Categories
what's lit

‘From Scratch’ TV Review: Heirlooms

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

The sixth episode of Netflix’s limited series From Scratch shows a couple affected by cancer deciding to expand their family after a loss.

The critically acclaimed memoir of the same name by actress Tembi Locke follows her love path with her late husband Saro and how she ventures to his homeland of Sicily with their daughter after his death. The show features a fictional adaptation of her story.

It’s fall 2006, 18 months after Lino, played by Eugenio Mastrandrea, is declared cancer-free. He learns his father has died suddenly from a heart attack in the fields he farmed in Sicily. Consoled by his wife Amy, played by Zoë Saldaña, Lino thinks it’s time for them to be parents. His cancer has been at bay with a clinical trial ending.

Like many couples, they begin looking at in vitro fertilization and artificial insemination for the chance of having a biological child. Amy feels overwhelmed about the prospects of putting her body through a lot of changes to have a baby. She doesn’t have a problem with adopting a baby, and Lino realizes he feels the same way.

Six months later, Amy and Lino are in the wedding party for Amy’s sister Zora, played by Danielle Deadwyler. As soon as the ceremony ends, Amy and Lino receive the call for their daughter. They rush to the hospital to meet with the birth mother, a UCLA student who says she and the baby’s father can finish school without worry now that their daughter will be placed with the right couple.

She explains the couple’s adversity with their interracial and intercultural union and battle with cancer are the reasons why she thought they’d be good parents. The birth mother appears to be Asian while the birth father appears to be Black, making the baby biracial. Lino leaves the room to give Amy and the birth mother more privacy. Amy learns the baby reminds the birth mother of her grandmother, Rose. She adds Rose as a middle name for Idalia, which she says means “behold the sun” in Italian.

In an interview before the series premiered, Tembi said her daughter Zoela chose the name Idalia for the character based on her.

Baby Idalia goes home where Amy’s mother Lynn, played by Kellita Smith, and her stepmother Maxine, played by Judith Scott, have a fight. A natural health enthusiast, Lynn suggests Amy buy breast milk online to feed Idalia. But Maxine thinks buying bodily fluids from random women on the internet is a bad idea. Maxine, who was unable to birth her own children, feels that her insight is ignored simply because she never gave birth.

“Heirlooms” is the chapter in the memoir marking one year after Saro’s death. Tembi is fielding phone calls from her family members who are flying to Los Angeles from Texas to be with her and eight-year-old Zoela on the anniversary. The chapter name is not for heirloom tomatoes but for fava beans grown from Sicilian seeds in their LA garden. Tembi tells her mother-in-law she plans to serve fava beans to her family and friends in commemoration of her late husband.

“She knew about the heirloom beans, passed down through generations in Sicily, that we had been growing every year,” she writes. “It made her happy to imagine them growing in foreign soil, feeding us thousands of miles away. She gave me tips on how to keep the beans creamy once pureed… I hung up the phone and looked at the pile of fava beans. Some people have heirloom jewelry. I had fava beans.”

Zoela’s adoption story similar to Idalia’s is featured in the chapter “Something Great.”

“My family had welcomed my cousin into our kin by way of international adoption just one year before Saro and I had walked down the aisle,” Tembi writes. “I was watching her grow up from a distance, seeing her at holidays and family gatherings. I saw the joy in her parents’ eyes. I saw the love. I saw the way adoption was deeply intentional and expanding. I saw another way a family could be formed, and I was hooked.”

Like in the show with Amy and Lino, Tembi and Saro decide to be honest about the cancer in the medical history section of their adoption application. After three months, they are placed with their daughter. The call about her birth comes when Tembi is at a Pilates class in LA’s Silver Lake. The couple flies to San Francisco to pick up their daughter.

“We told the birth mom what we planned to name the baby: Zoela. Saro and I loved the name, an ancient Italian moniker meaning ‘piece of the earth,'” Tembi writes. “We thought it symbolic for the child who had brought strangers together. Her name reflected the diversity of her biology and cultures. She was African American, Filipina, Italian, and even, Saro added, Sicilian.”

Back to the show’s episode, Lino undergoes a scan. Him dropping his wedding ring into a plastic tray while dressed in a hospital gown before heading into the scan becomes a regular shot throughout the series. He’s always being checked for cancer. Upon his new fatherhood, he remains cancer-free, for now.

QUALITY TIME

Fast forward to fall 2011. Idalia is a four-year-old sous chef in Lino’s kitchen when she flips a frittata. Idalia and Lino chat about her school’s social scene with the kids and their mothers. Lino is a stay-at-home dad while Amy carries on with her art career to support the family. With Lino still using a cane because of the cancer starting in his knee, he’s still unable to stand for long hours in a kitchen as a chef.

Seeing the close bond between Lino and Idalia, Amy starts to feel jealous that she doesn’t get enough time with Idalia since she’s the sole breadwinner. She confides in Zora that she hates how cancer has disrupted their lives. Lino not being able to work and getting checked for cancer have put a strain on their relationship, Amy shares. She’s upset about her jealousy since the time Lino has with Idalia is precious.

At home, Amy is struggling to keep up with yet another conversation about Idalia’s friends and their mothers and who’s bringing what to a potluck. She finally breaks down to Lino with letting him know she’s jealous of the bonding time he has with their daughter. Lino argues he’s jealous, too. He can’t work as a chef; he can’t do the job he loves.

The episode jumps to spring 2014 where Amy has cut her hours at work to spend more time with Idalia. Lino starts a cooking class, where he can do what he loves in a controlled amount of time.

One day, they eat corndogs together at home. Lino fell for corndogs in the second episode of the series when he goes to an American supermarket for the first time. But this time, Lino chokes on the corndog. Though he tells Amy the corndog bite went down the wrong hole, Lino looks concerned while looking at his family, who are chatting and eating away unaware of the concern.

Lino gets another scan. While waiting for his results, he plans a date night with Amy. They dance carefully. Amy notices a bad rash on Lino’s wrist. Later in their bathroom, Amy finds a hospital bracelet and notices Lino had a scan without telling her. All signs are pointing to the cancer making a return; a reality they tried to avoid, and have avoided, for several years. Now as parents, the stakes are higher. Lino’s concern has transferred to Amy.

Categories
what's lit

‘From Scratch’ TV Review: Bread and Brine

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

Christmas 2004 opens up the fifth episode of From Scratch when the parents of Lino, played by Eugenio Mastrandrea, arrive in Los Angeles to care for their son who’s battling a rare soft-tissue cancer.

Amy, played by Zoë Saldaña, is standing at the end of the escalator with her mother Lynn, played by Kellita Smith, as they wait for Lino’s father Giacomo, played by Paride Benassai, and Lino’s mother Filomena, played by Lucia Sardo, to come down to their level in the airport. Amy has to run up the escalator to help them since they probably never used one before. Once they all arrive at the house, Lino becomes the focus.

Filomena rushes to her bedridden son while Giacomo stops before the front door and remains in the garden. As a lifelong farmer, he sees myriad mistakes in the boxes where plants like garlic and parsley are growing. He stays outside to tend to the garden.

Inside, Filomena opens up her heavy suitcase to reveal glass jars of pastas, spices, herbs, and tomatoes. She cooks a hearty meal for Lino, but Amy has to tell her that Lino can’t eat that type of meal on his medications. Lino gets jealous others get to eat his mother’s cooking, so he stuffs his face. And, of course, he gets nauseous before his scheduled stay in the hospital.

The transportation of the food happens in the memoir by Tembi Locke as she tells the story of falling in love with her late husband Saro and moving through the stages of grief with her daughter in Saro’s homeland of Sicily.

“Bread and Brine” is the name of a chapter. With the book mostly focusing on Tembi’s time in Sicily after her husband dies, the chapter shows the relationship between Tembi and her mother-in-law Croce, who cooks as she grieves.

“She had never let me cook in her house. Never. Not even her chef son was allowed to,” Tembi writes. “No matter how many nights I slept under her roof, no matter how many times she washed my bras and ironed my underwear, I was her guest. Even if I was also family. She preferred to work alone, at her own pace; she didn’t want company while she cooked. In the past, I had just passed through, made small talk, but had never lingered from start to finish. She, like many women in town, saw their time at the stove as their domain. I was forbidden to even set the table.”

coffee break

As Lino recovers from surgery, Giacomo finally comes to greet his son in the hospital bed. They have a small heart-to-heart when Lino says he would like a cup of coffee. This gives Giacomo a spring in his step as he walks around the hospital in search of coffee without knowing English. He finds a doctor who seems to know a bit of Italian who helps him use the coffee machine. He tells a story about seeing Lino in the hospital when he was a kid who had broken a bone, but now it’s different.

When he returns to the hospital room, he sees Amy’s father Hershel, played by Keith David, bonding with Lino. Standing by the door, he notices the connection between the two, blossoming over his absence from his son’s life at a time when he expanded his family.

Lino soon comes home, where his family and friends sit down to watch football, also known as soccer, on the Italian channels. Giacomo asks one of Lino’s friends about his son. As they talk about kids, Lino becomes increasingly irritated because the chemotherapy has threatened his reproductivity. He gets up and leaves with his crutch.

IT COULD GET WORSE

For a moment of escape, Amy runs to her and Lino’s mutual friend Preston, played by Rodney Gardiner, to drink scotch and talk. He welcomes the opportunity, especially when he’s just watching the Black Christmas classic Holiday Heart starring Ving Rhames as a drag queen helping a girl and her drug-addicted mother. Amy is upbeat about Lino’s surgery to remove the cancer. But Preston has other thoughts. He offers the possibility that Lino may never quite fully recover; the cancer can return.

The doctor tells Amy and Lino that the surgery was successful, but recurrence is possible. Lino describes cancer as “like a weed” to his parents, who learn they have to tame their excitement over the surgery.

Since the surgery was technically a success, Lino now qualifies for a clinical trial. He announces the news at dinner with the entire family. Then Amy’s sister Zora, played by Danielle Deadwyler, announces her engagement to her longtime boyfriend Ken, played by Terrell Carter. The family congratulates the happy couple. Even Giacomo stands up ready to give a toast. Lino is in disbelief. His own father who didn’t go to his wedding is happy an unrelated couple is getting married. The bright mood plummets.

Going back to the book, Tembi brings Saro and his parents to her native Texas to meet her family. Saro’s parents enjoy a Houston Texans football game and struggle to figure out the art of eating Texas Barbecue. Tembi catches her mother-in-law taking in the scene, looking at her son constantly until she turns to Tembi’s sister Attica Locke, who serves as the head of the Netflix series, to tell her her surprise about Saro being welcomed in America.

“And as I sat there with everyone eating—not just consuming food but sharing our dreams, our aspirations, our histories—I could see how the stakes, the specter of illness, had changed all our lives,” Tembi writes. “What was important had changed. We were far from the wedding in Florence, reading telegrams from the half of our family who had refused to come because of race and fear. That trip to Houston was the first time we didn’t have to wonder what it would have been like to have both parts of who we were together in the same room.”

The next morning on the show, Lino and Giacomo clear the air with a hug as Lino’s parents head out for their flight to Sicily. The cancer is gone, and the family is at peace until the next monumental changes come along.

Categories
what's lit

‘From Scratch’ TV Review: Bitter Almonds

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

Delivering a cake to a Sicilian baker’s third cousin leads to a new job opportunity for Amy, played by Zoë Saldaña, in From Scratch as Amy’s husband Lino, played by Eugenio Mastrandrea, fulfills his dream of being the head chef in his own restaurant.

The Netflix drama is based on the best-selling memoir of the same name by actress Tembi Locke about her relationship with her late husband Saro, who succumbs to cancer, and her journey through the grief in Saro’s homeland of Sicily.

