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book reviews

How Dawnn Karen’s ‘Dress Your Best Life’ Guides You Through Your Post-Pandemic Wardrobe

Fashion psychologist Dawnn Karen wants people to feel confident in their clothes.

Her self-help book, Dress Your Best Life: How to Use Fashion Psychology to Take Your Look—and Your Life—to the Next Level published by Hachette Book Group’s Little, Brown Spark imprint, came out the same time the COVID-19 pandemic took hold of society and forced us to stay home. That means we exchanged our business attire for loose-fitting athleisure to feel comfortable in our living space-turned-workspace. But now that many of us are returning to the office amid delta variant fears or expecting to return eventually, her fashion psychology curriculum can be applied to the current era.

Sweatsuit to Pantsuit

During the pandemic, many of us may have been suffering from repetitious wardrobe complex, which is what the author defines as wearing the same clothes—or versions of the same clothes—over and over again. That means our tie-dye sweatsuits and other forms of athleisure that we zhooshed up as much as we could for the Zoom calls have kept us in a loop.

Staying at home subtracted the decision fatigue many of us dealt with when it came to selecting five office-friendly outfits for five workdays. Dawnn Karen tells readers to avoid this fatigue when you’re faced with too many options for what to wear and buy, which in turn makes you feel often overwhelmed and paralyzed in making decisions you later regret. Buyer’s remorse, anyone? To get ready for the physical office, she suggests taking the time to sense any discomfort with an outfit that you probably hadn’t put on since March 2020.

Mood is central to our outfit selection, according to Dawnn Karen’s fashion psychology. Before approaching your closet in the morning or the night before, she advises to practice mood illustration dressing, or meditating briefly by matching your outfit with how you are feeling. Feeling upbeat? Wear that pop of color.

Feeling down? Wear that comfortable skirt. Or take another step to practice mood enhancement dressing, or to choose what you wear to modify your mood for the better. It’s a tactic to wear the most office-appropriate attire that will make you feel the most confident, e.g. the not-so-sky-high heels or the cardigan for the air conditioning, especially if returning to the office after a year and a half and feeling the weight of pressure to return to work.

“When you thoughtfully assess your emotional state and then dress to respect or match it,” she writes. “The goal here is not to transform or challenge yourself with clothes but to embrace, accept, and honor yourself exactly where you are.”

Stressing Over Dressing

For women, fashion situational code switching may have plagued our former workdays, particularly when you had to put on the pantsuit, preferably designer or name brand, to compete in the office when you would rather wear jeans and a nice top. Switching your attire up for the social setting can be stressful and can extend to the hair and makeup routine where you feel you have to wear your hair a certain way or tone down your makeup.

Fashion identification assimilation and fashion incongruence could be two issues reflective of the times. The former is when you use style to fit in with or blend into a cultural or social group, the author writes, when the latter is when your ideal dress and perceived dress are incompatible. You may want to wear the comfortable clothes that you’ve been wearing for months at home, but it might break the workplace dress code. Then you might think those black leggings you wore at home can be mistaken for black slacks in the office, but that is most likely a no-go. More employees are expecting rules on lax office wear post-pandemic, business insiders forecast, while some employees may return to an unchanged model.

A focal accessory can bring comfort, the author describes as an item that holds psychological value and may be worn repeatedly. It can be worn with your work and outside-of-work outfits. She advises to start small such as with a family heirloom necklace pendant, which can bring the warmth of protection in spirit.

Comfortable in Your Skin Again

“In my experience, the best way to get off the retail therapy treadmill and break the cycle of buying, regretting, then buying some more is mindfulness,” Dawnn Karen writes in the chapter she named “The Science Behind Shopping.”

Need new threads? This book can help you figure out your wardrobe upon emerging from our forced stay-at-home lives. More Americans are purging their closets for multiple reasons from expired trends to weight gain, according to the Associated Press, as we slowly return to normal.

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what's lit

How ‘Younger’ Painted an Insanely Glamorous, Somewhat Diverse Publishing World

Spoiler alert: The post below reveals storylines from the seventh season of Younger.

Literary industry cable series Younger wrapped up a successful seven seasons this summer. Though racial and ethnic diversity took a backseat to the storylines, the show still put diversity and inclusion in the forefront of an industry struggling to fulfill its promises.

Created by Sex and the City and Beverly Hills 90210 visionary Darren Star, Younger follows a 40-something White woman named Liza Miller, played by Broadway veteran Sutton Foster, who knocks her age down to 26 to get her foot back into the door of the publishing industry after raising her daughter and divorcing her husband. Based on Pamela Redmond Satran’s 2005 novel of the same name, the show started on TV Land in 2015 and moved to Paramount+ this year.

The show featured diversity markers, mainly with age and gender, in a fictional publishing scene made to look obscenely glamorous. Recent data from Lee & Low Books finds that the literary industry as a whole is 74% cisgender female, but when it comes to executive leadership positions, the number is down to 60%. On Younger, the main female characters are striving to retain and maintain leadership throughout the series to elevate works by women.

Amplifying younger voices

“Younger” Ep. 603 (Airs 6/26/19)

After lying about her age, Liza earns the coveted job of an editorial assistant at traditional publishing powerhouse Empirical. To make matters more complicated, Liza is paired up with actual 26-year-old Kelsey Peters, played by Hilary Duff, whose ambition oozes to make books more appealing to millennials.

This eventually leads to the two creating an imprint called Millennial, not only multiplying books by Gen Y authors but also taking a focus on female authors in the age group. As they are underestimated by Empirical and the industry at large, Liza and Kelsey build a behemoth of an imprint that in its final season begins suffering from hits by Empirical’s old White male investors.

This motivated the pair to create Inkubator, a spoken word event series featuring promising millennial authors ready to have their work published.

Women supporting women

“Younger” Ep. 501 (Airs 6/5/18)

Helping Liza and Kelsey on their literary adventures and misadventures are editor Diana Trout, known for her brusqueness and over-the-top statement necklaces, who is played by Miriam Shor who did not return for the final season; Lauren Heller, the carefree bisexual social media enthusiast played by Molly Bernard who replaces Diana’s presence in the Empirical office as an assistant; and Maggie Amato, the lesbian artist played by legend Debi Mazar who owns the fabulous loft they all seem to live in at one point in the series.

They become this unbreakable group, along with one man—Liza’s millennial ex, Josh, played by Nico Tortorella, a tattoo artist entrepreneur with a heart of gold. Liza goes back and forth with Josh and Empirical’s editor in chief, Charles Brooks, the well-meaning head honcho who is age-appropriate for Liza played by Peter Hermann. Having sexual relations with the boss while editing his ex-wife’s novel is one of the situations that comes up with the ill-begotten romance between Liza and Charles. This novel leaped offscreen onto our bookshelves as Marriage Vacation reviewed by she lit.

With all the drama mostly involving Liza’s back-and-forth relationships, the girl group feeds on their mistakes with men and women. The girlboss-in-making Kelsey seems to be pick the men who want to compete with her success in one way or another, with one ill-fated relationship leading to a death by scaffolding (very NYC) and an evil twin (very soapy). As Liza and Kelsey lean on Maggie, Lauren, and Diana, they also support female writers with some of the most familiar scenes of the series occurring in the closed office session with a new writer who is revolutionizing the newer subgenres, e.g. sick lit, teen environmentalist memoir, and boomer erotica.

Shelving racial diversity

“Younger” Ep. 612 (Airs 9/04/19)

The show’s cast is all-White, which is normal on TV shows to have an entire cast of the same racial makeup, but it resonates with the real-life publishing industry, unfortunately. The show failed to right this diversity and inclusion oversight with its choice of guest stars in earlier seasons.

Charles Michael Davis, who played Kelsey’s frenemy lover Zane Anders for three seasons, added much-needed melanin as a regular cast member, but he and his character had to depart in the final season due to his commitment to NCIS: New Orleans. As his character left the script, the show featured two writer characters who contributed to Millennial’s next phase.

Dylan Park, played by Yeena Sung, appeared in “The F Word,” the episode that introduces Inkubator. She is a future author with a novel that Kelsey and Liza try to get published through Empirical since Millennial by this time has been absorbed into the publisher thanks to the investors’ wishes. But editor in chief Charles is not interested, so Kelsey and Liza have the novel published by a release of a chapter every week in The Cut. Though an Asian American millennial female author is brought into the storyline, she only makes one appearance, failing to become a substantive character while her book really becomes the character.

The final season then brings in another author of color, Azealia King, played by De’Adre Aziza, a Black woman who has won the National Book Award. She’s so impressive that Charles wants to publish her next book. Her character appears in the last two episodes, almost as if the writer’s room realized they didn’t have enough female authors of color featured throughout the series.

Out of an industry that is 74% cisgender female, publishing is 76% White, according to the Lee and Low Books’ report. Numbers for professionals of color are broken down by 7% Asian descent, 6% Latino/Latina, 5% African descent, and less than 1% Native American and Middle Eastern.

Despite the diversity successes and failures of imagining the cutthroat Manhattan book publishing scene into an addictive summer TV series, the show still gives feel-good vibes and is expertly written with relatable moments. Live or relive the half-hour series on Paramount+ and Hulu.

