fantasy was the genre of choice for her to weave in today’s racial issues.

“While I really respect contemporary writers in what they can do to bring things in the here and now to engage on our level, I found putting it a step away and putting it in a different world—in a world that mirrors our own, reflects our own—to really come to terms with heavier things like we see in race. We have intergenerational trauma, we have violence against girls, we have self-harming—those are all real things teens in our world are dealing with.”

Tracy Deonn is the author of Legendborn. The novel is “filled with mystery and an intriguingly rich magic system, Tracy Deonn’s YA contemporary fantasy Legendborn offers the dark allure of City of Bones with a modern-day twist on a classic legend and a lot of Southern Black Girl Magic,” publisher Simon & Schuster wrote. It’s scheduled for a Sept. 15 release. Tracy also contributed to Our Stories, Our Voices: 21 YA Authors Get Real About Injustice, Empowerment, and Growing Up Female in America.

Tracy spoke about noticing the very few Black characters in science fiction and fantasy media while she was growing up and trying to connect as a Black girl to the characters she loved.

“I remember being drawn to certain characters consistently and wanting more from them. We talked about Star Trek already. Obviously, I liked Uhura. I could’ve watched the whole show about her. I wanted to watch a whole show about her. I was drawn to any character in any fantasy TV show, cartoon, or otherwise who looked vaguely Black in any sort of way I was like that’s me.”

She mentioned her feelings when Storm Reid, who’s Black, was cast in Disney’s 2018 Ava DuVernay version A Wrinkle in Time based on Madeleine L’Engle‘s middle grade fantasy classic, which also starred bookish celebrities Oprah Winfrey, Reese Witherspoon, and Mindy Kaling. “

The little part of me inside was, ‘This is revolutionary. This idea that we can be Meg.’ That was fulfilling in a long arc in a way of reading that and wanting to be Meg and actually seeing it later as an adult.”

Bethany C. Morrow is the author A Song Below Water. It is “a captivating modern fantasy about Black mermaids, friendship, and self-discovery set against the challenges of today’s racism and sexism,” wrote publisher MacMillan. The book is expected to be out on June 2. Bethany also wrote Mem and edited and contributed to the YA anthology Take the Mic: Fictional Stories of Everyday Resistance.

Bethany promoted science fiction in the post-slavery diaspora since many recent Black fantasy stories take place in Africa, saying these stories are necessary to tell to incorporate all types of Black characters.

“Even when I do science fiction, I’m always dealing with what it means to be a Black American. I think that is extremely important. I think that Black American kids need fantasy and science fiction that is Black American science fiction, Black American fantasy that doesn’t make them feel like it’s second fiddle to something else, like it’s derivative, it’s not as important, to liken it to something to be ashamed of. Again feeling like you’re supposed to take ownership of something and divorce from what has been done to you is something I’m not OK with… I love all the West African folklore that’s coming out. Central African fantasy and that sort of thing. I’m in love with all that stuff. It’s never a neither nor situation but again as a Black American child who grew up on the West Coast, I deserve to see myself specifically too. I deserve not to be erased from the American tradition, from the American culture, from American histories and storytelling, so I’m specifically writing diaspora fantasy, diaspora science fiction.”

Kalynn Bayron is the author of Cinderella Is Dead. The story takes place “200 years since Cinderella found her prince, but the fairytale is over” according to publisher Bloomsbury, which adds it’s “an electrifying twist on the classic fairytale that will inspire girls to break out of limiting stereotypes and follow their dreams!” The book will be available on June 8.

Kalynn discussed the hardships of growing up as Black girl in Portland, Oregon, where Bethany’s A Song Below Water takes place, and how reading fantasy became a refuge.

“What happens there when you are a brown girl, growing up there as a child, it makes me emotional to think about the environment there and how it affects you and how the racism is very polite…. Writing about characters that fit into the intersection of race, gender, sexuality in the fantasy genre is really important to me. It is something I want to keep doing.”

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what's lit

‘Little Fires Everywhere’ TV Review: Duo

The fifth episode of Little Fires Everywhere ventured into the backgrounds of two mothers in suburban Ohio at odds about who is considered a mother.