In the limited series, Amy starts volunteering at the Watts Tower with teaching kids art. She feels more of a purpose as a volunteer compared to her job at an upscale art gallery. When her boss calls her to convince a client to keep their work in the gallery in the middle of a volunteer session, Amy realizes she would rather make the community gig full-time.

Meanwhile, Lino loses his job. The greasy Italian restaurant he had been working at since he moved to Los Angeles is closing over loss of business. The owner says he’ll keep the building, but operations will cease. Lino asks if he could finally cook his own authentic Sicilian cuisine in an experimental dining experience. The owner agrees, making Lino the head chef of the new iteration.

Amy wrestles with her decision for the lower-paying job, so she calls her father Hershel, played by Keith David, for advice. Hershel reminds her that she’s a married woman who needs to discuss the life-changing decision with her husband.

When Amy and Lino come together to talk through their career moves, they convince each other to follow their dreams.

ONE STEP FORWARD, TWO STEPS BACK

A banner for L’Isola, Lino’s test run of a dining experience, hangs over the old restaurant’s signage for opening night.

Amy’s sister Zora, played by Danielle Deadwyler, brings her former NFL boyfriend Ken, played by Terrell Carter, to the new restaurant. Zora is acting on Amy’s advice to introduce her boyfriend to their mother Lynn, played by Kellita Smith.

Frenzied by serving patrons, Amy tells Zora that she did not expect the introduction to happen on the opening night of her husband’s restaurant. But Zora explains that they would all be under the same roof, so it makes the most sense until Lynn rebuffs Ken every time he shares information about himself. The introduction is a fail, especially without Amy being able to sit down with her family to be a mediator. Zora becomes upset with Amy for the bad advice.

A DREAM DEFERRED

One day, Lino comes home after a long day at work complaining about pain in his knee. Amy checks the knee and notices it’s swollen. Noting the hardened texture, she suggests Lino should see an orthopedic doctor.

Amy reaches out to Zora for an orthopedic doctor since Ken would know one with his professional football background. Zora becomes enraged; she feels she’s being used by her needy younger sister again. She gives Amy the information but warns her about her dependence.

At the doctor’s office, the scan of Lino’s knee leads to a referral to an oncologist. Lino eventually gets diagnosed with a rare soft-tissue cancer. Right away, Lino is rushed to chemotherapy, as Amy suddenly becomes a caretaker.

Though L’Isola is getting rave reviews, the trial restaurant closes immediately without Lino being able to be on-site as the head chef. Amy must convince her former unfeeling boss at the art gallery to give her contract work in order to keep her health insurance policy. She doesn’t share Lino’s diagnosis, but her sobbing convinces the boss to help her.

Zora comes by the house to see what happened to Lino’s restaurant. As soon as she’s at the door, Lino collapses behind Amy. They rush Lino to the hospital, where he has to stay. Amy reveals to her family Lino’s cancer diagnosis and how it has already upended their lives.

THE BITTER AND THE SWEET

The name of the episode, “Bitter Almonds,” is also the name of a chapter in the memoir. But the book focuses more on life in Sicily after Tembi’s husband Saro dies from cancer. During her time of grief with Saro’s mother, Tembi receives a heavy bag of almonds from a neighbor in the town who said the almonds were from a cousin of Saro’s mother. When Tembi brings the almonds to the home, she realizes she brought another chore to the kitchen. Cracking the nuts open becomes a worthwhile experience to taste authentic Sicilian almonds.

“Bitterness, Sicilians understand, is an essential flavor both in food and in life. It has shaped the island’s culinary identity. There is no sweet without bitter. The poetry of island tells us that the same is true of the Sicilian heart.”

Saro’s cancer diagnosis is first detailed in the chapter “At the Table,” where Tembi describes the hardship of becoming a caretaker while still working as an actress. They are exhausted from the medical situation until Saro suggests Tembi should “take a lover.” They can’t enjoy their time together as he gets sicker. The swift transition came with her husband’s chemo rounds and knee surgery. The cancer is still a secret to his family.

“Many rounds of chemo, three hospital stays, and a major surgery later, Saro still had not told his parents about his diagnosis,” Tembi writes. They soon have to notify his family, who fly to LA. Like in the next episode where Amy must pick up Lino’s parents at the airport stateside and prepare mentally on how to deal with the parents who have failed to build a relationship with her.

Categories
what's lit

‘From Scratch’ TV Review: A Villa. A Broom. A Cake.

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

In the third episode of From Scratch, we make an 18-month jump to summer 2004 where Amy, played by Zoë Saldaña, and Lino, played by Eugenio Mastrandrea, are touring their wedding venue, a duchess’ mansion in Florence.

When they’re talking to the duchess about paying for their reservation, the duchess repeats how she needs the deposit in full. The microaggression from the duchess becomes a laughing matter when Amy and Lino meet with friends because they know the duchess, like many others, didn’t expect to see a Black American woman with a Sicilian man wanting to marry in an Italian mansion.

The series is a fictional adaptation of From Scratch by Tembi Locke, who tells the story of how she fell in love with her husband and how she fell in love with his country after his untimely death from cancer. This episode covers the wedding that doesn’t stray away too far from the memoir.

FAMILY MATHEMATICS

Before family arrives, Amy and Lino joke about him meeting her entire family. Lino will be baptized as a Texan, Amy laughs. Lino asks if that means he’ll be dipped in barbecue sauce. Amy giggles and says the choice condiment would be hot sauce.

What is unspoken between them is Lino’s family is not coming to the wedding. With his father still angry about his decisions to leave Sicily for education, career, and now a wife, Lino will have to lean on Amy’s family.

Like clockwork, Amy’s father, Hershel, played by Keith David, arrives in Florence in Texan cowboy attire, along with a crowd of their family members. The Black family dominates the guest list, and they’re wondering why the Sicilian family is not present. They compare the commute times from Houston to Dallas with Florence to Sicily, both trips an hourlong flight. How did they come halfway around the world while the much closer other side didn’t bother to show up?

At the low-key bachelorette slumber party, Amy asks her older sister, Zora, played by Danielle Deadwyler, if it’s OK to get married without her future in-laws in attendance at the wedding. As the day gets closer, the hope they will show up is dissipating.

Meanwhile in Castelleone, Sicily, Lino’s mother Filomena, played by Lucia Sardo, is visibly upset about not being able to attend her son’s wedding. She’s from another generation, as in she obeys her husband, Lino’s father Giacomo, played by Paride Benassai, disapproves of Lino’s actions. In fact, Giacomo calls Lino a “disgrace.”

It’s the wedding day. Amy gets her something old, something borrowed, something blue from Zora, her mother Lynn, played by Kellita Smith; her stepmother Maxine, played by Judith Scott; and her grandmother Evelyn, played by Greta Sesheta.

With the men, Lino is christened with Texas-shaped cuff links from Hershel. Though his father is not there, Lino can now depend on his father-in-law.

Before they walk down the aisle outside on the terrace, Amy and Lino meet inside the mansion. They console each other that they will be fine getting married without his parents there.

Image: Netflix

The Sicilan side did not show up in the book either. At least Tembi’s late husband Saro’s immediate family was not there, but an aunt and uncle-in-law had shown up.

“Unbeknown to us, they had driven down using the address on the invitation I had sent them. They had told no one they were coming, not Saro’s mother, not Saro’s father. To do so would have been a family betrayal. Still, there they were. Saro was speechless, moved to tears by their gesture. And for the first time, I sensed what we had missed in not having is parents there. My heart opened wide.”

After exchanging vows and jumping the broom, they have dinner. Lynn rises from her seat for a toast and advises the new married couple to not allow pebbles of problems pile up into a boulder. When there are too many peddles impeding growth, then a couple may never get past that boulder. She says she had that problem with Hershel. The moment becomes tense between the divorced couple, but Hershel finds a way to end the toast as guests drink their wine. Everyone later dances the Harlem Shuffle under string lights on the terrace.

PEBBLES TURN INTO BOULDERS

Amy and Lino embark on a trip to Sicily. Lino couldn’t return to the U.S. without seeing his family, although they refused to come to the wedding. Once on Sicilian ground, he calls his family’s home. His father picks up and warns him to not come near the house. Devastated, Lino says they can go back home. Amy says no; they can still enjoy their time.

At the hotel, Amy calls the house herself. Lino’s sister Biagia, played by Roberta Rigano, answers the phone this time, cradling a baby daughter who’s never met her uncle. Amy explains Lino wants to see the family badly. Biagia says it’d be impossible for her and her mother to see Lino; the very action will bring shame to the family for disobeying the patriarch.

Later, Giacomo comes inside the house and takes off his boots. Filomena notices a pebble in one of the boots that she slides into her apron’s pocket. It symbolizes the pebbles, or the problems, that could pile up in a marriage, per Lynn’s wedding toast.

The next day, while Amy and Lino walk around the farmers market, Lino spots his father bringing a merchant some of his crops. Lino and Giacomo lock eyes, but Giacomo jumps into his truck and speeds away.

At home, Filomena scrimps on Giacomo’s meal by barely adding any tomato sauce to his spaghetti. This deliberate action eats away at her so that she tells her priest during confession. The priest asks why would she do that as a dutiful wife. She explains the fractured relationship she now has with her son, including missing his wedding, because she must obey her husband.

As Amy and Lino are leaving the hotel after a fruitless effort to see his family, Lino notices his mother, his sister, and his baby niece. They sit down outside to catch up, but not for very long. Filomena and Biagia must go before Giacomo notices anything is amiss. They return to the priest’s car and drive away.

The memoir has Tembi surprising Saro with a trip to Sicily months after the wedding. They stayed in a hotel and shared their schedule with Saro’s sister Franca. This brought different family members, mostly cousins, to their hotel to meet with Saro and Tembi. Then finally, Saro’s parents came.

“As we passed bread, no one referenced the previous years. There was no grand apology or even gesture of regret for time lost. We just ate and carried forward as if starting our relationship from that moment.” Tembi goes on to write that she ate “pasta with local capers and a simple tomato sauce that pleased my palate like no other.”

CAKE DELIVERY

On this trip, Tembi and Saro are saddled with a dry cake a local baker gives them. The cake, or “the traditional cake of Polizzi Generosa,” is supposed to be delivered to actor Vincent Schiavelli, known for his roles in One Flew Over the Cuckoo’s Nest, Ghost, and Batman Returns. Once they’re back in Los Angeles, Tembi calls her agent about how to contact Vincent. The actor himself calls and comes over to pick up the cake.

This is dramatized with Amy and Lino being in the same predicament looking for a distant cousin of a Sicilian baker who lives in LA like them. Amy uses her contacts at the art gallery to find the cousin, who happens to work at the Watts Towers art installation, which was created by Italian immigrant artist Sabato “Simon” Rodia. The cousin also gets his cake.

The cake leads to more for Amy as she wrestles with a major career decision right when she and Lino are stabilizing their married lives.

Categories
what's lit

‘From Scratch’ TV Review: Carne e Ossa

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

The second episode of Netflix’s new drama From Scratch based on Tembi Locke‘s heart-wrenching memoir about her love journey with her late husband has the young couple move to Los Angeles for a fresh start.

It’s November 2002 where Amy, played by Zoë Saldaña, and Lino, played by Eugenio Mastrandrea, have finally united in the City of Angels after an 18-month long-distance relationship. They live with Amy’s sister Zora, played by Danielle Deadwyler, as they look for jobs in their preferred fields. While Amy works in an upscale Hollywood art gallery with an international flair, Lino is only able to get a job at an American Italian restaurant that serves plates piled with questionable-looking spaghetti and meatballs.