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what's lit

‘Joy Luck Club’ Author Amy Tan Shares How Her Work Became an ‘Unintended Memoir’

For Asian American and Pacific Islander Heritage Month, Netflix debuted a two-hour documentary about Chinese American best-selling author Amy Tan that focused on how her books became reflections of her life and her mother’s life.

After seeing immediate success with her debut novel The Joy Luck Club in 1989, Amy started a writing career that followed the story’s legacy of featuring two generations of American-born daughters and Chinese-born mothers.

The documentary follows Amy’s childhood where she loses her older brother and father both within six months of their back-to-back brain tumor diagnoses. Amy talks about feeling scared being left with her suicidal mother, who moves Amy and her younger brother to Holland from the San Francisco Bay Area. Once she returns to the U.S. for college, Amy reconnects with her best friend who was another child of the real-life Joy Luck Club, a small social group of Chinese American immigrants who met to discuss investment opportunities, play mahjong and cards, and feast at midnight with the kids.

Years later, Amy is making a career as a business technical writer and living with her husband. One day she receives a call from her brother that her mother had a life-threatening heart attack. She said she made a vow to God that she will spend more time with her mother and talk to her about her life in China. When Amy connects with her mother, she learns her mother experienced angina after an argument at a fish market. Her mother was fine, but the promise echoes and inspires her to sit down with her mother and discover her mother’s life in China.

“I started to ask her about her life, and I listened instead of saying, ‘I’m really busy now. I can’t listen to you,'” Amy says in the documentary. “I would listen to everything and that profoundly changed everything. I wasn’t fighting it anymore. And I learned a lot by simply being quiet and actually listen.”

The Joy Luck Club became an instant sensation resonating across cultures with the common thread of generational trauma.

“It gives you curiosity; you want to ask questions you want to understand and in the answers you get stories,” says author Isabel Allende in the documentary. “That’s what Amy has been doing. She observes her mother and her aunts and the culture and at the same time she totally belongs here. So it’s in the conscience, in the complexity that she finds her language, her inspiration.”

Four years later in 1993, the book became the first film to feature a majority Asian American cast. That success wouldn’t be repeated until 2018’s Crazy Rich Asians based on Kevin Kwan’s first book in his soapy series.

“Not to do any disservice to the amazing Asian American writers that came before Amy, but I think this is the first book that really crossed over into becoming a mainstream mass market success. It had such a huge impact on paving the way for other writers of color to tell their stories,” Kevin says in the documentary. He adds he saw the film five times in the theater growing up in Texas where all his friends were White, but he was proud to be able to show them “English-speaking contemporary Asians.”

The novel has also seen its critics who Amy says believed she had used ethnic tropes like starting the novel with a fake Chinese folktale to portraying the grandmother as a concubine who commits suicide. Except the tropes Amy is accused of putting in her book actually happened to her family and in her life, she says.

“When I was given this mantle for speaking for the Asian American community, suddenly there were these expectations. I started getting a lot of criticism. Some said I did it wrong, that I had created stereotypes and pandered to those,” Amy says. “Mothers speaking in broken English, or concubines who had killed themselves. These were stereotypes.

“In the beginning, I didn’t know what to say. I would be caught off-guard,” she adds, “but then I realized that they wanted really was role models. They wanted me to right the social wrongs, the social injustices and finally they had someone in the limelight who should now address that and not be pandering, so to speak, to the mainstream.”

Besides The Joy Luck Club, Amy is the author of seven other books, including memoirs and children’s books.

Amy Tan: Unintended Memoir is streaming now on Netflix.

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what's lit

Can You Tell Your Story Your Way? Mariah Carey Faces Lawsuits From Siblings Over Her Memoir

Songstress Mariah Carey enjoyed debut author success when her long-awaited memoir hit bookshelves last September. But the memoir that dives deep into how she found her voice in what she calls an abusive family environment has led to lawsuits from her siblings.

While promoting The Meaning of Mariah Carey with Oprah Winfrey on an Apple TV+ special last fall, Mariah said after years of therapy she calls Alison her “ex-sister” and Morgan her “ex-brother.” Her so-called former siblings now are suing her in New York Supreme Court over allegedly false and defamatory claims.

News broke this week that Morgan Carey, Mariah’s older brother, filed a lawsuit on March 3 against Mariah, co-author Michaela Angela Davis, Andy Cohen of Bravo fame whose imprint published the book, and Macmillan Publishers that owns Andy Cohen Books. Mariah’s older sister, Alison Carey, also had filed her own lawsuit on Feb. 3 solely against Mariah.

In the memoir, the singer describes several alleged violent interactions with her siblings. From the descriptions, lawsuits were expected, but it begs the question of how a memoirist can write her own story and portray real-life characters the way she interpreted their behavior and personality.

What Are the Allegations?

First, in Alison’s two-page complaint, she is representing herself and asking the court to have her sister pay $1.25 million in damages plus money for legal costs. She has issue with the chapter in Mariah’s memoir called “Dandelion Tea,” which is dedicated to Mariah’s allegedly dangerous experiences with her sister, who she claims tossed boiling hot water on her when she was 12 years old that made her black out and develop third-degree burns.

Alison says she was a troubled preteen, but she blames their mother, Patricia Carey, for allegedly forcing her to “attend terrifying middle-of-the-night satanic worship meetings that included ritual sacrifices and sexual activity.” Alison goes on to write that she has been diagnosed with a series of mental and physical health diseases. She says Mariah “used her status to attack her penniless sister” and “callously dismisses” her as an ex-sister.

Morgan also references in his lawsuit about being called publicly by Mariah as her ex-brother. He claims Mariah falsely depicted him as a “physically violent man.” In his own words, he alleges their father, Alfred Roy Carey, was the abuser and the reason he was placed in a children’s psychiatric center, a revelation Morgan says is an invasion of privacy. He says he believes he was portrayed as a stereotypical violent Black male for Mariah to “play the victim card and curry favor with the Black Lives Matter movement.” As part of the lawsuit, he attached a page of photos from over Mariah’s career of them together appearing happy to dispute his sister’s allegations.

Memory or Mismemory?

Memoirists have to reach for memories and describe those memories and the meaning behind what happened and how it impacted their lives. But as humans our minds may misinterpret an old memory and transform it. That’s a concern that impacts any writer writing their own true story.

“This is because memory is not just about retrieving stored information,” reads a Scientific American article on the unintentional phenomenon of misremembering, or the act of remembering incorrectly. “Our minds normally construct memories using a blend of remembered experiences and knowledge about the world. Our memories can be frazzled, though, by new experiences that end up tangling the past and the present.”

Should a writer discuss what they plan to tell in their story with people who will have a major appearance? It’s a question about how much to reveal about someone and how similar are the memories you share with that someone to ensure the right description makes it into the book. But if you’re not close to that particular someone, then reaching out can get murky. Also, reaching out could mean that someone wants their name and any reference to the event they’re mentioned in to be out of the book, subtracting some of the author’s freedom to express their story.

Your Truth or Their Truth?

Both of Mariah’s siblings say they weren’t contacted by the press for their sides of the story nor were given a copy of the unpublished book to verify any information.

There are memoirs, especially celebrity ones, that share private information about others without substituting names. Actress Demi Moore in her 2019 memoir Inside Out, for example, wrote she had taken actor Jon Cryer’s virginity. This aspect, of course, exploded in the media, but Jon issued a correction on Twitter saying he lost his virginity in high school before meeting Demi.

For Demi, her mismemory was forgiven though it involved sexual information that’s usually preferred to remain private.

Mariah hints at the alleged situation with her family in “Petals” off her 1999 Rainbow album.

Who Will Win?

When the lawsuits spill in claiming false and defamatory statements after a memoir is published, it’s hard to say how the court battle will go down. Most lawsuits head toward settlement as in we may never hear the result of the settlement if Mariah and her siblings believe that’s the best route to resolution.

In 2003, Augusten Burroughs published his memoir, Running with Scissors, that mentioned his time living with a family that he gave a fictional name. In the family’s chapter, he recounts abuse, drug use, and overall dysfunction. The real family filed a defamation and invasion of privacy lawsuit against the author and his publisher St. Martin’s Press. The author argued his memories were as accurate as he remembered, therefore what he wrote was true. The $2 million lawsuit settled outside of court with the author saying in his apology that the family’s memories were “different from my own,” The New York Times reported in 2007. The memoir became a movie starring Alec Baldwin and Annette Bening.

Mariah told The Hollywood Reporter in December amid her Apple TV+ Christmas special that she’s in talks to adapt her memoir for the screen. This is before the lawsuits were filed that may or may not impact any future projects, especially around the division of profits if that becomes part of the probable settlements.

If you are working on a memoir and worried about your memories sparking lawsuits, here are some resources to check out:

A Writer’s Guide to Defamation and Invasion of Privacy, Writer’s Digest

How Not to Get Sued for Your Memoir, HuffPost

Writing Memoirs—What You Need to Know to Avoid Being Sued, Self Publishing School 

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what's lit

Stacey Abrams Multiplies Book Deals While Raising Political Profile

Georgia gubernatorial candidate Stacey Abrams rose to prominence in 2018 as the first Black woman selected by a major party to vie for the highest position in her home state. But when she lost, she alleged voter suppression led to an unfair election. She started an organization and wrote a book about the ordeal but also saw another wave of popularity in 2020 for her contribution to the election of the future president.

