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Book Review: ‘I’m Glad My Mom Died’ by Jennette McCurdy

I’m Glad My Mom Died by Jennette McCurdy is an eye-opening memoir examining the abuse the Nickelodeon star said she endured from the mother who forced her into Hollywood. 

Jennette McCurdy starred in the Nickelodeon series iCarly (currently in reboot mode on Paramount+ without her) for five seasons from 2007-2012 as Sam Puckett, the supportive, food-loving friend of Miranda Cosgrove’s Carly whose internet show is a viral success. She even scored a spin-off with fellow Nickelodeon star Ariana Grande called Sam & Cat that only lasted a season from 2013-2014 with Ariana being on the brink of pop stardom. Despite finding herself famous at a young age, Jennette never wanted it. 

Acting in Hollywood is her mother’s dream. The McCurdys live in Garden Grove, an hour and a half away from the entertainment epicenter in nearby Orange County, but they’re living the low-income life in Jennette’s father’s family home with Jennette, her mother Debra, sometimes her father, her mother’s parents, and her three brothers. By the time Jennette is two years old, Debra is battling breast cancer. As the family copes with the grim diagnosis, they start going back to church. The Church of Jesus Christ of Latter-Day Saints becomes the sanctuary Jennette connects with. Now that they’re practicing Mormons again, the family feels blessed when Debra goes into remission. But her mother is still not happy, especially with Jennette’s father who seems unable to provide what they need. Frustrated, Debra would complain that her parents wouldn’t let her go to Hollywood, again a short distance away. Then one day six-year-old Jennette says she’ll go to Hollywood for her mother. She knows this will make her mother happy.

They go on casting calls, where Debra is already upset that the untrained Jennette isn’t getting speaking roles right away. Like most actors, Jennette is starting out in the background. She transitions to higher-level background work when she appears gloomy in a film’s photo shoot; that’s what the director wanted from another child actor who couldn’t look as gloomy as Jennette. By this time, Jennette has her gloominess down pat as she feels too old for her overbearing mother to be going to the bathroom with her to clean her up and showering with her. 

To help her stay small for child acting roles, her mother tells her about “calorie restriction” and how she can eat 1,000 calories a day or less. Together, mother and daughter are barely eating full meals. At eleven, Jennette starts losing weight at a rapid pace. A casting director warns her mother that Jennette may have an eating disorder. But her mother waves the concern off. Even Jennette’s doctor advises her mother to help Jennette with her eating issues. Again, her mother ignores the advice. 

After a series of TV and film appearances, Jennette scores her first leading role as Sam Puckett in iCarly. The pilot episode airs when she’s fifteen years old. Right away, her mother is discouraging a friendship between Jennette and Miranda, the show’s star who already made a name for herself on the Nickelodeon sitcom Drake & Josh, because she sees Miranda as troublesome, accusing her of not believing in God. Jennette feels conflicted about wanting to be friends with her co-star and being a good Mormon daughter. It’s like the two versions of her can’t coexist. She befriends Miranda anyway through secret AOL instant messages after spending days on set with her. 

As the show grows in popularity, the more famous Jennette becomes. That translates to more opportunities for the rising teen star like heading to Nashville for a country music recording contract that doesn’t last, being introduced to alcohol by iCarly’s creator Dan Schneider who is unnamed but was investigated for similar on-set abuse allegations last year, and running off with a thirty-something show producer who guilts her for him breaking up with his girlfriend of five years. Jennette’s quick introduction to adulthood forces her mother to disown her. Her mother again is battling breast cancer and looks for a way to edge Jennette out of stardom due to her bad behavior by trying to steal her mostly tween fanbase. 

The book starts with Jennette whispering to her unconscious dying mother that she finally reached their goal weight of eighty-nine pounds. By this time, the anorexia and bulimia has ravaged Jennette’s body to the point she doesn’t know how to eat and enjoy a meal. The “calorie restriction” her mother taught her to keep up with Hollywood standards still has a hold on her, so much so that boyfriends encourage her to seek therapy in order to establish healthy relationships. In therapy, she learns about how abusive her mother was by not only teaching her dangerous eating habits but controlling her every move in order for her to be a success in Hollywood. Even after Debra’s death in 2013, Jennette learns that her mother hid a secret that forces her on another journey. What may have been out of love was toxic, so toxic that Jennette realizes she never knew who she really was, just the version of her that wanted to make her mother happy. 

The comedic yet heart-wrenching title of the memoir helps normalize the mother-daughter relationship that isn’t as rosy as a lot of portrayals in the media. We see more stories where mothers dote on their daughters, and daughters call their mothers their heroines. But for many daughters, their mothers push their ideas of perfection, especially about their bodies, onto their daughters that creates self-loathing that morphs into mental illness. In the author’s case, her mother’s constant critiques on her body and her acting skills forced her into a downward spiral of eating disorders. 

The mothers with their ideas of perfection usually feel they can’t be as perfect as they want to be, so their daughters have to be that perfect. We see Jennette’s mother become disappointed about her life path, feeling she was unable to take on Hollywood herself because her mother told her not to. Jennette details the frustration of dealing with her mother’s mother after her mother dies. The drama-queen antics seem hereditary when her grandmother is upset that Jennette wants to quit acting and undo financial decisions that no longer serve her as a former actor. The generational trauma of these women not feeling able to fulfill their dreams falls onto Jennette as she realizes she never had a chance to figure out her own dreams. Her formative years are gone; they had been spent on making Debra’s dreams come true as Debra read Woman’s World magazines in on-set trailers and networked with other celebrity momagers like Barbara Cameron, the mother of Full House star Candace Cameron Bure and Growing Pains star Kirk Cameron, who becomes Jennette’s onetime agent. 

Overall, this memoir explores the complex ties between a daughter and her mother with the backdrop of Hollyweird contributing to their dysfunctional relationship. It’s also a memoir where the author has come to terms with her feelings about her mother, hence the controversial title that should be seen as honest. In abusive relationships, once the abuser is gone, then the person who was abused can heal. This book, which was born out of the author’s one-woman shows, is about the healing process of self-discovery.

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Simon & Schuster Loses Publisher to Book Deal 

<![CDATA[SHE LIT: Simon & Schuster Loses Publisher to Book Deal 📚]]> SHE LIT: Simon & Schuster Loses Publisher to Book Deal 📚
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📚 Join the #shelitbookclub on July 31 as we discuss the novel Red Clocks by Leni Zumas amid the overturning of Roe v. Wade. Details can be found here.

Film poster for "Where the Crawdads Sing"

The most high-profile Black woman in publishing leaves post to write second book

Simon & Schuster announced this week that its senior vice president and publisher Dana Canedy is leaving the position she’s held for two years.

After her 2008 memoir was turned into a film last year, she says she plans to write a follow-up. But with her hiring coinciding with the racial unrest of 2020 and coming into question in last year’s controversy over the acquisition of former vice president Mike Pence’s memoir, Dana’s departure still feels like a blow to diversity and inclusion in book publishing.

Directed by screen legend Denzel Washington, A Journal for Jordan opened in theaters Christmas Day 2021 starring Michael B. Jordan playing the late U.S. Army First Sergeant Charles Monroe King, Dana’s fiancé who died in 2006 in combat during Operation Iraqi Freedom. Their son, Jordan, was only six months old. Dana’s narration of their relationship and their decision to have a family along with letters from father to son is reflected in A Journal for Jordan: A Story of Love and Honor published by Penguin Random House’s imprint Crown Publishing Group.

Though Dana hasn’t tweeted much since President Joe Biden’s inauguration, there are a flurry of tweets supporting the film that grossed close to $6.6 million in global box office sales and received bad press for its low performance during a high-volume holiday weekend. The positive feedback contributed to her decision to leave her lofty publishing position to write a follow-up book expected to be released in 2024 under Simon & Schuster.

Dana’s short-lived stint at the top of a major publishing house also came with criticism. When news broke that Simon & Schuster will publish Mike Pence’s memoir, outsiders as well as insiders attacked the move, pushing that Trump administration officials should not have their books published especially when the Jan. 6 insurrection and claims of illegal actions from the onetime administration were still coming to light.

Simon & Schuster at the time, like most publishers, have been trying to add more BIPOC, short for Black, Indigenous, and people of color, and LGBTQ+ authors to their rosters. Hence Dana’s appointment. More than 200 members of Simon & Schuster staff members signed a petition calling for the publisher to cancel the seven-figure book deal with the former vice president, The Wall Street Journal reported in May 2021.

“What I don’t want to do is what the industry does. It has to diversify. We need much more range. Through the people I’m hiring and the books we’re acquiring, I’m already trying to do that,” Canedy told the audience at Fortune’s Most Powerful Women Summit in Washington, D.C. last October. “I didn’t make the decisions for the wow factor. I’m not the Black publisher, I’m the publisher.”

A Pulitzer Prize winner, Dana worked in several positions at The New York Times over a 20-year span and eventually served as the administrator of the Pulitzer Prizes. She has a deep-seated journalistic mindset, so nabbing Pence’s book would not only be a potential goldmine for the publisher but also would let readers know the selection was unprejudiced.

On the other hand, like readers and staffers who protested against Pence’s book deal, the move looked like it went against diversity and inclusion efforts since most voters who identify as BIPOC or LGBTQ+ didn’t vote for Trump or agree with some of the administration’s most controversial actions. But the publisher sees the book as still supporting diversity of thought.