WORKING FOR THE MAN

At the gallery, Amy sells a photographic piece featuring girls in burqas resembling basketball jerseys for Michael Jordan and Kobe Bryant. The fact she can recall Kobe’s fluency in Italian due to a military upbringing seals the deal with the man who says he’ll buy the piece. Office politics makes Amy’s boss upset, but the sale translates into a greater deal of respect.

On the other hand, Lino leaves work early because of slow days at the restaurant. He gets restless. As Thanksgiving approaches, he asks Zora if he could help with the grocery list. Lino heads to Jons, one of LA’s supermarket fixtures, for a trip where he discovers frozen corn dogs.

The scene features a Jons employee showcasing the corndog samples played by Nick Locke, the brother of author Tembi and their showrunner sister Attica Locke, who’s also an award-winning mystery novelist. Their other brother, Doug Locke, makes a cameo as a receptionist at the art gallery. When Lino and Zora bond over the grocery list, one of Tembi’s first TV appearances in a 1994 episode of The Fresh Prince of Bel-Air plays in the background.

With Amy gaining the ranks at the art gallery, she asks her boss for an introduction to a top Italian restaurant chef who could hire Lino, an authentic Sicilian chef who has mastered Italian cuisine. Amy drives Lino to the interview. During the interview, the chef belittles Lino for his immigrant status and Sicilian ethnicity. Lino returns to Amy’s car, upset over the ordeal.

CULTURE NOT ACCEPTED

For Thanksgiving dinner, Lino, as the chef in the house, cooks the entire holiday meal. But when the family of Amy and Zora arrive looking for Black staples like macaroni and cheese, collard greens, and, of course, turkey with gravy, Lino’s Sicilian-inspired meal is pushed off the table to the windowsill, uneaten. On top of the failed job interview, Lino feels his culture is disappearing.

Over dinner, Amy’s mother Lynn, played by Kellita Smith, comments that she wants “Brown grandbabies” and asks Lino if his family approves of him cohabitating with Amy. Lino shares that his family hasn’t approved of him in a long time after he left home to attend university then dropped out to become a chef. But, yes, running to America to be with a Black woman who’s not Catholic adds a cherry on top to the disappointment.

After being bummed about the adjustment to his new home, Lino sits up in bed to a surprise bowl of hot grits. That’s what Amy calls the dish, but Lino calls it polenta. The boiled cornmeal is a shared delicacy in Texas and in Sicily; there are similarities between the two places and their two cultures. Earlier, Amy had gone to the restaurant looking for Lino, who had left before his shift ended. She notices his coworkers playing football, better known as soccer by Americans. It motivates Amy to bring Lino to an Italian American bar where he can bond with his work friends and new friends who share the same culture.

In the parking lot of the bar, Amy and Lino get carried by “Try a Little Tenderness” playing in the car. They start dancing behind the vehicle. Lino would listen to the blues while he cooked in Florence.

“In a city, where there is no center, I’m your center, you’re my center,” Amy says. Their dreams may never come true, but they will at least have each other.

Her knee is about to drop when Lino intercepts. He wants his knee to hit the concrete first, but Amy says no. She proposes marriage. Lino says yes. His friends are in the parking lot, too, and cheer for him. With the good news, he calls home. His father picks up the phone. He tells his father that he’s marrying Amy. His father disowns him.

In the book, Tembi and Saro, the inspiration for Lino, get married in New York City in front of a justice of peace due to his visa. Though their real-life proposal may not have been as romantic as the one portrayed on the show, they plan a wedding ceremony and reception in Florence. Amy and Lino do the same.

Categories
what's lit

‘From Scratch’ TV Review: First Tastes

⚠️ Spoilers ahead! Read the book, book review, and/or watch the limited series on Netflix.

The first episode of Tembi Locke‘s fictional adaptation of her best-selling memoir From Scratch starts with a Black Texan law school student and a Sicilian chef taking life and love risks in Italy.

Starting in fall 2000, Amy, played by Zoë Saldaña, arrives in Florence for an art program. With a pickup from friend Caroline, played by Kassandra Clementi, Amy is taken to her dorm building where she meets her suitemates. She’s an artist though she’s also a student at Georgetown Law School, where she could become a lawyer like her father and choose a practical career path compared to being an artist. So, she’s taking a risk with her future by indulging in Italian life with art, friends, and a boyfriend whose family owns an art gallery.

One day, Amy and Caroline run into Lino, played by Eugenio Mastrandrea, a chef at a nearby fancy restaurant called Ristorante Vigna Vecchia. Amy points out Lino’s black pointed toe boots as an interesting fashion choice. As Amy struggles with her Italian, Lino laughs and lets her know he knows English.

They later go on a solo walk after a night at the bar where Caroline works. Lino tells Amy he is fluent in English from his time when he studied translation at university. He disappointed his father with his decision to leave his home in Sicily and abandon farming his family’s land. He also abandoned his university studies to become a chef.

Amy is doing the same thing, sort of. When she calls her older sister Zora, played by Till star Danielle Deadwyler, back in Houston where their family is having a barbecue, their father refuses to talk to Amy over her decision to delay her return to Georgetown Law in favor of an art program in Florence.

The look

Lino soon brings Amy a bike that he “finds,” so she won’t have to ride the bus to her program. He then invites her to Vigna Vecchia. She says she may bring the guy she’s dating, and Lino says he is welcomed as well.

That night, Amy brings her two suitemates instead to Vigna Vecchia. The moment she pulls her chair out to sit at the table conveniently facing the kitchen, Amy locks eyes with Lino. Then Amy proceeds with her suitemates to eat extravagant samples of the finest Italian food described in the book as “heaping plates of strozzapreti with braised red radicchio in a mascarpone sauce; fusilli in a fire-roasted bell pepper sauce; gnocchi with gorgonzola in a white martini reduction with shaved aged parmigiano.”

The book goes on to tell the true story between author Tembi Locke and her real-life love, Saro, who was a Sicilian chef working in Florence. This meal sealed their fate.

“I began to see that Saro was speaking directly to me, each dish an edible love letter: succulent, bold. By the third and fourth courses, I accepted that this chef who wore elf boots was making love to me, and we hadn’t even so much as kissed.”

Image: Netflix

Though the limited series is more of a fictional portrait, Tembi said in a recent interview with her sister and showrunner Attica Locke that the moment the characters Amy and Lino connect in the restaurant is what happened in her love story as well, and that that moment ignites the story.

“In Florence and that first time I go to Acqua al 2, which was my late husband Saro’s restaurant, and he cooks me a meal. You cannot have a series called ‘From Scratch’ without that moment,” Tembi said.

“First Tastes” is not only the name of the episode but also the first chapter of the book, where the precise moment they realize that a relationship may blossom from a delicious meal is described as below:

“From my place at center stage, I could see Saro moving like a wizard behind a scrim of sizzling heat, orchestrating the clamorous clanging of pots; setting the pace and unfurling magic onto plates from Acqua al 2’s narrow, searingly hot kitchen. At first glance, the kitchen looked like Aladdin’s cave. There was Saro in a white T-shirt, floor-length apron, white clogs, and red bandanna with James Brown hollering out, ‘This is a man’s world’ from a boom box in the background. Saro caught my eye, smiled, and signaled that he would be out later to say hello.”

Back to the TV series, which shows Amy running off with her pseudo-boyfriend after saying goodbye to Lino. Even after a meal and a spark, Amy can’t fall for a chef when her other romantic option has a connection to art.

African roots

On that walk where Amy and Lino converse about their lives, Lino first pronounces Amy’s name as “ah-mee,” which involves “love” in Italian related to amore. Amy shakes her head no, as she pronounces her name the American way and says it’s short for Amashé, which she tells Lino means “beautiful one” in the South African Zulu language.

Amy later calls Zora, who has moved from Houston to Los Angeles to achieve her dreams while starting out as a teacher. But then their mother Lynn, played by Kellita Smith, gets on the phone. She’s staying with Zora until she embarks on an ashram in Topanga. Lynn gets straight to the point, advising Amy to not “fall for some Disney princess castle shit” in “White-ass Europe.” She reminds Amy about her friend’s daughter who is studying in Kenya as a Fulbright scholar and dating a Ph.D. student in Nairobi. “That is some different shit,” Lynn explains.

The phone call in the series is not much different from the book. The author mentions how her shortened name, Tembi, is for Tembekile, a name bestowed upon her by South African folk singer Miriam Makeba, who was married to former Black Panther Stokely Carmichael. Her parents spent time with both of these figures during their participation in the Pan-African Liberation Movement, a piece missing from the series.

When Tembi talks to her mother further about the situation, she tries to balance her behavior with her mother’s expectations:

“I had been raised to sympathize with the challenges facing people of color across the African diaspora. Why, then, had I come to Italy, the heart of European culture, to study abroad? Why was I not in Kenya, like the daughter of her friend Mary from her former Movement days? Mary’s daughter was on a Fulbright and teaching Kenyan children English as part of her studies at Wellesley. Why was I not more like Mary’s daughter? And why in God’s name was I continuing to hook up with ‘white boys’? She wanted something more for me.”

The spread of parental worry reaches Amy’s father Hershel, played by Keith David, as he arrives in Florence in Texan regalia complete with denim jeans held up by a leather belt with a huge buckle, a pair of cowboy boots, and a cowboy hat. He comes with Amy’s stepmother Maxine, played by Judith Scott, to survey Amy’s adventures in Florence. They go to Lino’s restaurant for dinner. Lino believes Amy’s parents are there to meet with him until Amy’s boyfriend enters the scene late. Devastated, Lino backs away into the kitchen.

Hershel tells Amy he doesn’t care for either of her love interests. He also reminds Amy that she shouldn’t fall for any man in a land where the men don’t look like her, the same sentiment her mother shared earlier.

BLACK GIRLs want ROMANCE too

Lino approaches Amy about the mistaken meeting. He confesses his unprecedented feelings for her. She doesn’t say much in response but gives him a notebook he had eyed at a street market. The sentiment that Black girls can’t have fairy-tale romances resonates with Amy, especially when she shares the update on Lino with Zora.

During her art showcase, Amy impresses her teacher, which was the professional goal she had during the program that has been clouded with the possibility of love. Then she sees Lino at the showcase, but he slips out without going up to Amy. She runs after him and asks why he’s leaving. Her teacher calls after her about an opportunity to hobnob with other artists. She tells Lino to meet her at her place later. As she walks away, Amy seems worried that Lino will not come over later. Her carefree time in discovering art and engaging in lust may have cost her true love.

At home, she falls asleep as nighttime falls. Rain starts to fall. The pitter-patter against the windows wakes her. Did Lino come? The moment she looks outside, Lino is looking up at her window. He looks apprehensive. She runs outside in the rain and kisses Lino. A kiss turns into a sleepover. Once they wake in the morning, Lino tells Amy he can cook anywhere in the world. He is willing to uproot his life to be with Amy. That’s when Amy realizes a fairy-tale romance may be in the cards for her after all.

Categories
what's lit

Sisters Tembi Locke and Attica Locke Bring Family Dynamic to ‘From Scratch’

Tembi Locke’s memoir about her love journey with her late husband is getting an onscreen adaptation with fictional characters similar to her and her family members.

From Scratch became a best-seller in 2019 when the actress opened up about meeting her chef husband Saro in Sicily while studying abroad in college and how they built their lives in Los Angeles in order for her to pursue her Hollywood dreams. When her husband succumbs to cancer, she finds herself as a single mother to an adopted daughter as they venture through Sicily to engage with her husband’s family and homeland without him.

The Netflix series debuts Oct. 21.

In the eight-episode miniseries, Zoe Saldaña plays Amy, a character like Tembi who’s a Black woman from Texas in Italy for her dramatic studies. Eugenio Mastrandrea plays Lino, a character like Saro who’s a Sicilian chef who falls for Amy and follows her to the U.S. where they build their family until his untimely death.