Stacey is the prime example of a working woman who writes novels on her free time. She moonlights as a romance novelist under the pseudonym Selena Montgomery. As Selena, she has written four novels with HarperCollins Publishers. As Stacey, she has written two nonfiction best-sellers.

In January, Henry Holt and Co. announced Stacey would release a book in June during the height of the presidential election about her work to make voting equal for all Georgians. Our Time Is Now: Power, Purpose, and the Fight for a Fair America is written like the average politico book discussing her upbringing but adds her journey in creating Fair Fight, an organization dedicated to promoting fair elections in Georgia and across the U.S., encouraging eligible adults to vote, and educating them on their voting rights.

On her media book tour earlier this year, the Yale-trained lawyer and Spelman Woman also motivated Americans to participate in the 2020 Census, which was impacted by the sudden COVID-19 pandemic in March. In her book, she recalls how Republicans such as outgoing President Donald Trump and conservative pundits badmouthed her for not conceding in her 2018 election.

My cardinal sin is that I have refused to concede the outcome of the 2018 gubernatorial contest, and I have made a crusade of calling out and defeating voter suppression. I do so as a private citizen, and this reality greets me every day. As I have traveled the country in the months since the election, I typically begin my speeches the same way. “I am not the governor of Georgia,” I tell the assembled crowds, to boos and hisses of support. Then I declare with equal conviction a truth I hold deep in my heart: “We won.”

Fast forward to November when Democratic President-elect Joe Biden grasped victory, and Stacey along with Atlanta Mayor Keisha Lance Bottoms were being thanked publicly by other Democrats and supporters who credited their campaigning to moving voters to the polls in a traditionally Republican red state in which Biden won the electoral votes. Though she said Trump ridiculed her for not conceding in her election, he has yet to concede in his latest election.

Soon after the election, Stacey notched another book deal. Doubleday and Anchor Books announced her new novel, While Justice Sleeps, a U.S. Supreme Court thriller expected to be on bookshelves by May 25, 2021. Doubleday will manage the first printing of 150,000 copies while the book will be published in hardcover,  e-book, and audiobook by Penguin Random House. The paperback version will be published by Anchor in 2022. A romance novelist, Stacey said she’s excited to join the legal thriller genre.

As an avid consumer of legal suspense novels and political thrillers, I am excited to add my voice into the mix. Drawing on my own background as a lawyer and politician, WHILE JUSTICE SLEEPS weaves between the Supreme Court, the White House and international intrigue to see what happens when a lowly law clerk controls the fate of a nation.

As we wait for Stacey’s next book, she spent 2020 becoming an icon in the political world and in the literary world.

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what's lit

Author Natasha Diaz Wants Us to Know Black Jewish Stories Matter

When Natasha Díaz discovered her debut novel was excluded from a Black Jewish book list, she went to Twitter to air her frustrations that led to a conversation on multiracial Jewish literature.

Natasha’s young adult novel Color Me In features a sixteen-year-old protagonist who moves in with Black mother’s family after her parents divorce, but her White Jewish father wants to throw her a belated bat mitzvah. The change in surroundings and circumstances heightens the racial and religious intolerance, according to the publisher Penguin Random House imprint Ember, but the teenager who’s usually quiet tries to find her voice amid the noise. On her author website, she says the book is “inspired by my experiences as a white passing, multiracial woman.”

In June, Natasha tweeted she had submitted the book that was first published in 2019 to the Association of Jewish Libraries for inclusion in its list of Black Jewish literature in light of the George Floyd protests. She said the association refused to add her book to the list.

The Association of Jewish Libraries created a list that includes the YA best-seller Little & Lion by Brandy Colbert, which comes from Little, Brown & Co. Books for Young Readers about a Black girl who’s trying to deal with her White Jewish stepbrother’s mental illness. The list is the seventh installment in the association’s Love Your Neighbor series, an initiative to promote works by Jewish authors in the aftermath of the 2018 Tree of Life Synagogue mass shooting in Pittsburgh.

By mid-June, Natasha started a campaign asking for followers to amplify Black Jewish writers whether they were published or unpublished. Within two months, she penned the article “What It’s Like to Be a Black Jewish Writer” in Alma, a digital media outlet focused on pop culture content about Jewish women.

I never read a character who was grappling with where to fit, how to own her whole self, and also how to take accountability for white presenting privilege, in a book. Yes, it’s a lot, but it’s my life, and while I was so incredibly proud to learn my book was “a first,” I couldn’t help but also feel infinitely sad that my Black Jewish experience, which is so impacted by my proximity to whiteness, is the only one to travel through the traditional publishing channels and represent young Black Jews in children’s literature.

In the article, she has a roundtable discussion that includes Marra Gad, the author of the award-winning memoir The Color of Love: A Story of a Mixed-Race Jewish Girl from Agate Publishing, and Rachel Harrison-Gordon, the filmmaker behind Broken Bird about a Black Jewish girl preparing for her bat mitzvah. Also in August, Natasha was interviewed by the Jewish Book Council and discussed her book’s impact.

Perhaps one of the most visible Black Jewish authors is Rebecca Walker, the daughter of writing legend Alice Walker, who wrote about her multiethnic upbringing in her first memoir, Black White and Jewish: Autobiography of a Shifting Self, published by Penguin Random House in 2002. Rebecca is the author and editor of seven books, including a debut novel called Adé: A Love Story, originally published by Houghton Mifflin Harcourt Publishing Co. and Amazon Publishing Co. in 2013. A year later, pop icon Madonna was set to direct a film based on the book.

Meanwhile, Natasha continues to discover and elevate multiracial and Black Jewish writers on social media who still battle deep-rooted hatred from within the White Jewish community and antisemitism outside the community.

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film reviews

Why ‘Waiting to Exhale’ Has Staying Power Onscreen

Today is the 25th anniversary of Waiting to Exhale‘s cinematic debut, a film that brought a never-before-seen look into the ’90s grown Black female experience. The timing coincides with author sisters Attica and Tembi Locke embarking on a project to bring Terry McMillan’s best-selling novel to TV. Currently in pre-production, the series is following in the footsteps of the 1995 film and adding the TV binge element to screen.

Mystery novelist and Empire screenwriter Attica Locke and her sister, memoirist and actress Tembi Locke, are under a script commitment with ABC and Empire creator Lee Daniels to bring the story to TV, according to Deadline. The entertainment website also noted in November that Terry McMillan will serve as a consulting producer. It’s been 25 years since Waiting to Exhale sparked a cultural phenomenon among Black female viewers who wanted to see their stories onscreen.

The film Waiting to Exhale starred the late singer Whitney Houston as Savannah, a TV producer who longs for a married man; Angela Bassett as Bernadine, a mother of two whose husband is leaving her for a White woman; Loretta Devine as Gloria, an overweight single mother who owns a hair salon; and Lela Rochon as Robin, an executive trying to elevate from mistress to wife. The story and film is set in Phoenix, Arizona, a city known for a low Black population but symbolically represents a phoenix rising from the ashes and starting over.

In Dorothy Butler Gilliam’s 2019 memoir Trailblazer: A Pioneering Journalist’s Fight to Make the Media Look More Like America about being the first Black female reporter at The Washington Post, she discusses the cultural impact of the film that opened in theaters on Dec. 22, 1995. She recounts the moment with her friend and Post executive, Joyce Richardson, and quotes her saying:

“‘Just like the friendship of the characters Gloria, Robin, Savannah, and Bernadine, our get-togethers lifted us up when we were down, helped us network, gave us shoulders to lean on, advice when we needed it, and a safe place to share the good and bad times,” she said. “Each of us could connect with the issues that these women had in one way or another.'”

The novel became a No. 1 best-seller and the film hit No. 1 on Christmas weekend 1995, dominating over Disney and Pixar’s first computer-animated venture Toy Story, Jumanji, and Grumpier Old Men.

The book’s characters are trying to figure out their relationships with men, which impact family, faith, and career, but it brings them closer as a way to de-stress. Friendship between women over men troubles is a common theme in works, but Waiting to Exhale incorporates the Black female perspective, which in 1992 was rare in contemporary literature.

With the 2000s HBO series Sex and the City still in reruns based on a novel by Candace Bushnell, the stories don’t age with time. But with Black women as the stars during a time when 47% of Black adults are single in a dating-app world, according to recent data from the Pew Research Center, the new show could resonate on a higher level than it did 25 years ago.

How the new version of Waiting to Exhale will be perceived in the #MeToo era, where women are looking for female friendships but may not be bonding over men trouble, has yet to be seen.

Amid the #BlackStoriesMatter movement sparked by the George Floyd protests, Terry McMillan tweeted earlier this year that she wasn’t getting the same amount of interest for her 2020 novel, It’s Not All Downhill From Here.