Jonathan Karp, who held the publisher position prior to Dana’s appointment, will reassume the title in the interim. He says in the memo announcing the job change that Dana will still consult on Pence’s memoir and books by Eugene Robinson, a Black columnist for The Washington Post, and Erica Armstrong Dunbar, a Black historian.

The question remains if Simon & Schuster will hire another person on the diversity spectrum who can boost diversity, equity, and inclusion in the workplace and in the book market. Also, if the next permanent publisher identifies as “diverse,” then they may also have to deal with the decision and the criticism over acquiring a blockbuster book from a prominent White figure.

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Michelle Obama helps us navigate change in new book

Still profiting from the success of Becoming, former First Lady Michelle Obama announced Thursday that she has a second book coming out in November. The Light We Carry: Overcoming in Uncertain Times will offer reflections about how to change amid changing times. The book will be published by Crown.

HarperCollins union raises $40,000 for strike workers

The strike the publishing industry had its eye on happened Wednesday as HarperCollins Publishers’ union closed its online fundraiser after it received $40,000 from supporters.

The only union at a major U.S. publisher tweeted that the 200+ strikers will receive $200 each as a payment of “hardship money.” The union, which boasts 250+ members, marched the streets of Manhattan demanding a fair contract.

Earlier this month, the union scheduled the strike after it accused HarperCollins of failing to reach a contract promising to pay a predominantly female workforce a livable wage for New York City standards and to put into diversity, equity, and inclusion initiatives in practice.

Actress Freida Pinto plans to adapt Huma Abedin’s memoir

Both/And by longtime Hillary Clinton adviser Huma Abedin will get the book-to-screen treatment. Frieda Pinto, who is currently starring in the book-to-film Mr. Malcolm’s List based on Suzanne Allain’s 2009 novel, was confirmed by multiple reports to be adapting the memoir for a TV miniseries via her production company Freebird Films. The book was released late last year.

Huma made headlines this week also for being rumored to be dating actor Bradley Cooper. Frieda first gained fame in her breakout performance in 2008’s Oscar-winning film Slumdog Millionaire that was loosely based on a novel Q&A by Vikas Swarup.

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Book Review: ‘Shine Bright’ by Danyel Smith

Shine Bright: A Very Personal History of Black Women in Pop by Danyel Smith explores how Black female music artists have impacted the world and in particular the author’s world as she navigates her unstable childhood in 1970s California. 

Were there champagne toasts with Mariah Carey on a private island off the coast of Antigua? Yes. Was I backstage with Beyoncé in Philly, in Paris, in Cleveland, in Brooklyn? All of it. Have I cruised the Upper West Side in a vintage Cadillac convertible with Queen Latifah? Yes, indeed. But, though I chalked it up to not wanting to get too close to creatives, I would have to cover as a writer or an editor—I actually did not feel worthy of such friendships.

Danyel Smith is a music entertainment journalist titan who’s most famous for her editor in chief stint at Vibe magazine at the height of hip-hop domination. With the quote above from the book, her work has sparked friendships with the Black celebrities forever shaping our culture. (Mariah Carey describes Danyel’s 2005 novel Bliss as such on the cover: “The music business can be an enchanted snake pit, but Danyel tells her heroine’s story with an insider’s knowledge, with power, and most of all, with emotion.”) 

The author’s upbringing in Oakland, the city in which she reps with her whole heart, wasn’t always shiny. Her parents split when she and her sister are in elementary school, and her mother engages in a toxic relationship with a violent lawyer named Alvin who rages against the family. Her mother stays for the questionable financial stability, but when Danyel starts fighting back, that’s when she realizes what she wants the most is threatened by Alvin.

But the radio is on in Alvin’s car, and Danyel’s mother is still playing her albums. The music speaks to Danyel, even when she’s eating her free breakfast at school where the morning care teachers double as vocal trainers showing the kids how to croon to The Stylistics’ “Betcha by Golly, Wow.” The Black artists singing through speakers in different places influence Danyel. She will take her writing talents from her personal diary dedicated to getting rid of Alvin to media platforms describing the impact the artists had on pop culture, though sometimes unappreciated, she makes it her mission to ensure they are appreciated. 

People wonder why I have been able to stand up to men in this business of music. To go to shows—glamorous and grimy—by myself. To negotiate with the worst of the promoters, the performers, publicists, security guards, police officers. To, on behalf of any given media organization, but mostly on behalf of Vibe, and on behalf of myself, not stand down. I just wasn’t that scared of men, not for a long time. “Step to me” was my front. “If you want this smoke.”

The don’t-back-down mantra happens to be how many of the artists she writes about are handling their livelihoods. One chapter is dedicated to the “Drinkard Family Dynasty.” The rich branch that produced Leontyne Price, the first Black woman to gain international fame as an opera singer. Leontyne’s cousin, Dionne Warwick, is the pop singer who reached a pinnacle of success in the 1970s and 1980s and whose impact surpasses generations with her “Twitter auntie” status regularly updating almost 600,000 followers. Dionne’s aunt, Cissy Houston, is the gospel singer who started touring with her group then with Mahalia Jackson and Elvis Presley before her solo debut. Cissy’s daughter, Whitney Houston, is arguably one of the greatest singers of our time, or as the author writes: “But—their problematic relationship notwithstanding—Cissy’s training of Whitney Houston is one of the most important accomplishments in the history of American music.” This familial connection between some of the greatest singers we ever known should be acknowledged more, and the author breaks down their roots and their personal histories to show the anguish they must have had for not always being appreciated for sharing their talents. 

The chapter dedicated to Diana Ross examines how her departure from The Supremes and solo success branded “Miss Ross” as a diva in a negative light when she used to be a little girl from Detroit who had unfathomable dreams that by chance came true. Gladys Knight also gets her own chapter starting with how she became one of the hardest-working kids in showbusiness already performing with her cousins and friends, “The Pips,” so she can help her divorced mother put food on the table. We learn LaDonna Adrian Gaines would drop out of her high school she had said were full of “pretty violent people” straddling the racial lines in Boston to eventually head to Germany where she christens herself as Donna Summer. The shock and disappointment lies on the page when Mariah Carey, the queen of the ’90s pop who also released her own memoir, doesn’t get a single Grammy Award for her 1995 Daydream album that still produces the soundtracks to people’s lives to this day. The ups and the many downs of Black women breaking barriers in music are palpable. 

The big stars get the props. Sprinklings of Phyllis Hyman, Millie Small of “My Boy Lollipop” fame, and Lisa Fischer whose performance of the 1991 hit “How Can I Ease the Pain” is pure magic, feel like they needed more recognition as they are singers who deserved the riches and stardom, but they remain “unsung” à la the popular TV One docuseries. Reading stories of Black women in pop reminds you of the many artists who changed the cultural landscape, sometimes as a one-hit wonder, but their achievements get lost in the mix. That’s where the author fills in those gaps with her Ringer podcast “Black Girl Songbook.” Episodes focus on artists like Deniece Williams, Angela Bofill, and Karyn White—all Black women who had defined music during a moment in time but now have fallen out of public discourse. 

Overall, the author brilliantly tells her story in a poetic rhythm and how music saved her. The love for music she has is on the storytelling side, so she can promote the Black women who turned their love for music into a career beyond their imaginations. Published by Jay-Z’s literary imprint Roc Lit 101 under Penguin Random House with the title deriving from Rihanna’s “Diamonds,” this book serves as a reminder that music history is heavily influenced by Black women, but they unfortunately don’t always receive flowers for their immeasurable contributions.

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Book Review: ‘Speak’ by Tunde Oyeneyin

Speak: Find Your Voice, Trust Your Gut, and Get from Where You Are to Where You Want to Be by Tunde Oyeneyin is a memoir about discovering body positivity and navigating a purposeful journey that’s vividly told by the popular Peloton instructor.

Growing up in Katy, Texas, Tunde is the only daughter out of three children of her Nigerian parents. At a young age, she’s considered overweight, and the shady comments she would hear about her prettiness being dimmed by her size marks her upbringing. A hard worker, she takes on multiple jobs in college, including one behind a department store makeup counter. This leads her to gaining clients who take note of her makeup application skills. She eventually moves to Los Angeles for a chance to groom her budding career until tragedy strikes.

She loses her younger brother, and a few years later, her mother, then her father. The back-to-back deaths of her immediate family send her into a depression. But opportunities keep coming her away that pull her out of the abyss and bring new urgency to live her life with purpose.

As she focuses on her mental and physical health, she develops a passion for cycling after taking a class. The inspirational shouting to keep moving forward sends her on a new career path. After trying out for Peloton more than once, she finally nabs a spot and quickly rises to the top of being one of most popular cycling instructors on the fitness platform. She takes the moment to inspire others, such as the time she decided to shave her head and the time she made an impromptu speech on why Black Lives Matter amid the 2020 racial justice movement.

The book’s title comes from her acronym S.P.E.A.K., which stands for Surrender, Power, Empathy, Authenticity, and Knowledge. The subtitle is Find Your Voice, Trust Your Gut, and Get from Where You Are to Where You Want to Be. The lessons Tunde learns from her life, especially around being comfortable within her own body, weave together nicely as she narrates her story via audiobook. Her voice is melodious in expressing the emotion she felt at different moments.