The book had been selected as a Reese’s Book Club pick by Reese Witherspoon and her production team at Hello Sunshine, which is producing the miniseries.

“When the book club was going to pick ‘From Scratch’ as its May ’19 book club pick, every day literally I wake up and I’m like, ‘I don’t know how, but thank you, just thank you,’ because it has been such a gift,” Tembi said at a Netflix sneak peek event. “They have been incredible collaborators. They have believed in every aspect of this story, every frame of it, everything that we wanted to do, and they have really given us as sisters this platform to put this book on a bigger canvas.”

Attica Locke, who’s an award-winning mystery novelist and screenwriter who worked on Hulu’s Little Fires Everywhere based on Celeste Ng’s novel, joined her sister Tembi to bring the family love story to the screen.

“I think there is a beautifully absurd family dynamic at the heart of it, and it touches on everybody. And all of our families has some element of the absurd to them underneath our love,” Attica said. “There’s love of food. There’s love of my culture. There’s love of music. And we wanted to show kind of every aspect of it. I don’t think there’s any dyad. I don’t think there’s any relationship between two people that doesn’t hit a bump over the course… including the sisters hit a bump that they have to kind of have to get through and decide in the time that we have left, how do we want to spend it together as a family?”

The miniseries covers a yearslong journey of a character falling in love then learning to preserve that love, Tembi said.

“We wanted to render life in its fullest sense, and here’s a woman coming into her womanhood and all that that means with it and owning all of who she is and the arc of her journey of self-discovery,” she said.

Due to her proximity to the true story, Attica said she’s learning how to tell stories more authentically through book and TV projects.

“I would hope that, and what I think is happening in my life, is that through the books and through the television shows that I’ve worked on, that I’m getting closer to and more comfortable with telling the truth,” Attica said. “What telling stories that have fundamental truth in them. And whereas I may have been more shy as a younger writer about saying something that is clearly my point of view that I believed to be the kind of truth of something in the world.”

As for a non-spoiler, Tembi said the first time the character based on her goes to the restaurant owned by the character based on her late husband and receives a cooked meal is pure magic. “You cannot have a series called ‘From Scratch’ without that moment.”

Categories
book reviews

Book Review: ‘Surviving Home’ by Katerina Canyon

*Given a copy from the publisher in exchange for an honest review*

Surviving Home by Katerina Canyon is a collection of poems examining the author’s South Los Angeles upbringing in the 1980s and looking for comfort in the harsh memories from then.

Each poem tells a story about realizing the beauty in a situation although it’s difficult to find the beauty amid the obstacles of growing up in the area formerly known as South Central.

In the poem “I Say You Can’t Go Home Again,” for example, she shares her experience of being unhoused as a child and her family living in a dispossessed home of a convicted drug dealer. A bright spot is witnessing the collection of roses by a female who may be her mother. She steals varieties of roses from their unknowing neighbors as a “rose petal shoplifter.” But they as a family look for the hidden drugs on the five-acre property; stealing is a source of comfort, whether it’s stealing roses or drugs.

“Life Map” describes the geography of where events take place from home to school, but also include where her father bought crack cocaine and where her mother was treated for cancer. Traveling off familiar highway ramps and on avenues like Slauson and Vermont touches on nostalgia, yet her parents are dealing with hard truths as they make their daily trips around the area.

The origin of the term “assault weapon” is explored with the term being born the same year as the author along with “Band-Aid” in a poem called “I Left Out ‘Bells and Whistles’ Written with a Little Help from Websters Dictionary.”

Assault weapons could 

have easily served 

as pacifiers in my 

South Central Los Angeles home. 

I was seven the first time 

I remember holding one.

With making lemonade out of the lemons that fell into her hands, there is still mental trauma happening within the pages. A poem called “NYP Psychiatry” describes the fear of keeping everything inside or spirits will take advantage of those emotions. The last line: “I arrived a martyr and exited a shadow.” Poems such as “All Day Long” and “I Felt My Brother’s Wrists” shows how she is with her brothers seeing them be abused and tormented by their father. She tries to be their savior and watches over them. Thinking she has the power to help her brothers overwhelms her as she realizes her actions can’t stop the pain. 

I hold my brother’s hand. 

I clench my breath. 

His scream lowers to a bleat. 

The closed door becomes an ocean, 

Our prison an oasis. 

Just he, me, and the sea 

Playing hand-clap games,

And we cannot be bound. 

We are free, I tell him. 

We are infinite 

Because I declare it 

As sister and deity.

Being a Black woman is also an underlying theme. “Sojourner” narrates the hardships of living in a society constructed and maintained by White men today and during slavery when abolitionist and activist Sojourner Truth walked the planet. 

You never forgot to say who a woman 

Could be, what a Black woman could do 

When we eschewed weakness and misogyny. 

No one helped you. You just carved the trail. 

No one helps me either. That’s what I learned 

It means to be a Black woman. 

To be strong, to plough, to plant, to raise barns. 

That’s what you did. I do that metaphorically. 

Now, I raise children, plough through journals 

With my pen. I always remember to never 

Pin my tongue for fear of other’s thoughts 

This is the way you walked.

Overall, the poetry follows a path of Black girlhood to Black womanhood amid traumatic settings when one needs to fixate on what’s beautiful or what’s calm in a situation to survive the moment. Random thoughts as a way to deal with the obstacles turn into a poem like the one about words that were added to the Webster’s Dictionary the year the author is born. It’s a way to examine life, the time of birth, the hometown, and all the elements that make up the cosmic journey.

Categories
she lit newsletter

Cuffing Season Is Writing Season

SHE LIT: Cuffing Season Is Writing Season 🔏

Logo

Celebrate National Hispanic and Latinx Heritage Month by reading works from these authors 📚

Photo by Element5 Digital: https://www.pexels.com/photo/person-holding-book-from-shelf-1370298/

As the weather gets colder, writers start to cuff themselves to their own book projects

“Cuffing season” is in the Merriam-Webster dictionary describing how single people find a partner and attach themselves to that partner to stay warm during the colder months. Well, writers are doing the same thing, except cuffing themselves to new writing projects.

I recently completed the Black Creatives Revisions Workshop with We Need Diverse Books, the nonprofit organization working alongside the publishing industry to diversify the industry on the publisher level and the creator level. The summer-long workshop included monthly discussions with successful traditionally published authors and literary agents of color and meetings with Black editors to help us hone our manuscripts.

For the workshop, I had put forth my most promising project: a social justice, historical fiction, young adult novel. I came up with the idea for the book in February 2020, and when that weekend in mid-March that year came along with warnings to stay inside, I began researching and writing with all the time I was forced to hunker down to avoid contracting the unpredictable COVID-19.

Now with the manuscript on its way to industry insiders, I can start querying agents and outlining the next book. Like thousands of writers around the world, I usually spend October plotting a book in anticipation for National Novel Writing Month in November. Known as NaNoWriMo, the movement that interferes with Thanksgiving plans motivates us writers to craft 50,000 words within the month to call ourselves “winners.” That means laser focus. I win almost every yearI “lost” in 2016, traumatized by the presidential election.

That being said, I’m spending most of my days after I clock out of my real job, wrapped up in my blanket on my loveseat with my laptop. Cozying up to my next book. Also cozying up with a published book, or two, or three, or five. The to-be-read list never goes down, despite all these efforts.

With the slower months, content on shelit.com may come out slower. This newsletter will take hiatus in November aka NaNoWriMo. But hopefully the book and book-to-screen selections below will entertain us enough to keep us warm during the seasons like a piping pumpkin spice latte.

she lit editor + chief content creator

Check out past newsletters!

What we’re highlighting

Well-Read Black Girl opening festival, chapter in D.C.

The preeminent festival celebrating Black female authors and readers is heading to Washington, D.C. this year. The Well Read Black Girl Festival has tickets on sale now for the Oct. 28 and Oct. 29 event. Tricia Hersey, the founder of The Nap Ministry, will be the keynote speaker discussing her new book, Rest Is Resistance, forthcoming from Hachette Book Group’s Little, Brown Spark. The book club is also starting a new chapter in D.C.

Jada Pinkett Smith to write memoir on road to Hollywood

Actress, musician, and host of Red Table Talk Jada Pinkett Smith plans to release her memoir with Dey Street Books next year. The book will cover her journey dealing with suicidal depression to tapping into her “authentic feminine power,” according to media reports. The publisher says Jada will touch on growing up in Baltimore to drug-addicted parents, becoming a theater kid with promise, and breaking out into Hollywood with her friend Tupac Shakur before marrying one of the biggest stars, Will Smith, and starting her own family and path of self-discovery.

Celebrity-helmed book clubs select October picks

Kick back and chill with these fresh book-to-TV shows, films

What we’re reviewing

"The Lesbiana's Guide to Catholic School" by Sonora Reyes

What we’re reading

Apply for bookish opp

Want your book and bookish news to be featured? Write us at shewrites@shelit.com.

Forward this newsletter to friends!

Categories
what's lit

Tamera Mowry-Housley Describes How Making Friends Is Like Drinking Wine

Sister, Sister star Tamera Mowry-Housley is promoting her new memoir that resonates on the vein of Gabrielle Union‘s memoirs with incorporating the significance of drinking wine and learning lessons.

In her first TV stop on the book tour, Tamera spoke to Jericka Duncan, Nate Burleson, and Tony Dokoupil on CBS Mornings Tuesday about You Should Sit Down for This: A Memoir About Life, Wine, + Cookies. She told the co-anchors she hopes readers will understand her words of wisdom, or what she calls “Tameraisms.”

“The one thing that I want people to take away is that I didn’t live this perfect life,” she said in the interview. “They usually see me, and they’re like, ‘Tamera, you’re always so happy. You always look very joyful.’ And the thing is I choose to be happy. My circumstances do not define me.”

Tamera was 15, along with her identical twin sister Tia Mowry, when they became breakout stars on the WB sitcom Sister, Sister. After that early success, Tamera and Tia starred in movies together as adults like Seventeen Again with their young brother Tahj Mowry, and Twitches, a Black Halloween Disney classic that spawned a sequel. The sisters also filmed a popular reality TV series on the now-defunct Style Network.

Over the years, the sisters have carved out their own independent paths. Tamera went on to be a co-host on The Real for six seasons and won an Emmy Award with the panel that included author and comedienne Loni Love. She has been busy working on Hallmark and Lifetime productions, including a starring role in the film Girlfriendship that debuted last Saturday on the Hallmark Channel under its Mahogany brand.

Calling herself an “old soul,” Tamera said she felt self-conscious at a young age with feeling wiser than her years. She’s now embracing her “gift.”

“I wanted my readers to know you may have a rough start, but you just have to move forward and push through, but you also—I always say—you can’t cheat at life,” she said. “It doesn’t come easy. You’re not going to grow as a person if you don’t look at your trials or ‘negative’ experiences and face them head-on. The book is about growth. The book is about my wisdom that I have learned along the way.”

Going off of the book’s subtitle, she talked about how she chooses her friends like how she chooses her wine. She co-owns a family winery in Napa with her husband, former Fox News correspondent Adam Housley.

“For me, wine is very subjective, but now owning a winery and tasting lots of wine, I don’t want to waste my experience and my taste buds on bad wine. It’s the same thing with friends,” she said. “You eventually either change your environment or your environment is going to change you, another Tameraism that’s not in the book.”

The book is out now from Legacy Lit, a Hachette Book Group imprint.

Categories
what's lit

Congresswoman Cori Bush, Ibram X. Kendi Discuss Empowerment Factor in Banned Books Movement

Missouri Rep. Cori Bush and anti-racism intellectual Dr. Ibram X. Kendi discussed the magnitude of banned books in Washington, D.C., for one of the busiest Banned Books Week observances in recent years.