Attica Locke released her latest book, Heaven, My Home, last year. She’s also worked on the Netflix miniseries When They See Us about the Black men formerly known as the Central Park Five. Her sister, Tembi Locke, is an actress and wrote a grief memoir, From Scratch: A Memoir of Love, Sicily, and Finding Home, about moving forward without her late husband. The memoir, a former Reese’s Book Club pick, is on track to become a film on Netflix with the aid of Hollywood bookwoman Reese Witherspoon.

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what's lit

‘Fresh Prince of Bel-Air’ Stars Karyn Parsons and Daphne Maxwell Reid Talk Writing Life

The Fresh Prince of Bel-Air co-stars Karyn Parsons and Daphne Maxwell Reid spent Saturday talking about their literary ventures at the National Black Book Festival on Facebook Live.

Known for playing the iconic wealthy Black girl Hilary Banks on the hit ’90s NBC sitcom, Karyn has enjoyed a second career as a novelist and biographer managing a nonprofit geared toward bringing Black stories to life for kids. Daphne played the second rendition of Hilary’s mother, Vivian Banks, also known as Aunt Viv to star Will Smith’s character. She also mentioned her self-publishing experience.

Karyn, the founder and president of Sweet Blackberry Foundation focused on literary education, discussed her 2019 debut novel How High the Moon, a middle grade historical fiction novel set in the Jim Crow South.

“My mother grew up in Charleston, and she always talked about how happy her childhood was, how great everything was,” Karyn said during the panel. “Always a positive light. It took many years when it finally dawned on me the time that she grew up in and the location. So I started asking more questions.”

After pushing for more information, she said her mother grew up in a small town outside Charleston, South Carolina. The idea of the book came from her imagining if she grew up in the same location in the 1940s as a preteen Black girl. She added she was able to weave into the novel the true story of George Stinney Jr., a Black 14-year-old boy who was convicted and put to death in nearby Alcolu for allegedly murdering two White girls. He was exonerated in 2014, 70 years after his execution.

Along with the release of How High the Moon, Karyn also wrote a new children’s book titled Flying Free: How Bessie Coleman’s Dreams Took Flight with illustrations by R. Gregory Christie. It will be released in December.

The publisher of both books is Little, Brown Young Readers under the Hachette Book Group.

“I was just writing all day now that I didn’t have a show,” Karyn said about her writing hobby blossoming post-Fresh Prince. “I guess I was always writing, but I never thought of myself as a writer because I always thought of myself as an actor.” She added that a friend she had met after her famous TV role had become a literary agent and convinced her to write a novel to complement her work with Sweet Blackberry.

Her passion to bring Bessie Coleman, the first African American female licensed aviator, started with a Kickstarter project for an animated short that debuted last year at the Museum of the Moving Image in Astoria, New York.

Daphne, who has self-published four photography books and a cookbook, said she’s working on her memoir.

“I’m still not a writer; I compile,” Daphne said. “What I started doing was taking photographs. I started this photographic journey, and from this journey, I was talking about the prints that I was making and what the relationship of the prints had to life. I was doing presentations before groups and talking a lot about the experience of taking the pictures. And finally I said, ‘I keep repeating the same thing over and over again,’ so let me write it down.”

Her photography books focus on doors from all over the world. “I was trying to encourage people to look at the details in their life. That was my main focus, so I wrote.”

Though she took the self-publishing route, Daphne said she may look for an agent for the memoir she’s working on.

The two actresses are not the only ones from the Fresh Prince world to become authors. Show producer and writer Maiya Williams, whose name also appears in the iconic green graffiti font in the intro, also became a middle grade author.

Karyn and Daphne can be seen on TV again with the Fresh Prince reunion airing Thanksgiving weekend on HBO Max.

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what's lit

Rachel True Shares Her Tarot Journey in New Guidebook and Memoir

Rachel True, the unforgettable star of teen witch cult classic The Craft and weed cult classic Half Baked, has released a tarot-reading guidebook accompanied with personal essays and tarot cards she helped design.

Appearing with another well-known hippie “mixed chick” actress Cree Summer, Rachel discussed her new book set True Heart Intuitive Tarot, Guidebook and Deck on Crowdcast with Los Angeles indie bookstore Book Soup. Approximately 450 attendees remained online throughout the hour-and-a-half webinar.

On her website, she describes the book and card set as “22 memoir essays from my Mixed Black Jewish chick’s mystic minded Hollywood life” that includes 22 major arcana cards. She said the set gives lessons to readers just learning about tarot or wanting to expand their knowledge of tarot.

A set of 78 cards, tarot involves the practice of reading tarot cards to gain insight into the past, present or future by asking questions then interpreting cards. Arcana is defined as “mysterious or specialized knowledge, language, or information accessible or possessed only by the initiate,” according to Merriam Webster. The major arcana cards in a tarot deck represents big themes and changes at play in your current, past and future life. The minor arcana cards represent the current day-to-day aspects that affect making decisions.

Wearing her signature turquoise butterfly necklace, Rachel described in the webinar how she became an occultist, in this case a tarot reader, as a child. She said between the ages of four and five, she would access her parents’ bookcase and pull out Beyond Good and Evil by philosopher Friedrich Nietzsche and Man and His Symbols by Carl Jung.

“When a few years later, when one of my parents’ friends gave me a deck, I was like, ‘Oh, I know these. Wait, er,'” she said. “It kind of connected with me and related back to those two books because some of them, especially Man and His Symbols, had some images in black and white and some images that are on the tarot cards. And that’s how I really began getting into tarot.”

Rachel and Cree, who admitted she really got into tarot practice only in the past two years, said that tarot doesn’t align with any religion, so it shouldn’t be seen as devilish. Even if you get The Devil card, which could mean sins such as greed may be overtaking one’s attention.

“Black people and ethnic people quite often went to the soothsayer or the card reader in the neighborhood because they didn’t go to doctors and we didn’t have shrinks, so this is a long tradition here,” Rachel said, calling the practice a “shrink in a box and spiritual Xanax.”

Released Tuesday, the book is published by Houghton Mifflin Harcourt with illustrations by Stephanie Singleton. Rachel dedicated the book to Pamela Colman Smith, a key person in the early tarot movement when she illustrated the Rider-Waite tarot deck in 1909 for fellow British mystic and writer Arthur Edward Waite which became known as a standard. Rachel and Cree, who both identify as biracial calling their mothers dark-skinned Black women and their fathers White men, said Pamela’s story got buried in history as a biracial woman.

From 2002 to 2006, Rachel starred in the UPN sitcom Half & Half, which started streaming on Netflix on Thursday.

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what's lit

How Sister Souljah’s ‘The Coldest Winter Ever’ Got Yandy Smith Her Break in Hip-Hop

Original Love & Hip Hop: New York cast member Yandy Smith-Harris says the Sister Souljah classic The Coldest Winter Ever contributed to her big break in the music business.

Yandy’s candid interview in the recent airing of TV One’s Uncensored revealed how she had worked since high school in The Gap’s retail management program, but once the program was eliminated, she found her way into the office of hip-hop management firm and record label Violator. She said she asked an assistant for an internship. After hearing no, she said she kept pushing for more information but noticed the assistant was absorbed in a book. And she knew taking note of the book could open doors.

“‘Hey, I just wanted to let you know I got that book, The Coldest Winter Ever,‘” Yandy said she recalled saying to the assistant the next day after borrowing money from her mother to buy the book. “‘I noticed you were reading it, and I’m like, ‘Girl, Midnight, he sound like he about to be a number.’ And she’s like, ‘Wait till you get to chapter six, girl. It gonna get crazy,’ or something like that. I don’t remember. You know I read chapter six in about a day or two.”

Once she finished that chapter, she called the assistant again and asked her to lunch, so they could discuss the book. The assistant instead invited her back to the office, where Yandy met veteran hip-hop manager and soon-to-be VH1’s Love & Hip Hop creator Mona Scott-Young. Mona interviewed then hired Yandy on the spot for an internship.

Yandy became “Mona’s assistant’s assistant’s intern” and eventually was elevated to junior manager touring the globe with famous artists like Missy Elliott. Years later, she’d be on Mona’s reality TV show about the women behind rising male rappers via the first version of Love & Hip Hop that’s now a highly rated franchise.

Sister Souljah

A hip-hop musician herself, Sister Souljah attracted attention when she spoke out on racism during the 1992 presidential election, the same year the Los Angeles uprising occurred putting a light on racial tensions. She took her words to books with 1999’s The Coldest Winter Ever, which became an instant best-seller, especially among the hip-hop industry and its fans. A movie based on the book has been up in the air since the early 2000s with actress/producer Jada Pinkett Smith being rumored to be involved.

Sister Souljah’s follow-ups include 2008’s Midnight: a Gangster, 2011’s Midnight and the Meaning, and 2013’s A Deeper Love Inside chronicling the lives of Winter Santiaga and her drug-dealing family and community. The long-awaited The Coldest Winter Ever sequel, Life After Death, is expected to drop in March 2021.

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music reviews

Reading a Singer’s Memoir? Choose the Audiobook

Mariah Carey is the latest singer to tell her life story in a book that will be formatted into an audiobook she narrates. With singers using their actual voices in their memoirs, the audiobook has become the best format in this booming genre.