There is an examination of her luck. She has been given a lot of opportunities, but some are inextricably tied to the tragedies she has endured. She wins a prize, for example, but the prize contributes to her brother’s death. The blame sits heavy on her soul, but she realizes that her only option is to live her life to the fullest.

Overall, her memoir doesn’t necessarily give action steps on how to take control of your life as the title may entail, but it’s more of how she took those action steps that undoubtedly resonates with a wide audience beyond the Peloton cycle seat.

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In Female-Dominated Publishing Industry, Pay Gaps Persist

SHE LIT: In Female-Dominated Publishing Industry, Pay Gaps Persist
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📚 Join the #shelitbookclub on July 31 as we discuss the novel Red Clocks by Leni Zumas amid the overturning of Roe v. Wade. Details can be found here.

Photo by Lara Jameson: https://www.pexels.com/photo/woman-riding-a-train-8898911/

HarperCollins employees say diversity and inclusion is not prioritized at publisher

Unionized employees of HarperCollins Publishers voted to strike earlier this week, citing concerns with low pay as a result of the book industry leader not promoting diversity, equity, and inclusion the way it promised.

Returning from the three-day July 4 holiday weekend, the Local 2110 of the UAW union said its 250+ members voted to authorize a strike as it negotiates a “fair contract” with the publisher.

Members include employees in editorial, sales, publicity, design, legal, and marketing departments. They say they want higher pay, better family leave benefits, stronger union protection, and a real commitment to staff diversity and inclusion.

The average female employee at HarperCollins earns an annual $55,000 with a starting salary of $45,000, according to the union’s press release announcing the potential strike. That doesn’t cover the cost of living in New York City, the release notes.

“Our compensation doesn’t reflect our education and skills, or our contributions to the financial success of the company,” said union chairperson Laura Harshberger, a senior production editor in children’s books, in the release.

Not only is the gender pay gap in the spotlight with this news, but so is the racial pay gap with the union saying the lack of racial and ethnic diversity at HarperCollins has contributed to the “historically low wages.” The publisher had “record profits” in 2021, parent company News Corp. mentions in a press release last August.

The union says HarperCollins is the only major book publisher in the U.S. to be unionized. The contract negotiations with HarperCollins management have been ongoing since December 2021.

The publishing industry is about 74% cisgender women and 23% cisgender men, according to a survey released in 2020 by Lee & Low Books, a family-run, minority-owned, independent publisher.

Women may dominate the industry, but men tend to better rise in the ranks with 38% of cisgender men holding executive and board member positions.

For the race and ethnicity breakdown, the industry is 76% White. “The field is overwhelmingly White women,” the survey says.

No date has been set for the strike since negotiations are still not done. Whether they strike or not, the publishing industry as a whole has a long way to go with closing the gender and racial pay gap. If a strike happens, we may see more major publishers dealing with employees wanting to unionize in an effort to not only raise wages but to diversify the industry.

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Macmillan still recovering from cybersecurity attack

Macmillan Publishers is back up and running after a debilitating data breach that slowed down operations for at least a week. The publisher announced it was functional again on July 4. Media reports say the publisher is working through a backlog of orders from booksellers.

Scholastic recalls kid’s book over choking hazard

The U.S. Consumer Product Safety Commission announced the recall of Scholastic’s “Shake Look Touch” books. The books have pom poms attached, and Scholastic received two reports of the pom poms detaching, causing a choking concern for young children. The federal agency says roughly 185,700 books are on the market with an additional 1,500 sold in Canada. Scholastic is offering $10 gift cards to consumers who show a photo of removed pom poms and affirm they will be thrown away. The books are still usable without the pom poms.

Book club picks highlight Black female experience

Reese Witherspoon’s book club and Meena Harris’ book club selected two titles by Black women about Black women. Reese’s Book Club will read Honey and Spice by Bolu Babalola this month that features a college radio talk show host who questions her love life after telling listeners to avoid situationships. The Phenomenal Book Club chose Big Girl by Mecca Jamilah Sullivan, a semi-autobiographical debut novel first set in 1990s Harlem focused on a “morbidly obese” girl who moves through life with that diagnosis.

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How Juneteenth Became A Book Festival Holiday





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June is Pride Month! Join the #shelitbookclub with reading the recently banned young adult novel Juliet Takes a Breath by Gabby Rivera 🏳️‍

Black authors still struggle to get recognized for their creative freedom

At the height of the racial justice movement in 2020 after the murder of George Floyd in Minneapolis, Black authors started tweeting about their realities in the publishing industry.

Floyd, a Black man whose life is the subject of the new book His Name Is George Floyd by The Washington Post reporters Robert Samuels and Toluse Olorunnipa, died after White police officer Derek Chauvin pinned his knee onto Floyd’s neck for nine minutes. A worldwide uprising followed people into their workplaces. Black authors like L.L. McKinney wanted to know how unfair pay can be for someone like her.

The A Blade So Black fantasy young adult author created the #PublishingPaidMe hashtag two years ago, where White authors were asked to share the amount of money they had been paid for their books. But Black authors and other authors of color began to share how they had been lowballed for their books. With more attention to the Black experience, L.L. McKinney started the Juneteenth Book Festival.

The festival, which was held in 2020 and canceled in 2021, played virtually on YouTube with authors such as Ashley Woodfolk, Mikki Kendall, and Nichole Perkins headlining panels. This year, the festival seemed to be offline; the last tweet posted in 2021 with L.L. being “on hiatus.” But in Portland, Oregon, Nanea Woods decided to have The Freadom Festival, the city’s first Black book festival this weekend.

“How we obtained our freedom has a lot to do with reading and literacy,” she told The Oregonian.

Juneteenth is the holiday many Black communities across the U.S. had been celebrating for generations to mark the official end of slavery when people who had been enslaved in Galveston, Texas, finally received the message in 1865 they were free. Over the racial uprising of 2020, the federal government moved to make Juneteenth a federal holiday in 2021 observed on June 19. For many employees, this coming Monday is the first time Juneteenth is a paid day off.

We started the week with best-selling White male author James Patterson telling the U.K.’s The Sunday Times “that it is hard for white men to get writing gigs in film, theatre, TV or publishing.” This stirred debate on social media.

Many commented that most of the authors who make the best-sellers lists are White men such as Bill O’Reilly, David Sedaris, and Dan Pfeiffer, all sharing The New York Times Best-seller list for Hardcover Nonfiction with Patterson, who has the top spot with his eponymous memoir. Famous Black actress Viola Davis is the only woman and person of color in the top five this week with her memoir, Finding Me.

It should be common knowledge that non-White authors do not dominate the charts most of the time. In fact, many authors of color never see a publishing deal. And if they do, they’re not paid adequately, evidenced by #PublishingPaidMe. L.L. McKinney vowed this week to focus on the positive when it came to Patterson’s remarks.

“I been thinking about saying something on James Patterson for the past couple of days, but instead I’ve decided to talk more about books by BIPOC that I have written or that I have read/loved,” she tweeted Wednesday, mentioning Black, Indigenous, and people of color authors.

Patterson has since apologized. In 2020, data analysis group WordsRated found a record 26% of children’s best-sellers were written by Black authors. In 2021, that percentage fell to 18%, below the numbers in 2019. This shows there is a lot more work to do in the publishing industry.

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Taking lessons on raising antiracist children this Father’s Day

Dr. Ibram X. Kendi, who’s now made a career out of teaching the masses on how to be antiracist, has a new book in time for Father’s Day this Sunday. How To Raise An Antiracist follows his runaway hits How to Be an Antiracist and Antiracist Baby and focuses on how he turned away from thinking he had to shield his child from racism and decided to be a parent who teaches how to create a just world. The book is on sale now

LA’s oldest Black-owned bookstore closing

Eso Won Books, known as the main Black-owned bookstore in the Los Angeles area, will close its brick-and-mortar by the end of the year. Co-owner James Fugate recently made the announcement on The Tavis Smiley Podcast. The bookstore located in the predominantly Black Leimert Park neighborhood has been a fixture in the community for 33 years. More Black-owned bookstores have sprouted in LA over the last few years

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Book Review: ‘Carefree Black Girls’ by Zeba Blay

Carefree Black Girls: A Celebration of Black Women in Popular Culture by Carefree Black Girls Zeba Blay

My rating: 4 of 5 stars


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Carefree Black Girls: A Celebration of Black Women in Popular Culture by Zeba Blay examines how a viral hashtag focused on Black females living their truths forces the author to revisit periods of pop culture history where the notion of being a carefree Black girl actually comes with some hard truths.

Yet the culture that Black women pour talents and their creativity into, the culture that emulates Black women, steals from Black women, needs Black women, is the same culture that belittles Black women, excludes Black women, ignores Black women.

Culture critic Zeba Blay coined the phrase #carefreeblackgirl in 2013 as “a way to carve out a space of celebration and freedom for Black women online.” She studies how the hashtag evolved in the chapter “Free of Cares,” starting with a phrase of the early twentieth century: “I’m free, white, and 21!” This phrase became a Hollywood catchphrase between the 1920s and 1940s with Black journalists at the time criticizing the phrase as perpetuating White supremacy since being White equates freedom, which is the untrue experience to groups who are not considered White. Though the term falls out of vernacular, the author sees the phrase still play out today from Sex and the City to the modern-day Karens quick to call the police on anyone who’s Black. And even the phrase “carefree Black girl” takes a life of its own where it seems to easily be bestowed upon lighter-skinned, thin Black actresses such as Zendaya and Yara Shahidi while Black critics argue Black females will never have the comfort to be carefree in a Eurocentric society. The phrase even derives from fellow Black writer Collier Meyerson’s Tumblr blog called “Carefree White Girls” that featured White female celebrities from Taylor Swift to Zooey Deschanel who epitomize the “deification of white womanhood.”