Holding their conversation at the Anacostia location of the Busboys and Poets bookstore on Thursday, the congresswoman and the author of anti-racist thought focused on the history of banned books, particularly for Black Americans. The event was hosted by The Emancipator, a vertical of The Boston Globe focused on racial justice and equity founded by Ibram.

Earliest censorship in this country began with beating and killing enslaved people for learning to read or being suspected of knowing how to read, they said. That legacy continues with readers now seeing books that share accurate histories and personal narratives of experiences with race and gender being banned, they added.

Banned Books Week is held every year in mid-September, but over the last few years, book bans have been making headlines over more school districts and local libraries removing books, primarily targeted to kids, due to complaints from parents and other adults. Many of these books contain themes surrounding race, gender, and sexual orientation.

Almost half of distinct titles banned are young adult books at 49%, followed by picture books at 19% and middle grade books at 11%, according to PEN America‘s recent report on banned books.

Book bans occurred in 138 school districts in 32 states, meaning 5,049 schools with a combined enrollment of nearly 4 million students have been impacted by a book ban, PEN America found.

Cori and Ibram sat in front of bookshelves with books by authors of color as they emphasized the importance of books giving young people the ability to see worlds different from theirs and how removing access to books is hurting that freedom.

“Some people don’t want to speak about their story, and that’s OK,” the St. Louis congresswoman said. “For those who feel compelled to, when we tell our stories, other people are able to see themselves. Just like you, I didn’t see myself when they made us read Huckleberry Finn. I didn’t see myself when I was made to read The Odyssey, and books like that. I didn’t see myself, and there weren’t books presented before me where I did.”

Cori will tell her own story in The Forerunner: A Story of Pain and Perseverance in America, which will be on shelves Oct. 4. Knopf of Penguin Random House is publishing the political memoir.

Ibram is the author of How to Raise an Antiracist and Antiracist Baby, published by Penguin Random House imprints Kokila and One World. The power of readers seeing themselves in books brings equity in itself, he said.

“Books are treasures. And they’re not just sort of treasures that reveal wisdom,” he said. “They’re treasures for that person who isn’t able to, or doesn’t have the ability to, travel around the world. But they can travel around the world into time through books. It’s a democratizer.

“But I also think as you mentioned that there’s something beautiful about the power of seeing your own story in the mirror through a book, and I also see the differences,” adds the humanities professor and founding director of the Boston University Center for Antiracist Research. “There’s just something affirming. There’s just this connective tissue that allows human beings to connect.”

The conversation is available on YouTube.

Categories
book reviews

Book Review: ‘The Black Girls Left Standing’ by Juliana Goodman

The Black Girls Left Standing by Juliana Goodman leans on the grittiness to tell the story of a Black girl living in the Chicago projects searching for why her unarmed sister was killed outside the home of a police officer. 

Sixteen-year-old Beau Willet is trying to overcome the disbelief of attending her older sister Katia’s funeral. She wears a memorial sweatshirt in honor of her 22-year-old sister, who was killed by a single gunshot wound to the face fired by an off-duty police officer outside of his home in the middle of the night. Katia was accused of planning to rob the home, but Beau doesn’t accept that narrative. She depends on her friend Deja to help her figure out what happened to Katia, who was with her boyfriend Jordan at the time of the killing. Except Jordan has been missing since Katia’s death, and he is the only person who could clear Katia’s name. 

I should be crying, too, but I can’t for some reason. It’s like my ducts are all blocked up and the tears are dripping down my insides instead of my cheeks. Katia, why didn’t you just stay home with me instead? 

Beau knows the police department and the city will not investigate her sister’s killing fairly because she’s Black, her sister was Black, and they’re from the impoverished Grady Park neighborhood where Black people get killed all the time. Katia’s death is in the news cycle for what feels like a second until the rest of the city moves on and feels sympathy for the police officer and his family instead of Beau and her family. To get the answers she needs, Beau is determined to find Jordan. She feels alone in her quest when it comes to her family, her parents too depressed to push for more answers while trying to keep the roof over their heads. Deja seems occupied in a new relationship to help Beau solve the crime, and Beau feels guilty pulling Deja into her web of grief. While she’s looking for Jordan, Beau finds herself falling for Champion, a boy she goes to school with though he lives in a McMansion in the affluent Purple Hills neighborhood.

Everything’s all screwed up between me and Champion because I’m the girl with the murdered sister. Neither of us says it, but if he asked me to be his girl now, everyone would think it’s because he feels sorry for me. 

As Beau and Champion become more than friends, Beau finds herself and her friends engaging in petty fights with girls and guys in Grady Park who may or may not know what really happened to Katia. Nobody is snitching. Then Beau gets an anonymous tip that Jordan is in her apartment building complex. At first, she doesn’t believe that rumor because she knows everyone in the complex and hasn’t seen anything amiss; she swears she would’ve noticed Jordan by now, better yet someone would’ve been loyal to her and told her about his whereabouts.

While Deja seems to fade into her relationship, Beau taps Sonnet, another friend who uses her Pretty Little Liars knowledge to play detective. Sonnet lives a life more similar to Champion’s, so Beau feels immense pressure to protect Sonnet and herself. The guilt of Beau’s grief ebbs and flows as she leans on the friends not used to the atmosphere of the projects she lives in. The deeper they get into their investigation, the higher the stakes are. Blindly, Beau follows every clue until she finds herself in trouble to the point she may meet the same fate Katia did. 

Being inside Beau’s mind from the first-person perspective is incredible as she pushes aside the grief and depression of losing her sister while looking for answers for why her sister died at the hands of a gun fired by an off-duty police officer. Why was Katia outside this officer’s home at 4 a.m. with Jordan? Why did Jordan disappear? The questions resound throughout the pages as Beau tries to unwrap the mystery in her crime-ridden neighborhood where asking such questions about why someone was killed could get you killed. When Beau is in the bedroom she shared with Katia, the gloom overwhelms her as she looks through her sister’s belongings for any clues, but she only finds what could’ve been Katia’s destiny. The plans for the future seem to be the only clues Katia left behind, and it strengthens Beau more in doing the work the police won’t do. 

Overall, this young adult novel stands out with the reality of being a Black kid in the inner city and feeling like you, anyone who looks like you, and anyone you love doesn’t matter. Beau knows her sister’s killing will never get a fair investigation because Katia was accused of burglarizing a police officer’s home. But she knows her sister wouldn’t commit such an act, so she’s the only one who could stand up for Katia. Beau and her friends are the Black girls left standing who have to stand up for the Black girls who don’t make it out of places like Grady Park. In the audiobook version, narrator Ariel Blake does a fantastic job of conveying the sadness and determination in Beau’s voice. Out of similar works such as Angie Thomas’ books set in the similar fictional neighborhood of Garden Heights in The Hate U Give, On the Come Up, and Concrete Rose, Juliana Goodman’s debut novel makes a splash in the subgenre of social justice YA with digging into the mental health aspect of showing the tumultuous journey of the teenage main character struggling with how society paints girls like her, including her dead sister, and trying to prove that they deserve to be seen like any other girls.

Categories
she lit newsletter

Banning Books Could Lead to Defunding Libraries 

SHE LIT: Banning Books Could Lead to Defunding Libraries 📖
Logo
Photo by Element5 Digital: https://www.pexels.com/photo/person-holding-book-from-shelf-1370298/

Public libraries becoming targets for collections that include LGBTQ+ books

A rural Michigan town defunding its library over books featuring LGBTQ+ themes is the next level of book bans.

Book bans are at their highest level, according to the American Library Association that marks Banned Books Week every year this month. From Sept. 18-24, we will mark a year where more than ever school districts are voting to remove books from campus libraries, lawsuits are being waged to remove books from public libraries and bookstores, and now those public libraries could lose community funding over a particular book.

Patmos Library in Hudsonville, Michigan, was facing closure in early August after voters rejected a measure to renew funding for the library. The vote was blamed on a campaign waged by conservative Christians who believe books associated with LGBTQ+ themes are “grooming” children to be pedophiles, a QAnon belief that has become a mainstream conservative theory, according to media reports.

Less than 1% of Patmos Library’s books have LGBTQ+ content, the nonprofit advocacy group Americans United for the Separation of Church and State found. Yet the library was defunded.

Most book bans seem to occur within school libraries since parents have more power to address their school districts to remove books they deem inappropriate for children to read. Of course, many of these books being targeted are by LGBTQ+ authors and authors of color who write about gender, sexuality, and race.

But more of these book bans are trickling inside public libraries where individuals are heading to their city councils and court systems to request books be removed from libraries and even bookstores.

A concerned Patmos Library patron started a GoFundMe that now has raised over $255,000, which is $10,000 over the goal to help the library continue operations throughout 2023. Renowned romance novelist Nora Roberts noticed the GoFundMe after reading The Washington Post story about the library’s defunding and donated $50,000, her publicist’s blog notes. The funds are from the author personally, and not from her foundation, the blog adds.

Maia Kobabe’s Gender Queer: A Memoir is one of the books at issue. It’s also the most banned book in America. The author and cartoonist, who uses e/eir pronouns, discusses eir discovery of eir gender identity in the graphic novel. The book was also at the center of an obscenity matter in a Virginia court that is resolved for now (more on that below).

Though Patmos Library is located in a community with a population of just less than 10,000, the possibility that a library can be defunded over the books they choose to carry is concerning. The head librarian, who identified as queer, quit amid the defunding campaign after being harassed inside the library, BuzzFeed News reports, adding other librarians had also quit for similar reasons.

Now that the library received national support to keep going, hardships still lie ahead. The harassment may continue toward the librarians, another campaign to somehow rid the library of LGBTQ+ books may be planned, or people may stop using the library.

The library’s next board meeting takes place Sept. 12, so we will see what the library has in store under the spotlight glow. Though the money will be there, its location in a community that largely wants it gone over a few books is an ongoing concern.

she lit editor + chief content creator

Check out past newsletters!

What we’re highlighting

Virginia court dismisses request to label books as obscene

The American Civil Liberties Union announced that its clients were victorious in getting an obscenity lawsuit against two books dismissed. The Circuit Court for the City of Virginia Beach rejected an effort to label Gender Queer by Maia Kobabe and A Court of Mist and Fury by Sarah J. Maas as obscene and illegal to sell and lend in the state.

The ACLU and the ACLU of Virginia represented local booksellers and book organizations. Barnes & Noble was the largest target of the lawsuit. Gender Queer was the most banned book in the U.S. last year, according to the American Library Association, one of the ACLU’s clients. Legal experts believe this is just the beginning for these types of lawsuits.

Prolific YA author shares new middle grade book, film trailer

Angie Thomas, the creator of The Hate U Give, has been quite busy this week. She introduced her upcoming The Manifestor Prophecy middle grade trilogy with the first book Nic Blake and the Remarkables. In an Instagram post, she writes the roots of the book were inside her for 15 years and the story has “hellhound puppies and haints and a literal Underground Railroad. It has Black Girl Magic.” The first installment is expected to be released April 4, 2023 from HarperCollins imprint Balzer + Bray.

During last Sunday’s presentation of the MTV Video Music Awards, the full trailer debuted for On the Come Up, Angie’s sophomore hip-hop-infused YA novel. Directed by actress Sanaa Lathan, the film stars Jamila Gray as Bri, the prodigal daughter of a late hip-hop legend trying to find her voice in music and at school. The film will start streaming on Paramount+ on Sept. 23.

While sharing the news of her projects via social media, she also shared her concerns as a Jackson, Mississippi, native seeing the current water crisis impacting the city of 150,000 unfold. Damaged infrastructure has caused the Mississippi Gov. Tate Reeves to declare a state of emergency over residents—more than 80% who are Black—having little to no water pressure.