Last week, the five-octave diva revealed the title of her memoir, The Meaning of Mariah Carey. The book will be coming out via Henry Holt & Company’s Andy Cohen Books in the U.S., Pan Macmillan in the U.K., and Audible. The release date is Sept. 29 with Michaela Angela Davis, a well-known Black culture insider, as the co-writer.

 

The next day, as fans chimed on social media about the fate of an audiobook, Mariah confirmed her memoir will be in an audio format, linking to the Audible pre-order page. On Friday, in celebration of the 30th year of her career, she released a new album featuring one of her first concerts at the Tatou Club in New York during her 1990 debut.

Between new music and the audiobook, songstress memoirs are more entertaining to read, as evidenced by Jessica Simpson and Alicia Keys, the other major female artists who also released memoirs this year.

In Harper Collins’ Open Book, Jessica’s voice not only breaks with emotion at the emotional parts, but it also includes six new songs she wrote while writing the book. Her new music is still not available on streaming services as an exclusive for audiobook readers.

More Myself from Macmillan Audio has Alicia expressly telling her story with every chapter guest-starring family and friends from her mother, husband Swizz Beatz, and even ex-boyfriend and collaborator Kerry “Krucial” Brothers Jr. with of course Oprah Winfrey, Michelle Obama and Jay-Z. She also has spurts of singing to describe how albums or singles came together.

Jessica and Alicia have been promoting their books the best way they can amid the COVID-19 pandemic, but with cases rising in many states, even Mariah may have to deal with the same fate of not meeting fans in public who want their books signed, or their audiobook covers.

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what's lit

‘The Claudia Kishi Club’ Shows Love to Beloved ‘Baby-sitters Club’ Member

Asian American creatives describe how Claudia Kishi of The Baby-sitters Club series defined their upbringings in the 1990s.

The companion documentary The Claudia Kishi Club from director Sue Ding premiered Friday on Netflix, a week after the latest rendition of The Baby-sitters Club topped the viewing list.

Birthed in 1986 by Ann M. Martin, The Babysitters Club followed five middle schoolers then eventually seven who start their babysitting business in the fictional Stoneybrook, Connecticut as they deal with family issues, boy issues, and school issues. Of the original four is Claudia Kishi, who is Japanese American yet broke the model minority myth by failing her classes and prioritizing her art and fashion.

This is the sentiment of the creatives who participated in the 17-minute documentary. Those creatives include Naia Cucukov, executive producer on The Baby-Sitters Club series and executive vice president of development and production at Walden Media, the series’ production company; Yumi Sakugawa, comic artist; Sarah Kuhn, author of the Heroine Complex series featuring Asian American superheroes; C.B. Lee, author of the middle grade Sidekick Squad series; Gale Galligan, the illustrator behind The Baby-sitters Club graphic novels; and Phil Yu, the creator of the Angry Asian Man blog.

Claudia Kishi has been played by Jeni F. Winslow for the 1990 TV series that aired on HBO, Disney Channel, and Nickelodeon; Tricia Joe for the 1995 motion picture; and now Momona Tamada for the new Netflix series.

In the 1980s and 1990s, girls of color looked for the girls of color that represented them the most on TV, films, and books. Claudia became the literary heroine to look up to for Asian American girls.

“Usually the Asian American character or the woman of color character is the one you sorta feel you have to be,” said Sarah Kuhn. “Like if you’re playing Harry Potter, then you have to be Cho Chang where I feel like Claudia is the one everyone seems to want to be.”

Also the limited representation, or faulty representation, made a lot of girls of color question their visibility.

“You don’t see mirrors of yourself, thinking I’m broken or I’m not normal or I don’t exist. These thoughts are kinda subconscious,” said C.B. Lee. They’re pervasive, especially when you go on thinking that the world—or when you perceive the world as a world without you in it.”

The faulty representation also came from the lack of women of color being in charge of these media projects with mostly White women controlling the narrative.

“There’s definitely that quality of othering for sure where you know a lot of these stories are being told from the perspectives of young White girls,” said Gale Galligan. “In terms of racial representation—how do I put this?—I noticed that most of the people were White.”

The Baby-sitters Club famously switched perspectives between the seven members by telling their backgrounds in all of their books. With her Japanese heritage, Claudia is always described by her Asian features, which the creatives in the documentary found as offensive language that struck a chord.

“They somewhat problematically described her as having ‘almond-shaped eyes’ and ‘jet-black hair’ and ‘super-beautiful skin’ though she eats tons of junk food,” said Yumi Sakugawa.

The members include Kristy Thomas, the bossy president and founder; Claudia the vice president; Mary Anne Spier, the shy secretary; Anastasia “Stacey” McGill, the fun New York City girl and treasurer; Dawn Schafer, the fun California girl and alternate officer; Mallory Pike, the writer and junior officer; and Jessica “Jessi” Ramsey, the ballerina and junior officer.

For redheads, Mallory is the picture of representation as Jessi is for Black girls. Mallory and Jessi were introduced into the club later into the series as eleven-year-olds, so they have limited appearances in the Netflix show that just focuses on the original members.

Claudia is the only one who owns a landline, so the meetings take place in her bedroom where the girls exchange candy and other junk food that Claudia provides. Along with being the artsy candy lover, she is a horrible student always competing with older sister, Janine, who exceeds in school and speaks Japanese.

Jade Chang, author of The Wangs vs. the World, wrote the sixth episode titled “Claudia and Mean Janine,” also the title of the seventh book in the series published in 1988.

The author and now TV writer will be a part of “A Celebration of Claudia Kishi” along with Momona Tamada, Naia Cucukov; Heather Jack, director of episode “Dawn and the Impossible Three,” and The Claudia Kishi Club director Sue Ding. Hosted by Coalition of Asian Pacifics in Entertainment, Gold House, Japanese American National Museum, and Netflix, the webinar will be held Monday, July 13 at 5 p.m. PST.

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what's lit

‘The Vanishing Half’ Highlights Racial Passing Along with Previous Well-Known Novels

Perched on The New York Times Best Sellers list for the past four weeks with an HBO miniseries in the works, The Vanishing Half by Brit Bennett is the anti-racism novel we need right now as the country grips with another tide of facing race relations.

The Vanishing Half, a novel in the 350-page range in the hardcover format, follows light-skinned Black twin sisters as they run away from their unique Louisiana town with only people of their complexions to New Orleans in the 1950s. As they adjust to their new lives, one twin disappears without a trace to pass as White to marry her White boss while the other one returns home after her abusive marriage to a dark-skinned Black man.

The colorism conversation when it comes to “passing”—when someone decides to disguise themselves in another race or ethnicity for a better quality of life—has been seen in previous books from decades prior when the act was practiced more often.

Passing was more common in the early 20th century amid the Great Migration and European immigration defining the big cities. Mostly when passing is mentioned, it’s in reference to Blacks with complexions light enough to pass as White, but European immigrants also practiced this with some considered to have darker skin like Italians passing for Jews, Jews passing for Gentiles, Poles passing for Germans, and Whites passing for Blacks, according to Neither Black Nor White Yet Both: Thematic Explorations of Interracial Literature by Werner Sollors.

At the end of The Vanishing Half, Brit says she was inspired by Imitation of Life, more the 1959 film rather than the 1933 novel it was based on by White Jewish author Fannie Hurst, who came under fire at the time for stereotypical presentations of the Black mother character as a Mammy figure and her light-skinned daughter as a tragic mulatta passing as White. Culturally, it’s become a cinematic classic with Black mothers using the film as a cautionary tale for their Black daughters to not neglect their matriarchs under any circumstances, especially for White privilege.

During the Harlem Renaissance, Fannie also was a secretary for now-celebrated author Zora Neale Hurston while famed poet Langston Hughes created a satire play of Imitation of Life that reversed the roles with a Black family and a White maid. For insight on the tumultuous friendship of Zora and Langston mainly due to their relationships with others in the movement and their disagreements about their plays, check out Zora and Langston: A Story of Friendship and Betrayal by Yuval Taylor.

The practice of passing has left holes in Black families since the end of slavery, and it’s a topic that’s still relevant today as people may or may not defend their ethnicities based on their looks. Nella Larsen, a biracial author from the Harlem Renaissance wrote a 1929 novel called Passing, a tale about two Black childhood friends in 1920s New York who are both light-skinned enough to pass as White. One woman does pass while the other stays in the Black community, similar to The Vanishing Half. Starring actresses Tessa Thompson and Ruth Negga, Passing will be a film set for release this year, according to IMDb.

Nella, a daughter of a Danish woman and a Danish West Indian man, was considered a rising star in the Harlem Renaissance with Passing and her only other novel Quicksand. After becoming the first Black woman to receive a Guggenheim Fellowship that she used for an artistic journey through Europe, she returned to New York and her nursing career, shedding her novelist life. With growing up in an all-White family after her father died and her mother remarried, her novels are considered semi-autobiographical.

The Passing film’s directors, Deborah Riley Draper and Jennifer Galvin, are also developing a TV series on the book described as “Downton Abbey meets Get Out.” And with The Vanishing Half also being turned into a miniseries for TV, stories on the history of racial passing, particularly for Black women, may gain more attention.