The first chapter “Bodies” explores how the Black female body is berated constantly from the Middle Passage to the present. Lizzo and her body is the highlight of the chapter, particularly a moment in April 2020 when the pop star was twerking for a charity “dance-a-thon” hosted via social media by Diddy to raise money for people affected by COVID-19. Once Lizzo begins twerking, Diddy tells her to stop because the watchers need family-friendly entertainment, especially on Easter Sunday. Later in the Instagram live special, reality TV star Draya Michele, who’s thinner and lighter-skinned, begins twerking without any protest. Many think it’s fatphobic for Lizzo to be told to not twerk in public. Others berate Lizzo all the time for revealing her body on social media every chance she gets. The author also shows how Lizzo announced she would be participating in a smoothie detox and points out how White female fat-positive bloggers accused Lizzo of being fatphobic.

The conversation on Lizzo turns to the 1990s portrayal of Countess Vaughn on the hit show Moesha about a Black girl growing up in South Los Angeles. Countess played opposite pop star Brandy’s Moesha as best friend Kim Parker. Her weight becomes a constant punchline, many realize after reliving the show twenty years later when its August 2020 debut on Netflix alarms Black Twitter as tweeters share the collective disgust. The author even calls out the desexualization of fat Black women in entertainment. She points to the portrayal of Kelli, played by Natasha Rothwell, on HBO’s Insecure, where explicit sex scenes are a constant but never feature Kelli. The character talks about her sexual romps, but we never see them or meet her lovers. In the recent series finale, Kelli announces she’s having a baby with a character the audience barely knows because her romantic love growth is never shown on screen compared to the other three main female leads.

The author puts a recent moment like Lizzo’s twerking for COVID-19 relief under a microscope and another moment from a generation ago about Kim Parker’s treatment from her so-called friends on her weight. Then there’s self-reflection as the author views how hard it is to accept her own body thanks to the Eurocentric beauty standard where her body, Lizzo’s body, Countess’ body are unacceptable, and the fact that they are living in their body is too much for many people to accept.

In “Strong Black Lead” playing on Netflix’s name for Black programming, the author details her mental health struggles including suicide attempts and suicidal thoughts. (The book comes with a trigger warning in the beginning.) What she was going through materialized in her writings at the time as she pondered how she was really helping readers then with sharing her draining experiences. It makes her think of other Black women in her life who have struggled but are determined to “stay strong.” The strong Black female trope is examined with calling out somewhat beloved characters such as Kerry Washington’s Olivia Pope on the Shonda Rhimes-helmed political TV drama Scandal to Viola Davis’ Aibileen Clark in the film The Help that many view as problematic with the White savior theme.

Overall, the book is like reading viral pop culture tweets coming from Black Twitter and getting the context that you may never think to reference as the reason why you would like such tweets. The content dives deeper with making comparisons between famous Black women living the height of celebrity now to those who lived at the height in yesteryears. The author shows how the battle is the same, rooted in underappreciation for the Black female’s talent whereas a non-Black female’s talent may receive better treatment over her weight, her age, her appearance. It’s amazing to see the author tie in so many current events with past events and pick them apart to study the relevance and the definition of being a carefree Black girl.

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Book Review: ‘Crying in H Mart’ by Michelle Zauner

Crying in H Mart by Michelle Zauner

My rating: 5 of 5 stars


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Crying in H Mart by Michelle Zauner is a grief memoir detailing the author’s journey in grappling with the death of her mother while suppressing the fear of losing the only tie to her Korean culture in America.

What makes this memoir beautiful is the descriptions of the food being used as examples to show readers the depth of Korean culture for the author, who identifies as biracial with a Korean mother and a White American father. Her mother’s cancer prognosis motivates Michelle, a twentysomething musician holding down odd jobs in Philadelphia, to move back home to Oregon to help care for her mother. As the author goes into caretaker mode with her father unable to handle the stress, she finds herself questioning if her mother dies, will her connection to Korean culture die.

The main way her mother is able to highlight her Korean culture in America is through food and venturing to Korean grocery stores. That’s why the book starts off with Michelle shopping and eating at H Mart, a Korean supermarket chain, after her mother dies, trying to piece together meals she had shared with her mother throughout her life with the right ingredients. But seeing other people sit with their families in the dining area and cruising the aisles for dish must-haves makes the author cry every time as she navigates her culture without her mother.

I closed my eyes and let my tears flow. I tried to envision us together again in Seoul. I tried to envision the mung bean batter sizzling in grease, meat patties and oysters sopped and dripping with egg, my mother explaining everything I needed to know before it was too late, showing me all the places we’d always assumed we’d have more time to see.

Growing up in Oregon, the author stays by her mother’s side as her father travels for work. Michelle and her mother take biannual trips to Korea to stay with family and absorb culture in the homeland. Being American, Michelle is seen as more rebellious, even as a child, a trait that escalates in her teenage years, upsetting her parents. The stain of adolescence lingers in the background as Michelle experiences her family as an adult and soon as an unexpected caretaker.

My mother had struggled to understand me just as I struggled to understand her. Thrown as we were on opposite sides of a fault line—generational, cultural, linguistic—we wandered lost without a reference point, each of us unintelligible to the other’s expectations, until these past few years when we had just begun to unlock the mystery, carve the psychic space to accommodate each other, appreciate the differences between us, linger in our refracted commonalities. Then, what would have been the most fruitful years of understanding were cut violently short, and I was left alone to decipher the secrets of inheritance without its key.

This memoir has raw moments around the author seeing her mother deteriorate quickly to stage IV squamous-cell carcinoma and searching for joy amid the process. As her mother is dying, she puts on her chef’s hat and leans on YouTube to guide her through recipes for traditional Korean dishes such as doenjang jjigae, described as “a rich, hearty stew filled with vegetables and tofu” that her mother had loved serving, and jatjuk, a porridge made of pine nuts, rice, salt, and water, perfect to serve to the sick. While her mother tries to keep food down, Michelle works in the kitchen to perfect her Korean dishes to preserve the culture her mother taught her.

Of course, like in most families, there is drama around who can care for her mother the way she needs as a Korean woman in America. The author finds herself butting heads with one of her mother’s Korean friends, who seems to know everything to do to make her mother comfortable. Her father is largely absent, unable to accept his wife is dying on the cusp of retirement; a fantasy full of travel is dashed by cancer. And at 25 years old, Michelle is trying to stabilize her life as a musician and maintain her relationship with her partner, as she worries what her life will be like without her mother.

Overall, the memoir illustrates the elaborate details we all experience in our own cultures, but the art of writing customs that are practiced and the foods that are eaten elevates the story. The balance of bittersweet is on every page, as the author deals with her mother dying but also experiences a renewed interest in diving into her Korean culture. It’s the uncertainty of being able to carry on the culture without the parent who taught you the culture that hops off the page. Despite the story leading up to the grief of losing a mother, the memoir ends on a hopeful note that as long as the roots are planted, they stay within you and the loss empowers you to nurture those roots.

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Book Review: ‘Bone Black’ by bell hooks

Bone Black: Memories of Girlhood by bell hooks

My rating: 5 of 5 stars

Bone Black by bell hooks is a raw narrative of a Black girl navigating a world that seems to not be able to accept who she is.

bell hooks’ girlhood memoir starts in the countryside of Kentucky where the author is given a keepsake from her late grandmother and sensing the talk around why she gets the beaded purse when she wasn’t her grandmother’s favorite, nor her mother’s favorite. The book opens with a foreword emphasizing how the author’s behavior as a Black girl among six daughters and a son in a poor family came off as rebellious as she pushed against the frustration her family felt for not being able to understand her behavior.

She was sent to bed without dinner. She was told to stop crying, to make no sound or she would be whipped more. No one could talk to her and she could talk to no one. She could hear him telling the mama that the girl had too much spirit, that she had to learn to mind, that that spirit had to be broken.

The main theme throughout the memoir is the loneliness she feels within her family. She is considered the bad girl in the house, and that accusation eats away at her though she tries to conceal it through finding her comfort in raising her voice. She asks her family for a Black doll. Instead of happiness that she wants a doll that looks like her, she’s met with aggression; the White dolls are cheaper and easier to find. But somehow she gets her Black doll, Baby. This example shows bell’s young self fighting for what she wants, something that shouldn’t be a hassle, but her family processes her asking for a Black doll as a hassle. And those conflicting perspectives make bell look like the “problem child.”

She wants to express herself—to speak her mind. To them it is just talking back. Each time she opens her mouth she risks punishment. They punish her so often she feels they persecute her.

Backtalk is a cornerstone of one of her books, Talking Back: Thinking Feminist, Thinking Black , that explores the concept as a way to silence people, especially people of color, who have been taught to stay quiet and not talk to others with equal authority. In her memoir, her family targets her for backtalk, but she feels she’s just expressing her thoughts. Because of her tongue, her family brands her in essence an “old soul,” or how she puts it as an “old woman born again in a young girl’s body.” How she speaks seems to scare her family, according to her, to the point she is believed to be a witch. That leads to her being given a book of fairy tales that describe old female characters as cannibalistic and evil. But a book in her hands transports her to another world, a world where she doesn’t have to be with her family. And reading so much inspires her to start writing.