Reese Witherspoon is Elena Richardson, a white housewife/journalist raising four teens in a mansion with her husband, who finds herself investigating the woman she rented her family cottage property to. Kerry Washington is Mia Warren, a single black mother who recently moved to Shaker Heights with her teen daughter, has become an enigma for Elena. Mia is fighting for her friend, Bebe Chow played by Lu Huang, to regain custody of the baby girl she had left at a fire station due to the hardships of having no support as recent Chinese immigrant. But Elena’s friend, Linda McCullough played by Rosemarie DeWitt, is planning to adopt the baby. This causes a rift between Elena and Mia who were developing a relationship as so was their combined five kids.

THE ROAD NOT TAKEN

The episode opens in 1976 in Paris with Elena, the younger version played by AnnaSophia Robb, dancing in a disco with her boyfriend at the time, Jamie, played by Luke Bracey. They’re studying abroad as Denison University students until Elena starts packing her suitcase to head back to Shaker Heights. Jamie is hesitant to join in the packing and admits he doesn’t want to go back home. He wants a global life and tries to convince Elena she wants to do the same. They break up.

Fast forward to 1997 where Elena is using her journalistic skills to research Mia. Her leads end up in New York City where Mia had attended art school. After Linda comes to the newspaper office blaming Elena for the fiasco of her possibly losing baby Mirabelle aka May Ling for Bebe and her supporters, Elena heads off to NYC in a frenzy.

In NYC, Elena bribes the art school’s receptionist with cupcakes to get Mia’s files. On her way back to the hotel, she decides to take a detour to The New York Times, where Jamie works. She asks Jamie to hunt down additional information since the newspaper recently printed a story on Mia selling a photograph of herself pregnant and naked in a bathtub called “Duo.” Jamie says he’ll help and asks Elena to dinner afterward.

Their fancy dinner is going well with Jamie discussing his life as a foreign correspondent and living all over the world compared to Elena raising her four kids and only talking about those kids. When they depart, Elena confesses, when pressed, she wanted to see what Jamie’s life was like after pursuing the dream she thought she would pursue herself. She then asks Jamie to run off with her. In disbelief, Jamie calls Elena selfish and leaves.

THE ROAD TAKEN

Lexie, played by Jade Pettyjohn, is the eldest Richardson daughter who’s also a popular cheerleader dating the popular football player Brian, played by Stevonte Hart. In the last episode, Lexie brags about having sex with Brian. Now, she’s pregnant.

She only confides in Pearl, Mia’s daughter played by Lexi Underwood, who has become more of a pet than a friend. But Pearl is desperate to fit in.

In her car, Lexie wants to tell Brian she’s pregnant until she asks about  the Mirabelle/May Ling situation. Who should have the baby has become a dividing topic in the picture-perfect Ohio suburb. Trying to find an ounce about his interest in children, Brian mentions he’s leaning to Bebe’s side since she’s the biological mother. He also adds he’s not ready for kids at all and doesn’t even want to hear about it. They’re only seniors in high school. With a pained look, Lexie stares straight ahead.

Later, Lexie is at the abortion clinic. When asking for an appointment, she notices one of her mother’s doctor friends in the background. It spooks her. For support, she calls Pearl, who is the shiny example of sincere support. Lexie tells Pearl she’s the only one she’s confided in about the pregnancy, with Pearl earlier holding the pregnancy test and breaking the news to Lexie. Pearl smiles a bit. Until the nurse calls her name. Lexie gets up and quickly apologizes for registering under her friend’s name.

Pearl waits for Lexie, who refuses to go home. She asks why her name was used. Lexie explains it matters if people knew she had an abortion. So Pearl drives Lexie to her home where Mia senses what happened and comforts Lexie. After Lexie relaxes into a nap, Pearl shows her mother Lexie’s discharge papers with her name on them. Mia tells Pearl she doesn’t like how Lexie treats her. Pearl admits she had sex with the eldest Richardson son Trip, played by Jordan Elsass, and it wasn’t what she hoped for. Then Trip calls Pearl.