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what's lit

Literary Agents Who Accused Another of Racist Act Start Legal Defense Fund

Days after George Floyd was killed by police in Minneapolis, the city exploded into protests. An argument on whether or not to call the police when civil unrest becomes destructive exploded between literary agents and now has led to legal action.

Red Sofa Literary Agency owner Dawn Frederick tweeted May 28 on a now-deleted Twitter account that she called police on alleged looters during a night of unrest in the Minneapolis area.

Another literary agent Beth Phelan, who works with the Gallt & Zacker Literary Agency and the Twitter pitch party #DVpit creator, tweeted that Dawn’s actions were “disingenuous and gross.” As agents began to quit from Red Sofa Literary, the business was mentioned throughout book Twitter with the allegations by other literary agents, authors, and prospective authors. Now those agents who helped those tweets go viral have received cease-and-desist letters.

Beth; Laura Zats, founder and literary agent of Headwater Literary Management and co-host of the award-winning Print Run podcast; Kelly Van Sant, a former Red Sofa Literary agent who resigned over Twitter; and Isabel Sterling, young adult author of These Witches Don’t Burn and the upcoming The Coldest Touch, said they all received cease-and-desist letters from Dawn’s defamation specialist lawyer, Marshall H. Tanick of the Minneapolis firm Meyer Njus Tanick.

From the letter posted on Twitter by Laura, Dawn is requesting the group stop accusing her of racist acts and being racist, remove all tweets related to the accusations, and “prepare and post a corrected statement indicating that she did not make any racist or other improper statements, casting aspersion on her, her character, or her reputation.” Laura added in a subtweet that Dawn had told her to “back down” when an agent threatened legal action against her over sharing a link.

The group started “A Bookish Legal Defense Fund” GoFundMe page to pay for their legal costs and wrote their own letter. Their lawyer is J. Remy Green, a partner with New York firm Cohen & Green, who also specializes in defamation. The fund has $15,000 out of its $75,000 goal with over 400 donors as of June 18, a week after the fund was created.

Dawn posted an apology in a letter on Red Sofa Literary’s homepage on May 30.

I’m deeply sorry for anyone I hurt with this careless action.

 

The authors and agents who may now question whether or not we share the same ideals have every right to feel this way. My actions were tone-deaf and the product of my own privilege—even if they were unintentionally so.

Book Twitter kept buzzing about the sincerity of the apology days later while authors like Foz Meadows who worked with Red Sofa Literary in the past shared their issues with Dawn and the agency. Dawn is closed to queries and three other agents still work at the agency.

The social media battle happening across industries and circles around the civil unrest has led to plenty of cancel culture, but book Twitter is moving fast with its cancellations.

Another literary agent, Marisa Corvisiero of Corvisiero Literary Agency, also received backlash for representing The Maze Runner author James Dashner, who had been accused of sexual misconduct and was dropped by his literary agent at the time in 2018. After agents also began resigning over Twitter, Marisa let go of all her agents, according to an internal email retained by Science Fiction & Fantasy Writers of America’s Writers Beware.

Last week, the National Book Critics Circle lost more than half of its 24-member board after 15 members resigned over drafting a statement in support of Black Lives Matter. One board member, Carlin Romano, called “the full benefits of white supremacy and institutional racism” and “white gatekeeping had been working to stifle black voices at every level of our industry,” as the statement read, “absolute nonsense,” according to photo screenshots from Hope Wabuke, a Ugandan-American author who suggested making the statement and eventually stepped down from the board.

The National Book Critics Circle wrote in a statement that it would delay its awards to focus on diversity efforts.

“The NBCC Board is committed to reimagining the entire organization and restructuring in a way that modernizes the NBCC and demonstrates a clear commitment to racial and social justice. We will not move forward as an organization unless we have met the ideals we aspire to.”

 

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what's lit

#PublishingPaidMe Reveals Pay Discrepancies Between Black and White Writers

Going into the third week of protests over the police killing of George Floyd, book Twitter went down another road in revealing the racial bias in publishing.

A Blade So Black and A Dream So Dark author L.L. McKinney started the #PublishingPaidMe Twitter hashtag on Saturday to invite White authors to share the advances they received on their books to give Black authors insight on what they received for theirs.

Writer’s Digest shares this definition of an advance versus a royalty:

An advance is a signing bonus that’s negotiated and paid to the author before the book is published. It’s paid against future royalty earnings, which means that for every dollar you receive in an advance, you must earn a dollar from book sales before you start receiving any additional royalty payments.

Though L.L. tweeted she made the hashtag to discover numbers from only White authors, Black authors and other authors of color decided to share their numbers.

One author is Dhonielle Clayton. Her debut fantasy young adult novel The Belles that published in 2018 is seen as inspiration in the multicultural fantasy YA genre. She shared she only received a $45,000 advance for her book though it was in one of the hottest genres at the time amid the publishing industry’s alleged push toward diversity and inclusion with adding more authors of color on their rosters and books featuring characters of color.

In a quote tweet from White YA novelist Laura Sebastian, Zoraida Córdova, who also writes fantasy YA, said she received $7,500 for Labyrinth Lost, which features Latinx characters inspired by her Ecuadorian roots. She added it’s her best-selling book yet. Laura, the author behind the Ash Princess series, tweeted she had received six-figure deals for each book in each of her three trilogies, the next two with debut novels set for 2021.

Laura later tweeted she received backlash for putting up such high numbers and was accused of distributing “sexual favors.” Battling the sexism online, she added she wanted to be an ally and share her reality.

Myriam Gurba, the queer Chicana memoirist behind Mean and the main campaigner to spread awareness on Jeanine Cummins’ White narrative version of the Mexican immigration story in the best-seller American Dirt, said she just earned $3,000 for Mean.

Nigerian-American novelist Nnedi Okorafor who specializes in literature highlighting Africanfuturism and Africanjujuism said she wouldn’t share her numbers but offered the alternative of not taking advances and just receiving royalties. From her tweet, she implies that royalties put more money in her hands in the long run, especially for her award-winning novella trilogy Binti.

The #PublishingPaidMe hashtag is an eye-opening account of how authors who are not White and cisgender may be lowballed for their work, the work readers pay for and check out from libraries, actions that produce a lot of money for publishers.

This conversation may trigger a long-term movement in the publishing industry, where publishers have the opportunity to divide budgets more equally instead of basing sale projections on the myth that diverse stories don’t sell well. Even with the success of books such as Angie Thomas’ The Hate U Give and Kiley Reid’s Such a Fun Age, that myth still lingers, especially when these Black authors and very few others made news with their advances.

Jesmyn Ward, who won the National Book Award twice, tweeted Monday that her publisher did not want to give her $100,000 for her next book after Salvage the Bones received the award.

Mary Karr, Robinne Lee, and Lilliam Rivera were a few of the authors to respond to Jesmyn’s claims. In a series of tweets, Jesmyn clarifies how her other works fared like Men We Reaped and Sing, Unburied, Sing, which was her first book to earn a $100,000 advance.

L.L. added in multiple tweets that there will be continuation in the discussion where Black authors will be asked to share information.

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what's lit

YA Author Kimberly Jones Explains Civil Unrest Logic in Viral Video

A young adult author’s video interview discussing how race, socioeconomic status, and history are the root of the latest civil unrest has gone viral.

Kimberly Jones, the co-author of the young adult novel I’m Not Dying With You Tonight along with Gilly Segal, passionately spelled out why people are protesting, rioting, or looting after the Memorial Day death of George Floyd, who was killed by police officers in Minneapolis. His death has sparked nationwide civil unrest as the U.S. slowly comes out of the COVID-19 quarantine.

In a George Floyd tribute T-shirt, Kimberly says she supports both viewpoints from Black people saying they don’t want rioting or looting in our communities and they don’t want to support mainstream White-centric businesses. She then breaks down the difference between protestors, rioters, and looters—a definition that the media struggles with in its reporting, which leads to people misunderstanding the situation such as in the example with the Red Sofa Literary Agency founder who called police on people she classified as looters last month.

“Let’s ask ourselves why in this country in 2020 the financial gap between poor Blacks and the rest of the world is at such a distance that people feel like their only hope and only opportunity to get some of the things that we flaunt and flash in front of them all the time is to walk through a broken glass window and get it,” Kimberly says in the video.

“But they are so hopeless that getting that necklace, getting that TV, getting that change, getting that bed, getting that phone, whatever it is they’re going to get because in that moment when riots happen and they present an opportunity of looting that’s their only opportunity to get it. We need to be questioning that. Why are people that poor? Why are people that broke? Why are people that food-insecure, that clothing-insecure?”

What also helped the video go viral is her Monopoly comparison to how economics work in America.

“If I right now decided to play Monopoly with you and for four hundred rounds of playing Monopoly, I didn’t allow you to have any money,” she says, pointing to the four centuries that Black people have been in the U.S. dealing with injustice after injustice. “I didn’t allow you to have anything on the board. I didn’t allow for you to have anything. And then we play another fifty rounds of Monopoly and everything that you gained and you earned while playing that round of Monopoly was taken from you.