Loneliness brings me to the edge of what I know. My soul is dark like the inner world of the cave—bone black. I have been drowning in that blackness. Like quicksand it sucks me in and keeps me there in the space of all my pain.

The color black is a recurring theme. Not necessarily about race, but more about the darkness she feels as being treated like she’s too different to understand. “Bone black” is a color she learns about in art class. She defines it as “a black carbonaceous substance obtained by calcifying bones in closed vessels.” To burn bones into ash is like disappearing altogether. Her art teacher allows her to paint with all the black she wants. Her mother doesn’t allow her to wear black because it’s a color only for women. bell rebels against this notion, but it becomes a point of contention between her and her mother. While her mother may not think it’s appropriate for a girl to wear black, bell thinks she should be able to express herself the way she wants.

Overall, the memoir, told mostly in third person, observes everyday acts and unpeels the trauma of a Black girl trying to use her voice when it’s restrained by others. The restraint becomes overwhelming, as in she knows her faith in believing her voice could be stomped out, and that conjures feelings of invisibility and unimportance. Instead of her voice being valued, it’s devalued with her family saying she’s too weird, incomprehensible. Though it’s set in the 1950s and 1960s in rural Kentucky, the pain points of being misunderstood, being silenced, being depressed, being poor, being female, being Black resonate beyond its time, unfortunately since these issues remain commonplace for many children in American households. The writing is simple, but every word conveys more meaning than what meets the eye.

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Book Review: ‘Sometimes I Trip On How Happy We Could Be’ by Nichole Perkins

Sometimes I Trip On How Happy We Could Be by Nichole Perkins

My rating: 4 of 5 stars


Sometimes I Trip On How Happy We Could Be by Nichole Perkins is a meaty biographical essay collection following a writer through her family trauma, romance drama, and the pop culture threads that color every moment.

Images of white girls in love came easily, but everywhere I turned, Black girls were warned.

“Fast” examines the adolescent woes of being a girl labeled by her hormones and where they lead her. The author talks about the warnings that lurked around every corner, seeing the caution her sister Izzie had to take coming of age in the 1980s to their mother starting the family in high school. When the author’s classmates become pregnant barely out of middle school, she writes about seeking distance from her pregnant friends and desiring love like the White girls she noticed finding love onscreen in the films she watched with Izzie.

In another early chapter called “The Women,” the author illustrates her relationships with the main women in her life: Izzie, their mother, her great-grandmother Muh’Deah, and her aunt C. She paints these women with extraordinary detail of life’s mundaneness such as Muh’Deah brushing her hair “using a pink Goody brush with white bristles” and recalling the first time she saw the matriarch herself let her hair down for a male neighbor. Her aunt C drives with both feet in case she has to press the brake for an emergency, but when she takes Nichole to the bookstore, the author for once doesn’t feel judged by her book choices and that means the world to her amid her parents’ divorce.

I didn’t want to bring any more attention to my lack of breasts or whatever else I thought was the marker of moving into womanhood. So when junior high hit, and my parents finally divorced, about three years after Control came out, I started adding more and more black clothing to my wardrobe.

The author’s fashion evolution starting in black is inspired by Janet Jackson, according to the chapter “Janet Jackson and the All-Black Uniform.” Janet’s 1986 independence anthem Control becomes the soundtrack of her parents’ fights as her mother plays the eponymous album’s lead single constantly. The pop star’s all-black uniform choice catches the author’s attention, and she adopts it as her own uniform as she hides her changing body to feel comfortable. Then she notices Janet evolve as an artist via adding colors into her wardrobe. How the author goes over her family’s situation to her own situation playing to the tune of Janet’s iconic song stresses the pop culture impact in her life.

The television show Bones helped pull me from an especially aggressive depressive moment in my life, but Frasier is what I use as a regular antidepressant.

Bingeing TV is a theme in two separate chapters where she discusses how the two mainstream shows targeted to mainly White audiences—one a comedy and the other a drama—helped her through transitions that also include health issues from living with irritable bowel syndrome after being treated for a ruptured spleen. Even in “HBCUs Taught Me,” she absorbs lessons from the 1988 Spike Lee film School Daze and the 1987-1993 NBC sitcom A Different World that brings her to Dillard University in New Orleans, despite being a Nashville native growing up adjacent to HBCUs Fisk University and Tennessee State University.

As she revisits her family life and her home life in different stages, the author is honest about her misadventures of finding love and being afraid she’ll never find it. “My Kameelah-Ass List” examines the lengthy list of qualities she wants in a man, inspired by Real World cast member Kameelah Phillips in the reality show’s 1997 season in Boston. The author writes how Kameelah had 200 items on her list in what she wanted in a man, including his weight and not having children. So the author goes about making her own list, which eventually turns into an internet chatroom magnet for opinions on judging a man with a list when a woman may not live up to the man’s standards either. Kameelah, now an ob-gyn who recently celebrated her 10th wedding anniversary, may have been successful with her list, but the author, on the other hand, only got to 86 items she wanted in a man that she lists in the book.

Overall, the blend of topics are entertaining and eye-opening as she dissects what she learned from her experiences and how societal misconceptions affect those experiences like with her familial relationships, romantic relationships, and friendships in real life and online. The narrator expresses through the essays her fear of not getting everything she wants, but as she ages, that fear morphs yet doesn’t impede her growth. From a Black girl from Nashville who grew up to be a writer, the stories are relatable as they convey her growing pains.

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film reviews

Simon & Schuster Publisher’s Memoir Comes to Life in ‘Journal for Jordan’

Commercials for the Christmas opening of the film A Journal for Jordan shows a smiling Michael B. Jordan in Army fatigues and boasts Denzel Washington as the director, but many in the bookish community might not realize it’s the story of a literary industry executive.

Dana Canedy was named senior vice president and publisher at Simon & Schuster in July 2020 as U.S. companies focused on elevating their diversity and inclusion promises after the police murder of George Floyd. The New York Times 20-year veteran, former Pulitzer Prize administrator, and Pulitzer Prize winner wrote A Journal for Jordan: A Story of Love and Honor in 2008 about her fiancé, U.S. Army First Sergeant Charles Monroe King, who died in combat in Iraq and left a journal for their son Jordan. The book is published by Penguin Random House’s imprint Crown Publishing Group.

The daughter of an Army drill sergeant, Dana and her family lived near the Fort Knox base in Kentucky. On Father’s Day 1998 while visiting her family, she meets Charles and is left smitten. But the feeling fizzles as she heads back to New York to work at the Times and live her single metropolitan lifestyle. Then her father tells her he gave her contact info to Charles. Once she and Charles connect, sparks fly. They spend years hopscotching the country for their jobs, as Dana works at other Times offices and Charles is stationed on other bases. After a few years, they are engaged and have a baby on the way. It’s the height of Operation Iraqi Freedom when Charles is called to duty. He dies after a bomb explodes underneath his armored vehicle in October 2006 when Jordan is six months old.

From the very first pages, Dana writes about the imperfection of her relationship with Charles. She does an excellent job describing their shortcomings with developing a relationship as a high-profile Black journalist with a dedicated military man. There is a frustration that Charles won’t leave his post in Iraq until his team returns safely home, and Dana describes that heartbreak that her fiancé won’t stay home for their newborn son.

“He was so devoted to his troops, many just out of high school, that he bailed them out of jail, taught them to balance their checkbooks, and even advised them about birth control,” she writes in the book. “But I struggled to understand what motivated the man who had for so long dreamed of your birth but chose to miss it because he believed his soldiers needed him more.”

The book, like the film, revolves around the journal Charles writes for his unborn son. Interwoven between Dana’s descriptions of their situations, Charles’ passages from the journal he leaves for Jordan tell the story from both sides with gems of wisdom the parents hope their son will understand someday.

Dana Canedy

Dana wrote an essay this week for the Times about the trauma reliving her grief onscreen. “So, yes, I have answers to the obvious questions about my life being turned into a movie,” she writes. “Ask me about the behind-the-scenes part and it’s harder to find the words to describe it. I am trying to take it all in and appreciate it. But as the movie rolls out nationwide, I am not sleeping well and am overwrought at times.”

She continues about her lack of sleep and the reenacted scenes affecting her. “While I am often so exhausted that my exercise bike has become an expensive clothing rack, some nights I fight sleep to keep the nightmares away,” she writes. “After Denzel sat with me for a private screening of our film, I dreamed I was fighting in the war alongside Charles and watched helplessly as he was shot dead in a hail of gunfire. Even the excitement of planning the premiere brought pangs of pain.”

Jordan is now 15 years old, and she says in the essay she worries about the impact of the story on her son and that he covered his eyes during the romantic scenes.

In the film, The Photograph‘s Chanté Adams plays Dana, and Michael B. Jordan plays Charles and serves as a producer alongside director Denzel.

A Journal for Jordan opens in theaters Christmas Day.

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Book Review: ‘Unfinished’ by Priyanka Chopra Jonas

Unfinished: A Memoir by Priyanka Chopra

My rating: 3 of 5 stars


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Unfinished by Priyanka Chopra Jonas is a memoir that delivers insight on the global star’s upbringing before and after fame in the U.S. and India.