When Lexie wakes up, she asks Mia what decision she would have made. Perturbed by the question, Mia tells Lexie she needs to trust her decision and adds how she didn’t like the way Lexie used Pearl’s name at the clinic. Lexie complains that she had no one else to turn to. Mia counteracts that Lexie had a million places to turn to.

I think my daughter skipped school to help you and you thanked her by using her name and then demanding she take care of you. I spent two months cooking your diners, working in your house and you never so much as uttered a thank you and now you want more. Pearl may have love to give and give to you, but I do not.

Meanwhile, Pearl meets Trip at a swing set. Trip apologizes to her for being mean during her first time after his youngest sister Izzy, played by Megan Stott, pointed out his tendency to sleep with girls and not care about their feelings. Trip tells Pearl she’s different. “You read The Bell Jar for fun. I don’t even know what the fuck The Bell Jar is still,” he says. “And you’re really really pretty.”

Pearl accepts his apology, and they hold hands.

TOO MANY ROADS

After Elena can’t sleep with Jamie’s words and Joshua Jackson as her husband Bill’s voice messages in her head, she drives into Pennsylvania to meet with Mia’s parents.

They hadn’t seen Mia in fifteen years. Shocked, Elena asks if they ever met their grandchild, Pearl. They say no. They also add Pearl is not their granddaughter.

This confuses Elena. Then it’s hinted Mia was a surrogate who kidnapped the child, which is the reason why she jumps from town to town.

Additional secrets that come up around Mia includes:

  • Mia Warren is Mia Wright. She changed her last name to Warren, the name of her younger brother she lost in a car accident when he was 17.
  • When Pearl asked for the umpteenth time about her father, Mia returns to the nightmare on the subway she’s had in previous episodes where Jesse Williams is coming toward her. Who is he?
  • Mia digs into a memory box after the paternity question. She finds a roll of photos to develop. Once developed, we see Anika Noni Rose appear in the photo. Who is she?

Little Fires Everywhere is streaming now on Hulu. New episodes will arrive on Wednesdays.

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what's lit

When Maya Angelou Shared Her Wisdom on ‘Moesha’

In honor of Dr. Maya Angelou’s 92nd birthday, she lit will analyze the master storyteller’s unforgettable appearance on the 1990s Black girl TV sitcom Moesha.

Maya Angelou was born Marguerite Johnson in St. Louis on April 4, 1928. Despite losing her voice after she was raped as a child, she eventually found her voice which led to an incredible career on the literary stage as she used her words to create brilliant memoir and poetry collections. While mute until she was twelve, she read voraciously and developed her talent from there. By the time she died in 2014 at the age of 86, she had received over 50 honorary degrees, the National Medal of Arts from President Bill Clinton, and the Presidential Medal of Freedom from President Barack Obama.

The film version of Maya Angelou’s 1969 memoir I Know Why the Caged Bird Sings came out ten years later and was on repeat in my house along with 1984’s The Color Purple based on Alice Walker’s Pulitzer Prize-winning novel. When I became a teenager and realized I only knew Maya Angelou’s story via video, I started reading her memoirs including I Know Why the Caged Bird SingsSingin’ and Swingin’ and Gettin’ Merry Like ChristmasThe Heart of a Woman; and Gather Together in My Name.

Twenty years ago, Maya Angelou played herself in a pivotal episode on Moesha, my favorite sitcom from childhood, and changed the course of the namesake character’s life. In the fifth season’s second episode, “Fired Up,” which aired Aug, 30, 1999 according to IMDb, Moesha—played by 90s braid queen multi-hyphenate Brandy—is looking for ways to redeem herself after accusing her boss at Vibe magazine of sexual harassment.

If you’re familiar with the sitcom that ran from 1996 to 2001 on UPN, then you know Moesha, a bright Black girl coming of age in the Leimert Park section of Los Angeles, would tend to get in trouble often by thinking she was grown and later learning she was not.