“That was Tulsa, that was Rosewood. Those were places we built Black economic wealth, and we were self-sufficient. We owned our stores. When we owned our property. And they burned them to the ground.”

She refers to the race massacres in Tulsa, Oklahoma in 1921 and Rosewood, Florida in 1923 in which White mobs destroyed thriving Black communities. Descendants of people who were impacted by those massacres are calling for reparations.

In a tweet, Kimberly wrote, “I just took the time to go through the first hundred or so responses in this thread and I am FLOORED! The support is so welcome and overwhelming.”

https://twitter.com/kimlatricejones/status/1269275215663685635

Titled “How Can We Win,” the video interview is on YouTube via David Jones Media and has a timestamp of being posted on June 1 and the interview conducted on May 31. David Jones wrote in the video’s summary:

“On day two, Sunday the 31st, he activated his dear friend author Kimberly Jones to tag along and conduct interviews. During a moment of downtime he captured these powerful words from her and felt the world couldn’t wait for the full length documentary, they needed to hear them now.”

Academy Award-winning filmmaker Matthew A. Cherry, who recently received the golden Oscar statue for his six-minute film and accompanying book Hair Love illustrated by Vashti Harrison, shared the video on June 5.

Authors like Angie Thomas and Jason Reynolds were quick to point out that Kimberly is a Black author who deserves the support with the purchase of her book. Harper Collins Publishers’ Epic Reads even chimed in.

According to the book’s description, “I’m Not Dying with You Tonight follows two teen girls―one Black, one White―who have to confront their own assumptions about racial inequality as they rely on each other to get through the violent race riot that has set their city on fire with civil unrest.”

The video is approaching half a million views on YouTube.

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what's lit

Agents Resign After Red Sofa Literary Owner Calls Police on ‘Straight Up Looters’ in Minneapolis

As the death of an unarmed Black man killed at the hands of police in Minneapolis sparks protests, a local literary agency owner is being criticized for notifying police about so-called “looters.”

Literary agents who worked at Red Sofa Literary Agency, located in the Minneapolis twin city St. Paul, have been announcing their resignations on Twitter and letting aspiring authors know their queries may go unanswered due to owner Dawn Frederick’s actions. It’s in response to the uprisings in Minneapolis and other U.S. cities over the death of George Floyd, who was killed after a police officer knelt on his neck for almost nine minutes on May 25 to place him in custody for alleged forgery.

On May 28, Dawn said during protests she called the police to alert officers to what she viewed as looting and property damage.

The people who did this had busted the doors and many people were running out with items in their arms, jumping back into their cars, and hightailing it off the block. It was straight up looters.

Please note: there were NO protestors present. Zero protestors.

She continues in her statement on the agency’s website that she’s participated in protests in support of Black, Indigenous and People of Color. She also added she’s “incredibly saddened” by George Floyd’s death, especially since it happened in her city.

Having seen people get arrested when protesting, I’d never under any circumstances call the police on someone for protesting. That goes against everything I do when it comes to honoring (and participating) in protests.

But her fellow literary agents disagreed as they were still resigning as of Saturday afternoon, the height of protests across the U.S. marching in solidarity over police brutality. Kelly Van Sant, Amanda Rutter, and Stacey Graham shared their resignation letters on Twitter. According to the list of agents on the website, Dawn and Liz Rahn, who hasn’t tweeted in weeks, may be the only ones left.


Abby Jimenez and Barb Curtis are two authors who expressed they’ll be leaving the literary agency along with their agents. Some aspiring authors announced rescinding their queries to and contracts with the agency. Beth Phelan, the creator of the #DVpit Twitter pitch party for aspiring marginalized authors, shared the story to her 23,800 followers that may have helped it go viral on book Twitter.

She and other supporters quote-tweeted the agents who resigned and asked their followers to assist them in finding another job.

Dawn has owned Red Sofa Literary since 2008, according to the agency website. Her experience shows her dedication to the local literary community with being a co-founder of the MN Publishing Tweet Up and a member and teaching artist of the BOD for Loft Literary. Book editor Jake Klisivitch stood in solidarity with Dawn but received backlash on social media for his support.

Her Twitter account @redsofaliterary doesn’t exist anymore after sharing her reasons for calling authorities amid the protests; the agency can be found on @TeamRedSofa.

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what's lit

Quarantine Life Lessons From Nicola Yoon’s ‘Everything, Everything’

With most of the U.S. population under some type of stay-at-home measure, it may feel like we’re Madeline Whittier from Nicola Yoon’s 2015 blockbuster young adult novel Everything, Everything. The 17-year-old character stays home her entire life after her doctor mother diagnosed her with severe combined immunodeficiency, meaning she’s allergic to pretty much everything.

Maddy’s illness keeps her indoors all day every day. Her mother takes every precaution to make sure Maddy’s bubble stays clean, with the assistance of Maddy’s home nurse Carla. But once Maddy lays eyes on her new neighbor Olly outside her bedroom window, she questions the lifestyle her mother put her in after her father and younger brother died years before.

Since Maddy stayed inside for 17 years, she has moments in the book that reflect on what many may be experiencing now amid the COVID-19 coronavirus pandemic.

KEEP THE CONSTANT ONLINE INTERACTION

At the start of the chapter “Secrets,” Maddy expresses how her online communication is reducing her sleep: “My constant IMing with Olly is catching up with me. I fall asleep during not one but two movie nights with my mom. She begins worrying that something’s wrong, that my immune system is compromised somehow.”

As Maddy and Olly mostly depend on online interaction, they exhibit the qualities many people are feeling now with using social media like Instagram Live and videoconferencing tools like Zoom to stay in touch because they can’t see each other in person. Authors are using IG Live to read their works, give writing lessons, and interview each other. Book clubs have found refuge with Zoom to keep their book selections on schedule and continue or start face-to-face meetings.

MAKE FANCY HOME-COOKED DINNERS

The “Menteuse” chapter describes the dinner traditions between Maddy and Pauline, which sometimes include Carla. “Everything at Friday Night Dinner is French. The napkins are white cloth embroidered with fleur-de-lis at the edges. The cutlery is antique French and ornate. We even have miniature silver la tour Eiffel salt and pepper shakers.”

She goes on about how Pauline likes to make cassoulet, “a French stew with chicken, sausage, duck, and white beans.” Except their cassoulet only contains the white beans because of Maddy’s allergies.

One of the conversations that keeps coming up online during the coronavirus isolation is people are either learning to cook or taking pleasure in cooking their own meals. To dress up dinner night, incorporate a theme to keep spirits high at least once a week for yourself or your family.

EXAMINE STRANGE DREAMS

In “My White Balloon,” Maddy describes a dream she had about the house breathing in line with her. On an inhale, walls collapse, but on an exhale, they expand.

According to the World Economic Forum, a sleep expert says the reportedly high rate of vivid dreams people are having during the coronavirus lockdown may be due to information and emotional overload. Maddy is having similar dreams early on in the book when she first sees Olly, which revs her up to find out more about him and how to communicate with him.

MOVE THROUGH THE BOOKSHELF

In “Madam, I’m Adam,” Maddy tells us she returns to a lot of her favorite books: “Sometimes I reread my favorite books from back to front. I start with the last chapter and read backward until I get to the beginning. When you read this way, characters go from hope to despair, from self-knowledge to doubt.”

If you have an obsession to outpace your book consumption with buying more books before finishing most of the ones already on your shelf, then this may be the perfect time to make a dent in your home readership. With physical libraries closed, it makes us value the books we own and revisit the ones we love. More people, not really bibliophiles, have done Marie Kondo makeovers on their bookshelves, so bulking up a skimpy bookshelf can still be done with supporting independent bookstores and checking out library e-books through a mobile device.

Everything, Everything was also made into a motion picture in 2017, starring Amandla Stenberg, Anika Noni Rose, and Nick Robinson.

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what's lit

Author Jia Tolentino and Model Kaia Gerber Discuss What to Take From ‘Trick Mirror’ During Quarantine

The novel coronavirus quarantine has produced another celebrity book club. Supermodel Kaia Gerber, daughter of the legendary Cindy Crawford, started a book club that’s already receiving praise from fans and young Hollywood.

Now a month into her book club, she had an Instagram Live conversation with Jia Tolentino, the author of Trick Mirror: Reflections on Self-Delusion, on Friday night with an average high of 2,200 viewers. Kaia started the chat saying she found the book to be a refreshing take on modern-day philosophy.

This is how publisher Penguin Random House describes the essay collection: “Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die.”

A staff writer at The New Yorker, Jia talked about the ills of the internet and social media, a focus in her book, but also mentioned its current necessity as we grapple with self-isolation and quarantine due to the coronavirus crisis. Jia brought up how the internet and social media has made people perform for attention. She asked Kaia about her personal experiences since the Gen Z model has 5.5 million followers due to her career and stature.

Now 18, Kaia said she started her Instagram at 14 and noticed how social media can change a person and their professional goals and give more attention to influencers rather than, for example, doctors and nurses who are saving lives during the COVID-19 pandemic.