Priyanka’s story starts in India where she is a regular seven-year-old, the daughter of military doctors. Naturally when her younger brother is born, she acts out with another sibling in the house. That leads to her being sent to boarding school, where, after the abandonment subsides, she learns how to live independently with her classmates and with decorum. The opportunity eventually leads to going to high school in the Midwest then New York with her aunt and cousins. She gets her first taste of American culture, which of course comes with bullying over her skin color and race. Americanized, she returns to India for her final year of high school, where she exchanges her midriff-baring style for tunics and pants. Now her brother doesn’t want her in the house and sends her photo to be in the Miss India competition.

She prepares for the unpreparable: representing a country that wins global beauty pageants on a regular basis. Without formal knowledge, she and her family string together whatever they can to help her learn to compete on the national level with other young, smart, beautiful women. Her dedication leads to her being crowned with the intention to represent India at the Miss Universe pageant. Though she flubs the final question, she still wins the pageant, securing India back-to-back wins. Since Bollywood film projects want a pageant queen, the woman who had aeronautical engineering goals is now blinded by the entertainment industry that eventually takes her abroad to her leading role in ABC’s Quantico.

Her family is an important part of the story. She is close to her parents who are portrayed as loving and supportive; she even acknowledges that her parents may be more unique than others. A series of botched surgeries to treat cancer takes the life of her father, and she expresses the toll of the grief of seeing her father suffer then recover then suffer again. She also describes the close relationships to her aunts, uncles, and cousins, and how it’s their culture to take care of each other, which affords her the opportunity to go to high school in the U.S. Her marriage years later to pop star Nick Jonas, ten years her junior, is told, where she explains how their courtship just happens naturally and results in a quick, extravagant wedding.

Her Western fame that includes simulating sex scenes sparks backlash in her home country. An insensitive terrorist storyline involving Pakistan on Quantico puts her in the line of the fire again. When she first entered the U.S. entertainment scene as a singer, a gig with the NFL reignites the racism she dealt with in high school. She is accused of getting a nose job when a sinus surgery goes wrong that leads to multiple surgeries fixing the bridge of her nose. The constant criticism motivates her to tackle it head-on, she says, pointing out the hurt of being in the public eye while living out her wildest dreams.

Overall, it’s a celebrity memoir that feels like it’s missing some depth, but learning about the international star and her rise on another continent is interesting as so is learning about her experiences in the U.S. as a teen from India and how that prepared her for the global pageant scene and her acting career.



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Book Review: ‘The Pursuit of Porsha’ by Porsha Williams

The Pursuit of Porsha: How I Grew Into My Power and Purpose by Porsha Williams

My rating: 4 of 5 stars


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The Pursuit of Porsha by Porsha Williams takes us on the journey of what made one of the most popular real housewives who she is.

Entrapment in abusive and toxic relationships with men seems to be the main traumatic point of The Real Housewives of Atlanta star’s story from how her father treated her before his untimely death to how her ex-husband treated her behind the cameras.

Atlanta born and raised, Porsha Williams starts her story on how she always envisioned herself in front of the camera as a way to escape her lingering depression and suicidal thoughts. Growing up, she lives with her mother Ms. Diane, a familiar face on the reality show, and her older brother Hosea. Her father also named Hosea like her grandfather, the civil rights activist who worked alongside Rev. Martin Luther King Jr., lives with his second wife and other family. Whenever Porsha and her brother visits their father, sometimes their father punishes them by forcing them into a basement or another room. Though she says the door would never be locked, Porsha feels like she can’t move. On one occasion, she tells her stepmother that her father has a girlfriend since her father would take her when he’d hang out with the girlfriend. This results in a punishment where she’s left in the car for hours. She says her father would forget he’s punishing her and her siblings, but that frozen feeling stays with her in future relationships with men.

When you’re that young, watching the man you love with your entire miniature heart give his love to someone other than your mom, it changes how you think about love and what you expect from it. It changes what you think is up and what you think is down, and suddenly life seems a bit more sideways.

The entrapment follows her when she becomes involved with the recently convicted sex trafficker R. Kelly. After being recruited from a nightclub, Porsha hops on the plane to the R&B singer’s Illinois estate for what she thinks is a recording session. Like the victims’ testimonies in the docuseries Surviving R. Kelly, Porsha describes being sold the falsehood of a singing career to becoming romantically involved with the manipulative man. He, too, leaves her trapped in bedrooms, where she’s not given food or water as a result of him forgetting about her.

Besides physical entrapment, Porsha discusses the highs and mostly lows of her two-year marriage to former footballer Kordell Stewart. Their relationship is first documented on the fifth season of RHOA, Porsha’s debut season. In her memoir, Porsha admits the TV opportunity appeals to her as a way to make her husband proud. A daycare center owner at 24-years-old, Porsha is convinced to let go of her business and be a housewife. But, she says, everything she does is never enough for her husband as their marriage falls apart for millions of viewers to see.

I thought the cameras would be a good distraction from the very real problems we were facing in our marriage, but they weren’t distracting at all. If anything, they magnified the façade we had built brick by unsteady brick.

Porsha relives her first season, realizing everything she says will be scrutinized to the max. Some famous slip-of-the-tongue remarks had viewers questioning her intelligence, and Porsha says she felt ashamed by her honest mistakes, especially while representing her family with civil rights advocacy roots.

After nine years on the show, Porsha has since left the Bravo series and now wears the title of civil rights activist in her own right. She documents in the book her journey from attending protests with her grandfather at six-years-old and witnessing racism firsthand to taking charge at the George Floyd protests last year that soon involved countless other Black people who had lost their lives to racist violence. She’s been tear gassed and arrested on her new crusade, but she says the strength she musters to go out and fight comes from protecting her baby daughter Pilar.

My daughter saved my life. I’ve dealt with depression on and off my entire life. I’ve never been clinically diagnosed, but I know what depression looks like. I know what it feels like. It’s almost like a wave drifting on the shore; I can see it out near the horizon, steadily coming toward me until it overtakes me and I have no choice but to give in to it.

Mental health is a topic that hits readers in the first several pages as a young Porsha says she has unexplainable suicidal thoughts and is taken to a therapist by her mother to discuss her feelings. She recounts a suicidal attempt as a preteen due to feeling out of place at school. The childhood depression evolves with her as she struggles to find relationships she can trust. Porsha emphasizes the pursuit of herself as discovering her self-worth and taking responsibility for her actions.

The toxic relationships with men dominate the book. In the audiobook version of the memoir, Porsha’s younger half-sister Lauren, who also appears on the reality show, takes the reins for two chapters describing some of the difficult relationships. In those situations, Porsha also narrates her uneasy path to motherhood from having an abortion to experiencing infertility due to fibroids. She says the men, who seem loving to her at first, flip on her into unrecognizable monsters, a recurring theme.

Overall, the book gives us a front row seat to Porsha’s World with her longing to be a star to her actually becoming a star amid the obstacles that forced her to recognize her self-worth.

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what's lit

Alice Sebold Apologizes to Exonerated Man She Had Accused of Rape

The Lovely Bones novelist Alice Sebold released a statement a week after the Black man she accused of rape was exonerated by a New York court.

The author set the literary industry ablaze with her 2002 debut novel and eventual film The Lovely Bones about a girl who is raped and murdered in the 1970s and trying to satisfy her teenage longings in the afterlife. The novel rips a page from the author’s memoir Lucky, detailing her 1981 rape as a Syracuse University student.

In Lucky, she describes the sexual assault and the justice system navigation while also obsessing over her rapist’s race that foreshadows the recent exoneration of Anthony Broadwater, a Black man who was convicted for Alice’s rape and served 16 years in prison. The pseudonym of Gregory Madison is used in the book. Coincidentally, Anthony was released in 1999, the same year Lucky hit shelves.

Alice wrote in her statement posted Nov. 30 on Medium that she is “truly sorry” to Anthony for her role in him being “another young Black man brutalized by our flawed legal system.”

“40 years ago, as a traumatized 18-year-old rape victim, I chose to put my faith in the American legal system,” she wrote. “My goal in 1982 was justice—not to perpetuate injustice. And certainly not to forever, and irreparably, alter a young man’s life by the very crime that had altered mine.”

The letter does not mention if Alice said this apology directly to Anthony over her role in his wrongful conviction. There isn’t any mention of what she plans to do with profits she made off Lucky.

“It took a lot of courage, and I guess she’s brave and weathering through the storm like I am,” Anthony told The New York Times. “To make that statement, it’s a strong thing for her to do, understanding that she was a victim and I was a victim too.”

Though Lucky was published in 1999, the memoir was recently being turned into a film for Netflix. The exoneration occurred after screenwriter Timothy Mucciante questioned the script’s authenticity during the court proceedings compared to the book, according to media reports. Then Timothy hired a private investigator who worked with Anthony’s lawyers to prove his innocence.

The Lucky film project has since been killed due to losing financing months ago, according to Variety. Timothy is working on a documentary about the case titled Unlucky with his production company, Red Badge Films, and Red Hawk Films, according to media reports.

Publisher halts Lucky distribution

Simon & Schuster‘s Scribner imprint, the publisher behind Lucky, tweeted Dec. 1 that it will no longer distribute the memoir.