Moesha’s professional misstep has not been forgiven completely as her colleagues still treat her as the lowly editorial assistant. Then a message without a name comes to her desk, so she calls the number. It turns out to be Maya Angelou’s publicist! But everyone else in the office had already gone home. Moesha, with her best friend Niecy—played by Shar Jackson—there to head out for a movie, decides to pose as a reporter and says she can interview Maya Angelou at the Vibe office. Here’s a transcript of their interview:

Maya Angelou: “I suppose Socrates said it the best, most succinctly. He said, ‘The unexamined life is not worth living.'”

Moesha: “Oh, that is deep.” [audience laughter]

Maya Angelou: “Deep enough to write down?” [audience laughter]

Moesha: “Next question: What is Oprah really like?”

Maya Angelou: “I think that question is best asked of Oprah herself.”

Moesha: “Of course, I’m so sorry. OK now when you first started writing how did you get people to recognize your talent so you can be published?” 

Maya Angelou: “Other people’s recognition wasn’t my first focus. My focus was on the work. Recognition comes after that.” 

Moesha: “But wouldn’t it be frustrating if you knew you had the talent and drive, but no matter how hard you try, nobody gave you the chance?” 

Maya Angelou: “Well, you certainly are not talking about yourself. I mean, obviously you’re much appreciated here at Vibe. You have this important job and you just got out of college last night.” [audience laughter] 

Moesha: “Well, actually I bypassed college, so I could plunge straight into the world of journalism.” 

Maya Angelou: “You bypassed college?” [audience laughter] And let me ask you a question. Is this your office?” [She eyes her majestically crafted cane preparing to expose Moesha]. 

Moesha: “Unh, hunh. Why do you ask?” [A look of goofy bewilderment marks her face as if she couldn’t believe she got caught]. Maya Angelou then turns around a nameplate that reads Moesha’s male boss’ name toward the alleged reporter. 

Moesha: [She accepts she just got caught] “You’re not gonna tell me to go to college? Are you? Because I’ve had this discussion with my parents.” 

Maya Angelou: “My dear, elders all over the world do their best to gain some wisdom, so they can tell you young people something wise and wonderful to do which we know you’re not going to take to.” [audience laughter] 

Moesha: “So you are gonna tell me to go to college?” 

Maya Angelou: “I’m not going to tell you, but rather I’m going to pull something for your consideration. I’m suggesting more than any other place college can offer you a chance to know human thought over human centuries by then garner some preparation for your own life.” 

Moesha: “Thank you. Thank you, Dr. Angelou. You have given me so much to think about.” 

Maya Angelou: “I’m delighted.”

They embrace. Of course, Moesha gets fired.

After showing her boss her article on Maya Angelou, he tells Moesha she should’ve called him in order to ask the right questions. Now Vibe has to use its budget to send an experienced reporter to North Carolina to interview Maya Angelou in person. Moesha tries to explain how she seized an opportunity, but her boss tells her that’s 10% of the job and the other 90% is preparation. And from that question about Oprah and the other questions about her own situation, it was obvious Moesha hadn’t even done the research to interview Maya Angelou. 

When Moesha gets home, she surprises her family by announcing she’s going to college. Little do they know, the one and only Maya Angelou was the catalyst for the decision with sharing the knowledge about the importance of college and becoming the subject of Moesha’s poorly executed article that led to her firing.

The episode ends perfectly with Maya Angelou and Moesha reciting “Still I Rise,” alternating lines in the darkened den within Moesha’s house. Then they recite together:

Bringing the gifts that my ancestors gave,

I am the dream and the hope of the slave.

I rise.

Maya Angelou

After they speak the last line, they rise slightly off the sofa as if to show the power they received from their ancestors. “Still I Rise” is one of Maya Angelou’s most recognizable poems published in 1978’s And Still I Rise: A Book of Poems.

The Moesha guest appearance was a multi-generational milestone for Black women on TV by having intellectual icon Maya Angelou reciting her poetry about rising above racial barriers with top Black girl singer of the time Brandy. It showed Maya Angelou’s influence spanning over time, which she lit also reflected on in the 1993 film Poetic Justice starring pop legend Janet Jackson.