“The internet, for better for worse, is the biggest change of this era,” Jia said during the conversation. “It’s become this nervous system of our society… There’s an unavoidable centrality to it that seems like every story in a way is an internet story, no matter what.” She added we have a natural impulse to be seen, to be recognized, to be liked, and the business of social media takes these behaviors and monetizes “every inch of human life.”

They discussed how social media and the internet has to be impacting teens’ lives now and adding unique pressures never before experienced. Jia, a millennial who said she graduated during the Great Recession, said it would’ve been “dark” if she owned a smartphone in high school. With dreams to attend Columbia University, Kaia said as social media became a regular existence around her and she became hyper cautious in order to stay clean for college application times.

Jia pointed out to the feminism parts of the book where women were not able to apply for credit cards alone until the Equal Credit Opportunity Act in 1974 and how marriage is supposed to be the main life-changing event for a woman. Kaia brought up how her mother’s wedding dress was revolutionary in a way because it was a slip dress when sexy was looked down upon for a bride.

The chat came to a close with Jia saying how clear it is during the coronavirus quarantine that we can’t wholly replace in-person interaction with the internet and social media. Kaia said she would read anything else Jia writes and added the excitement of being able to have the conversation:

“This is the coolest thing ever. Truly the only people I fangirl over are writers and authors because I admire it so much because the idea of sitting down and writing an entire book is so intimidating to me, but I would read all of them.”

Earlier in the month, Kaia had an Instagram Live chat with the stars of Normal People on Hulu, Daisy Edgar-Jones and Paul Mescal. The TV series is based on Sally Rooney’s literary fiction book about two unlikely friends who develop a complex relationship in high school then college.

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what's lit

Black Fantasy YA Authors Discuss How They Are Revolutionizing the Genre

Up-and-coming Black fantasy young adult authors convened on a YouTube video chat hosted by Black Girls Create to go deeper into how they gravitated to the genre and what they hope their works can achieve for readers.

Bayana Davis of Black Girls Create, a hub for Black female creators, moderated the first half of the #KuumbaKickback conversation featuring Nandi Taylor, Jordan Ifueko, Namina Forna, and Roseanne A. Brown. Porshèa Patterson-Hurst moderated the second half with authors Kalynn Bayron, Tracy Deonn, and Bethany C. Morrow.

All the authors, who also participated in a #DontRush video challenge, mentioned how they fell in love with the fantasy genre but failed to see characters that looked like them and how the lack of visibility led to their writing careers. The video of the conversations are available on the Black Girls Create’s YouTube channel now.

Nandi Taylor is the author of Given. The story is about why “island princess Yenni is searching for a way to save her father’s life, but a handsome yet infuriating shapeshifting dragon becomes an unexpected distraction,” according to publisher Wattpad. The book is out now and has reached 1.2 million reads.

Nandi opened up about how she felt when trying to insert herself into certain fantasy stories, which created a conversation among the authors about being a Black girl who loved fantasy but not seeing Black girls in the stories.

“I loved reading fantasy, but the fantasy worlds I was reading about were very Eurocentric and it felt—how do I say this?—it felt wrong to insert myself in those worlds, which is sad to say. I felt kind of guilty like I wasn’t meant to be there. So I started writing my own world, so I can do that self-insertion without feeling guilty or ashamed.”

Jordan Ifueko is the author of Raybearer. Publisher Abrams’ imprint Amulet Books says “with extraordinary world-building and breathtaking prose, Raybearer is the story of loyalty, fate, and the lengths we’re willing to go for the ones we love.” The book is available on April 14.

Jordan spoke about how African influence in fantasy and science fiction stories was historically erased or not accurately documented amid colonialism.

“I wanted to write fantasy because I wanted a story about a magical Black girl who didn’t have to endure slavery or systematic subjugation to win something. I feel like there are so very few stories based on real life, which that happens to Black girls, not because there weren’t Black girls who were awesome and powerful but because those stories were not recorded in history. Precolonial Africa, especially West Africa, had powerful women all over the place, but we don’t hear about those women because you have to dig and dig and dig and dig to even get a reference to some of those heroines because the history was written by the colonizers and they didn’t care.”

Namina Forna is the author of The Gilded Ones. The debut novel is described as “the start of a bold and immersive West African-inspired, feminist fantasy series for fans of Children of Blood and Bone and Black Panther. In this world, girls are outcasts by blood and warriors by choice.” The book is scheduled for release in spring 2021.

Namina described her experience of immigrating to Atlanta from Sierra Leone at a young age and dealing with post-traumatic stress syndrome once she was old enough to understand the effects of the civil war in her native country.

“One of the ways I was able to cope with everything that was happening was by disappearing into fantasy. I would read, read, read, read a lot. When you read, you’re able to ignore what is happening around you and even when I came to America and really started understanding what was happening more, for me I loved disappearing into fantasy worlds. They’re my safe space. I think that is the importance of fantasy: it’s a place in which you can disappear, in which you can deal with things you might not have the wherewithal to deal with.”

Roseanne A. Brown is the author of The Song of Wraiths and Ruin. Publisher HarperCollins calls the book “the first in a gripping fantasy duology inspired by West African folklore in which a grieving crown princess and a desperate refugee find themselves on a collision course to murder each other despite their growing attraction.” The book will be out June 2.

Roseanne, who immigrated to the U.S. from Ghana at a young age, said fantasy was the genre of choice for her to weave in today’s racial issues.

“While I really respect contemporary writers in what they can do to bring things in the here and now to engage on our level, I found putting it a step away and putting it in a different world—in a world that mirrors our own, reflects our own—to really come to terms with heavier things like we see in race. We have intergenerational trauma, we have violence against girls, we have self-harming—those are all real things teens in our world are dealing with.”

Tracy Deonn is the author of Legendborn. The novel is “filled with mystery and an intriguingly rich magic system, Tracy Deonn’s YA contemporary fantasy Legendborn offers the dark allure of City of Bones with a modern-day twist on a classic legend and a lot of Southern Black Girl Magic,” publisher Simon & Schuster wrote. It’s scheduled for a Sept. 15 release. Tracy also contributed to Our Stories, Our Voices: 21 YA Authors Get Real About Injustice, Empowerment, and Growing Up Female in America.

Tracy spoke about noticing the very few Black characters in science fiction and fantasy media while she was growing up and trying to connect as a Black girl to the characters she loved.

“I remember being drawn to certain characters consistently and wanting more from them. We talked about Star Trek already. Obviously, I liked Uhura. I could’ve watched the whole show about her. I wanted to watch a whole show about her. I was drawn to any character in any fantasy TV show, cartoon, or otherwise who looked vaguely Black in any sort of way I was like that’s me.”

She mentioned her feelings when Storm Reid, who’s Black, was cast in Disney’s 2018 Ava DuVernay version A Wrinkle in Time based on Madeleine L’Engle‘s middle grade fantasy classic, which also starred bookish celebrities Oprah Winfrey, Reese Witherspoon, and Mindy Kaling. “

The little part of me inside was, ‘This is revolutionary. This idea that we can be Meg.’ That was fulfilling in a long arc in a way of reading that and wanting to be Meg and actually seeing it later as an adult.”

Bethany C. Morrow is the author A Song Below Water. It is “a captivating modern fantasy about Black mermaids, friendship, and self-discovery set against the challenges of today’s racism and sexism,” wrote publisher MacMillan. The book is expected to be out on June 2. Bethany also wrote Mem and edited and contributed to the YA anthology Take the Mic: Fictional Stories of Everyday Resistance.

Bethany promoted science fiction in the post-slavery diaspora since many recent Black fantasy stories take place in Africa, saying these stories are necessary to tell to incorporate all types of Black characters.

“Even when I do science fiction, I’m always dealing with what it means to be a Black American. I think that is extremely important. I think that Black American kids need fantasy and science fiction that is Black American science fiction, Black American fantasy that doesn’t make them feel like it’s second fiddle to something else, like it’s derivative, it’s not as important, to liken it to something to be ashamed of. Again feeling like you’re supposed to take ownership of something and divorce from what has been done to you is something I’m not OK with… I love all the West African folklore that’s coming out. Central African fantasy and that sort of thing. I’m in love with all that stuff. It’s never a neither nor situation but again as a Black American child who grew up on the West Coast, I deserve to see myself specifically too. I deserve not to be erased from the American tradition, from the American culture, from American histories and storytelling, so I’m specifically writing diaspora fantasy, diaspora science fiction.”

Kalynn Bayron is the author of Cinderella Is Dead. The story takes place “200 years since Cinderella found her prince, but the fairytale is over” according to publisher Bloomsbury, which adds it’s “an electrifying twist on the classic fairytale that will inspire girls to break out of limiting stereotypes and follow their dreams!” The book will be available on June 8.

Kalynn discussed the hardships of growing up as Black girl in Portland, Oregon, where Bethany’s A Song Below Water takes place, and how reading fantasy became a refuge.

“What happens there when you are a brown girl, growing up there as a child, it makes me emotional to think about the environment there and how it affects you and how the racism is very polite…. Writing about characters that fit into the intersection of race, gender, sexuality in the fantasy genre is really important to me. It is something I want to keep doing.”