Reese Witherspoon adds kids’ author to her bookish titles

Book club queen and book-to-screen producer Reese Witherspoon announced the upcoming release for her new children’s picture book, Busy Betty, about a girl on a mission to bathe her dog before her friends come over to play. Her book launch will take place at the Tennessee Performing Arts Center in Nashville. Illustrated by Xindi Yan, the book is published by Flamingo Books under Penguin Random House and will be available for sale on Oct. 4.

Michelle Buteau’s memoir-based comedy series starts casting

Comedienne and The Circle host Michelle Buteau’s book is getting the screen treatment. Her 2020 essay collection, Survival of the Thickest, will be turned into a Netflix comedy series of the same name starring the author in a fictionalized storyline. Her character will be a plus-size, single, Black woman who is struggling as a stylist but “determined to not only survive but thrive with the support of her chosen family, a body positive attitude, and a cute v-neck with some lip gloss,” according to Deadline. Tone Bell and Tasha Smith will also star.

What we’re reviewing

"The Lesbiana's Guide to Catholic School" by Sonora Reyes

Book Review: The Lesbiana’s Guide to Catholic School by Sonora Reyes

What we’re reading

What we’re watching

Apply for bookish job

Want your book and bookish news to be featured? Write us at shewrites@shelit.com.

Forward this newsletter to friends!

]]> SHE LIT: Banning Books Could Lead to Defunding Libraries 📖
Categories
she lit newsletter

‘Nope’ Star Keke Palmer Wrote Books to Share Her Talent

<![CDATA[SHE LIT: ‘Nope’ Star Wrote Books to Share Her Talent 💁🏾‍♀️]]> SHE LIT: ‘Nope’ Star Wrote Books to Share Her Talent 💁🏾‍♀️
Logo

📚 Join the #shelitbookclub on July 31 as we discuss the novel Red Clocks by Leni Zumas amid the overturning of Roe v. Wade. Details can be found here.

Keke Palmer - Photograph by John Johnson/HBO Max

Keke Palmer already told us who she is in her memoir and Amazon story collection

On this day as Beyoncé drops her long-awaited album Renaissance, let’s talk about Keke Palmer, who dominated the entertainment news this week, and tie that news to books.

Coming off a weekend spooked by Jordan Peele’s western thriller Nope, media attention focused squarely on star Keke Palmer. Rarely does a megahit have three actors of color on billboards, which included Keke, Daniel Kaluuya, and Steven Yeun, but allegations of colorism overshadowed the Twitterverse similar to Jean Jacket in the film.

A viral tweet where a tweeter brought up colorism in why Keke’s success may appear to not have the “mainstream popularity” Zendaya’s has struck a debate. The tweeter implied that Keke didn’t have the career like that of Zendaya, a star in her own right who was irrelevant to any conversation on Nope, but tried to clarify in the Twitter thread that the main tweet was to counter the remarks from people who say Nope is Keke’s breakout role.

In a clapback, Keke reminded us about her career and how she’s an “incomparable talent.” As media outlets reported on the story, many failed to point to her memoir and story collection that tell us about the career Lauren Keyana “Keke” Palmer has created for herself.

The tweeter implied that Keke is considered a star in fewer households compared to Zendaya, who is biracial and has a lighter complexion. Though both have kid sitcom roots, both these shining Black female stars do indeed lead different careers, and Keke set the record straight saying the tweet perpetuated colorism to even compare the two. She went on to remind us that she was the first Black Cinderella on Broadway and the youngest talk show host ever, to name a few accomplishments.

As the articles came out about the Twitter clarification and the timeline of Keke’s extraordinary career, barely any articles mentioned her books. Yes, like most celebrities, Keke received help writing those books, but still she has her name on several books that are available in print, e-book, and audio formats showcasing her dramatic voice punching up the personality on page.

Along with Nope, Keke lent her voice to another summer blockbuster out in theaters now: Lightyear, the Pixar animated film serving as a precursor to the Toy Story series that opened in June and so far grossed $117 million in the domestic box office. She also uses her voice in the audio recordings of her short story collection “Southern Belle Insults” that she released with Amazon Publishing last year and wrote with best-selling romance novelist Jasmine Guillory. The stories were based on her Instagram alter egos.

In My Dear Friend Janet, Keke uses her high-pitched drama queen narrator voice for Lady Miss who’s telling the story of a woman named Janet going through her day trying to come out of her shell but second-guesses her scripted plans. Then Janet agrees to put on a wig and transforms into Lady Miss, a story that continues in From the Desk of Lady Miss.

To back up her response, one can glean the facts of her career from child actor getting industry recognition (she remains the youngest actor to receive a SAG Award nomination at age 11 for her 2004 role in The Wool Cap) to grown-up star still getting industry recognition in her memoir I Don’t Belong to You: Quiet the Noise and Find Your Voice from Simon & Schuster’s Gallery Books.

The 2017 book starts off telling her unlikely rise to stardom with her mother helping her take risks to get noticed by people like Ice Cube when the producer was looking for a young actress to play Queen Latifah’s character’s niece in the 2005 film Beauty Shop. A year later, buzz started to build for her starring role in Akeelah and the Bee, as a Black preteen from South Los Angeles who gets coached by Laurence Fishburne’s character to compete in the Scripps National Spelling Bee.

Entertainers, particularly those of color, for example, have to prove themselves time and time again as random social media users may have their opinionated tweets go viral that forces the stars to respond to crush the negative publicity. Keke had to respond on the weekend Nope debuted in movie theaters at No. 1 because all eyes were on her.

But like many celebrity bookwomen, she had already told us who she is and how she operates in her memoir and story collection. Books sometimes are the forgotten vehicle competing with the internet when we want to learn about an individual. Excluding the unauthorized biographies, although those can be helpful at times, the books with the celebrities’ names on the book covers and their voices on the audiobooks are the stories those celebrities approved.

Those stories were carried out through their literary and business agents. They have a say on who helps them co-author those stories. That being said, her co-authors also deserve the credit, but those stories are still from Keke, who graced us with storytelling talents on top of being one of the youngest people, regardless of diversity markers, to be dominating Hollywood.

she lit editor + chief content creator

Subscribe to the she lit newsletter!

What’s on the blog

Here’s Why Dollar Store Inflation Affects Literacy Access

What we’re highlighting

President Obama shares summer reading list

Days after his wife and former First Lady Michelle Obama announced her new book, former President Barack Obama shared his top books for the summer Tuesday on Instagram. Velvet Was the Night by Silvia Moreno-Garcia, Black Cake by Charmaine Wilkerson, and The School for Good Mothers by Jessamine Chan made the list.

Constance Wu returns to the scene with memoir news

Actress Constance Wu is slowly reemerging into the spotlight with a new memoir titled Making a Scene. Published by Scribner, the essay collection is expected out in October. She recently revealed her suicide attempt after sharing her disappointment of her TV show ABC’s Fresh Off the Boat being renewed in 2020 when her film career was taking off. The Hustlers and book-to-film Crazy Rich Asians alum said she had to take a break from social media but lately has been posting about past and current projects.

Journalist Goldie Taylor announces childhood memoir

Former editor at large for The Daily Beast Goldie Taylor will have her life story in book form. The Love You Save echoes Maya Angelou’s I Know Why the Caged Bird Sings as she tells the story of how being raped by a man in her neighborhood leads to her living in East St. Louis with an aunt. Abuse continues in her new home, but she finds solace in James Baldwin’s words. The memoir is planned for release in January from Hanover Square Press.

Whoopi Goldberg shares re-release of her middle grade series

Actress, comedienne, and The View co-host Whoopi Goldberg posted a video of herself opening boxes to reveal the re-release of her Sugar Plum Ballerinas series. Originally published in 2008 by Disney Book Group’s now-defunct Jump at the Sun imprint, the first two books, Plum Fantastic and Toeshoe Trouble, are getting a makeover from Little, Brown Books for Young Readers as the stories focus on young ballerinas of color. The updated versions of the books have new artwork on their covers and are now available through Hachette Audio narrated by Bahni Turpin.

More bookish headlines:

Hollywood favorite Book Soup employees unionize

Books Are Magic in New York City is opening a second location

Bookstore owner says racist trolls keep adding her business to a boycott list

What we’re reviewing

"Zyla & Kai" by Kristina Forest

What we’re reading

What we’re watching

Apply for bookish job

Want your book and bookish news to be featured? Write us at shewrites@shelit.com.

Forward this newsletter to friends!

]]>
Categories
book reviews

Book Review: ‘Zyla & Kai’ by Kristina Forest

*Given a copy from the publisher in exchange for an honest review*

Zyla & Kai by Kristina Forest is a young adult romance bringing together two teens who think they are too different but find enough common ground to develop a relationship that always seems threatened by outside factors. 

The story starts with the title characters going missing from a school ski trip, but it really starts the summer before where the two are lowly amusement park employees trying to earn extra cash for college. 

Hezekiah “Kai” Johnson is working at Sailor Joe’s Amusement Park over the summer when he and his on-and-off-again girlfriend Camille start arguing in front of customers. Camille approaches Kai over his alleged flirtatious behavior with other girls on the job. Kai denies the allegations, but the hullabaloo has almost cost them their jobs. Once Kai gets home to Aunt Brenda and Uncle Steve, they tell him he needs to swear off girls until he graduates high school and matriculates at the family alma mater Morehouse College, the historically Black men’s college in Atlanta. His father and Uncle Steve are college alumni while his mother and Aunt Brenda attended the Black women’s college next door, Spelman College. The dream to continue the HBCU legacy keeps Kai motivated, especially since he lost both of his parents in a car accident. Even when he catches up with his therapist, he doesn’t seem to understand why he keeps getting entangled with the wrong girls.

Zyla Matthews is the opposite. She’s afraid to commit to any relationships. Her mother constantly curling herself up in a ball and crying over her latest boyfriend is enough relationship drama for Zyla to handle. Since Zyla, her mother, and her sister live with her great-aunt, Zyla wants to add more money to her college stash. She has her eyes on fashion school in Paris. So, she’s spending her summer at Sailor Joe’s. When a rowdy customer threatens Zyla at a booth, Kai inadvertently comes to the rescue.

Sparks fly between the two employees even as summer fades and they attend their separate schools. Morning text message exchanges kindle the flame. Once Zyla and Kai start getting serious, they fret over introducing each other to their respective guardians. Kai’s uncle and aunt had already banned him from dating while Zyla’s mother and great-aunt have track records of making mistakes with men. 

Despite their families’ reactions to their budding romance, they get the blessing to continue seeing each other. Zyla goes to parties with students who go to school with Kai, including his trail of ex-girlfriends. This worries Zyla, who has never been in a relationship and fears she’ll get hurt like her mother does every other week. Kai, who’s still battling the overwhelming grief of losing his parents suddenly, tries to reassure her that he only has eyes for her. Then on Valentine’s Day, when they shed all their insecurities, the night is ruined to the point they have to face their fears again about their relationship. 

What stands out in this book is how both characters are dealing with their inner demons and letting those demons get in the way of their relationship. With Kai growing up without his parents and Zyla still facing the post-divorce reality within her family, they are trying to figure out how to define love for themselves. The hormones are telling them one thing, but their brains are forcing them to think further on their gravitational pull. Kai is known as a player when in actuality he’s looking for love in all the wrong places. He tries to live down his reputation as Zyla becomes insecure about being thought of as another one of Kai’s girlfriends, mainly when they’re around Kai’s crew. 