The publisher’s website appears to have removed Alice’s book and author page.

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what's lit

Alice Sebold’s Fixation on Accused Rapist’s Race in ‘Lucky’ Forecasts Overturned Conviction

*Update post available on Alice Sebold’s apology and publisher Simon & Schuster’s response*

The man accused of rape by best-selling author Alice Sebold had his conviction overturned by the New York Supreme Court this week due to missteps in the case decades earlier. The author tells the story of her 1981 rape as a Syracuse University student in the 1999 memoir Lucky that unnecessarily fixates on the race of her perpetrator.

As a young White woman raped by an individual she identifies as a Black man, Alice pinpoints other experiences with Black men that come off as cringeworthy today in light of the recent news.

Anthony Broadwater spent 16 years in prison for the rape and was released in 1999, the same year Lucky was released to critical acclaim. The memoir eventually led to the success of Alice’s most famous novel, The Lovely Bones published in 2002 by Little, Brown and Company, loosely based on her own experience about a teenage girl who is raped and killed by a predator in her neighborhood. The Lovely Bones was turned into a film in 2009 starring Saiorse Ronan and Susan Sarandon.

Lucky, available from Simon & Schuster’s Scribner imprint, was in the midst of becoming a film on Netflix. Screenwriter Timothy Mucciante was working on the project, according to multiple reports, when he realized the script wasn’t matching the book, especially during the court proceedings retold by Alice in the book. Timothy hired his own private investigator to look into the case. In an exclusive, Variety reports Lucky the film, which would’ve starred You actress Victoria Pedretti, was dropped after losing financing months ago.

Alice hasn’t commented publicly about the overturned conviction.

Constant emphasis on Black men

I knew the old men hadn’t raped me. I knew the tall black man in a green suit, sitting on a bus-station bench, hadn’t raped me. I was still afraid.

Lucky, Chapter Four

The book starts with detail of the rape: how she’s accosted and attacked by a stranger in a tunnel near campus, how she walks back to her dorm bloody and shaken, how she undergoes the post-assault medical examination. When she returns to her dorm, a friend’s boyfriend offers a hug. But she’s apprehensive. That’s when the boyfriend, who is Black, asks Alice if her assailant was Black. Alice confirms the assumption.

This exchange is problematic, reinforcing the stereotypes of criminals usually being Black. It says it’s OK if someone Black makes that assumption. Even if the event took place, it shows the lack of racial diversity in publishing overall with that passage allowed to run in the millions of book copies sold.

The above pullquote references later on when Alice is driving with her mother to the University of Pennsylvania to see her father and sister. Outside the window, she sees Black men living their lives, and it scares her. She even tells her mother that she feels like she had been “lain underneath” all these Black men. Her mother says that’s “ridiculous.”

What led to the overturned conviction is in the memoir. Alice has a run-in with a Black man, who claims she looks familiar. It spooks her because she believes he’s her rapist. She notifies authorities about the run-in. After a police lineup, officers tell her she picked the wrong man. Later, a hair analysis is traced back to Anthony Broadwater, who has the pseudonym of Gregory Madison in Lucky. That analysis has since been discredited by the Department of Justice and the FBI as a lone method to identify suspects.

Anthony Broadwater did not know that Alice was profiting from the incident that put him behind bars, according to the Daily Mail.

Race, class lead to perfect conviction

My rapist was poor, black, and uneducated, and came from a family with an entrenched criminal record. I was a middle-class white girl attending an expensive university and I was raped not on property owned by the college, but in a public park on the edge of it… And, like the victim in the Stanford case, I knew that my words mattered.

Lucky, “Afterword”

In a 2017 afterword, Alice brings up Chanel Miller’s story of being the unidentified victim in the Stanford rape case that is chronicled in the best-selling memoir Know My Name. Using race and class, Alice compares her case where her accused rapist was imprisoned for 16 years to Chanel’s case where the Stanford swimmer who raped her only served three months in jail.

Race comes up in Chanel’s story but her own race as a young woman who is half-Chinese and how that surprised some supporters when she revealed her identity. Class also becomes an issue because she accused a White male, Olympic-level swimmer of raping her while she was unconscious. A book review can be found on shelit.com.

The Lucky afterword acknowledges in the above quote that the racial and socioeconomic dynamics created a perfect storm for a conviction that we now know is another exoneration of an innocent Black man in America.

Alice’s story could be compared to Tricia Meili’s story as told in her memoir, I Am the Central Park Jogger: A Story of Hope and Possibility, published by Scribner in 2004. Tricia’s horrific rape dominated the news in 1989 and led to the arrest of five boys who happened to be in Central Park at the time she was jogging. Tricia, who is White, worked as an investment banker while the boys, known as the Central Park Five, were Black and Latino from low-income families. Now, those men who served time and have had their convictions overturned in 2002 are considered the Exonerated Five, after they told their story through Ava DuVernay‘s lens in When They See Us.

A Black prisoner serving time for sexual assault is 3½ times more likely to be innocent than a White sexual assault convict, according to the National Registry of Exonerations, because of the high likelihood of cross-racial misidentification by White victims involved in violent crimes with Black assailants.

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book reviews

Book Review: ‘Hooked’ by Sutton Foster

Hooked: How Crafting Saved My Life by Sutton Foster

My rating: 5 of 5 stars


Read more book reviews like this on my blog shelit.com

Hooked by Sutton Foster dives deep into the Broadway and TV star’s poignant moments punctuated by her love for crafting and how it helped her stay sane.

Known for her head-turning Broadway starring roles and her turn in sexy bookish TV series Younger where she plays a 40-something passing as a millennial, Sutton Foster has written a memoir about her rise in entertainment and how crocheting helped along the way. Growing up in the South then the Midwest, she moved often with her family that included her older brother Hunter, also a Broadway veteran; their agoraphobic mother, and their father who seemed to be under the thumb of his wife’s undiagnosed mental health condition. Though her mother doesn’t want to face society, Sutton and her brother are placed in youth theater to exercise their energy. They fall in love with the theater, and we go on the adventure of seeing Sutton evolve into a professional actor at seventeen. She goes on her first tour in her senior year of high school for a musical, where she grows homesick amid battling catty girls who despise her energy. After dropping out of Carnegie Mellon, she finds herself lost trying to figure out her next step, so she journals and crochets. She eventually returns to her theater work where her risk of being the understudy of the Broadway run of Thoroughly Modern Millie leads to her becoming the lead and winning her first Tony Award.

The crafting is threaded throughout her story. She describes some of her hardest moments and how crafting became therapy. A chunk of her latter story surrounds her fertility hardships. While deciding on adoption, she is honest about the anxiety of becoming her mother and not becoming a mother in case the birth mother decides to keep the baby. All those swirling emotions motivates her to sew a blanket for her potential daughter. She stops at one point when she hears a friend fails to secure the baby she intended to adopt; crocheting the blanket when her adoption is up in the air is too much to bear.

Another underlying theme of the memoir is Sutton’s relationship with her mother. She learns crafting from her mother, recalling a stitched Strawberry Shortcake bookmark she received.

That was during the peak of my obsession with the red-haired cartoon character. I had coloring books, figurines, and even a garbage pail, all store-bought. I find it so moving that my mother took the time to meticulously stitch that sweet girl in her poufy pink bonnet and white frilly apron into existence. She added my first and last name in red thread and a row of hearts in pink and green, then finished the piece with a calico border. I don’t recall my mother saying “I love you” often. But I do know that she poured her love for me into that bookmark.

The palpable pain jumps through the author’s voice and on the pages of the book of how she had a difficult relationship with her mother and how that impacted the entire family dynamic and followed her onstage. She talks about how her mother only saw her once on Broadway while her high school drama teacher flew to see her perform on several occasions. Her mother didn’t acknowledge her brother’s eventual wife or talk to her brother for years because the couple had lived together before marriage “in sin.” After her mother’s death, Sutton soon starts her own family in fear she will become the mother she had. She also witnesses her father coming out of his unintended shell and living the life he always wanted.

Overall, the crafty memoir hits the emotional nerve mostly with the author’s relationship with the stage and the family she loves. The crocheting adventures and recipes seem to be a bit detached from the story. This is really a story of following your dreams. Sutton even has a few run-ins with her idol, Broadway and TV actress Patti LuPone, and conducts an interview featured in the book. So while you may want to head to your local craft store and learn to crochet to reduce anxiety like the author, you’ll connect more with her inspirational backstory.

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what's lit

Netflix Book Club to Discuss Nella Larsen Classic ‘Passing’ in Time for Film Release

Coining itself the home of the “world’s most talked-about book adaptations,” streaming giant Netflix is debuting a book club series hosted by a star of one of its first book-to-TV hits. 

Orange Is the New Black star Uzo Aduba will host the Netflix Book Club‘s social series “But Have You Read the Book?” premiering Nov. 16 on streamer’s YouTube and Facebook channels. November’s book selection is Passing by Nella Larsen, which will also have a Nov. 10 book-to-film release on Netflix starring Ruth Negga and Tessa Thompson.

The first book club episode will have Uzo interview the film’s stars and director Rebecca Hall.

Netflix

“I can’t tell you how many times I’ve asked friends, ‘But have you read the book?’ So I’m excited to host Netflix Book Club and bring together loyal book fans, TV and movie obsessives and the creators behind their favorite stories,” Uzo said in a statement. “I can’t wait to dive deep into the creative process and what it takes to bring a book to life.”