The family dynamics also play a large role in the story. Kai is close to Uncle Steve and Aunt Brenda, but he feels he is failing at being his best for them. They’re the ones who took him in when he became an orphan, so he feels he’s letting them down when he prematurely commits to his promise of not dating any more girls. In the beginning of the book, we see Zyla comforting her mother in the car after another breakup. Zyla is the one who lets her mother rest in the backseat and drives them to their destination. She has to be mature beyond her years for herself and her younger sister Jade since her mother doesn’t have it together and that’s why they live with Aunt Ida, a curmudgeon always muttering about how bad men are. 

If you’re interested in reading the audiobook, narrator Tashi Thomas does a fantastic job of switching up the characters’ voices. When she returns to the story narration, sometimes her voice comes off as mechanical, but the audio recording is a smooth listen.

Overall, this YA romance dives deep into how family dynamics can interweave into a blossoming relationship. The mental health aspect ties into the family dynamics as we see Kai attending therapist sessions that contribute to his character development of trying to be more self-aware about his relationships. Zyla, an aspiring fashion designer, uses retail therapy as her outlet instead finding pieces at the thrift store to create her own designs. They are teenagers looking for ways to cope with their environments, and once they bond together, they start to question their stability as a unit and as individuals. The ups and downs to get to the happily-ever-after feels like a pleasant ride on the Ferris wheel.

Categories
she lit newsletter

Simon & Schuster Loses Publisher to Book Deal 

<![CDATA[SHE LIT: Simon & Schuster Loses Publisher to Book Deal 📚]]> SHE LIT: Simon & Schuster Loses Publisher to Book Deal 📚
Logo

📚 Join the #shelitbookclub on July 31 as we discuss the novel Red Clocks by Leni Zumas amid the overturning of Roe v. Wade. Details can be found here.

Film poster for "Where the Crawdads Sing"

The most high-profile Black woman in publishing leaves post to write second book

Simon & Schuster announced this week that its senior vice president and publisher Dana Canedy is leaving the position she’s held for two years.

After her 2008 memoir was turned into a film last year, she says she plans to write a follow-up. But with her hiring coinciding with the racial unrest of 2020 and coming into question in last year’s controversy over the acquisition of former vice president Mike Pence’s memoir, Dana’s departure still feels like a blow to diversity and inclusion in book publishing.

Directed by screen legend Denzel Washington, A Journal for Jordan opened in theaters Christmas Day 2021 starring Michael B. Jordan playing the late U.S. Army First Sergeant Charles Monroe King, Dana’s fiancé who died in 2006 in combat during Operation Iraqi Freedom. Their son, Jordan, was only six months old. Dana’s narration of their relationship and their decision to have a family along with letters from father to son is reflected in A Journal for Jordan: A Story of Love and Honor published by Penguin Random House’s imprint Crown Publishing Group.

Though Dana hasn’t tweeted much since President Joe Biden’s inauguration, there are a flurry of tweets supporting the film that grossed close to $6.6 million in global box office sales and received bad press for its low performance during a high-volume holiday weekend. The positive feedback contributed to her decision to leave her lofty publishing position to write a follow-up book expected to be released in 2024 under Simon & Schuster.

Dana’s short-lived stint at the top of a major publishing house also came with criticism. When news broke that Simon & Schuster will publish Mike Pence’s memoir, outsiders as well as insiders attacked the move, pushing that Trump administration officials should not have their books published especially when the Jan. 6 insurrection and claims of illegal actions from the onetime administration were still coming to light.

Simon & Schuster at the time, like most publishers, have been trying to add more BIPOC, short for Black, Indigenous, and people of color, and LGBTQ+ authors to their rosters. Hence Dana’s appointment. More than 200 members of Simon & Schuster staff members signed a petition calling for the publisher to cancel the seven-figure book deal with the former vice president, The Wall Street Journal reported in May 2021.

“What I don’t want to do is what the industry does. It has to diversify. We need much more range. Through the people I’m hiring and the books we’re acquiring, I’m already trying to do that,” Canedy told the audience at Fortune’s Most Powerful Women Summit in Washington, D.C. last October. “I didn’t make the decisions for the wow factor. I’m not the Black publisher, I’m the publisher.”

A Pulitzer Prize winner, Dana worked in several positions at The New York Times over a 20-year span and eventually served as the administrator of the Pulitzer Prizes. She has a deep-seated journalistic mindset, so nabbing Pence’s book would not only be a potential goldmine for the publisher but also would let readers know the selection was unprejudiced.

On the other hand, like readers and staffers who protested against Pence’s book deal, the move looked like it went against diversity and inclusion efforts since most voters who identify as BIPOC or LGBTQ+ didn’t vote for Trump or agree with some of the administration’s most controversial actions. But the publisher sees the book as still supporting diversity of thought.

Jonathan Karp, who held the publisher position prior to Dana’s appointment, will reassume the title in the interim. He says in the memo announcing the job change that Dana will still consult on Pence’s memoir and books by Eugene Robinson, a Black columnist for The Washington Post, and Erica Armstrong Dunbar, a Black historian.

The question remains if Simon & Schuster will hire another person on the diversity spectrum who can boost diversity, equity, and inclusion in the workplace and in the book market. Also, if the next permanent publisher identifies as “diverse,” then they may also have to deal with the decision and the criticism over acquiring a blockbuster book from a prominent White figure.

she lit editor + chief content creator

Subscribe to the she lit newsletter!

What’s on the blog

What Files You Need at Your Fingertips While Querying

What we’re highlighting

Michelle Obama helps us navigate change in new book

Still profiting from the success of Becoming, former First Lady Michelle Obama announced Thursday that she has a second book coming out in November. The Light We Carry: Overcoming in Uncertain Times will offer reflections about how to change amid changing times. The book will be published by Crown.

HarperCollins union raises $40,000 for strike workers

The strike the publishing industry had its eye on happened Wednesday as HarperCollins Publishers’ union closed its online fundraiser after it received $40,000 from supporters.

The only union at a major U.S. publisher tweeted that the 200+ strikers will receive $200 each as a payment of “hardship money.” The union, which boasts 250+ members, marched the streets of Manhattan demanding a fair contract.

Earlier this month, the union scheduled the strike after it accused HarperCollins of failing to reach a contract promising to pay a predominantly female workforce a livable wage for New York City standards and to put into diversity, equity, and inclusion initiatives in practice.

Actress Freida Pinto plans to adapt Huma Abedin’s memoir

Both/And by longtime Hillary Clinton adviser Huma Abedin will get the book-to-screen treatment. Frieda Pinto, who is currently starring in the book-to-film Mr. Malcolm’s List based on Suzanne Allain’s 2009 novel, was confirmed by multiple reports to be adapting the memoir for a TV miniseries via her production company Freebird Films. The book was released late last year.

Huma made headlines this week also for being rumored to be dating actor Bradley Cooper. Frieda first gained fame in her breakout performance in 2008’s Oscar-winning film Slumdog Millionaire that was loosely based on a novel Q&A by Vikas Swarup.

What we’re reviewing

"Shine Bright" by Danyel Smith book cover

What we’re reading

What we’re watching

Apply for bookish job

Want your book and bookish news to be featured? Write us at shewrites@shelit.com.

Forward this newsletter to friends!

]]>
Categories
book reviews music reviews

Book Review: ‘Shine Bright’ by Danyel Smith

Shine Bright: A Very Personal History of Black Women in Pop by Danyel Smith explores how Black female music artists have impacted the world and in particular the author’s world as she navigates her unstable childhood in 1970s California. 

Were there champagne toasts with Mariah Carey on a private island off the coast of Antigua? Yes. Was I backstage with Beyoncé in Philly, in Paris, in Cleveland, in Brooklyn? All of it. Have I cruised the Upper West Side in a vintage Cadillac convertible with Queen Latifah? Yes, indeed. But, though I chalked it up to not wanting to get too close to creatives, I would have to cover as a writer or an editor—I actually did not feel worthy of such friendships.

Danyel Smith is a music entertainment journalist titan who’s most famous for her editor in chief stint at Vibe magazine at the height of hip-hop domination. With the quote above from the book, her work has sparked friendships with the Black celebrities forever shaping our culture. (Mariah Carey describes Danyel’s 2005 novel Bliss as such on the cover: “The music business can be an enchanted snake pit, but Danyel tells her heroine’s story with an insider’s knowledge, with power, and most of all, with emotion.”) 

The author’s upbringing in Oakland, the city in which she reps with her whole heart, wasn’t always shiny. Her parents split when she and her sister are in elementary school, and her mother engages in a toxic relationship with a violent lawyer named Alvin who rages against the family. Her mother stays for the questionable financial stability, but when Danyel starts fighting back, that’s when she realizes what she wants the most is threatened by Alvin.

But the radio is on in Alvin’s car, and Danyel’s mother is still playing her albums. The music speaks to Danyel, even when she’s eating her free breakfast at school where the morning care teachers double as vocal trainers showing the kids how to croon to The Stylistics’ “Betcha by Golly, Wow.” The Black artists singing through speakers in different places influence Danyel. She will take her writing talents from her personal diary dedicated to getting rid of Alvin to media platforms describing the impact the artists had on pop culture, though sometimes unappreciated, she makes it her mission to ensure they are appreciated. 

People wonder why I have been able to stand up to men in this business of music. To go to shows—glamorous and grimy—by myself. To negotiate with the worst of the promoters, the performers, publicists, security guards, police officers. To, on behalf of any given media organization, but mostly on behalf of Vibe, and on behalf of myself, not stand down. I just wasn’t that scared of men, not for a long time. “Step to me” was my front. “If you want this smoke.”

The don’t-back-down mantra happens to be how many of the artists she writes about are handling their livelihoods. One chapter is dedicated to the “Drinkard Family Dynasty.” The rich branch that produced Leontyne Price, the first Black woman to gain international fame as an opera singer. Leontyne’s cousin, Dionne Warwick, is the pop singer who reached a pinnacle of success in the 1970s and 1980s and whose impact surpasses generations with her “Twitter auntie” status regularly updating almost 600,000 followers. Dionne’s aunt, Cissy Houston, is the gospel singer who started touring with her group then with Mahalia Jackson and Elvis Presley before her solo debut. Cissy’s daughter, Whitney Houston, is arguably one of the greatest singers of our time, or as the author writes: “But—their problematic relationship notwithstanding—Cissy’s training of Whitney Houston is one of the most important accomplishments in the history of American music.” This familial connection between some of the greatest singers we ever known should be acknowledged more, and the author breaks down their roots and their personal histories to show the anguish they must have had for not always being appreciated for sharing their talents. 

The chapter dedicated to Diana Ross examines how her departure from The Supremes and solo success branded “Miss Ross” as a diva in a negative light when she used to be a little girl from Detroit who had unfathomable dreams that by chance came true. Gladys Knight also gets her own chapter starting with how she became one of the hardest-working kids in showbusiness already performing with her cousins and friends, “The Pips,” so she can help her divorced mother put food on the table. We learn LaDonna Adrian Gaines would drop out of her high school she had said were full of “pretty violent people” straddling the racial lines in Boston to eventually head to Germany where she christens herself as Donna Summer. The shock and disappointment lies on the page when Mariah Carey, the queen of the ’90s pop who also released her own memoir, doesn’t get a single Grammy Award for her 1995 Daydream album that still produces the soundtracks to people’s lives to this day. The ups and the many downs of Black women breaking barriers in music are palpable. 

The big stars get the props. Sprinklings of Phyllis Hyman, Millie Small of “My Boy Lollipop” fame, and Lisa Fischer whose performance of the 1991 hit “How Can I Ease the Pain” is pure magic, feel like they needed more recognition as they are singers who deserved the riches and stardom, but they remain “unsung” à la the popular TV One docuseries. Reading stories of Black women in pop reminds you of the many artists who changed the cultural landscape, sometimes as a one-hit wonder, but their achievements get lost in the mix. That’s where the author fills in those gaps with her Ringer podcast “Black Girl Songbook.” Episodes focus on artists like Deniece Williams, Angela Bofill, and Karyn White—all Black women who had defined music during a moment in time but now have fallen out of public discourse. 

Overall, the author brilliantly tells her story in a poetic rhythm and how music saved her. The love for music she has is on the storytelling side, so she can promote the Black women who turned their love for music into a career beyond their imaginations. Published by Jay-Z’s literary imprint Roc Lit 101 under Penguin Random House with the title deriving from Rihanna’s “Diamonds,” this book serves as a reminder that music history is heavily influenced by Black women, but they unfortunately don’t always receive flowers for their immeasurable contributions.

Categories
book reviews

Book Review: ‘Speak’ by Tunde Oyeneyin

Speak: Find Your Voice, Trust Your Gut, and Get from Where You Are to Where You Want to Be by Tunde Oyeneyin is a memoir about discovering body positivity and navigating a purposeful journey that’s vividly told by the popular Peloton instructor.

Growing up in Katy, Texas, Tunde is the only daughter out of three children of her Nigerian parents. At a young age, she’s considered overweight, and the shady comments she would hear about her prettiness being dimmed by her size marks her upbringing. A hard worker, she takes on multiple jobs in college, including one behind a department store makeup counter. This leads her to gaining clients who take note of her makeup application skills. She eventually moves to Los Angeles for a chance to groom her budding career until tragedy strikes.

She loses her younger brother, and a few years later, her mother, then her father. The back-to-back deaths of her immediate family send her into a depression. But opportunities keep coming her away that pull her out of the abyss and bring new urgency to live her life with purpose.

As she focuses on her mental and physical health, she develops a passion for cycling after taking a class. The inspirational shouting to keep moving forward sends her on a new career path. After trying out for Peloton more than once, she finally nabs a spot and quickly rises to the top of being one of most popular cycling instructors on the fitness platform. She takes the moment to inspire others, such as the time she decided to shave her head and the time she made an impromptu speech on why Black Lives Matter amid the 2020 racial justice movement.

The book’s title comes from her acronym S.P.E.A.K., which stands for Surrender, Power, Empathy, Authenticity, and Knowledge. The subtitle is Find Your Voice, Trust Your Gut, and Get from Where You Are to Where You Want to Be. The lessons Tunde learns from her life, especially around being comfortable within her own body, weave together nicely as she narrates her story via audiobook. Her voice is melodious in expressing the emotion she felt at different moments.

There is an examination of her luck. She has been given a lot of opportunities, but some are inextricably tied to the tragedies she has endured. She wins a prize, for example, but the prize contributes to her brother’s death. The blame sits heavy on her soul, but she realizes that her only option is to live her life to the fullest.

Overall, her memoir doesn’t necessarily give action steps on how to take control of your life as the title may entail, but it’s more of how she took those action steps that undoubtedly resonates with a wide audience beyond the Peloton cycle seat.

Categories
what's lit

‘Proud Family: Louder and Prouder’ Reboot Champions Black Literature

If you’re not looking closely, you may be missing the parade of nonfiction and fiction titles by Black authors being shown to the next generation of Proud Family viewers.

Originally debuting in 2001, The Proud Family became a fixture on the Disney Channel and ABC’s One Saturday Morning featuring an African American 14-year-old middle schooler named Penny Proud as she navigates friendships and family in the Los Angeles area. Disney+ rebooted the cartoon this year with 10 episodes streaming now under the title The Proud Family: Louder and Prouder. And this is giving the creators more freedom to get their racial justice message across screens to a wider audience witnessing the Black Lives Matter and the #BlackStoriesMatter movements.

The voice of Penny Proud since the show’s inception, Kyla Pratt is the star, with her cartoon doppelgänger, but for the new series Keke Palmer joins the cast to voice Maya, a social activist who’s a new transfer to their Willy T. Ribbs Middle School. The school is named for the first Black driver to qualify and race in the Indianapolis 500. The Easter eggs of activism are really hidden in Maya’s book choices throughout the episodes.

We’re introduced to Maya in the first episode “New Kids on the Block” where she and her brother KG, voiced by rap artist A Boogie Wit da Hoodie, move into the old home of original character Sticky, who was voiced by Orlando Brown. That character was written out most likely due to Orlando’s legal troubles over the years, but Penny and her group now have two new friends. Or so they think.

Maya detects she and Penny are not compatible based on Penny trying too hard to make a connection. After all, Maya is carrying a copy of Race After Technology: Abolitionist Tools for the New Jim Code, a 2019 nonfiction book by sociologist and Princeton University professor Ruha Benjamin that examines how society’s focus on technology can reinforce White supremacy and push racial inequity.

Later in the premiere episode, Maya is in her school hallway, armed with a copy of Parable of the Sower, the 1993 post-apocalyptic climate fiction classic by Octavia E. Butler that is set in our current time period. A24 last year announced it secured the rights via Deadline to the Parable of the Sower and its sequel Parable of the Talents for a plan to turn the titles into two motion pictures with Garrett Bradley tapped to direct.

In second episode “Bad Influence(r),” Maya is carrying the civil rights graphic-novel memoir March: Book One by the late congressman John Lewis, Andrew Aydin, and Nate Powell in different scenes throughout the episode.

“It All Started With an Orange Basketball” is the third episode that explores how Penny’s love for basketball is squashed by the ambition of her father, Oscar Proud, hilariously voiced by comedian Tommy Davidson. This episode will be distributed in book form for early readers by Disney Press in September under the same name. Game scenes occur in the Bubba Wallace Recreation Center, named for the only present-day Black race car star who pushed for the ban of the Confederate flag at NASCAR events in 2020.

The episode also features Maya and LaCienega, Penny’s frenemy who’s a namesake of the famous South LA boulevard and voiced by Alisa Reyes of 1990s Nickelodeon’s All That fame, chatting in the Wendell Scott Regional Branch Library, named after the first Black race car driver to win a race in NASCAR’s Grand National Series.

LaCienega rips a copy of Ta-Nehisi CoatesBetween the World and Me out of Maya’s hands to use as a prop to bump into Kareem, Penny’s sorta boyfriend voiced by Asante Blackk, to get his attention. He notices the selection and says it’s his favorite book, and LaCienega lies and says it’s her favorite, too. They walk into the sunset. 

Masquerading as the woke reader, LaCienega holds the book in other scenes while Maya is now reading James Baldwin’s 1963 nonfiction essay collection The Fire Next Time.

Another literary reference is in the episode “Home School” where Maya is reading Maya Angelou‘s 1969 autobiographical debut I Know Why the Caged Bird Sings. (Perhaps, this character is named after one of our most influential Black female authors?) Even in the “Snackland” episode starring an animated Lizzo voiced as herself as the musical guest for the Proud family’s amusement park venture, Lizzo’s bodyguard character is reading The Vanishing Half by Brit Bennett, but she rips it into shreds proving she can destroy Oscar for skipping on Lizzo’s payment.

The book choices, along with the intentional naming of the buildings the characters frequent, demonstrate the ability to educate children and adults on important, sometimes underappreciated Black literature and Black figures via a kooky cartoon centered on a Black family and a racially diverse cast of characters.

Some of these books, such as Race After Technology, do not appear to have a mass marketing campaign. So, if you’re interested in the intersection of race and technology, for example, this book may not end up in your web, library, and bookstore searches.

Then for classics such Parable of the Sower and The Fire Next Time that are usually not on young adult reading lists, they can be left out of searches for books covering their topics. Along with highlighting the obscure and classic works, the cartoon gives props to the more recent best-sellers by Black authors that have dominated charts over the years like Between the World and Me and The Vanishing Half.

Disney+ renewed The Proud Family: Louder and Prouder for a second season.

Categories
she lit newsletter

LGBTQIA+ Books Are More Banned Than Ever

LGBTQIA+ Books Are More Banned Than Ever

*|MC:SUBJECT|*
Logo

June is Pride Month! Join the #shelitbookclub with reading the recently banned young adult novel Juliet Takes a Breath by Gabby Rivera 🏳️•

Why banned books are disappearing from library shelves

The most banned book in the United States right now is Maia Kobabe’s memoir Gender Queer. Maia, who uses the pronouns e/em/eir, illustrates eir experience growing up in rural San Francisco Bay Area in a graphic book where e undergoes traditional gendered events from getting eir first bra to developing crushes on boys and girls.

Published by Simon & Schuster’s Oni Press in 2019, the author’s autobiographical coming-of-age story held the top spot on the most banned and challenged books list compiled by the American Library Association’s Office for Intellectual Freedom. The group says the book has been “banned, challenged, and restricted for LGBTQIA+ content, and because it was considered to have sexually explicit images.”

Most books are banned from libraries and schools without much media fanfare, as in up to 97% of these books that are challenged will never be covered by the news. That means Americans, especially children, may never know why they can’t find a particular book at their local library.

Banned books have become a priority over the last few years since many of these works are by LGBTQIA+ authors as well as authors of color describing racial, ethnic, and cultural experiences like The Hate U Give by Angie Thomas being famously banned and challenged for allegedly promoting an “anti-police message and indoctrination of a social agenda,” the ALA’s list notes.

I recently attended Books in Bloom, a so-called progressive book festival in Maryland, which celebrated banned books this year by adding panels with authors and experts discussing freedom of speech, including Maryland Congressman Jamie Raskin and literary civil rights group PEN America. The partner indie bookstore Busboys and Poets mostly sold banned books, such as Gender Queer.

More people are taking action to support the sales of these books. Students are starting banned book clubs in their high schools. They’re even filing lawsuits against their schools for removing books. In retaliation of the increase in book censorship, Margaret Atwood modeled with a flamethrower to show off a fireproof version of her 1985 Hulu-adapted novel The Handmaid’s Tale. The book was auctioned off for $130,000 this week with proceeds going to PEN America.

As 2022 becomes a year of giving banned and challenged books a spotlight, the annual Banned Books Week will take place in September. That’s three months of really surveying the impact of banned and challenged books and hearing more authors speak about the freedom of speech. And maybe we’ll get more fireproof books…

she lit editor + chief content creator

Subscribe to the she lit newsletter!

What we’re highlighting

June book club picks promise addictive summer reads

Oprah’s Book Club has chosen Nightcrawling by Leila Mottley. The debut novel centers on a young woman in Oakland who starts working on the streets at night to keep up with rising rent and the costs to support her family. But when she gets picked up by the police one night, she finds herself fighting to protect her freedom. The 19-year-old author, who’s also the 2018 Oakland Youth Poet Laureate, will sit down with Oprah in a livestream conversation June 30 on Oprah Daily.

Reese’s Book Club is reading Counterfeit by Kirstin Chen. Jenna’s Book Club is reading These Impossible Things by Salma El-Wardany. GMA Book Club is reading More Than You’ll Ever Know by Katie Gutierrez. Noname Book Club is reading The Death of Vivek Oji by Akwaeke Emezi

Best-selling memoirist gets spotlight in food docuseries

Coming off of Asian American, Native Hawaiian, and Pacific Islander Heritage Month, you can catch the HBO Max docuseries Take Out with Lisa Ling about the stories of how Asian communities weaved their cuisines into the fabric of America. One episode follows Michelle Zauner aka indie recording artist Japanese Breakfast as she ventures the aisles of the Korean grocery chain H Mart and talks about her award-winning book Crying in H Mart

What we’re reviewing

What we’re reading

What we’re watching

Apply for bookish job

How to be featured

Are you a book publisher who wants to share upcoming and new works by women?

Are you an author who wants your book highlighted?

Write us at shewrites [at] shelit [dot] com.

Forward the she lit newsletter to friends!