Passing follows two Black women who are fair-skinned enough to pass as White. Clare Kendry sees her childhood friend Irene Redfield in a hotel, and they chat about what life has been like since their upbringing in Chicago. Irene quickly learns that Clare has been passing full-time as a White woman married to a White man who has no idea his wife is Black. With her complexion, Irene can pass, too, but she chooses to have her Black family and engage with the Black community she’s always known. Clare tries to convince Irene she is living the ideal life until Irene meets Clare’s bigoted husband and realizes the danger Clare has put herself in. Both women struggle to have each other in their lives in case anyone finds out their shared secret.

Nella Larsen, who was born in 1891 to a Black father from the Danish West Indies and a White mother from Denmark, was considered one of the most well-known female authors during the Harlem Renaissance. Passing, her second novel released in 1929 after her debut Quicksand, soon became a standout at the time in the elite arts community, rivaling the popularity of Zora Neale Hurston‘s 1937 classic Their Eyes Were Watching God. Nella received a Guggenheim Fellowship to write a third novel in 1930, according to her current publisher Penguin Random House, but she couldn’t find a publisher. She died in 1964.

Passing also has enjoyed modern-day success thanks to the film and the best-selling gold of Brit Bennett’s 2019 literary fiction masterpiece The Vanishing Half about fair-skinned Black twin sisters who lead separate lives as one decides to live her life as a White woman. Brit, who recently had a book-signing cameo on HBO‘s Insecure, wrote the introduction to the newest copies of Passing. The Vanishing Half is being developed into a miniseries for HBO.

“From BridgertonTo All the Boys and Sweet Magnolias to Queen’s GambitUnorthodoxVirgin River and of course Orange Is the New Black, Netflix loves bringing books to life on screen and creating conversation with passionate readers and fans,” said Netflix chief marketing officer Bozoma Saint John in a statement about the book club series. The marketing maven herself has a forthcoming book with Viking Books called The Urgent Life that will be focused on her life during and after her late husband’s cancer diagnosis.

Starbucks is partnering with Netflix to bring the book club to social media.

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what's lit

Book Review: ‘You Got Anything Stronger?’ by Gabrielle Union

You Got Anything Stronger?: Stories by Gabrielle Union

My rating: 4 of 5 stars


Read more book reviews like this on my blog shelit.com

You Got Anything Stronger? by Gabrielle Union picks up right where we leave off from her first autobiographical story collection and takes us on her adventure of learning from life’s most impactful moments.

Her 2017 memoir We’re Going to Need More Wine made headlines with the author’s admission of losing count of her numerous miscarriages. The second book begins with her fertility struggles and her decision to choose surrogacy. She takes us down the journey of selecting the right surrogate mother and how many women look for a surrogate by targeting Black and Brown women’s wombs to house their fetuses, which informs her decision of who will be the best vessel for her daughter Kaavia James.

The chapter highlights her continuous fertility struggles, including her adenomyosis diagnosis that comes after her in vitro fertilization attempts never worked successfully. And she addresses the hardship of trying to get pregnant while her basketballer husband Dwyane Wade had a baby with another woman during a time she calls a bad place in their relationship before marriage. She talks about the pain of not birthing a child as her partner can conceive a child—a topic she says she didn’t feel comfortable discussing in her previous book. We also revisit her rape in college when she was working at a Payless ShoeSource by following the aftermath and healing process as she stays glued to watching the 1992 Summer Olympic Games in Barcelona.

Surprisingly, one of the poignant chapters is a heartfelt letter dedicated to Isis, Gabrielle’s pivotal character in the 2000 cheerleader flick Bring It On. Isis leads the East Compton Clovers to victory after finding out the Rancho Carne Toros led by Kirsten Dunst’s character Torrance have copied the all-Black cheerleading team’s moves for years. The actress goes into the awkwardness of being the only Black person at the audition rehearsing stereotypical slang. Once she nabs the role along with Clover characters named Jenelope, Lava, and LaFred, played by the R&B girl group Blaque, Gabrielle finds herself every day editing the script to subtract the slang she knows wouldn’t come out of Isis’ mouth. She even reveals how she worked out a storyline for Isis to go to a top university, but it didn’t make the cut. Twenty years later, Isis is a mainstay on the top movie villains lists every year, a downer for Gabrielle who felt she let down Black teen girls by not making sure Isis deserved role model status. This motivates her to become a better role model for her daughters Kaavia and Zaya.

Her relationships with her daughters are interlaced in the stories. While she talks about her journey to mothering Kaavia, she also talks about her journey in understanding Zaya’s gender and sexual identity. She is a supportive stepmother with going to the school administrations whenever the family moves due to Dwyane’s basketball career to explain Zaya’s preferences. Those preferences evolve until Zaya realizes she is a transgender girl. And with that evolution comes the family’s evolution in creating a safe space for Zaya and asking others to do the same.

Stories with heartache sit between comedic chapters like when Gabrielle takes a laxative before going to the strip club that turns into a night in the strippers’ dressing room with a cold compress on her forehead to when her younger sister gets drunk off frozen limoncello at Thanksgiving that Gabrielle made after seeing Danny DeVito blame his televised drunkenness on the alcohol.

Overall, the memoir is another well-written collection of stories from different times and themes throughout the author’s life. Via the audiobook, her voice comes alive with the storytelling and the brilliant choice of words.



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book reviews

Book Review: ‘Misfits’ by Michaela Coel

Misfits: A Personal Manifesto by Michaela Coel

My rating: 4 of 5 stars


Read more book reviews like this on my blog shelit.com

Misfits by Michaela Coel is a smart quick read where the actress, screenwriter, and producer narrates her rise in entertainment by recognizing the people she classifies as misfits while also noticing how moths always seem to make an appearance on her journey.

How many other potential artists with stories we want and need have we lost for the sake of financial profit; have we lost to thoughtless education systems, thoughtless nurturing, thoughtlessness? Why are we platforming misfits, heralding them as newly rich successes while they balance on creaking ladders with little chance of social mobility? I can’t help usher them into this house if there are doors within it they can’t open.

The hourlong book starts with Michaela ready to kill a moth interrupting an informal Stranger Things screening in her flat with her friends. Instinctively, she sprays moth killer. Once her friends gag at the odor, she realizes her sense of smell is gone. That same year in 2018, she’s invited to the MacTaggart Lecture at the Edinburgh TV Festival where she not only vocalizes her story but analyzes the elements that propelled her to unexpected stardom.

The author intersects lepidopterology throughout the key moments that contribute to her career in entertainment from dropping out of college a few times to taking a chance on a virtually White theater school, then writing her own play and performing it, and seeing that play become her first TV show, Chewing Gum.

The term “misfit” can be cross-generational and crosses concepts of gender or culture, simply by a desire for transparency, a desire to see another’s point of view. Misfits who visibly fit in will sometimes find themselves merging with the mainstream, for a feeling of safety.

Race and class define the story. The daughter of an immigrant single mother, Michaela attends a youth theater for free. She’s the only Black girl there. As an adult, the lack of diversity remains the same at her theater school. But when she writes the play that becomes the U.K. Netflix series Chewing Gum, she realizes the pattern continues on the industry level where she had to make sure the majority Black cast received the same treatment as the White actors.

During that show, she admits her business dealings weren’t clear to her. She eventually declines that newsworthy million-dollar offer from Netflix for her next show that evolves into HBO’s I May Destroy You. While working long hours on her second show, a night out for a break becomes the impetus for the future award-winning series as she is accosted by a flashback that makes her realize she had been raped. It’s then she finds herself leaning on the misfits she met inside and outside the industry to help her in the healing process and the storytelling process.

Overall, the personal manifesto highlights the author’s most meaningful memories describing where she is now and uses interesting symbolism from misfits to moths. Because of the length and substance, it’s a good choice for readers trying to stick to their annual reading goals or looking for something short and sweet.

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what's lit

Marketing Maven Bozoma Saint John Teases New Memoir

Bozoma Saint John, the chief marketing officer of streaming service Netflix, announced she has officially joined the author family at Penguin Random House.

In an Instagram post, she shared a snapshot of an email from the publisher welcoming her to the author portal, where she will access information such as her sales and royalties. She revealed her book, The Urgent Life, is coming out next year courtesy of Viking Books, a Penguin imprint.

“I’m really writing y’all,” she wrote Wednesday. “And then one day, you’ll see my vulnerable words in print 🤯 This is truly one of the scariest things I’ve ever done.”

On a recent podcast episode with broadcast journalist Catt Sadler, Bozoma says the book will focus on her journey of grief after losing her husband to lymphoma within six months of his diagnosis in 2013. She tells Catt that she used social media to share the journey with loved ones until they told her she should piece the content together for a book after her husband’s death. But she wasn’t ready.

“He’s been gone for seven years, and I feel like the time is right now,” Bozoma says. “I’m in a really great place spiritually, where the mantra that I live my life with now is to live life urgently, so the book is called The Urgent Life, which is really about the pace at which he lived his last months and we lived it together… It’s not about speed, it was about the intention, the intentionality of how we did it.”

The book does not have a public title page yet on the Penguin website, but comparative titles include actress Tembi Locke’s From Scratch, also a forthcoming Netflix series starring Zoe Saldana, and Facebook chief operating officer Sheryl Sandberg’s Option B.